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| henry miller sexus: Sexus Henry Miller, 2015-08-06 Sexus is the first volume of the scandalous trilogy The Rosy Crucifixion, Henry Miller's major life work Henry Miller called the end of his life in America and the start of a new, bohemian existence in 1930s Paris his 'rosy crucifixion'. His searing fictionalized autobiography of this time of liberation was banned for nearly twenty years. Sexus, the first volume in The Rosy Crucifixion trilogy, looks back to his early sexual escapades in Brooklyn, and his growing infatuation with the playful, teasing dance hall hostess who will become the great obsession of his life. |
| henry miller sexus: The Rosy Crucifixion: Sexus Henry Miller, 1987 The first book of a trilogy of novels known collectively as The Rosy Crucifixion. It is autobiographical and tells the story of Miller's first tempestuous marriage and his relentless sexual exploits in New York. The other books are Plexus and Nexus. |
| henry miller sexus: Under the Roofs of Paris Henry Miller, 2007-12-01 In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. |
| henry miller sexus: Plexus Henry Miller, 2007-12-01 The “uproariously funny” second book in the Rosy Crucifixion trilogy, “may be Miller’s masterpiece” (Choice). “Plexus is the core volume in The Rosy Crucifixion: the volume which has the most complete description of Henry Miller’s basic values, beliefs, opinions, judgments, both at the time of his ‘Crucifixion’ and at the later time when the trilogy was written. Plexus is simply the most marvelous volume of emotion and ideas and visions and nightmares about man and society in the twentieth century—with art as the link perhaps, or as the soul’s refuge—that I have read in many a long year. There is absolutely no subject in the world that Henry Miller does not seem to know about, want to talk about, and to evaluate with the deep authority of wisdom. He is probably the most learned of all our American writers, the most open to ideas and feelings, and yes, the most worshipful of all the aspects of life, as well as the most critical literary spokesman of our time.” —Maxwell Geismar |
| henry miller sexus: Nexus Henry Miller, 2007-12-01 Nexus, the last book of Henry Miller's epic trilogy The Rosy Crucifixion, is widely considered to be one of the landmarks of American fiction. In it, Miller vividly recalls his many years as a down-and-out writer in New York City, his friends, mistresses, and the unusual circumstances of his eventful life. |
| henry miller sexus: The Wisdom of the Heart Henry Miller, 2016-12-20 An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.” |
| henry miller sexus: The Henry Miller Reader Henry Miller, 1969 A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence Durrell. |
| henry miller sexus: Tropic of Cancer (Harper Perennial Modern Classics) Henry Miller, 2012-01-30 Miller’s groundbreaking first novel, banned in Britain for almost thirty years. |
| henry miller sexus: A Literate Passion Anaïs Nin, Henry Miller, 1989-04-22 A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann |
| henry miller sexus: Sexus Henry Miller, 1993 The first novel of Miller's frank, autobiographical trilogy uses dream, fantasy, and burlesque to portray the life of a struggling writer in pre-World War I New York. |
| henry miller sexus: Quiet Days in Clichy Henry Miller, 2016-02-04 'Here, even if I had a thousand dollar in my pocket, I know of no sight which could arouse in me the feeling of ecstasy' Looking back to Henry Miller's bohemian life in 1930s Paris, when he was an obscure, penniless writer, Quiet Days in Clichy is a love letter to a city. As he describes nocturnal wanderings through shabby Montmartre streets, cafés and bars, sexual liaisons and volatile love affairs, Miller brilliantly evokes a period that would shape his entire life and oeuvre. 'His writing is flamboyant, torrential, chaotic, treacherous, and dangerous' Anaïs Nin |
| henry miller sexus: Big Sur and the Oranges of Hieronymus Bosch Henry Miller, 1957-01-17 In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years. Big Sur is the portrait of a place—one of the most colorful in the United States—and of the extraordinary people Miller knew there: writers (and writers who did not write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable, like Conrad Moricand, the “Devil in Paradise” who is one of Miller’s greatest character studies. Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book—the testament of a free spirit who has broken through the restraints and clichés of modern life to find within himself his own kind of paradise. |
| henry miller sexus: Black Spring Henry Miller (Schriftsteller, USA), 1963 |
| henry miller sexus: The Devil at Large Erica Jong, 1994 In the perfect match of author and subject, poet and novelist Erica Jong charts the life and legacy of Henry Miller, the archetypal sensualist whose notorious Tropic of Cancer and subsequent books ultimately changed the boundaries of literature. With the same exuberance and love of language that coined the zipless fuck in Fear of Flying, she has created a fascinating book about writers and writing as she meditates on Henry Miller who in turn meditates on her (Gore Vidal). |
| henry miller sexus: The Colossus of Maroussi Henry Miller, 2010-05-18 Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.” |
| henry miller sexus: Tropic of Capricorn Henry Miller, 2015-06-04 A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of the life of the writer and of New York City between the wars: the skyscrapers and the sewers, the lust and the dejection, the smells and the sounds of a city that is perpetually in motion, threatening to swallow everyone and everything. 'Literature begins and ends with the meaning of what Miller has done' Lawrence Durrell 'The only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past' George Orwell 'The greatest American writer' Bob Dylan Henry Miller (1891-1980) is one of the most important American writers of the 20th century. His best-known novels include Tropic of Cancer (1934), Tropic of Capricorn (1939), and the Rosy Crucifixion trilogy (Sexus, 1949, Plexus, 1953, and Nexus, 1959), all published in France and banned in the US and the UK until 1964. He is widely recognised as an irreverent, risk-taking writer who redefined the novel and made the link between the European avant-garde and the American Beat generation. |
| henry miller sexus: Crazy Cock Henry Miller, 1992 Struggling as a writer amid the bohemianism of 1920s Greenwich Village, well-born Tony Bring must suddenly deal with the knowledge that his beloved wife Hildred has taken her female friend, Vanya, as a lover |
| henry miller sexus: To Paint is to Love Again Henry Miller, 1968 New and expanded edition of the title, first published in 1960. |
| henry miller sexus: Henry Miller on Writing Henry Miller, 1964-01-17 “A brilliant selection . . . it is in short a voyage of discovery, an adventure and this the log of that voyage in the life of a probing and powerful writer.” —Robert R. Kirsch, Los Angeles Times Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience. |
| henry miller sexus: Henry Miller and Religion Thomas Nesbit, 2007 Examining Henry Miller as a religious writer, Nesbit reconstructs his religious milieu by researching unpublished notebooks along with writings that shaped his religious thinking, then interprets his most important works as confessions and testaments. |
| henry miller sexus: The World of Sex Henry Miller, 1970 |
| henry miller sexus: Henry Miller Brassaï, 2011-05-15 Wonderfully evocative. . . . leaves one pleasantly hungry.--The New York... |
| henry miller sexus: The Books in My Life Henry Miller, 1969 In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years. |
| henry miller sexus: True North Jim Harrison, 2007-12-01 One of American literature’s most significant authors delivers “a coming-of-age story, a familial saga of estrangement . . . A slow-burning revenge tragedy” (The New York Times Book Review). An epic tale that pits a son against the legacy of his family’s desecration of the earth, and his own father’s more personal violations, Jim Harrison’s True North is a beautiful and moving novel that speaks to the territory in our hearts that calls us back to our roots. The scion of a family of wealthy timber barons, David Burkett has grown up with a father who is a malevolent force and a mother made vague and numb by alcohol and pills. He and his sister Cynthia, a firecracker who scandalizes the family at fourteen by taking up with the son of their Finnish-Native American gardener, are mostly left to make their own way. As David comes to adulthood—often guided and enlightened by the unforgettable, intractable, courageous women he loves—he realizes he must come to terms with his forefathers’ rapacious destruction of the woods of Michigan’s Upper Peninsula, as well as the working people who made their wealth possible. Jim Harrison has given us a family tragedy of betrayal, amends, and justice for the worst sins. True North is a bravura performance from one of our finest writers, accomplished with deep humanity, humor, and redemptive soul. “A provocative tale that explores the roots of wealth and privilege in America . . . Harrison’s writing is superb, as always, rippling with thematic leaps and poetic insights.” —The Oregonian |
| henry miller sexus: A Devil in Paradise (New Directions Bibelot) Henry Miller, 1993-04-17 “A perfect expression of Miller’s moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict.” —The Nation The devil in Henry Miller’s Big Sur paradise is Conrad Moricand: “A friend of his Paris days, who, having been financed and brought over from Europe as an act of mercy by Mr. Miller, turns out as exacting, sponging, evil, cunning and ungrateful a guest as can be found in contemporary literature. Mr. Miller has always been a remarkable creator of character. Conrad Moricand is probably his masterpiece. . . .A Devil in Paradise is the work of a great novelist manqué, a novelist who has no stricter sense of form than the divine creator. . . .Fresh and intoxicating, funny and moving. . .” —The Times Literary Supplement (London) |
| henry miller sexus: On Turning Eighty ; Journey to an Antique Land ; Foreword to The Angel is My Watermark Henry Miller, 1972 |
| henry miller sexus: Genius and Lust Henry Miller, 1976 Norman Mailer, without a doubt the most important literary figure of his generation, here celebrates the genius of the greatest living American writer from an earlier generation in an extended essay of unequalled brilliance as well as in a generous selection from Miller's work to point the way to the center of the power of his writing. --from front flap. |
| henry miller sexus: Henry Miller Robert Ferguson, 2012-04-17 Bohemian, egoist and prophet of sensualism, Henry Miller remains to many writers and readers a literary lion. Born in Brooklyn in 1891, son of a tailor of German extraction, Miller would embrace a freewheeling existence that carried him through umpteen jobs and sexual encounters, providing rich source material for the novels he would write. Greenwich Village and Paris in the 1920s offered rich pickings, as did Miller's ten-year affair with Anais Nin. But he was 69 before Tropic of Cancer was legally published in the US and made him famous, almost 30 years from its composition and long after his peers had devoured it in contraband French editions. Robert Ferguson reveals Miller as a amalgam of vulnerability and insouciance, who endured thirty years of official opprobrium but won the respect of Orwell, T.S. Eliot and Lawrence Durrell, and readers by the thousand. 'This impressive biography [is] good, dirty fun.' Observer 'Engaging and perceptive.' Economist 'Lively and entertaining.' J.G. Ballard |
| henry miller sexus: Durrell-Miller Letters, 1935-1980 Lawrence Durrell, Henry Miller, 1998-09-19 In 1935 a young Englishman living on Corfu wrote enthusiastically to a middle-aged Brooklynite who had just published a succes de scandale in Paris: ... Tropic [of Cancer] turns the corner into a new life which has regained its bowels. Henry Miller, realizing that in Lawrence Durrell he had hooked his ideal reader, responded: You're the first Britisher who's written me an intelligent letter about the book. Thus began a correspondence that ended only with Miller's death in 1980 - nearly 1,000,000 words later. The Durrell-Miller Letters, 1935-80 contains an extensive and representative selection of the total correspondence. Almost half of the present volume has never been published before, including some recently recovered lost letters; in addition, many passages expurgated from letters published in 1963 have been restored. Editor Ian S. MacNiven of the State University of New York, Maritime College, is quite right to regard the Durrell-Miller correspondence as a dual biography of the creative lives of two of this century'sgreat literary iconoclasts, a biography At once as serious as Schopenhauer and as winning as wine. |
| henry miller sexus: The Art of Fiction David Lodge, 2012-04-30 In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works. |
| henry miller sexus: Black Spring Henry Miller, 2007-12-01 Continuing the subversive self-revelation begun in Tropic of Cancer and Tropic of Capricorn, Henry Miller takes readers along a mad, free-associating journey from the damp grime of his Brooklyn youth to the sun-splashed cafes and squalid flats of Paris. With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit. |
| henry miller sexus: The Air-Conditioned Nightmare Henry Miller, 1970-01-17 His stories and essays celebrate those rare individuals (famous and obscure) whose creative resilience and mere existence oppose the mechanization of minds and souls. In 1939, after ten years as an expatriate, Henry Miller returned to the United States with a keen desire to see what his native land was really like—to get to the roots of the American nature and experience. He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey. |
| henry miller sexus: Moloch Henry Miller, 2007-12-01 Uncovered along with Crazy Cock in 1988 by Miller biographer Mary V. Dearborn, Moloch emerged from the misery of Miller's years at Western Union and from the squalor of his first marriage. Set in the rapidly changing New York City of the early twenties, its hero is the rough-and-tumble Dion Moloch, a man filled with anger and despair. Trapped in a demeaning job, oppressed by an acrimonious home life, Moloch escapes to the streets only to be assaulted by a world he despises even more — a Brooklyn transformed into a shrill medley of ethnic sights, sounds, and smells. The antagonized Moloch strikes out blindly at everything he hates, battling against a world whose hostility threatens to overwhelm and destroy him. |
| henry miller sexus: The rosy crucifixion Henry Miller, 1986 |
| henry miller sexus: Ham On Rye Charles Bukowski, 2002-05-31 In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression. |
| henry miller sexus: The Happiest Man Alive Mary V. Dearborn, 1992-07 Drawing on previously unpublished materials plus interviews with Miller's friends and associates, Dearborn provides the definitive biography of this important literary figure who came into the limelight in 1934, when his Tropic of Cancer was widely banned for its sexual passages. Miller became a symbol for the sexual revolution when the novel was finally published in the U.S. in 1961. 16-page photo insert. |
| henry miller sexus: Inventing Paradise Edmund Keeley, 2002 In the looming shadow of an oppressive dictatorship and imminent world war, George Seferis and George Katsimbalis, along with other poets and writers from Greece's fabled Generation of the 1930s, welcomed Henry Miller and Lawrence Durrell to their homeland. Together, as they spent evenings in Athenian tavernas, explored the Peloponnese, swam off island beaches, and considered the meaning of Greek life and freedom and art, they seemed to be inventing paradise. In a lyrical blend of personal memoir, literary criticism, and interpretative storytelling, Edmund Keeley takes readers on a journey into the poetry, friendships, and politics of this extraordinary time. A remarkable work of cultural history and imaginative criticism, his book recreates a lost paradise of immediate charm, literary greatness, and mythic reach. |
| henry miller sexus: The Dance Over Fire and Water Elie Faure, 1926 |
| henry miller sexus: Enthusiasms Bernard Levin, 1984 |
| henry miller sexus: Stand Still Like the Hummingbird Henry Miller, 1962 One of Henry Miller's most luminous statements of his personal philosophy of life, Stand Still Like the Hummingbird, provides a symbolic title for this collection of stories and essays. Many of them have appeared only in foreign magazines while others were printed in small limited editions which have gone out of print. Miller's genius for comedy is at its best in Money and How It Gets That Way--a tongue-in-cheek parody of economics provoked by a postcard from Ezra Pound which asked if he ever thought about money. His deep concern for the role of the artist in society appears in An Open Letter to All and Sundry, and in The Angel is My Watermark he writes of his own passionate love affair with painting. The Immorality of Morality is an eloquent discussion of censorship. Some of the stories, such as First Love, are autobiographical, and there are portraits of friends, such as Patchen: Man of Anger and Light, and essays on other writers such as Walt Whitman, Thoreau, Sherwood Anderson and Ionesco. Taken together, these highly readable pieces reflect the incredible vitality and variety of interests of the writer who extended the frontiers of modern literature with Tropic of Cancer and other great books. |
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