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hedwig and the angry inch musical script: Hedwig and the Angry Inch Stephen Trask, John Cameron Mitchell, 2003 Tells the story of transsexual rocker Hedwig Schmidt, an East German immigrant whose sex change operation has been botched and who finds herself living in a trailer park in Kansas. |
hedwig and the angry inch musical script: Mitchell and Trask's Hedwig and the Angry Inch Caridad Svich, 2019-06-25 '... love creates something that was not there before.' – Hedwig John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch opened on Valentine’s Day,1998, in New York City, and ever since, it and its genderqueer heroine have captivated audiences around the world. As the first musical to feature a genderqueer protagonist as its lead, the show has had an extraordinary life on film, Broadway and in the music field. A glam rock musical with a complex relationship to issues related to art, eroticism and matters of identity formation, Hedwig and the Angry Inch is a darkly exuberant fairy tale about a child that discovers she is one of a kind, but also potentially among her own kind, if she dares travel past borders that confine and try to stabilise her being and identity. Caridad Svich examines this exhilarating work through the lenses of visual and vocal rock ’n’ roll performance, the history of the American musical, and its positioning within LGBTIQ+ theatre. |
hedwig and the angry inch musical script: A New Brain William Finn, James Lapine, 1999 an energetic, sardonic, often comical musical about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital, surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor, and the nurses. Reluctantly, he had been composing a song for a children’s television show that features a frog – Mr. Bungee – and the specter of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable, and Gordon recovers, grateful for a chance to compose the songs he yearns to produce.--Publisher. |
hedwig and the angry inch musical script: The Destiny of Me Larry Kramer, 1993 In the companion play to the acclaimed hit The Normal Heart, Kramer continues the story of Ned Weeks. Ten years later and now HIV+, Ned seeks to understand his life as a gay man and as a leader of the AIDS activist movement. Kramer is the founder of ACT-UP. |
hedwig and the angry inch musical script: Rent Jonathan Larson, 2008 (Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is no day but today. Includes 16 color photographs of productions of Rent from around the world, plus an introduction (Rent Is Real) by Victoria Leacock Hoffman. |
hedwig and the angry inch musical script: Passing Strange Stew, 2009-02-01 The innovative new musical that won the 2008 Tony Award for Best Book and is soon to be a Spike Lee film. “Smashes Broadway clichés with an electric guitar and the funniest libretto I can remember.” – New York Passing Strange was nominated for 7 Tony Awards, and won the New York Drama Critics' Circle Award and Drama Desk Award for Best Musical. |
hedwig and the angry inch musical script: Julio's Day Gilbert Hernandez, 2013-04-20 It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death-rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez's Julio's Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life -- indeed, one century in a human life -- through a series of carefully crafted, consistently surprising and enthralling vignettes. There is hope and joy, there is bullying and grief, there is war (so much war -- this is after all the 20th century), there is love, there is heartbreak. This is very much a singular, standalone story that will help cement Hernandez's position as one of the strongest and most original cartoonists of this, or any other, century. |
hedwig and the angry inch musical script: Sex, Drugs, Rock & Roll, and Musicals Scott Miller, 2011 An endlessly entertaining and informative look at how musicals have both reflected and adapted to America's changing mores |
hedwig and the angry inch musical script: Singing a New Tune John Kenneth Muir, 2005 A survey of film musicals incorporates interviews with directors and screenwriters, an overview of the genre from the 1920s to the 1990s, and discusses fourteen film musicals from 1996 to 2004, along with musicals on TV. |
hedwig and the angry inch musical script: Theatre of the Ridiculous Kelly I. Aliano, 2018-11-14 Theatre of the Ridiculous is a significant movement that highlighted the radical possibilities inherent in camp. Much of contemporary theatre owes this form a great debt but little has been written about its history or aesthetic markers. This book offers a comprehensive overview of the important practitioners, along with critical commentary of their work. Beginning with Ridiculous' most recognizable name, Charles Ludlam, the author traces the development of this campy, queer genre, from the B movies of Maria Montez to the Pop Art scene of Andy Warhol to the founding of the Play-House of the Ridiculous and the dawn of Ludlam's career and finally to the contemporary theatre scene. |
hedwig and the angry inch musical script: High Fidelity Nick Hornby, 2005-05-05 THE MILLION-COPY INTERNATIONAL BESTSELLER & SOURCE OF THE 2020 HULU SERIES 'One of my favourite novels' Zoë Kravitz in Vulture ________________ Do you know your desert-island, all-time, top five most memorable break-ups? Rob does. But Laura isn't on it - even though she's just become his latest ex. Finding he can't get over Laura, record-store owner Rob decides to revisit his relationship top hits to figure out what went wrong. But soon, he's asking himself some big questions: about relationships, about life and about his own self-destructive tendencies. Astutely observed and wickedly funny, Nick Hornby's cult classic explores love, loss and the need for a good playlist. A must for readers of David Nicholls and music geeks everywhere! ________________ 'A triumphant first novel. True to life, very funny and moving' Financial Times 'Extremely cleverly observed' Mail on Sunday 'If this book was a record, we would be calling it an instant classic. Because that's what it is' Guardian 'Leaves you believing not only in the redemptive power of music but above all the redemptive power of love. Funny and wise, sweet and true' Independent |
hedwig and the angry inch musical script: Casa Valentina Harvey Fierstein, 2015-01-01 THE STORY: Nestled in the Catskills—1962's land of dirty dancing and Borscht Belt comedy—an inconspicuous bungalow colony catered to a very special clientele: heterosexual men who delighted in dressing and acting as women. These white-collar professionals would discreetly escape their families to spend their weekends safely inhabiting their chosen female alter-egos. But given the opportunity to share their secret lives with the world, the members of this sorority had to decide whether the freedom gained by openness was worth the risk of personal ruin. Based on real events and infused with Fierstein's trademark wit, this moving, insightful, and delightfully entertaining work offers a glimpse into the lives of a group of self-made women as they search for acceptance and happiness in their very own Garden of Eden. |
hedwig and the angry inch musical script: The Theater Will Rock Elizabeth L. Wollman, 2006-11-06 A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book. ---William Everett, author of The Musical: A Research Guide to Musical Theatre As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial practices of the musical stage. ---Theatre Research International This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides. ---Studies in Musical Theatre The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater, and a major cultural export. Despite the genre’s influence and fame, there are still some critics who claim that the term “rock musical” is an oxymoron. The relationship between rock and the musical theater has been stormy from the start, and even the comparatively recent success of Rent has done little to convince theater producers that rock musicals are anything but highly risky ventures. Elizabeth L. Wollman explores the reasons behind these problematic connections and looks at the socioeconomic forces that underlie aesthetic decisions. She weighs the influence on the rock musical by mass media, sound, and recording technology, and the economic pressures that have affected New York theater in general over the past three decades. Finally, Wollman offers a meditation on the state of the musical, its relation to rock, and, ultimately, its future. Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical’s evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!—and in notable flops such as The Capeman. Elizabeth L. Wollman is Assistant Professor of Music at Baruch College of the City University of New York. |
hedwig and the angry inch musical script: The Cambridge Companion to the Musical William A. Everett, Paul R. Laird, 2008-05-22 Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition remain – several in substantially updated forms – and five completely new chapters have been added, covering: ethnic musicals in the United States; the European musical; Broadway musicals in revival and on television; the most recent shows; and a case study of the creation of the popular show Wicked based on interviews with its creators. The Companion also includes an extensive bibliography and photographs from key productions. |
hedwig and the angry inch musical script: Return to the Forbidden Planet Bob Carlton, 1998 Inspired by Shakepeare's The Tempest, this juke box musical is packed with rock 'n' roll classics such as Heard it Through the Grapevine, Young Girl, Good Vibrations, and Gloria. Blast off on a routine flight and crash into the planet D'Illyria where a sci fi version of The Tempest set to rock and roll golden oldies unfolds with glee. The planet is inhabited by a sinister scientist, Dr. Prospero; his delightful daughter Miranda; Ariel, a faithful robot on roller skates; and an uncontrollable monster, the product of Prospero's Id, whose tentacles penetrate the space craft. |
hedwig and the angry inch musical script: How to Transcend a Happy Marriage Sarah Ruhl, 2017 At a dinner party in New Jersey, two couples discuss polyamory as brought up by the introduction of a new temp, Pip, in Jane’s office. When they invite Pip and her two male partners, discussion turns to action and the exploration of unexplored desire turns animalistic, and then Jane’s daughter sees it all. How to Transcend a Happy Marriage blurs the lines of monogamy and asks how deeply friends, lovers and strangers connect. |
hedwig and the angry inch musical script: The Oxford Companion to the American Musical Thomas S. Hischak, 2008-06-02 From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical. |
hedwig and the angry inch musical script: Musical Theatre John Kenrick, 2017-07-27 Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students – and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: · A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included · The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. · To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students. |
hedwig and the angry inch musical script: Musicals in Film Thomas S. Hischak, 2016-11-07 This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form—and discover films they'll love. This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike. An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts—studio, director, songwriters, actors, etc.—as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book. |
hedwig and the angry inch musical script: Boundless Jillian Tamaki, 2017-05-30 APPEARED ON BEST OF THE YEAR LISTS FROM NPR, PUBLISHERS WEEKLY, WASHINGTON POST, VULTURE, BOOKLIST, AND MORE The cartoonist of This One Summer and SuperMutant Magic Academy explores the virtual and IRL world of contemporary women via a lens both surreal and wry Jenny becomes obsessed with a strange mirror Facebook, which presents an alternate, possibly better, version of herself. Helen finds her clothes growing baggy, her shoes looser, and as she shrinks away to nothingness, the world around her recedes as well. The animals of the city briefly open their minds to us, and we see the world as they do. A mysterious music file surfaces on the internet and forms the basis of a utopian society–or is it a cult? Boundless is at once fantastical and realist, playfully hinting at possible transcendence: from one’s culture, one’s relationship, oneself. This collection of short stories is a showcase for the masterful blend of emotion and humour of award-winning cartoonist Jillian Tamaki. |
hedwig and the angry inch musical script: The Complete Book of 2010s Broadway Musicals Dan Dietz, 2020-09-10 This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues. |
hedwig and the angry inch musical script: Off Broadway Musicals, 1910-2007 Dan Dietz, 2010-03-10 Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer. |
hedwig and the angry inch musical script: How the Grinch Stole Christmas Dr Seuss, Dr. Seuss, 2015-09-22 Generations of families have enjoyed this holiday classic. Now this beloved story is available in a deluxe edition tucked inside a cloth slipcase with gold-foil stamping. Illustrations. |
hedwig and the angry inch musical script: WARHOLCAPOTE Rob Roth, 2022-09-20 Includes bonus material with more observations by Capote and Warhol. |
hedwig and the angry inch musical script: Marie and Rosetta George Brant, 2017 Bringing fierce guitar playing and swing to gospel music, Sister Rosetta Tharpe was a legend in her time and a huge influence on Elvis Presley, Johnny Cash, Jimi Hendrix, and Ray Charles. Marie and Rosetta chronicles her first rehearsal with a young protégée, Marie Knight, as they prepare to embark on a tour that would establish them as one of the great duos in musical history. |
hedwig and the angry inch musical script: Musical Theater Alyson McLamore, 2017-09-18 Musical Theater: An Appreciation, Second Edition offers a history of musical theater from its operating origins to the Broadway shows of today, combined with an in-depth study of the musical styles that paralleled changes on stage. Alyson McLamore teaches readers how to listen to both the words and the music of the stage musical, enabling them to understand how all the components of a show interact to create a compelling experience for audiences. This second edition has been updated with new chapters covering recent developments in the twenty-first century, while insights from recent scholarship on musical theater have been incorporated throughout the text. The musical examples discussed in the text now include detailed listening guides, while a new companion website includes plot summaries and links to audio of the musical examples. From Don Giovanni to Hamilton, Musical Theater: An Appreciation both explores the history of musical theater and develops a deep appreciation of the musical elements at the heart of this unique art form. |
hedwig and the angry inch musical script: Dangerous Rhythm Richard Barrios, 2014-04-08 Singin' in the Rain, The Sound of Music, Camelot--love them or love to hate them, movie musicals have been a major part of all our lives. They're so glitzy and catchy that it seems impossible that they could have ever gone any other way. But the ease in which they unfold on the screen is deceptive. Dorothy's dream of finding a land Somewhere Over the Rainbow was nearly cut, and even a film as great as The Band Wagon was, at the time, a major flop. In Dangerous Rhythm: Why Movie Musicals Matter, award winning historian Richard Barrios explores movie musicals from those first hits, The Jazz Singer and Broadway Melody, to present-day Oscar winners Chicago and Les Misérables. History, film analysis, and a touch of backstage gossip combine to make Dangerous Rhythm a compelling look at musicals and the powerful, complex bond they forge with their audiences. Going behind the scenes, Barrios uncovers the rocky relationship between Broadway and Hollywood, the unpublicized off-camera struggles of directors, stars, and producers, and all the various ways by which some films became our most indelible cultural touchstones -- and others ended up as train wrecks. Not content to leave any format untouched, Barrios examines animated musicals and popular music with insight and enthusiasm. Cartoons have been intimately connected with musicals since Steamboat Willie. Disney's short Silly Symphonies grew into the instant classic Snow White, which paved the way for that modern masterpiece, South Park: Bigger, Longer, & Uncut. Without movie musicals, Barrios argues, MTV would have never existed. On the flip side, without MTV we might have been spared Evita. Informed, energetic, and humorous, Dangerous Rhythm is both an impressive piece of scholarship and a joy to read. |
hedwig and the angry inch musical script: White Girls Hilton Als, 2019-07-09 This book will change you. --Chicago Tribune White Girls is about, among other things, blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is one of the most daring and provocative books of recent years, an invaluable guide to the culture of our time. |
hedwig and the angry inch musical script: A Raisin in the Sun Lorraine Hansberry, 2011-11-02 Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage, observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem Harlem, which warns that a dream deferred might dry up/like a raisin in the sun. The events of every passing year add resonance to A Raisin in the Sun, said The New York Times. It is as if history is conspiring to make the play a classic. |
hedwig and the angry inch musical script: Airline Highway Lisa D'Amour, 2015 Airline Highway is a rollicking play that, with great insight, humor, and subtlety, examines a tight knit community of outsiders over the course of a single, legendary day. The Hummingbird Hotel is the figurative or literal home for a group of strippers, French Quarter service workers, hustlers, and poets who are bound together by their bad luck, bad decisions, and complete lack of pretense. Presiding over them is Miss Ruby, a beloved former burlesque performer who has requested a funeral before she dies. As the people whose lives she has touched gather to celebrate her, they must face themselves, each other, and the consequences of the choices they have made. Airline Highway shows us the tenuous hold that community, authenticity, and real-time ritual have on a rapidly gentrifying New Orleans. |
hedwig and the angry inch musical script: Piaf Pam Gems, 2012-06-18 From the streets of Paris to worldwide fame Edith Gassion (known to all as 'Piaf', the sparrow) continues to be remembered and revered for her exceptional voice and extraordinary, troubled life. In this new version of Piaf, Pam Gems has reworked her classic 1978 play, vividly capturing the glamour and squalor, the rise and fall of this complex, fragile and enigmatic performer. |
hedwig and the angry inch musical script: The Disney Musical on Stage and Screen George Rodosthenous, 2017-06-29 The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact. |
hedwig and the angry inch musical script: Hir Taylor Mac, 2017-09-21 “Stop behaving like a man!” “We are men!” Isaac gets home from serving in the marines to find war has broken out back home. In a nondescript town somewhere in Central Valley – America, Isaac’s mom Paige is blowing up entrenched routines. Fed up with domestic patriarchy, Paige has stopped washing, cleaning and caring for their ailing father, who recently suffered a stroke. She reigns supreme. Ally to their mother’s new regime is Isaac’s sibling Max. Only last time Isaac checked, Max was Maxine. Once the breadwinner, Isaac’s dad has toppled from the head of the household to the bottom of the pile – a make-upped puppet emasculated by Paige once and for all. |
hedwig and the angry inch musical script: Bad Music Christopher Washburne, Maiken Derno, 2004 Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes good or bad music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical canon were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as bad by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music popular even if it is judged to be bad. For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure! |
hedwig and the angry inch musical script: The View UpStairs Max Vernon, 2017 When Wes, a young fashion designer from 2017, buys an abandoned building in the French Quarter of New Orleans, he finds himself transported to the UpStairs Lounge, a vibrant seventies gay bar. As this forgotten community comes to life, Wes embarks on an exhilarating journey of self-exploration that spans two generations of queer history. This smash Off Broadway hit features a gritty, glam rock score and a tight-knit ensemble of unforgettable characters. The View UpStairs asks what has been gained and lost in the fight for equality, and how the past can help guide all of us through an uncertain future. |
hedwig and the angry inch musical script: 2011 Songwriter's Market Editors Of Writers Digest Books, 2010-10-11 THE MOST TRUSTED GUIDE TO SONGWRITING SUCCESS For 34 years, Songwriter's Market has provided the most complete and up-to-date information songwriters need to place their songs with music publishers, record companies, record producers, managers & booking agents, music firms, and more.In the 2011 Songwriter's Market, you'll find: • Hundreds of songwriting placement opportunities, including how each market is different from the next and how to find success. • Interviews with songwriting legends, such as Mark Mothersbaugh (Devo) and Even Stevens, who's written for everyone from Kenny Rogers to Martina McBride. • Power-packed articles on taking charge of your career, including how to navigate social media sites and find alternative routes to songwriting success. • Plus, the basic nuts and bolts of the songwriting business are explained, including how to submit songs, the proper way to handle Copyright, how to identify scams, negotiating contracts, what royalties are (and how to get them), and more. • Listings for songwriting organizations, conferences, workshops, retreats, colonies, and contests. Take charge of your songwriting career today with the 2011 Songwriter's Market. |
hedwig and the angry inch musical script: The Catastrophist Lauren Gunderson, 2021-11-18 A time-jumping tale based on the life and work of Nathan Wolfe, a pandemic expert and virologist that speaks to our current time and beyond. |
hedwig and the angry inch musical script: Strike Up the Band Scott Miller, 2007 Strike Up the Band focuses not only on what happened on stage but also on how it happened and why it matters to us today. It's a different kind of history that explores the famous and, especially, the not-so famous productions to discover the lineage that paved the way to contemporary musicals. Digging into 150 shows, Miller offers a forward-looking perspective on treasures from each era--such as Anything Goes, West Side Story, Hair, and Rent--while also looking at fascinating, genre-busting, and often short-lived productions, including Bat Boy, Rocky Horror Show, Promenade, and The Capeman, to see how even obscure or commercially unsuccessful musicals defined and advanced the form. Moving decade by decade, Miller offers insight and inside information about the artistic approaches various composers, lyricists, bookwriters, and directors have taken, how those approaches have changed over time, and what social and historical forces continue to shape musical theatre today. He provides a strong sense of what groups have historically controlled the industry and how other groups' hard work and vision continue to change the musical theatre landscape for the better. In fact, Strike Up the Band opens a new and vitally important discussion of the roles played in the musical's history by people of color, by gays and lesbians, by people with disabilities, and by women. It frames musical theatre as an important, irreplaceable piece of American history and demonstrates how it reflects the social and political conditions of its time--and how it changes them. -- Publisher's description. |
hedwig and the angry inch musical script: Brand New Ancients Kae Tempest, 2013-08-15 Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; their dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest’s wholly unique blend of street poetry, rap and storytelling – combined with the spellbinding delivery of an open-air revivalist – has won them legions of followers all over the UK. Tempest's remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods. |
hedwig and the angry inch musical script: Acting Queer Conrad Alexandrowicz, 2020-01-14 This book is situated at the intersection of queer/gender studies and theories of acting pedagogy and performance. It explores the social and cultural matrix in which matters of gender are negotiated, including that of post-secondary theatre and drama education. It identifies the predicament of gender dissident actors who must contend with the widespread enforcement of realist paradigms within the academy, and proposes a re-imagining of the way drama/theatre/performance are practised in order to serve more fairly and effectively the needs of queer actors in training. This is located within a larger project of critique in reference to the art form as a whole. The book stimulates discussion among practitioners and scholars on matters concerning various kinds of diversity: of gender expression, of approaches to the teaching of acting, and to the way the art form may be imagined and executed in the early years of the 21st Century, in particular in the face of the climate crisis. But it is also an aid to practitioners who are seeking new theoretical and practical approaches to dealing with gender diversity in acting pedagogy. |
Hedwig - Harry Potter Wiki | Fandom
Hedwig (d. 27 July 1997) was Harry Potter's pet female snowy owl. Hedwig was an eleventh birthday gift from Rubeus Hagrid to Harry. Hagrid purchased her at the Eeylops Owl …
Hedwig | Official Harry Potter Encyclopedia - Wizarding World
A gift for Harry's eleventh birthday, Hedwig was a snowy owl who came to be one of Harry's closest companions. Not only did Hedwig deliver Harry's mail but she was a friend to Harry …
Harry Potter: 10 Things You Didn’t Know About Hedwig
Aug 12, 2020 · Hedwig is Harry Potter's owl in the series, and a key player — but there's so much little-known trivia fans aren't aware of.
Hedwig – Harry Potter Lexicon
Jul 10, 2021 · Hedwig is Harry Potter’s snowy owl, his companion and post owl. Hagrid bought Hedwig as an eleventh birthday present on Harry’s first visit to Diagon Alley (PS5). After …
HEDWIG AND THE ANGRY INCH | Bell Theater
This genre-bending, fourth-wall-smashing musical sensation, with a pulsing score and electrifying performances, tells the story of binary-busting glam-rocker Hedwig as she chases fame (and …
Hedwig - Starting Harry Potter
Hedwig is a snowy owl, gifted to Harry by Hagrid for his birthday, bought from Eeylops Owl Emporium. Hedwig instantly becomes a huge part of Harry's life, delivering and fetching his …
Hedwig | The Harry Potter Compendium | Fandom
Hedwig (b. before early 1991 - 27 July 1997) was Harry Potter's pet Snowy Owl (Bubo scandiacus).[3] She was a gift to Harry on his eleventh birthday from Rubeus Hagrid, in 1991 …
Hedwig and the Angry Inch | Official Site
HEDWIG AND THE ANGRY INCH National Tour. Official site for the Tony Award-winning musical HEDWIG AND THE ANGRY INCH: Schedule, Tickets, Photos, Video.
Harry Potter | 4 reasons Hedwig was better than everyone else …
Mar 16, 2016 · Hedwig was one of J.K. Rowling’s most beloved creations – perhaps even more so than some of her human characters. It’s unlikely that there’s a single Harry Potter fan who …
Harry Potter | All the times Hedwig proved she was the queen …
Apr 7, 2019 · Harry knew first-hand that Hedwig had the ability to tug at his heartstrings or ruffle his feathers, depending on how he treated her. For instance, when Harry didn’t get any mail at …
Hedwig - Harry Potter Wiki | Fandom
Hedwig (d. 27 July 1997) was Harry Potter's pet female snowy owl. Hedwig was an eleventh birthday gift from Rubeus Hagrid to Harry. Hagrid purchased her at the Eeylops Owl …
Hedwig | Official Harry Potter Encyclopedia - Wizarding World
A gift for Harry's eleventh birthday, Hedwig was a snowy owl who came to be one of Harry's closest companions. Not only did Hedwig deliver Harry's mail but she was a friend to Harry …
Harry Potter: 10 Things You Didn’t Know About Hedwig
Aug 12, 2020 · Hedwig is Harry Potter's owl in the series, and a key player — but there's so much little-known trivia fans aren't aware of.
Hedwig – Harry Potter Lexicon
Jul 10, 2021 · Hedwig is Harry Potter’s snowy owl, his companion and post owl. Hagrid bought Hedwig as an eleventh birthday present on Harry’s first visit to Diagon Alley (PS5). After …
HEDWIG AND THE ANGRY INCH | Bell Theater
This genre-bending, fourth-wall-smashing musical sensation, with a pulsing score and electrifying performances, tells the story of binary-busting glam-rocker Hedwig as she chases fame (and …
Hedwig - Starting Harry Potter
Hedwig is a snowy owl, gifted to Harry by Hagrid for his birthday, bought from Eeylops Owl Emporium. Hedwig instantly becomes a huge part of Harry's life, delivering and fetching his …
Hedwig | The Harry Potter Compendium | Fandom
Hedwig (b. before early 1991 - 27 July 1997) was Harry Potter's pet Snowy Owl (Bubo scandiacus).[3] She was a gift to Harry on his eleventh birthday from Rubeus Hagrid, in 1991 …
Hedwig and the Angry Inch | Official Site
HEDWIG AND THE ANGRY INCH National Tour. Official site for the Tony Award-winning musical HEDWIG AND THE ANGRY INCH: Schedule, Tickets, Photos, Video.
Harry Potter | 4 reasons Hedwig was better than everyone else …
Mar 16, 2016 · Hedwig was one of J.K. Rowling’s most beloved creations – perhaps even more so than some of her human characters. It’s unlikely that there’s a single Harry Potter fan who …
Harry Potter | All the times Hedwig proved she was the queen …
Apr 7, 2019 · Harry knew first-hand that Hedwig had the ability to tug at his heartstrings or ruffle his feathers, depending on how he treated her. For instance, when Harry didn’t get any mail at …