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| harry lieberman art: Harry Lieberman Stacy C. Hollander, 1991 |
| harry lieberman art: American Folk Art Kristin G. Congdon, Kara Kelley Hallmark, 2012-03-19 Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are. |
| harry lieberman art: AskART.com: Harry Lieberman , AskART.com presents information concerning American artist and painter Harry Lieberman (1876-1983). Additional information for Lieberman includes a bibliography of publications about the artist, museum holdings, current exhibits, images of the artist's work, etc. Auction records, including highest prices, are available only to AskART members. |
| harry lieberman art: Encyclopedia of American Folk Art Gerard C. Wertkin, 2004-08-02 For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history. |
| harry lieberman art: Personal Places Daniel Franklin Ward, 1984 The human-constructed modifications of the environment and landscape examined in the essays collected here have been referred to as everything from piles of junk to the greatest accomplishments of humankind. |
| harry lieberman art: Singular Visions Alyce Assael, 1985 |
| harry lieberman art: Self-Taught, Outsider and Folk Art Betty-Carol Sellen, 2016-02-09 Much has changed in the world of self-taught art since the millennium. Many of the recognized masters have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city. |
| harry lieberman art: American Self-taught Art Florence Laffal, Julius Laffal, 2003 Self-taught art (or outsider art or folk art) is made up of paintings, drawings, sculptures, assemblages, outdoor constructions and other items created by people with little or no formal training who produce (or at least began by producing) art without regard to mainstream recognition or the marketplace. There are now several periodicals, numerous yearly auctions, and dozens of museums and galleries devoted to the field. This analysis of the art form in 20th century America begins by explaining the emergence of self-taught art, and introducing the reader to key aspects. The second chapter studies trends, by gender, race and region, and examines such issues as education, employment and the circumstances under which artists became active. The main body of the work consists of 1,319 biographies of artists--dates, location, origins, education, employment, style, media, themes and unusual characteristics. Another section deals with 44 categories of self-taught art including media (collage, painting, pottery, relief carving, sculpture, etc.); styles (abstract, rudimentary, surrealistic...); and themes (such as animals, death, humor, politics, religion, vehicles and words). |
| harry lieberman art: The Time of Your Life Eugenie G. Wheeler, 2005-04 Based on Eugenie Wheeler's experiences, philosophy, reading, listening, and sense of humor, this best-of collection of columns deals with both the ups and downs of aging and includes topics on health, recreation, grandparenting, and relationships. Tired of stereotypes and myths on aging, Wheeler has devoted her career to helping the elderly avoid the pitfalls of depression and isolation and rather find a satisfying life style in the later stages of life. |
| harry lieberman art: American Folk Art for Kids Richard Panchyk, 2004-09-01 Drawing on the natural folk art tendencies of children, who love to collect buttons, bottle caps, shells, and Popsicle sticks to create beautiful, imperfect art, this activity guide teaches kids about the history of this organic art and offers inspiration for them to create their own masterpieces. The full breadth of American folk art is surveyed, including painting, sculpture, decorative arts, and textiles from the 17th century through today. Making bubblegum wrapper chains, rag dolls, bottle cap sculptures, decoupage boxes, and folk paintings are just a few of the activities designed to bring out the artist in every child. Along the way kids learn about the lives of Americans throughout history and their casual relationships to everyday art as they cut stencils, sew needlepoint samplers, draw calligraphy birds, and design quilts. Important folk artists such as the last surviving Shakers, the legendary Grandma Moses, and the Reverend Howard Finster are also explored in sidebars throughout the book. |
| harry lieberman art: The Clarion , 1992 |
| harry lieberman art: Gilded Lions and Jeweled Horses Murray Zimiles, Vivian B. Mann, American Folk Art Museum, Fenimore Art Museum (Cooperstown, N.Y.), Farmers' Museum (Cooperstown, N.Y.), 2007 A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New |
| harry lieberman art: Cincinnati Magazine , 1983-12 Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region. |
| harry lieberman art: Folk Art , 2001 |
| harry lieberman art: The Arts on Television, 1976-1990 Rebecca Krafft, 1991 |
| harry lieberman art: American Folk Art of the Twentieth Century Jay Johnson, William C. Ketchum (Jr.), 1983 This illustrated guide to American folk artists and their work spans a century of painters from Grandma Moses to Kathy Jakobsen and covers such media as sculpture, pottery, and textile creations. |
| harry lieberman art: Clementine Hunter Art Shiver, Tom Whitehead, 2012-09-17 Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter. |
| harry lieberman art: Americans Over 100 United States. Congress. House. Select Committee on Aging, 1980 |
| harry lieberman art: Commentary , 1973 |
| harry lieberman art: Sound an Alarm! Joseph Perl's Revealer of Secrets and Testing the Righteous Dov Taylor, 2024-11-15 Revealer of Secrets is a portrayal-both realistic and satirical-of Eastern European Jewish life in the tumultuous early years of the nineteenth century. It reflects the struggle that raged between the Haskalah and Hasidism as the Jewish people stood on the threshold of modernity. In the battle between reason and faith, the Haskalah admired science and rationalism and recommended broad education to its adherents, while Hasidism revered mystical intuition in its charismatic rebbe-saints and encouraged religious fervor in its followers. Published in Vienna in 1819, Joseph Perl's Revealer of Secrets was the most devastating and best-known parody produced by the Haskalah movement. Its milieu is that of Ukrainian, Polish, and Russian Jewry at the beginning of the nineteenth century. Drawing on forms from the eighteenth-century European epistolary novel, the khsidic holy book, khsidic and rabbinic letters, and the Austrian comic tradition, and drawing inspiration from the masterpiece of biblical parody-The Book of Esther-Perl unleashed a broadside that, in the words of one modern critic, was to become a classic of Hebrew literature, a masterpiece of invective and the first Hebrew novel. Perl's related volume, Bohen Tsaddiq [Testing the Righteous], was published in 1838. TR is a sequel to RS, consisting of a discussion of readers' reactions to the earlier work, including criticism of the author's use of khsidic sources. Each of the criticisms is, of course, convincingly rebutted, as the entire work is crafted to lend authenticity to RS. Ovadya reappears as the narrator in TR. Its plot revolves around the search for a completely honest man, in the course of which, representatives of the various elements of Jewish society are reviewed and their defects exposed. The parade of failures includes, not only khsidim, but also rabbis, businessmen, craftsmen, and even maskilim. As the search concludes, the honest man turns out to be neither a khsidic tzadek nor even a maskil, but a pious farmer in a Jewish agricultural utopia in the Crimean Peninsula. Perl's vision of utopia thus rejects not only Hasidism but also the idea of a return to Palestine, envisioning instead a life of productive labor in the Diaspora. |
| harry lieberman art: From Museums, Galleries, and Studios , 1984-03-20 Product information not available. |
| harry lieberman art: Journal of the Assembly of the State of New York New York (State). Legislature. Assembly, 1977 |
| harry lieberman art: 20th Century American Folk, Self-taught, and Outsider Art Betty-Carol Sellen, Cynthia J. Johanson, 1993 The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography. |
| harry lieberman art: Report on the Administration of Rajasthan Rajasthan (India), 1978 |
| harry lieberman art: The Temptation Julia S. Ardery, 1998 Why, beginning in the late 1960s, did expressive objects made by poor people come to be regarded as twentieth-century folk art, increasingly sought after by the middle class and the wealthy? Julia Ardery explores that question through the life story of |
| harry lieberman art: Grasping Things Simon J. Bronner, 2014-07-11 America stocks its shelves with mass-produced goods but fills its imagination with handmade folk objects. In Pennsylvania, the back to the city housing movement causes a conflict of cultures. In Indiana, an old tradition of butchering turtles for church picnics evokes both pride and loathing among residents. In New York, folk-art exhibits raise choruses of adoration and protest. These are a few of the examples Simon Bronner uses to illustrate the ways Americans physically and mentally grasp things. Bronner moves beyond the usual discussions of form and variety in America's folk material culture to explain historical influences on, and the social consequences of, channeling folk culture into a mass society. |
| harry lieberman art: A Guide to Films Featured in the Jewish Film Festival Deborah Kaufman, Janis Plotkin, Rena Orenstein, 1991 |
| harry lieberman art: Audiovisual Resources for Gerontological and Geriatric Education , 1987 |
| harry lieberman art: Museum of American Folk Art Encyclopedia of Twentieth-century American Folk Art and Artists Chuck Rosenak, Jan Rosenak, 1990 Comprehensive encyclopedia of twentieth century American folk art and artists. |
| harry lieberman art: Vietnam Remembered Varick Chittenden, 1995 A book featuring miniature dioramas that translate the Vietnam war into art and self-therapy for the artist |
| harry lieberman art: Folk Art in American Life Robert Charles Bishop, Robert Bishop, Jacqueline M. Atkins, 1995 Richly illustrated with over 260 color plates, Folk Art in American Life presents a broad sampling of the wealth and variety of American folk art from the late seventeenth century through the late twentieth century. Its scope includes objects from many diverse subject areas - from paintings to household furnishings of many kinds, to textiles, to sculpture, to environments.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| harry lieberman art: Arts and Activities , 1983 |
| harry lieberman art: Sale Sotheby Parke Bernet Inc, 1989 |
| harry lieberman art: Independent Jewish Film Janis Plotkin, Caroline Libresco, Josh Feiger, 1996 |
| harry lieberman art: Midstream , 1974 |
| harry lieberman art: The World Who's who of Women , 1995 |
| harry lieberman art: Art on Screen Program for Art on Film (New York, N.Y.), 1991 A detailed guide to some 900 films and videos covering fine arts, archaeology, decorative arts, crafts, and related topics, produced from 1976 to 1990, and noteworthy for their production values or for the importance or uniqueness of their content. Five essays provide an intellectual context for the annotated listings of documentaries and feature films. Includes 34 pages of bandw photographs, a list of subject headings and indexes by subject, director, name, series, and film distributor. Annotation copyrighted by Book News, Inc., Portland, OR |
| harry lieberman art: ArtsAmerica Fine Art Film & Video Source Book , 1987 |
| harry lieberman art: The Art Gallery , 1967 |
| harry lieberman art: National Arts Guide , 1980 |
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