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| henrico arena: Giotto the Painter. Volume 1-3 Michael Viktor Schwarz, 2023-04-17 Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of life and work. The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies. |
| henrico arena: Rotuli Parisienses (2 Vol. Set) William J. Courtenay, Eric D. Goddard, 2012-12-19 This edition of the numerous supplications from members of the University of Paris for papal benefice support during the pontificate of the Avignon pope Clement VII (1378-1394) provides important documentation on Parisian scholars and papal beneficial policy in the early years of the Papal Schism. |
| henrico arena: Rotuli Parisienses (2 vols.) William J. Courtenay, Eric D. Goddard, 2013-03-27 This volume continues the edition of the rotuli, or lists of benefice supplications, sent to the papacy by masters, bachelors, and students at the University of Paris in the fourteenth century. It specifically covers the pontificate of the Avignon pope Clement VII (1378-1394). It also contains letters of provision, in abbreviated form, that resulted from those petitions, along with a large number of supplications from individual Parisian scholars either submitted independently or, more frequently, through another sponsor. In contrast to earlier papal beneficial policy, Pope Clement responded favorably to many petitions from students in the faculty of arts at Paris, some of them in the beginning years of their undergraduate education. Thus, in addition to providing important information on Parisian scholars and papal beneficial policy in the early years of the Papal Schism, it documents a portion of the university community otherwise invisible, namely undergraduate students, and reveals the connections between Parisian scholars and social and ecclesiastical patrons at the end of the fourteenth century. The book concludes with an index of the names of scholars and patrons as well as a place-name index locating the parish and collegiate churches mentioned in the texts. Along with the two earlier volumes, this edition represents the largest body of new documentation for the pre-fifteenth century University to appear since the publication of the Chartularium Universitatis Parisiensis at the end of the nineteenth century. |
| henrico arena: Verzeichnis der in den Registern und Kameralakten Clemens' VII. von Avignon vorkommenden Personen, Kirchen und Orte des Deutschen Reiches, seiner Diözesen und Territorien, 1378-1394 Emil Göller, 1916 |
| henrico arena: Die Familiennamen Wesels Heinrich Gloël, 1901 |
| henrico arena: Windsor Castle Sir William Henry St. John Hope, 1913 |
| henrico arena: A Treatise on the Vine William Robert Prince, William Prince, 1830 |
| henrico arena: A Treatise on the Vine; embracing its history from the earliest ages; ... together with a ... dissertation on ... Vineyards. By W. R. Prince, aided by W. Prince William Robert PRINCE, 1830 |
| henrico arena: Giottus pictor Michael Viktor Schwarz, 2008 Der fünfte Teil behandelt die Werke ab ca. 1320. Dieser Phase werden alle architektonisch gerahmten Polyptchen zugewiesen (auch der meist früh datierte Badia-Altar). Sie stehen im Wettbewerb mit den sienesischen Polyptychen in der Nachfolge der Maesta und antworten diesen mit einem stark von cisalpiner Gotik geprägten Entwurf. Überhaupt prägt der Wettbewerb mit den Sienesen diese Werkphase. In der Peruzzi-Kapelle wird nochmals an neuen Bildkonzepten gearbeitet. Extreme Offenheit gegen den Betrachter im einen Fresko (Tanz der Salome) steht gegen einen Fenstereffekt, der auf Albertis Konzept vorauszuweisen scheint, im anderen (Erweckung der Drusiana). Das Schlußkapitel versucht Giottos Werk in die Medienlandschaft der Jahrzehnte um 1300 einzuordnen und zu zeigen, wo er genommen und wo er gegeben hat. In einem Anhang wird dann die Campanile-Planung untersucht.^ |
| henrico arena: Norfolk Archaelogy Anonymous, 2023-06-10 Reprint of the original, first published in 1872. |
| henrico arena: Manuel du libraire et de l'amateur de livres, contenant: A-C; v.2: D-K; v.3: L-Q; v.4 R-Z; v.5: Table metodique, Collections Jacques-Charles Brunet, 1842 |
| henrico arena: Manuel du libraire et de l'amateur de livres Jacques-Charles Brunet, 1842 |
| henrico arena: DE SCRIPTORIBUS ECCLESIASTICIS Liber Unus Robert Bellarmin (svatý), Philippe Labbe, 1728 |
| henrico arena: AudArena Stadium ... International Guide , 1988 |
| henrico arena: Teatro della nobilta del mondo del sig. dottore don Filadelfo Mugnos ... Doue si leggono molte famiglie imperiali, regie, ed altre titolate, e graduate ... e tutte l'altre famiglie nobili d'Europa, d'Asia, e d'Africa ... nelle quali si scorgono le serie, i dominij, le patrie, gli huomini illustri d'armi, e di lettere ... Diuiso in tre libri Filadelfo Mugnos, 1680 |
| henrico arena: Repertorium Germanicum: Clemens VII. von Avignon, 1378-1394 , 1916 |
| henrico arena: Norfolk Archaeology, Or, Miscellaneous Tracts Relating to the Antiquities of the County of Norfolk , 1872 |
| henrico arena: Repertorium Germanicum: Verzeichnis der in den Registern und Kameralakten Clemens' VII. von Avignon vorkommenden Personen, Kirchen und Orte des Deutschen Reiches, seiner Diözesen und Territorien, 1378-1394 , 1916 |
| henrico arena: Geschichtsquellen der Provinz Sachsen und des Freistaates Anhalt , 1889 |
| henrico arena: Music Lovers' Encyclopedia Rupert Hughes, 1919 |
| henrico arena: The musical guide, ed. by R. Hughes Rupert Hughes, 1903 |
| henrico arena: Music Lovers' Cyclopedia Rupert Hughes, 1912 |
| henrico arena: The Musical Guide Rupert Hughes, 1903 |
| henrico arena: The Universities of Scotland, Ireland, and New England During the British Civil Wars Salvatore Cipriano, 2024-12-17 Highlights the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment Universities in the early modern period were powerful institutions in the formation of societies, utilised as both tools to legitimise and perpetuate the power of states and archetypes upon which to model an idealised society that might maintain social order. In an era of upheaval and civil war, rival authorities clashed in the universities, where the conflicts and complexities of early modern state formation were regularly laid bare. The encroachment of the Stuart monarchy beyond England into Scottish and Irish academe stimulated broader resistance from Scottish and Irish authorities, while prompting the founding of institutions of higher learning among expatriate communities beyond the British Isles, especially in New England. In these spaces, universities were viewed as institutional bulwarks against external intrusions that promoted localised, competing visions of the godly church and state amid the conflicts and complexities of early modern state formation. This book provides new insight into the contested nature of higher education in the British Atlantic world between the Reformation and the Enlightenment and corrects outmoded notions about the universities' purported insularity and intellectual poverty. Rather, the image that emerges of these universities is one of genuine academies of strategic importance, employed to serve the agendas of ruling powers in Scotland, Ireland, and New England. Trinity College, Dublin, Harvard College, and the Scottish universities existed on the frontiers of a deteriorating composite monarchy with a centralizing impulse, becoming battle grounds of the mid-seventeenth-century's intellectual, political, and religious conflicts. SALVATORE CIPRIANO is Associate Director of Career Coaching and Education, Stanford University. He holds a Ph.D. in Early Modern European History from Fordham University. |
| henrico arena: English Speaking World , 1921 |
| henrico arena: Urkundenbuch der Stadt Erfurt Carl Beyer, 1889 |
| henrico arena: Lettres d'Urbain V (1362-1370) Catholic Church. Pope (1362-1370 : Urban V), 1928 |
| henrico arena: Giotto the Painter. Volume 1: Life Michael Viktor Schwarz, Pia Theis, 2023-04-17 Giotto (1334) is the first European artist about whom it is possible to write following the schema of life and work. The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. |
| henrico arena: Manuel du libraire et de l'amateur de livres v. 1 Jacques-Charles Brunet, 1921 |
| henrico arena: Piotr syn Włodzimirza, sławny dostojnik Polski wieku dwunastego, i Kronika [in Latin, with a Polish translation] opowiadająca dzieje Piotrowe August MOSBACH, 1865 |
| henrico arena: English Lawsuits from William I to Richard I R. C. van Caenegem, 1990 |
| henrico arena: A-Chy; v.2: Cia-Gy; v.3: Ha-Myv; v.4 Na-Rza; v.5: Sa-Zyl; v.6: Table metodique; v.7: Supplement Jacques-Charles Brunet, 1860 |
| henrico arena: Manuel du libraire et de l'amateur de livres: Aa-Chy Jacques Charles Brunet, 1860 |
| henrico arena: Manuel du libraire et de l'amateur livres, contenant 10. Un nouveau dictionnaire bibliographique ... 20. Une table en forme de catalogue raisonné ... Jacques-Charles Brunet, 1922 |
| henrico arena: Manuel du librairie et de l'amateur de livres Jacques Charles Brunet, 1842 |
| henrico arena: The Weed Eater Edward S. Baker, 2024-07-15 Two of Victor French’s employees are found dead, their bodies partially devoured by a bear. Several of his garbage trucks have been hijacked. Victor realizes that war has been declared. Not wanting the police to pry into his business affairs, French hires private detective Bartholomew Jones to solve the murders and identify the enemy who has targeted his company. Recently disciplined and furloughed by the police department, Jones walks a thin line between possible retention and permanent dismissal. He calls upon his ex-partner for support in solving the case. She pulls no bones about his situation: Department officials are after him. If he doesn’t straighten up, he’ll be begging for money on a street corner by the bus station. When he identifies the man who has declared war on his client, Jones’ secluded cabin is riddled with bullets and then burned to the ground. An innocent woman is murdered. To keep his job, Jones must bring the perpetrator to justice without involving the police. But can justice truly prevail in a corrupt criminal justice system? |
| henrico arena: Manuel du libraire et de l'amateur de livres Jacques C. Brunet, 1842 |
| henrico arena: Untersuchungen zur deutschen Staats- und Rechtsgeschichte , 1897 |
| henrico arena: AudArena Stadium International Guide & Directory , 1986 |
| henrico arena: L'affare migliore di Enrico Chiara Frugoni, 2008 |
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While the Real Estate Division has worked to ensure that the assessment data contained herein is accurate, …
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