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| hollywood cartoon hollywood cartoon: Animating Culture Eric Loren Smoodin, 1993 Long considered children's entertainment by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture is the first and only book to thoroughly analyze the animated short film. Usually running about seven or eight minutes, cartoons were made by major Hollywood studios--such as MGM, Warner Bros., and Disney--and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare? What were the social functions of cartoon stars like Donald Duck and Minnie Mouse? Smoodin argues that cartoons appealed to a wide audience--not just children--and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film--issues such as social control in the U.S. army's Private Snafu cartoons, and sexuality and race in the sites of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences. |
| hollywood cartoon hollywood cartoon: Hollywood Cartoons Michael Barrier, 2003-11-06 In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the realism of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators, to Bill Hanna and Joe Barbera. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons. |
| hollywood cartoon hollywood cartoon: The Cartoon Music Book Daniel Goldmark, Yuval Taylor, 2002 This lively and fascinating look at cartoon's music past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. |
| hollywood cartoon hollywood cartoon: Tunes for ’Toons Daniel Goldmark, 2005-10-10 Annotation A trade-oriented book on the music in classic cartoons from Bugs Bunny to Tom and Jerry and beyond. |
| hollywood cartoon hollywood cartoon: The Great Cartoon Directors Jeff Lenburg, 1993-03-21 The Great Cartoon Directors is the only book to profile the remarkable careers and achievements of the Hollywood cartoon directors of the 1930s, '40s, and '50s whose unique humor has entertained people around the world for seven decades. Nine of the best cartoon directors are featured: Friz Freleng, the creator of Speedy Gonzales, Yosemite Sam, and the Pink Panther; Ub Lwerks, the designer of Mickey Mouse and the wizard behind the first sound animated film, Steamboat Willie ; Chuck Jones, the genius behind Bugs Bunny, Daffy Duck, the Road Runner and Coyote; William Hanna and Joseph Barbera, who won seven Academy Awards for their Tom and Jerry cartoons; Bob Clampett, who directed Warner Brothers cartoons featuring Porky Pig, Daffy Duck, Bugs Bunny, and Tweety; Tex Avery, who revolutionized the theory of cartoon-making, invented Daffy Duck, and introduced Bugs Bunny and Elmer Fudd to the screen; Walter Lantz, the creator of Woody Woodpecker; and Dave Fleischer, the father of Betty Boop and Popeye.Each chapter surveys the finest work of these directors and takes the reader behind the scenes to learn not only how they came up with their big ideas, but also how they managed to keep their characters fresh, topical, and unpredictable. Many of the directors granted exclusive interviews for the book and provided illustrations from their personal collections. With complete filmographies of each director's work, descriptions of many of their best cartoons, and dozens of sketches, drawings, and stills, The Great Cartoon Directors is a sure treasure trove of animation lore and an in-depth look at the creators of some of America's most beloved cartoons. |
| hollywood cartoon hollywood cartoon: Animated Personalities David McGowan, 2019-02-26 Mickey Mouse, Betty Boop, Donald Duck, Bugs Bunny, Felix the Cat, and other beloved cartoon characters have entertained media audiences for almost a century, outliving the human stars who were once their contemporaries in studio-era Hollywood. In Animated Personalities, David McGowan asserts that iconic American theatrical short cartoon characters should be legitimately regarded as stars, equal to their live-action counterparts, not only because they have enjoyed long careers, but also because their star personas have been created and marketed in ways also used for cinematic celebrities. Drawing on detailed archival research, McGowan analyzes how Hollywood studios constructed and manipulated the star personas of the animated characters they owned. He shows how cartoon actors frequently kept pace with their human counterparts, granting “interviews,” allowing “candid” photographs, endorsing products, and generally behaving as actual actors did—for example, Donald Duck served his country during World War II, and Mickey Mouse was even embroiled in scandal. Challenging the notion that studios needed actors with physical bodies and real off-screen lives to create stars, McGowan demonstrates that media texts have successfully articulated an off-screen existence for animated characters. Following cartoon stars from silent movies to contemporary film and television, this groundbreaking book broadens the scope of star studies to include animation, concluding with provocative questions about the nature of stardom in an age of digitally enhanced filmmaking technologies. |
| hollywood cartoon hollywood cartoon: Tex Avery Jeff Lenburg, 2011 Tex Avery, considered the father of screwball animation, was one of the most influential animators of the 1930s, 1940s, and 1950s. Creator of such classic characters as Bugs Bunny, Daffy Duck, and Droopy, he directed many cartoons for Warner Bros., MGM, and Walter Lantz Productions and was nominated for six Academy Awards. Avery did much of his groundbreaking work in Hollywood, running the famous Termite Terrace animation studio. There, with a team that included fellow innovators Chuck Jones and Bob Clampett, Avery developed an animation style based on the idea that the artist could do anything in a cartoon and didn't need to base it in reality. Although Avery was blind in one eye, he did not let it hold him back. Known for his inventiveness and comic timing, he forged a legacy that influences animators today. Tex Avery illustrates this animation pioneer's life, his inspiration, and his lasting effect on the animation world. |
| hollywood cartoon hollywood cartoon: The American Animated Cartoon Danny Peary, Gerald Peary, 2017-08-04 An Anthology of Animation. When you think about animated cartoons, you may think Walt Disney and call it a day. But if animation is a day, then Walt takes up just a few hours in the late morning. A lot came before, a lot came after. |
| hollywood cartoon hollywood cartoon: The 100 Greatest Looney Tunes Cartoons Jerry Beck, 2020-09-01 Celebrate the best of Looney Tunes cartoons, just in time for Bugs Bunny’s 80th birthday! In a world of rascally rabbits, megalomaniacal ducks, and stuttering pigs, what defines greatness? This question was posed to thousands of cartoon fans, historians, and animators to create The 100 Greatest Looney Tunes Cartoons, the definitive Looney Tunes collection. Jerry Beck and the Cartoon Brew team of animation experts reveal the amusing anecdotes and secret origins behind such classics as “What’s Opera, Doc?,” “One Froggy Evening,” and “Duck Dodgers in the 24½th Century.” Featuring more than 300 pieces of original art from private collectors and the Warner Bros. archives, The 100 Greatest Looney Tunes Cartoons settles the debate on the best of the best, and poses a new question: Is your favorite one of the greatest? |
| hollywood cartoon hollywood cartoon: Funny Pictures Daniel Ira Goldmark, Charles Keil, 2011-07-21 This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar. |
| hollywood cartoon hollywood cartoon: The Colored Cartoon Christopher P. Lehman, 2009 Traces the evolution of racial caricatures in American cartoons during the first half of the twentieth century |
| hollywood cartoon hollywood cartoon: Hollywood Flatlands Esther Leslie, 2020-05-05 With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930. |
| hollywood cartoon hollywood cartoon: The 50 Greatest Cartoons Jerry Beck, 1994 Showcases some of the greatest cartoons of all time, including characters from Disney, Warner Brothers, Fleischer Studio, Walter Lantz, MGM, and others. |
| hollywood cartoon hollywood cartoon: The Animated Man Michael Barrier, 2008-04-07 Film and televsion. |
| hollywood cartoon hollywood cartoon: Frame by Frame Hannah Frank, 2019-05-07 At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line. |
| hollywood cartoon hollywood cartoon: American Animated Cartoons of the Vietnam Era Christopher P. Lehman, 2014-01-10 In the first four years of U.S. involvement in the Vietnam War (1961-64), Hollywood did not dramatize the current military conflict but rather romanticized earlier ones. Cartoons reflected only previous trends in U.S. culture, and animators comically but patriotically remembered the Revolutionary War, the Civil War, and both World Wars. In the early years of military escalation in Vietnam, Hollywood was simply not ready to illustrate America's contemporary radicalism and race relations in live-action or animated films. But this trend changed when US participation dramatically increased between 1965 and 1968. In the year of the Tet Offensive and the killings of the Rev. Martin Luther King, Jr., and Senator Robert Kennedy, the violence of the Vietnam War era caught up with animators. This book discusses the evolution of U.S. animation from militaristic and violent to liberal and pacifist and the role of the Vietnam War in this development. The book chronologically documents theatrical and television cartoon studios' changing responses to U.S. participation in the Vietnam War between 1961 and 1973, using as evidence the array of artistic commentary about the federal government, the armed forces, the draft, peace negotiations, the counterculture movement, racial issues, and pacifism produced during this period. The study further reveals the extent to which cartoon violence served as a barometer of national sentiment on Vietnam. When many Americans supported the war in the 1960s, scenes of bombings and gunfire were prevalent in animated films. As Americans began to favor withdrawal, militaristic images disappeared from the cartoon. Soon animated cartoons would serve as enlightening artifacts of Vietnam War-era ideology. In addition to the assessment of primary film materials, this book draws upon interviews with people involved in the production Vietnam-era films. Film critics responding in their newspaper columns to the era's innovative cartoon sociopolitical commentary also serve as invaluable references. Three informative appendices contribute to the work. |
| hollywood cartoon hollywood cartoon: Tex Avery John Canemaker, 1996 Such as Who Framed Roger Rabbit and The Mask, as well as in television. Although warmly admired as a film genius by colleagues in the industry and adored by the international cartoon cognoscenti, Avery never shared in the tremendous expansion of the animation industry into television or feature films in a studio of his own, nor did he own the licensing/merchandising rights to the cartoon characters he created and brought to vital life. Original storyboards, character. |
| hollywood cartoon hollywood cartoon: A Celebration of Animation Martin Gitlin, Joseph Wos, 2018-03-15 Few morose thoughts permeate the brain when Yosemite Sam calls Bugs Bunny a “long-eared galut” or a frustrated Homer Simpson blurts out his famous catch-word, “D’oh!” A Celebration of Animation explores the best-of-the-best cartoon characters from the 1920s to the 21st century. Casting a wide net, it includes characters both serious and humorous, and ranging from silly to malevolent. But all the greats gracing this book are sure to trigger nostalgic memories of carefree Saturday mornings or after-school hours with family and friends in front of the TV set. |
| hollywood cartoon hollywood cartoon: Animation Paul Wells, 2019-07-25 Animation: Genre and Authorship explores the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions, and with what purpose. In this first study to look specifically at the ways in which animation displays unique models of ‘auteurism’ and how it revises generic categories, Paul Wells challenges the prominence of live-action moviemaking as the first form of contemporary cinema and visual culture. The book also includes interviews with Ray Harryhausen and Caroline Leaf, and a full timeline of the history of animation. |
| hollywood cartoon hollywood cartoon: Televisuality John T Caldwell, 2020-08-14 Although the decline of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and loss-leader event-status programming (War and Remembrance) to lower trash and tabloid forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how import-auteurs like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of high theory. |
| hollywood cartoon hollywood cartoon: Animation Art , 2004 Covering every aspect of animation, from the movies to MTV, from every part of the world, 'Animation Art' revels in the techniques, the stories, the technology and the personalities which have fashioned the development of this modern art form. |
| hollywood cartoon hollywood cartoon: Of Mice and Magic Leonard Maltin, Jerry Beck, 1987-12-01 Whether you’re seeking movie gifts or something for the history buffs in your life, this comprehensive guide to animation and cartoons has it all. In this one-of-a-kind definitive history of American animated cartoons, renowned film critic and historian Leonard Maltin presents the most extensive filmography on cartoons ever compiled. In this revised and updated edition of Of Mice and Magic, Leonard Maltin not only recreates this whole glorious era from the silent days through the Hollywood golden age to Spielberg’s An American Tail, he traces the evolution of the art of animation and vividly portrays the key creative talents and their studios. This definitive history of American animated cartoons also brings Maltin’s many fans up to date on the work being done today at the Walt Disney and Warner Bros. studios, and other developments in the world of animation. Drawing on colorful interviews with many of the American cartoon industry’s principals, Maltin has come up with a gold mine of anecdotes and film history. Behind the scenes were genius animators and entrepreneurs such as Walt Disney, Chuck Jones, Tex Avery, Mel Blanc, and a legion of others. In all, Maltin has put together a glorious celebration of a universally loved segment of Americana. |
| hollywood cartoon hollywood cartoon: Cartoon Vision Dan Bashara, 2019-04-02 In Cartoon Vision Dan Bashara examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of America (UPA), a studio whose graphic, abstract style defined the postwar period, Bashara considers animation akin to a laboratory, exploring new models of vision and space alongside theorists and practitioners in other fields. The links—theoretical, historical, and aesthetic—between animators, architects, designers, artists, and filmmakers reveal a specific midcentury modernism that rigorously reimagined the senses. Cartoon Vision invokes the American Bauhaus legacy of László Moholy-Nagy and György Kepes and advocates for animation’s pivotal role in a utopian design project of retraining the public’s vision to better apprehend a rapidly changing modern world. |
| hollywood cartoon hollywood cartoon: Disney Discourse Eric Smoodin, 2013-01-11 Hirohito and his Mickey Mouse watch, Goofy and Donald as our Goodwill Ambassadors: Disney Discourse is an interdisciplinary examination of the founder and his empire. These essays use an interdisciplinary approach to read through Disney's domestic cultural production innocent national icons, as well as theme parks, cartoons and television to analyze the global impact of American popular culture, the politics of Disney, and the complex reception Disney productions have received around the world. The Disney corporation's ever-increasing visibility the opening of Euro Disney and new stores in malls and vast influence over global culture demands critical attention not only in film and television studies, but in international diplomacy, architecture, economics and other related fields. Disney Discourse consolidates the best of the current work on Disney and provides a representative sample of past analyses of the Disney empire. Contributors: Julianne Burton-Carvajal, Lisa Cartwright, Brian Goldfarb, Richard deCordova, Douglas Gomery, David Kunzle, Jon Lewis, Moya Luckett, Richard Neupert, Susan Ohmer, José Piedra, Mitsuhiro Yoshimoto, Alexander Wilson. |
| hollywood cartoon hollywood cartoon: Cartoon Modern Amid Amidi, 2006 |
| hollywood cartoon hollywood cartoon: Art of Mr. Peabody & Sherman Jerry Beck, Tiffany Ward, Rob Minkoff, 2014-01-24 Mr Peabody has invented the WABAC, a time-travelling machine that he and his adopted boy Sherman use to explore history. Examining the making of the DreamWorks comedy animation, this book goes behind the scenes in order to shed light on the creative process involved in bringing the film to fruition. |
| hollywood cartoon hollywood cartoon: Headline Hollywood Adrienne L. McLean, David A. Cook, 2001 Hollywood has long been associated with scandal--with covering it up, with managing its effects, and, in some cases, with creating and directing it. In putting together Headline Hollywood, Adrienne McLean and David Cook approach the relationship between Hollywood and scandal from a fresh perspective. The contributors consider some of the famous transgressions that shocked Hollywood and its audiences during the last century, and explore the changing meaning of scandal over time by zeroing in on issues of power: Who decides what crimes and misdemeanors should be circulated for public consumption and titillation? What makes a Hollywood scandal scandalous? What are the uses of scandal? The essays are arranged chronologically to show how Hollywood scandals have evolved relative to changing moral and social orders. This collection will prove essential to the field of film studies as well as to anyone interested in the character and future direction of American culture. Contributors are Mark Lynn Anderson, Cynthia Baron, James Castonguay, Nancy Cook, Mary Desjardins, Lucy Fischer, Lee Grieveson, Erik Hedling, Peter Lehman, William Luhr, Adrienne L. McLean, Susan McLeland, and Sam Stoloff. Adrienne L. McLean is an assistant professor of film studies at the University of Texas at Dallas. David A. Cook is a professor of film and media studies at Emory University. He is the author of A History of Film Narrative. |
| hollywood cartoon hollywood cartoon: That's All Folks! Steve Schneider, 1990 Here is the first comprehensive record of the classic Warner Bros. cartoon studio, wonderfully and richly illustrated in full color. This comic valentine offers impeccable research, interviews wiuth the animated geniuses who breathed life and laughter into their Looney Tunes, and hundreds of rare illustrations.--Time. 225 full-color illustrations. 100 line drawings. |
| hollywood cartoon hollywood cartoon: Seven Minutes Norman M. Klein, 1993 He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo. |
| hollywood cartoon hollywood cartoon: How to Write for Animation Jeffrey Scott, 2003-06-24 In recent years, the world of animation has expanded far beyond the Saturday morning cartoons that generations of Americans grew up watching. Recent years have seen a boom in animation—hit prime-time television series, blockbuster cutting-edge digitally animated features, conventional animation. The expanding market is luring writers who have an eye toward the future and an eagerness to work in a medium where the only limit is the depth on one’s imagination. With step-by-step instructions and the insights of a seasoned veteran, award-winning animation writer Jeffrey Scott details the process of developing even the vaguest of ideas into a fully realized animation script. He details every stop on the road from inspiration to presentation, with sections on premises, outlines, treatments, description, and dialogue, and much more. |
| hollywood cartoon hollywood cartoon: Hanna-Barbera Cartoons Michael Mallory, 1998 |
| hollywood cartoon hollywood cartoon: Introduction to Film Studies Jill Nelmes, 2012-03-12 Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: updated coverage of a wide range of concepts, theories and issues in film studies in-depth discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema new case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography a new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions and useful resources. Individual chapters include: The Industrial Contexts of Film Production · Film and Technology · Getting to the Bigger · Picture Film Form and Narrative · Spectator, Audience and Response · Cinematic authorship and the film auteur · Stardom and Hollywood Cinema · Genre, Theory and Hollywood Cinema The Documentary Form · The Language of Animation · Gender and Film · Lesbian and Gay Cinema · Spectacle, Stereotypes and Films of the African Diaspora · British Cinema · Indian Cinema · Latin American Cinema · Soviet Montage Cinema of the 1920s Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells and William Wittington |
| hollywood cartoon hollywood cartoon: Oswald the Lucky Rabbit: The Search for the Lost Disney Cartoons, Revised Special Edition David A. Bossert, 2019-08-27 Oswald the Lucky Rabbit was created in 1927 by Walt Disney and his team through twenty-six cartoon shorts. Not without fits and starts, the series and its impish title character were an instant hit with audiences. At the end of that initial run, Walt lost the contract to Oswald, which prompted the creation of Mickey Mouse. Over the years, Oswald became a footnote in the Disney story . . . until 2006, when The Walt Disney Company recovered rights to Walt's twenty-six shorts. Behind-the-scenes, a complex and labor-intensive search developed for the physical film footage of some Oswald cartoons deemed lost to time. For anyone interested in Disney origins, fascinated by early cinema, or entertained by a feisty little rabbit, this engaging and accessible volume delivers an in-depth look at Walt's first major animated success and the journey to reclaim the lost Disney films. This edition features updated text, newly discovered film images, a foreword by The Walt Disney Company CEO, Bob Iger, and six collectible prints. |
| hollywood cartoon hollywood cartoon: Mouse in Transition Steve Hulett, Bob McLain, John Musker, 2014-12-03 Steve Hulett's memoir of his decade at the Disney Studio is a one-of-a-kind chronicle of Disney's slow, painful transition from the days of Walt to the era of Eisner. |
| hollywood cartoon hollywood cartoon: The Hanna-Barbera Treasury Jerry Beck, 2007 Describes how Bill Hanna and Joe Barbera became a team and explores how they created their most beloved characters and shows, including Tom and Jerry, Huckleberry Hound, The Jetsons, and Jonny Quest. |
| hollywood cartoon hollywood cartoon: Animation: a World History Giannalberto Bendazzi, 2015-05 Catch up to speed on the state of animation from 1991 to present with Volume III of Giannalberto Bendazzi's exhaustive 'Animation'. Although characterized by such trends as economic globalization, the expansion of television series, emerging markets in countries like China and India, and the consolidation of elitist auteur animation, the story of contemporary animation is still open to interpretation. |
| hollywood cartoon hollywood cartoon: Hollywood Cartoons J. Michael Barrier, 2023 This authoritative account of Hollywood studio cartoons in the 1930s, 40s and 50s looks principally at the Walt Disney studio, including its full length cartoons, but also focuses strongly on Warner Brothers and MGM cartoons in this period. |
| hollywood cartoon hollywood cartoon: Who's who in Animated Cartoons Jeff Lenburg, 2006 Looks at the lives and careers of more than three hundred animators. |
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