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| helene schjerfbeck royal academy: Helene Schjerfbeck , 2019 Though little known outside her native country, Helene Schjerfbeck (1862-1946) is one of Finland's best-loved artists. Her career, which stretched from the late 1870s to the end of the Second World War, encompassed both Impressionism and Modernism. This book records an exhibition that marks the first time her works have been seen in the UK since she exhibited in London herself in 1890. It presents the full range of her exceptional paintings and drawings, with 70 works in all genres, including portrait, landscape and still-life. Schjerfbeck's technique, her social and cultural context and her legacy are all examined in depth by the authors. Her influence on such artists as Francis Bacon, Lucian Freud and Frank Auerbach is considered, while a series of self-portraits reveals the artist from youth to old age. The book also explores the role of the masquerade in Schjerfbeck's work, and the impact of old-master paintings on her practice. AUTHORS: Anna-Maria von Bonsdorff is chief curator at the Ateneum Art Museum / Finnish National Gallery, Helsinki. The art historian Jeremy Lewison was formerly Director of Collections at Tate. Susanna Petterson is Director of the Ateneum Art Museum / Finnish National Gallery, Helsinki. SELLING POINT: * A new study examining the life and work of Helene Schjerfbeck, the Finnish painter who influenced Bacon, Freud and Auerbach 120 colour images |
| helene schjerfbeck royal academy: The Mirror and the Palette Jennifer Higgie, 2021-10-05 A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. |
| helene schjerfbeck royal academy: Oceania Peter Brunt, Nicholas Thomas, 2018 Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland.--Royal Academy of Arts website (accessed 26/10/2018). |
| helene schjerfbeck royal academy: Francis Bacon , 2021 Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: Bullfighting is like boxing, Bacon once said. A marvellous aperitif to sex. 0Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition.00Exhibition: Royal Academy of Arts, London, UK (22.01-12.04.2021). |
| helene schjerfbeck royal academy: Artists' Laboratory Ian McKeever, 2010 This 48-page book is the first in the series Artists' Laboratory. It includes an essay by the late Norbert Lynton on McKeever's Hartgrove Paintings, and a conversation between McKeever and a fellow Academician, the sculptor Richard Deacon, in which the two artists discuss their respective practices and their relationship with photography.48pp, 30 illustrations, softback with a dustjacket. |
| helene schjerfbeck royal academy: Eco-visionaries Pedro Gadanho, Rose Thompson, Gonzalo Herrero Delicado, Mariana Pestana, 2019 A series of conversation with architects, artists and designers whose practices confront the current ecological emergency and propose alternative futures for our planet. |
| helene schjerfbeck royal academy: The Renaissance Nude Thomas Kren, Jill Burke, Stephen J. Campbell, 2018-11-20 A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human. |
| helene schjerfbeck royal academy: Léon Spilliaert, 1881-1946 Léon Spilliaert, 1989 |
| helene schjerfbeck royal academy: Felix Vallotton Dita Amory, Ann Dumas, 2019 The Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities on the artist look at his life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes some works never seen before. AUTHORS: Dita Amory is curator at The Metropolitan Museum of Art, New York, and author of Madame Cézanne (2014). Philippe Buttner is Keeper of the Collection at the Kunsthaus Zurich. Ann Dumas is curator at the Royal Academy of Arts, London. Patrick McGuinness is a novelist, critic and poet, and Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Director of the Vallotton Foundation. Christian Rumelin is Keeper of Prints and Drawings at the Cabinet d'arts graphiques du Musee d'art et d'histoire in Geneva. Belinda Thomson is an honorary fellow at the University of Edinburgh and an independent art historian. SELLING POINT: * An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard 150 colour images |
| helene schjerfbeck royal academy: Women Painters of the World Walter Shaw Sparrow, 1905 |
| helene schjerfbeck royal academy: Daniel Maclise Annette Wickham, Mark Murray-Flutter, Royal Armouries (Great Britain), 2015 Depicting the famous meeting of Wellington and Blucher directly after their joint victory over Napoleon at the Battle of Waterloo on 18 June 1815, Maclise's monumental 'cartoon' caused a sensation when it was first shown at the House of Lords in 1859. Everything was evocative to the highest degree: from the vast scale to the magnificent craftsmanship, to the picture's theme, which refuses to glamorise war and affords Waterloo's victims as much attention as its heroes. And although it has rarely been exhibited, this 'cartoon' remains a powerful work of art to this day. In this concise but comprehensive volume Annette Wickham looks in detail at the story of the cartoon's creation and the reasons it has been hidden for so long, while the military expert Mark Murray-Flutter offers an engaging analysis of the arms, equipment and characters portrayed in each scene. This book may be small, but to the military enthusiast or art devotee, it will be invaluable. AUTHOR: Annette Wickham is Curator of Works on Paper at the Royal Academy of Arts. Mark Murray-Flitter is Senior Curator of Sporting Firearms and Weapons at the Royal Armouries, Leeds. SELLING POINTS: * Features a full-colour fold-out of Maclise's cartoon * Will fascinate art and military history enthusiasts alike 25 colour |
| helene schjerfbeck royal academy: Italian Futurism 1909-1944 Solomon R. Guggenheim Museum, 2014 February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance. |
| helene schjerfbeck royal academy: Alice Neel: Uptown Hilton Als, Alice Neel, 2017-05-23 Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she encountered,” Als writes. The publication, which opens with a foreword by Jeremy Lewison, advisor to The Estate of Alice Neel, explores Neel’s interest in the diversity of uptown New York and the variety of people amongst whom she lived. This group of portraits includes well-known figures such as playwright, actress, and author Alice Childress; the sociologist Horace R. Cayton, Jr.; the community activist Mercedes Arroyo; and the widely published academic Harold Cruse; alongside more anonymous individuals of a nurse, a ballet dancer, a taxi driver, a businessman, and a local kid who ran errands for Neel. In short and illuminating texts on specific works written in his characteristic narrative style, Als writes about the history of each sitter and offers insights into Neel and her work, while adding his own perspective. A contemporary and personal approach to the artist’s oeuvre, Als’s project is “an attempt to honor not only what Neel saw, but the generosity of her seeing.” This catalogue is published on the occasion of the 2017 exhibitions of Neel’s paintings and drawings at David Zwirner, New York, and Victoria Miro, London. |
| helene schjerfbeck royal academy: David Hockney: the Arrival of Spring in Normandy 2020 , 2021-05 At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a method of drawing he has been using for over a decade. Drawing outdoors was an antidote to the anxiety of the moment for Hockney - 'We need art, and I do think it can relieve stress,' he says. This uplifting publication - produced to accompany a major exhibition at the Royal Academy of Arts - includes 116 of his new iPad drawings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.00Exhibition: Royal Academy of Arts, London, UK (27.03-22.08.2021). |
| helene schjerfbeck royal academy: Derek Jarman: Protest! Seán Kissane, Karim Rehmani-White, 2020-06 Derek Jarman was a very English rebel, a maverick and radical artist whose unique and distinctive voice was honed protesting against the strictures of life in post-war Britain. In an innovative practice that roamed freely across all varieties of media, Jarman refused to live and die quietly. He defined bohemian London life in the 1960s, exploded into queer punk in the 70s and with unbounded creative rage, ingenuity and sheer personal charm, he triumphed over an atmosphere of fear and ignorance in the age of AIDS to produce timeless, eloquent works of art which resonate still more strongly today. This major new publication offers a definitive overview of Derek Jarman's life and work. It covers all aspects of his oeuvre, from his features to his Super-8 films, his painting, design for theatre, poetry, gardening, memoir and political activism. Protest! contains excerpts from Jarman's own writings, short interviews with friends and collaborators and newly commissioned texts from a wide range of contributors including John Maybury, Peter Tatchell, Philip Hoare, Sir Norman Rosenthal and Olivia Laing. Generously illustrated with previously unseen images drawn from Jarman's personal archive and unseen works from all stages of his career, this book brings the reader fresh and surprising insights into the world of this much-loved artist. |
| helene schjerfbeck royal academy: The Vanishing Man Laura Cumming, 2016 In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before |
| helene schjerfbeck royal academy: Lucian Freud David Dawson, Joseph Leo Koerner, Jasper Sharp, Sebastian Smee, 2019 In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them revealing, telling, believable ... really shameless. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice. |
| helene schjerfbeck royal academy: Egon Schiele Egon Schiele, 2011 This work traces Schiele's development as a portraitist through four principal chronological phases, from 1906 through 1918. Starting with the artists rigorous training at the Vienna Academy, it chronicles Schiele's eventual break with academia and the emergence of his Expressionistic style. |
| helene schjerfbeck royal academy: Charles I , 2018 During his reign, King Charles I (1600-1649) assembled one of Europe's most extraordinary art collections. Indeed, by the time of his death, it contained some 2,000 paintings and sculptures. Charles I: King and Collector explores the origins of the collection, the way it was assembled and what it came to represent. Authoritative essays provide a revealing historical context for the formation of the King's taste. They analyse key areas of the collection, such as the Italian Renaissance, and how the paintings that Charles collected influenced the contemporary artists he commissioned. Following Charles's execution, his collection was sold. This book, which accompanies the exhibition, reunites its most important works in sumptuous detail. Featuring paintings by such masters as Van Dyck, Rubens and Raphael, this striking publication offers a unique insight into this fabled collection. AUTHORS: Desmond Shawe-Taylor is Surveyor of the Queen's Pictures. Per Rumberg is Curator at the Royal Academy of Arts, London. David Ekserdjian is Professor of Film and Art History at the University of Leicester. Dr Barbara Furlotti is Associate Lecturer at the Courtauld Institute of Art, London. Gregory Martin, formerly Curator of Baroque Paintings and Assistant Keeper of the National Gallery, London, is Editor of the Corpus Rubenianum. Guido Rebecchini is Lecturer and Head of the Renaissance Section at the Courtauld Institute of Art, London. Vanessa Remington is Senior Curator of Paintings at The Royal Collection. Dr Karen Serres is the Schroder Foundation Curator of Paintings at the Courtauld Gallery, London. Lucy Whitaker is Assistant Surveyor of the Queen's Pictures. Jeremy Wood is Professor Emeritus of Art History at the University of Nottingham. Helen Wyld is Curator at National Museums Scotland. SELLING POINTS: * The compelling story of the British monarch who created one of the most stupendous art collections ever assembled * Accompanies the once-in-a-lifetime exhibition that brings together astonishing works by Van Dyck, Rubens, Titian, Holbein, Mantegna and Rembrandt, among many others * A major BBC TV series on the Royal Collection and a documentary on Charles I is planned 200 colour illustrations |
| helene schjerfbeck royal academy: Léon Spilliaert (1881-1946) Anne Adriaens-Pannier, Adrian Locke, Luc Tuymans, 2020 Léon Spilliaert (1881-1946) was a daring and visionary artist who callenged the artistic conventions of his day. Born in Ostend, as a young man he wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric evocations of its dark quays, beaches and promenades. These layered works, among his most radical, have profound psychological depth and ambiguity, traits also seen in a series of haunting self-portraits considered outstanding exemplars of the genre. This publication, accompanying the first monographic exhibition of Spilliaert's art in Britain, illustrates over a hundred works from international collections. The Belgian artist Luc Tuymans, who considers Spilliaert a key influence, introduces the book. |
| helene schjerfbeck royal academy: Vilhelm Hammershøi, 1864 - 1916 , 1998 |
| helene schjerfbeck royal academy: Women in the Picture Catherine McCormack, 2021-11-04 |
| helene schjerfbeck royal academy: Hungary Adrian Stokes, Adrian Scott Stokes, 1909 |
| helene schjerfbeck royal academy: The Story of Art Without Men Katy Hessel, 2023-05-02 Instant New York Times bestseller One of Vanity Fair's Favorite Books to Gift • One of PureWow's 42 Books to Gift This Year • One of Kirkus's Best Books of 2023 The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the “readymade.” Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it’s never been told before. |
| helene schjerfbeck royal academy: Nordic Literature of Decadence Pirjo Lyytikäinen, Riikka Rossi, Viola Parente-Čapková, Mirjam Hinrikus, 2019-07-11 Nordic Literature of Decadence fills a gap on the map of world literature and participates in a thriving area of research by extending the investigation of broadly understood fin de siècle decadence to unexplored areas of Nordic literature, which remain practically unknown to Anglophone audiences. In the Nordic countries the new Parisian movements were seen as having caused a malicious invasion, a ‘black flood’ that was spreading over the North destroying the very foundations of Nordic national cultures. Nevertheless, the appeal of this controversial movement was irresistible to discontents and innovators, even in countries where the old moral, religious and nationalist atmosphere still retained its stranglehold and modern urban, industrial and social developments lagged behind that of the metropoles breeding this new literature and art. The Nordic countries developed their own distinctive manifestations of decadence favouring allegorical and allusive forms, local rural settings and depictions of primitive nature, coupling the philosophical underpinnings of fin-de-siècle decadence with ancient Nordic mythology and rising national movements. Nordic decadence thus became a distinctive and recognizable phenomenon, which travelled back to France and other European countries, influencing the ongoing debate on decadence as it was conducted on a global scale. Nordic Literature of Decadence discusses literature from five Nordic countries: Denmark, Norway, Sweden, Finland and Estonia and offers additional and alternative perspectives to the cosmopolitan traffic and cultural exchanges of literary decadence that have been explored so far in the English language scholarship. |
| helene schjerfbeck royal academy: Seeing Ourselves Frances Borzello, 2016-05-17 The first chronicle of the whole story of female self portraiture through the centuries—a key work in the study of women’s art For centuries, women’s self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vigée-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries. Frances Borzello’s spirited text, now fully revised, and the intensity of the accompanying self-portraits are set off to full advantage in this new edition, now in reading-book format. |
| helene schjerfbeck royal academy: Becoming Artists Carina Rech, 2021 |
| helene schjerfbeck royal academy: Gauguin and the Impressionists , 2020-05-19 A survey of impressionist masterpieces from the Ordrupgaard Collection Drawn from the remarkable Ordrupgaard Collection of the Danish insurance broker and art lover Wilhelm Hansen, the masterpieces of 19th-century French painting in this volume represent the very best of French impressionism. Joining an already impressive collection of Scandinavian art, one of the first French paintings Hansen acquired was Woman with a Fan, Portrait of Madame Marie Hubbard(1874) by Berthe Morisot. This gently ironic work set the tone for his perceptive and adventurous collecting style. A burst of acquisitions from 1916 to 1918, during which he took advice from the influential critic Théodore Duret, saw his collection grow to include works by Cézanne, Courbet, Gauguin, Manet, Matisse, Monet, Renoir and Sisley. With stunning reproductions of 60 works, the authors explore the history of the collection and provide detailed analysis of the works themselves. |
| helene schjerfbeck royal academy: Alice Neel Alice Neel, Jeremy Lewison, Museum of Fine Arts, Houston, Whitechapel Art Gallery, 2010 Explores the themes and stylistic developments of the art of Alice Neel, one of the greatest American painters of the twentieth century, with works spanning nearly seven decades, four essays and additional texts addressing themes and specific works, three artists' appreciations, and a chronology and bibliography--Provided by publisher. |
| helene schjerfbeck royal academy: Phyllida Barlow Phyllida Barlow, Sara Harrison, 2014 Reproducing over 200 works on paper from the past 50 years, this retrospective publication presents a crucial part of British sculptor Phyllida Barlow's (born 1944) oeuvre. Designed by Japanese graphic designer Takaaki Matsumoto, the book will be published alongside the Hauser & Wirth London exhibition opening in late May 2014. A never-before-published interview between the artist and Hans Ulrich Obrist provides insight into drawings that are not preparations but, rather, daily exercises done before, during and after the creation of her sculptures. While the works on paper range in style, they demonstrate a consistency in color and form in their exploration of ideas related to structures, architectural interiors and urban surroundings. Barlow's works on paper date back to the early 1960s when she was a student at Chelsea College of Art in London. |
| helene schjerfbeck royal academy: Simon Dinnerstein Simon Dinnerstein, Rudolf Arnheim, 1999 Global Japaniziation?Brings together research from North America, Japan, Europe and Latin America to analyse the influence of Japanese manufacturing investment and Japanese working practices across the global economy. The editors present original case studies of work reorganization and workers’ experiences within both Japanese companies and those of their competitors in diverse sectors and national settings. These studies provide a wide-ranging critique of conventional accounts of Japanese models of management and production, and their implications for employees. They offer new evidence and fresh perspectives on the role of transplants in disseminating manufacturing innovations, and on the responses of non-Japanese firm in reorganizing production operations and industrial relations. |
| helene schjerfbeck royal academy: Gwen John and Augustus John David Fraser Jenkins, Chris Stephens, 2004-12-07 Augustus John (1878-1961) was a hugely charismatic and colourful figure, his technical skill as a draughtsman matched by his bohemian manners and dashing appearance. In the pre-war years he epitomised the rebellious artist, travelling the country in a caravan and learning Romany as a result of the time he spent with gypsies. An official War artist during the first war, he subsequently took up a career as a portraitist, painting the leading literary figures of his day as well as inheriting Sargent's mantle as a painter of Society. Gwen John (1876-1939) studied at the Slade along with Augustus, leaving in the same year (1898). She then studied in Paris under Whistler, adopting his remarkable control of colour. In 1904 she settled permanently in France, where she earned a living as a model for artists including Rodin, who became her lover. The opposite of her brother both in personality and artistically, she favoured introspective subjects, and led a reclusive life. |
| helene schjerfbeck royal academy: Fifty Works by Fifty British Women Artists 1900 - 1950 Sacha Llewellyn, 2019 This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w |
| helene schjerfbeck royal academy: Francesca Woodman Anna Tellgren, 2015 On Being an Angel takes its title from a caption the artist inscribed on two of her photographs--self-portraits with her head thrust back and her chest thrust forward. Typical of Woodman's work in the way they cast the female body as simultaneously physical and immaterial, these photographs and the evocative title they share are apt choices to encapsulate the work of an artist whose legacy has been unavoidably colored by her tragic personal biography and her death, at age 22, by suicide. In less than a decade, Woodman produced a fascinating body of work--in black and white and in color--exploring gender, representation, sexuality and the body through the photographing of her own body and those of her friends. Since her death, Woodman's influence continues to grow: her work has been the subject of numerous in-depth studies and exhibitions in recent years, and her photographs have inspired artists all over the world. Published to accompany a travelling exhibition of Woodman's work, Francesca Woodman: On Being an Angel offers a comprehensive overview of Woodman's oeuvre, organized chronologically, with texts by Anna Tellgren, Anna-Karin Palm and the artist's father, George Woodman. Francesca Woodman (1958-81) was born in Denver, Colorado, to an artistic family and began experimenting with photography as a teenager. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York to attempt to build a career in photography. Woodman's working career was intense but brief, cut short by her death in 1981. |
| helene schjerfbeck royal academy: Matisse on Art Henri Matisse, Jack D. Flam, 1995 Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview. |
| helene schjerfbeck royal academy: Silver Lake Drive Alex Prager, 2018-06 Alex Prager is one of the truly original image makers of our time. Working fluidly between photography and film, she creates large-scale projects that combine elaborately built sets, highly staged, complex performances and a 'Hollywood' aesthetic to produce still and moving images that are familiar yet strange, utterly compelling and unerringly memorable. In her career she has won both popular acclaim and the recognition of the art establishment - her work can be found in the collections of MoMA and the Whitney Museum in New York as well as institutions worldwide. This book is the first career retrospective of this rising star. In 120 carefully curated photographs, it summarizes Prager's creative trajectory and offers an ideal introduction for the popular 'breakout' audience who may have only recently encountered her work. Structured around her project-orientated approach, Silver Lake Drive presents the very best images from her career to date: from the early Film Stills through her collaborations with the actor Bryce Dallas Howard on Week-end and Despair to the tour de force of Face in the Crowd - shot on a Hollywood sound stage with over 150 performers - and her 2015 commission for the Paris opera La Grande Sortie. Supported by an international exhibition schedule, and including an in-depth interview with Alex Prager by Nathalie Herschdorfer and supplementary essays by the curators of renowned museums and galleries, this book will be an essential addition to the collection of anyone who has followed Prager's career and all with an interest in and appreciation of contemporary art. |
| helene schjerfbeck royal academy: Edward Lear Vivien Noakes, 2006 The youngest but one of 21 children, Edward Lear had a constant struggle against ill-health, loneliness and depression throughout his life. This completely revised edition tell his story and includes new material on Lear's early life drawn from recently found letters. |
| helene schjerfbeck royal academy: Venus Betrayed Julia Frey, Julia Bloch Frey, 2019 Marvelous, beautifully illustrated.--Wall Street Journal Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard's abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces--while other works were left unfinished for months or years. Drawing on insights and images from Vuillard's still unpublished diaries, Julia Frey takes us into Vuillard's private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved--his mother and sister, penniless models, and rich men's wives. |
| helene schjerfbeck royal academy: Léon Spilliaert Anne Adriaens-Pannier, 2019-04-11 The first publication in English of the ultimate monograph on painter Léon Spilliaert. Léon Spilliaert (1881-1946) was one of the most important Flemish Symbolist painters. Although he was embedded in the Symbolist tradition, he was also drawn to the avant-garde. He was, in fact, an einzelgänger, or loner, balancing on the fault line between two centuries, a transitional figure between Symbolism and Surrealism. Spilliaert, like James Ensor, was born and raised in Ostend. And like Ensor, he was also driven by ridicule and irony, non-conformism and the urge to look at the world from a different perspective. He created his own spiritual imagery, experimented with pastel and gouache, and played with purified areas of colour and graceful lines. The sea under a cool moon, lonely figures with a vacant gaze, desolate beaches, empty rooms and stylised silhouettes in backlight: Spilliaert was always able to evoke an atmosphere of mystery, magic and alienation in abstract lines and colours. This revised, English-language version of the ultimate Spilliaert book will be published to coincide with the major Spilliaert exhibition at the Royal Academy in London this autumn. |
| helene schjerfbeck royal academy: Milton Avery, Important Paintings Milton Avery, 1981 |
Hurricane Helene - Wikipedia
Hurricane Helene (/ h ɛ ˈ l iː n / ⓘ heh-LEEN) [3] was a deadly and devastating tropical cyclone that caused widespread catastrophic damage and numerous fatalities across the Southeastern …
#Helene resources: The latest storm forecasts, maps, imagery and …
Sep 24, 2024 · NOAA's National Weather Service wants you to have the latest, most accurate information on Hurricane Helene to keep you informed and safe. Here is a compilation of …
Hurricane Helene updates: Death toll surpasses 230 as rescue …
Oct 7, 2024 · More than 230 people have been killed from Hurricane Helene, which unleashed devastation across Florida, Georgia, South Carolina, North Carolina, Virginia and Tennessee.
Hurricane Helene: 128 people are dead and communities are
Oct 1, 2024 · The death toll from powerful storm Helene, which battered the southeastern United States, has climbed to at least 155, authorities said on October 1, as President Joe Biden and …
Helene becomes a hurricane as it nears Florida : NPR
Sep 25, 2024 · Helene, which reached tropical storm status shortly after forming in the northwestern Caribbean Sea on Tuesday, is forecast to pass between the Yucatán Peninsula …
Hurricane Helene - FEMA.gov
Hear from survivors of hurricanes Helene and Milton about how they were impacted from the storms and turned to FEMA to get assistance. Learn more about the response to Hurricane …
Hurricane Helene updates: Category 1 storm rumbles into Georgia …
Sep 26, 2024 · TALLAHASSEE, Fla. − Hurricane Helene made landfall Thursday night carrying catastrophic 140 mph winds as the first known Category 4 storm to hit Florida’s Big Bend …
Hurricane Helene: Over 220 dead as some communities struggle …
Oct 4, 2024 · Hurricane Helene's rainfall extremes were boosted by human-caused climate change, early attribution studies show.
What to know about Hurricane Helene, flooding in Southeast US
Massive Hurricane Helene crashed into Florida’s sparsely populated Big Bend region, bringing storm surge and high winds across the state’s Gulf Coast communities before ripping into …
Helene’s destructive trail across southeastern U.S. leaves at ... - PBS
Sep 29, 2024 · With at least 25 killed in South Carolina, Helene is the deadliest tropical cyclone for the state since Hurricane Hugo killed 35 people when it came ashore just north of …
Hurricane Helene - Wikipedia
Hurricane Helene (/ h ɛ ˈ l iː n / ⓘ heh-LEEN) [3] was a deadly and devastating tropical cyclone that caused widespread catastrophic damage and numerous fatalities across the Southeastern …
#Helene resources: The latest storm forecasts, maps, imagery …
Sep 24, 2024 · NOAA's National Weather Service wants you to have the latest, most accurate information on Hurricane Helene to keep you informed and safe. Here is a compilation of …
Hurricane Helene updates: Death toll surpasses 230 as rescue …
Oct 7, 2024 · More than 230 people have been killed from Hurricane Helene, which unleashed devastation across Florida, Georgia, South Carolina, North Carolina, Virginia and Tennessee.
Hurricane Helene: 128 people are dead and communities are
Oct 1, 2024 · The death toll from powerful storm Helene, which battered the southeastern United States, has climbed to at least 155, authorities said on October 1, as President Joe Biden and …
Helene becomes a hurricane as it nears Florida : NPR
Sep 25, 2024 · Helene, which reached tropical storm status shortly after forming in the northwestern Caribbean Sea on Tuesday, is forecast to pass between the Yucatán Peninsula …
Hurricane Helene - FEMA.gov
Hear from survivors of hurricanes Helene and Milton about how they were impacted from the storms and turned to FEMA to get assistance. Learn more about the response to Hurricane …
Hurricane Helene updates: Category 1 storm rumbles into …
Sep 26, 2024 · TALLAHASSEE, Fla. − Hurricane Helene made landfall Thursday night carrying catastrophic 140 mph winds as the first known Category 4 storm to hit Florida’s Big Bend …
Hurricane Helene: Over 220 dead as some communities struggle …
Oct 4, 2024 · Hurricane Helene's rainfall extremes were boosted by human-caused climate change, early attribution studies show.
What to know about Hurricane Helene, flooding in Southeast US
Massive Hurricane Helene crashed into Florida’s sparsely populated Big Bend region, bringing storm surge and high winds across the state’s Gulf Coast communities before ripping into …
Helene’s destructive trail across southeastern U.S. leaves at
Sep 29, 2024 · With at least 25 killed in South Carolina, Helene is the deadliest tropical cyclone for the state since Hurricane Hugo killed 35 people when it came ashore just north of …
