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| house 1 peter eisenman: House X Peter Eisenman, 1982 |
| house 1 peter eisenman: Houses of Cards Peter Eisenman, Rosalind E. Krauss, Manfredo Tafuri, 1987 Peter Eisenman is known internationally for his innovative and provocative architecture and writings. One of the New York Five, he has been a leading figure in the architectural community for many years, as teacher, as founder and former director of the Institute for Architecture and Urban Studies, and as builder. This long-awaited book is a rich and complex investigation of his first six houses, which he calls Houses of Cards and specifically about House IV and House VI. In these houses, Eisenman has tried to strip architecture of its traditional meanings and associations, making the planes, walls, and elements of the houses as valueless as an arrangement of playing cards. This book contains the architect's own texts on House IV and House VI, which he wrote in 1974, and 1976, as they were being designed, as well as an overview in which he places these houses in the context of his work as a whole. In his essay Manfredo Tafuri offers a psychological perspective; in hers Rosalind Krauss provides cultural and historical contexts. The book is profusely illustrated with sketches, diagrams, and photographs. In some ways, the book itself becomes a new project--somewhat of a metaphor for Eisenman's new approach to architecture--layered with absences and presences, a complex fiction. |
| house 1 peter eisenman: Planned Assaults Lars Lerup, 1987 Foreword by Phyllis Lambert. Postscript by Peter Eisenman |
| house 1 peter eisenman: From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman Stefano Corbo, 2016-04-15 Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work. |
| house 1 peter eisenman: Five Architects Museum of Modern Art (New York, N.Y.), 1975 Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago. |
| house 1 peter eisenman: Houses for Sale B. J. Archer, 1980 |
| house 1 peter eisenman: Eisenman Architects Peter Eisenman, Stephen Dobney, 1995 |
| house 1 peter eisenman: The Architecture of the City Aldo Rossi, 1984-09-13 Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students. |
| house 1 peter eisenman: Architecture from the Outside Elizabeth Grosz, 2001-06-22 Essays at the intersection of philosophy and architecture explore how we understand and inhabit space. To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—architecture and philosophy—can meet in a third space to interact free of their internal constraints. Outside also refers to those whose voices are not usually heard in architectural discourse but who inhabit its space—the destitute, the homeless, the sick, and the dying, as well as women and minorities. Grosz asks how we can understand space differently in order to structure and inhabit our living arrangements accordingly. Two themes run throughout the book: temporal flow and sexual specificity. Grosz argues that time, change, and emergence, traditionally viewed as outside the concerns of space, must become more integral to the processes of design and construction. She also argues against architecture's historical indifference to sexual specificity, asking what the existence of (at least) two sexes has to do with how we understand and experience space. Drawing on the work of such philosophers as Henri Bergson, Roger Caillois, Gilles Deleuze, Jacques Derrida, Luce Irigaray, and Jacques Lacan, Grosz raises abstract but nonformalistic questions about space, inhabitation, and building. All of the essays propose philosophical experiments to render space and building more mobile and dynamic. |
| house 1 peter eisenman: Such Places as Memory John Hejduk, 1998-04-28 The poems of an architect whose affection for urban reality and imagined space is as evident in his writing as in his buildings and drawings. The poems of John Hejduk are almost nonpoetic: still lives of memory, sites of possessed places. They give a physical existence to the words themselves and an autobiographical dimension to the architect. Architect Peter Eisenman likens them to secret agents in an enemy camp.Writing about Hejduk's poems in 1980, Eisenman observed, Walter Benjamin has said that Baudelaire's writings on Paris were often more real than the experience of Paris itself. Both drawing and writing contain a compaction of themes which in their conceptual density deny reduction and exfoliation for a reality of another kind: together they reveal an essence of architecture itself. This is the first comprehensive collection of Hejduks poems to be published outside an architectural setting. |
| house 1 peter eisenman: John Hejduk, 7 Houses John Hejduk, 1979 |
| house 1 peter eisenman: Architecture and the Sciences Antoine Picon, Alessandra Ponte, 2003-05 Since antiquity, the sciences have served as a source of images and metaphors for architecture and have had a direct influence on the shaping of built space. In recent years, architects have been looking again at science as a source of inspiration in the production of their designs and constructions. This volume evaluates the interconnections between the sciences and architecture from both historical and contemporary perspectives. Architecture and the Sciences shows how scientific paradigms have migrated to architecture through the appropriation of organic and mechanical models. Conversely, architecture has provided images for scientific and technological discourse. Accordingly, this volume investigates the status of the exchanges between the two domains.Contents include: Alessandra Ponte, Desert Testing; Martin Bressani, Violet-le-Duc's Optic; Georges Teyssot, Norm and Type: Variations on a Theme; Reinhold Martin, Organicism's Other; Catherine Ingraham, Why All These Birds? Birds in the Sky, Birds in the Hand; Antoine Picon, Architecture, Science, Technology and the Virtual Realm; and Felicity Scott, Encounters with the Face of America. |
| house 1 peter eisenman: Mark Foster Gage Mark Foster Gage, 2018-10-16 Gage, Yale theorist, architect, and pioneer of the digital avant-garde in architecture and design, presents here a phantasmagoria of ideas and built work in his first monograph. Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage’s celebrated Valentine’s Sculpture for Times Square, a 3-D-printed outfit for Lady Gaga, as well as designs for Google Glass, Solar Flowers, and robotic tulips. Mark Foster Gage, whose work Harper’s Bazaar has called “effortlessly chic” and who has been labeled a “boundary breaker,” is a visionary for today. Filled with surprises and creations of wonder, such as a tower for New York’s 57th Street with mouthlike balconies on giant wings or a retail space bedecked with a hundred-faceted mirror, Gage’s work at once challenges expectations of what architecture might be and, as well, frequently fills one with a sense of excitement. Gage’s work is further elucidated in the book by the critical musings of eminent architects and cultural touchstones Peter Eisenman and Robert A.M. Stern. |
| house 1 peter eisenman: Envisioning Architecture Matilda McQuaid, 2002-06-25 The first in a series of books that will showcase works from The Museum of Modern Art's superlative holdings in the fields of architecture and design, this text features a range of drawings by great architects such as Frank Lloyd Wright and Alvar Aalto. |
| house 1 peter eisenman: Cities of Artificial Excavation Peter Eisenman, Alan Balfour, 1994 |
| house 1 peter eisenman: American Masterworks Kenneth Frampton, David Larkin, 2002 The 20th century was remarkably fertile ground for residential architecture in the US, producing such icons of modern building as the Greene brothers' Gamble House in Pasadena (1908), Eliel Saarinen's 1929 residence at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, and Michael Graves' neo-classical villa in New Jersey. |
| house 1 peter eisenman: Atomic Dwelling Robin Schuldenfrei, 2012-08-21 In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today. |
| house 1 peter eisenman: Friedrich Kiesler Friedrich Kiesler-Zentrum Wien, Frederick Kiesler, 2003 Essays by Dieter Bogner, Friedrich Kiesler, Harald Krejci and Valentina Sonzogni. |
| house 1 peter eisenman: By Other Means Global Art Affairs, 2017-02-20 Peter Eisenman is an internationally recognized architect and educator. For more than a half century, he has profoundly influenced generations of academics and practitioners with his buildings, writing, and teaching.By developing formal and linguistic critiques of architecture's bourgeois conventions, his activism seeks to undermine authority by creating architecture demanding close attention.By Other Means traces Eisenman's evolution from his formative years to his well-known Houses series and beyond. Unpublished work from his undergraduate, master's, and doctoral studies reveal an 'Eisenman before Eisenman'.This material is printed along with correspondence from Colin Rowe, ephemera from the Institute for Architecture and Urban Studies, and previously unseen sketches/diagrams for Houses I, II, VI, and X.Featuring drawings and ephemera relating to various projects and proposals in the United States (e.g. Princeton and New York) and Europe (e.g. Liverpool and Venice).This book is published on the occasion of the exhibition By Other Means, curated by Mathew Ford with Jeffrey Kipnis as part of Time- Space - Existence, organized by GAA-Foundation at the Palazzo Bembo in Venice, Italy, for the 15th International Architecture Exhibition, May 28 - November 27, 2016.Eisenman is most well known for his iconic and controversial design of the Memorial to the Murdered Jews of Europe (Holocaust Memorial) in Berlin, 2003/04. |
| house 1 peter eisenman: Architecture Francis D. K. Ching, 2012-07-16 A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching. |
| house 1 peter eisenman: Diagram Diaries Peter Eisenman, R. E. Somol, 1999 It has been said that Peter Eisenman considers architecture a form of shock therapy: whatever his intent, he has created one of the most controversial bodies of work of any contemporary American architect. |
| house 1 peter eisenman: Peter Einsenman in Dialog with Architects and Philosophers Vladan Djokić, Petar Bojanic, 2017 Peter Eisenman (Yale School of Architecture, New Haven, Eisenman Architects, New York, USA) discusses with architects and philosophers: Jorg H. Gleiter (Germany), Kim Forster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. |
| house 1 peter eisenman: M Emory Games Peter Eisenman, 1995 Documents the design development of a major new cultural center at Emory University in Atlanta. |
| house 1 peter eisenman: Architecture From the Outside In Robert Gutman, 2012-04-17 Architecture and sociology have been fickle friends over the past half century: in the 1960s, architects relied on sociological data for design solutions and sociologists were courted by the most prestigious design schools to lecture and teach. Twenty years later, at the height of postmodernism, it was passe to be concerned with the sociological aspects of architecture. Currently, the rising importance of sustainability in building, not to mention an economical crisis brought on in part by a real-estate bubble, have forced architects to consider themselves in a less autonomous way, perhaps bringing the profession full circle back to a close relationship with sociology. Through all these rises and dips, Robert Gutman was a strong and steady voice for both architecture and sociology. Gutman, a sociologist by training, infiltrated architecture's ranks in the mid-1960s and never looked back. A teacher for over four decades at Princeton's School of Architecture, Gutman wrote about architecture and taught generations of future architects, all while maintaining an outsider status that allowed him to see the architectural profession in an insightful, unique way. |
| house 1 peter eisenman: Anywise Anyone Corporation, 1996 Struggling under local pressures and the rapid expansion of global economies, Asian cities are experiencing phenomenal growth that is putting increasing demands on architecture. This collection of essays considers related issues such as the shifting emphasis from quantity to quality in modern Asia. |
| house 1 peter eisenman: Oppositions Reader K. Michael Hays, 1998 In its eleven-year history, Oppositions, the journal of the New York-based Institute for Architecture and Urban Studies (IAUS), had an impact far beyond what its modest cover might suggest. Indeed, Oppositions set the agenda, introduced the key players, and published the seminal pieces in the theorization of architecture in the last twenty years. It is a testament to the enduring importance of the journal that its issues are still highly sought after today, prized (and priced) as collector's items, and found behind the desk at virtually every architectural library. Oppositions Reader collects the most important essays from 26 issues of Oppositions. Essays from the editors of the series-Peter Eisenman, Kenneth Frampton, Mario Gandelsonas, Anthony Vidler, and Kurt Forster-are included, along with texts by such noted architects, theorists, and historians as Aldo Rossi, Alan Colquhoun, Leon Krier, Denise Scott Brown, Bernard Tschumi, Rem Koolhaas, Mary McLeod, Georgio Ciucci, and Rafael Moneo. The page design, by Massimo Vignelli, has been faithfully reproduced. Harvard Professor K. Michael Hays has selected the writings for inclusion. Contributors include: Diana Agrest, Stanford Anderson, Giorgio Ciucci, Stuart Cohen, Alan Colquhoun, Francesco Dal Co, Peter Eisenman, William Ellis, Kurt W. Forster, Kenneth Frampton, Mario Gandelsonas, Giorgio Grassi, Fred Koetter, Rem Koolhaas, Leon Krier, Mary McLeod, Rafael Moneo, Joan Ockman, Martin Pawley, Aldo Rossi, Colin Rowe, Denise Scott Brown, Jorge Silvetti, Ignasi de Sol -Morales, Manfredo Tafuri, Bernard Tschumi, Anthony Vidler, and Hajime Yatsuka. It is an understatement to say that this volume is indispensable for any scholar or student interested in contemporary architectural theory. |
| house 1 peter eisenman: The Un-private House Terence Riley, 1999 This book looks at twenty-six houses by an international roster of contemporary architects--P. [4] of cover. |
| house 1 peter eisenman: Key Houses of the Twentieth Century Colin Davies, 2006 Featuring over 100 of the most significant and influential houses of the twentieth century, For each of the houses included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially drawn for this book and are based on the most up-to-date information and sources. |
| house 1 peter eisenman: Moving Arrows, Eros and Other Errors Peter Eisenman, 1986 |
| house 1 peter eisenman: Re-working Eisenman Peter Eisenman, 1993 A presentation of writings by and about Peter Eisenman, arguably the most significant architect working today. The book analyzes the whole spectrum of subjects covered in the architect/philosopher's oeuvre. Seminal texts are included that show how his theories have developed over time. |
| house 1 peter eisenman: Architectural Possibilities in the Work of Eisenman Michael Jasper, 2022-11-11 This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role. The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists. |
| house 1 peter eisenman: Buildings of Vermont Glenn M. Andres, Curtis B. Johnson, Chester H. Liebs, 2013 Bennington County -- Rutland County -- Addison County -- Chittenden County -- Grand Isle County -- Franklin County -- Lamoille County -- Orleans County -- Essex County -- Caledonia County -- Washington County -- Orange County -- Windsor County -- Windham County. |
| house 1 peter eisenman: House and Home Thomas Barrie, 2017-03-16 House and home are words routinely used to describe where and how one lives. This book challenges predominant definitions and argues that domesticity fundamentally satisfies the human need to create and inhabit a defined place in the world. Consequently, house and home have performed numerous cultural and ontological roles, and have been assiduously represented in scripture, literature, art, and philosophy. This book presents how the search for home in an unpredictable world led people to create myths about the origins of architecture, houses for their gods, and house tombs for eternal life. Turning to more recent topics, it discusses how writers often used simple huts as a means to address the essentials of existence; modernist architects envisioned the capacity of house and home to improve society; and the suburban house was positioned as a superior setting for culture and family. Throughout the book, house and home are critically examined to illustrate the perennial role and capacity of architecture to articulate the human condition, position it more meaningfully in the world, and assist in our collective homecoming. |
| house 1 peter eisenman: Deconstructivist Architecture Philip Johnson, 1988 |
| house 1 peter eisenman: James the Brother of Jesus Robert H. Eisenman, 2012 Was James - rather than Peter - the true Spiritual heir to Jesus? In this profound and provocative work of scholarly detection, eminent biblical scholar Robert Eisenman introduces a startling theory about the identity of James - the brother of Jesus, who was almost entirely marginalized in the New Testament. Drawing on suppressed early Church texts and the revelations in the Dead Sea Scrolls, Eisenman propounds in this groundbreaking exploration that James, not Peter, was the real successor to the movement we now call Christianity. In an argument with enormous implications, Eisenmann identifies Paul as deeply compromised by Roman contacts. James is presented as not simply a leader of Christianity of his day, but the popular Jewish leader of his time, whose death triggered the Uprising against Rome - a fact that creative rewriting of early Church documents has obscured. |
| house 1 peter eisenman: Architecture Thinking Across Boundaries Rajesh Heynickx, Ricardo Costa Agarez, Elke Couchez, 2021-01-28 Deconstruction and architecture : translation as a matter of speculative theory / Céline Bodart -- Royston Landau and the research programmes of architecture / Jasper Cepl -- Cedric Price's chats : orality and the production of architectural theory / Jim Njoo. |
| house 1 peter eisenman: Giuseppe Terragni Peter Eisenman, 1993 Forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study -- illustrated with more than five hundred original architectural diagrams and archival photographs -- employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define an idea of the critical in architecture. Eisenman's methodology is wholly removed from traditional approaches -- social, historical, aesthetic, functional. Instead, the various articulations and openings on the facades constitute a set of marks, notations that provide the basis for his analysis. In the Casa del Fascio, for example, each of the four sequential design schemes records the previous state, encoding the process of transformation in the final building. In the Casa Giuliani-Frigerio it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni and a critique by Manfredo Tafuri. In the end, it is the dual protagonists -- the architect and the author -- who together establish a new theoretical and analytical framework. |
| house 1 peter eisenman: Unresolved Legibility in Residential Types Clark Thenhaus, 2019-11 Architectural legibility requires both visual clarity of a building's appearance such that its formal, spatial, and material compositions can be comprehended, as well as a certain clarity of its social, cultural, and political histories. While the term legibility carries a connotation of conclusiveness or objective qualifications, legibility in architecture is most often inconclusive and unresolved. Such unresolved legibility is particularly visible in houses, which are the source of inquiry in this project. This book proposes new understandings and interpretations of American residential architecture by investigating and graphically illustrating the forms, spaces, and histories of ten residential types. Perhaps no genre of architecture has been written about more than 'the house'. As long-standing subjects of architectural discourse, cultural reflection, and experimentation, houses represent a confluence of architectural and broader cultural phenomena. The house is not only susceptible to, but in fact requires renewal and re-imagination; as an architectural type it reflects shifting societal values and the constant reconstruction of meaning that this shifting entails. Such social, cultural, political and contextual circumstances can best be evaluated under the rubric of legibility. While this might at first seem like an objective undertaking, legibility in architecture is indeterminate and unresolved, revealing the intertwining of architectural expressions with broader cultural circumstances. |
| house 1 peter eisenman: The Green Braid Kim Tanzer, Rafael Longoria, 2007-04-11 This volume presents the discipline’s best thinking on sustainability in written, drawn, and built form, drawing on over fifteen years of peer-reviewed essays and national design awards published by the Association of Collegiate Schools of Architecture (ACSA). Providing a primer on sustainability, useful to teachers and students alike, the selected essays address a broad range of issues. Combined with design projects that highlight issues holistically, they promote an understanding of the principles of sustainability and further the integration of sustainable methods into architectural projects. Using essays that alternately revise and clarify twentieth century architectural thinking, The Green Braid places sustainability at the centre of excellent architectural design. No other volume addresses sustainability within the context of architectural history, theory, pedagogy and design, making this book an ideal source for architects in framing their practices, and therefore their architectural production, in a sustainable manner. |
| house 1 peter eisenman: Grammatical and Syntactical Approaches in Architecture: Emerging Research and Opportunities Lee, Ju Hyun, Ostwald, Michael J., 2019-12-20 Shape grammar and space syntax have been separately developed but rarely combined in any significant way. The first of these is typically used to investigate or generate the formal or geometric properties of architecture, while the second is used to analyze the spatial, topological, or social properties of architecture. Despite the reciprocal relationship between form and space in architecture—it is difficult to conceptualize a completed building without a sense of both of these properties—the two major computational theories have been largely developed and applied in isolation from each another. Grammatical and Syntactical Approaches in Architecture: Emerging Research and Opportunities is a critical scholarly resource that explores the relationship between shape grammar and space syntax for urban planning and architecture and enables the creative discovery of both the formal and spatial features of an architectural style or type. This book, furthermore, presents a new method to selectively capture aspects of both the grammar and syntax of architecture. Featuring a range of topics such as mathematical analysis, spatial configuration, and domestic architecture, this book is essential for architects, policymakers, urban planners, researchers, academicians, and students. |
Tips on if Your pellet stove is burning lazy and or getting smoke in ...
Jan 6, 2006 · The last time I was at that house MY SELF for a full service about 3 years ago it had a wood stove cap on it. We took it off and put on a wood stove cap and ran the stove. Worked …
Wood stove whole house heating | Hearth.com Forums Home
Jan 14, 2025 · The Mini-Split can move a lot of air, while in fan mode and distribute the warm air from the wood stove in the house. When the wood stove is not on, the Mini-Split is a more …
Distributing heat in multi-story house with open stairwell
Nov 17, 2021 · When I use the woodstove to supplement the HVAC system in my four-story house, I get a substantial heat gradient between floors. I’m looking for solutions to reduce this. …
No power to circulator pump | Hearth.com Forums Home
Nov 4, 2015 · So if you tie the burner & pump together, the pump will stop every time the boiler gets up to temp. If the 8148 aquatstat is faulty, I would replace it. $130 on Supply House …
Alcove Design for Wood Stove in ICF House - Feedback?
Jan 12, 2023 · New house with exterior walls built with ICF (insulated concrete forms), 6" concrete sandwiched between 2 1/2" of eps foam on each side. Proposed alcove is to be built in great …
Using a woodstove for COOLING your house in the summer?
May 31, 2006 · Boy I'm glad I didn't waste time and money installing an ac system-with two stoves in my house now it should feel like a walk-in cooler come July!Seriously though,if this scheme …
House layout | Hearth.com Forums Home
Feb 23, 2008 · House size is about 1225 sq.ft., and not well insulated (MAYBE r-11 in the attic), and I lose heat somewhat quickly. I'll be working on the insulation. The stove we have now is …
mini split usage in 2-story home with small bedrooms on second …
Oct 9, 2012 · In your house, that'd be less likely to happen, unless you have a habit of leaving windows open while running AC. There have been many drainage issues tied to minisplits, but …
Installing indoor furnace outside under a shelter
Jun 14, 2009 · Thanks. I'm really considering putting the boiler or forced air under the house. It's a crawl space, but it's about 4 foot high. With a little digging, I can have pretty good spot to put …
New Vermont Castings Defiant leaking smoke into house
Apr 7, 2008 · The stove is completely unusable before the house smells so bad for several days after attempting to use the stove. Also if you stand in front of the stove and look down on it to …
Tips on if Your pellet stove is burning laz…
Jan 6, 2006 · The last time I was at that house MY SELF for a full service about 3 years ago it had a wood …
Wood stove whole house heating | Hea…
Jan 14, 2025 · The Mini-Split can move a lot of air, while in fan mode and distribute the warm air from the …
Distributing heat in multi-story house w…
Nov 17, 2021 · When I use the woodstove to supplement the HVAC system in my four-story …
No power to circulator pump | Hearth.com …
Nov 4, 2015 · So if you tie the burner & pump together, the pump will stop every time the boiler gets up to …
Alcove Design for Wood Stove in ICF …
Jan 12, 2023 · New house with exterior walls built with ICF (insulated concrete forms), 6" concrete …
