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| homoeroticism in classical arabic literature: Homoeroticism in Classical Arabic Literature Jerry W. Wright, Everett K. Rowson, 1997 This text examines the importance of masculine homosexual allusion in classical Arabic literature. It explores the underlying meanings of masculine motifs in classical texts. The fawn, for example, was often a symbol for the ethereally beautiful male youth, while the stallion represented masculine bravery and valour. For the most part such symbols do not represent homosexual intention, but are a reflection of sublime erotic ideals intertwined with religious beliefs. |
| homoeroticism in classical arabic literature: The Homoerotics of Orientalism Joseph A. Boone, 2014-03-18 The place of the Middle East in European heterosexual fantasy is well documented in the works of Edward Said and others, yet few have considered the male Anglo-European (and, later, American) writers, artists, travelers, and thinkers compelled to represent what, to their eyes, seemed to be an abundance of erotic relations between men in the Islamicate world. Whether feared or desired, the mere possibility of sexual contact with or between men in the Middle East has covertly underwritten much of the appeal and practice of the enterprise of Orientalism, frequently repeating yet just as often upending its assumed meanings. Traces of this undertow abound in European and Middle Eastern fiction, diaries, travel literature, erotica, ethnography, painting, photography, film, and digital media. Joseph Allen Boone explores these vast representations, linking European art to Middle Eastern sources largely unfamiliar to Western audiences and, in some cases, reproduced in this volume for the first time. |
| homoeroticism in classical arabic literature: Producing Desire Dror Ze’evi, 2006-10-16 This highly original book brings into focus the sexual discourses manifest in a wealth of little-studied source material—medical texts, legal documents, religious literature, dream interpretation manuals, shadow theater, and travelogues—in a nuanced, wide-ranging, and powerfully analytic exploration of Ottoman sexual thought and practices from the heyday of the Ottoman Empire in the sixteenth century to the beginning of the twentieth. Following on the work of Foucault, Gagnon, Laqueur, and others, the premise of the book is that people shape their ideas of what is permissible, define boundaries of right and wrong, and imagine their sexual worlds through the set of discourses available to them. Dror Ze’evi finds that while some of these discourses were restrictive and others more permissive, all treated sex in its many manifestations as a natural human pursuit. And, he further argues that all these discourses were transformed and finally silenced in the last century, leaving very little to inform Middle Eastern societies in sexual matters. With its innovative approach toward the history of sexuality in the Middle East, Producing Desire sheds new light on the history of the Ottoman Empire, on the history of sexuality and gender, and on the Islamic Middle East today. |
| homoeroticism in classical arabic literature: The Boswell Thesis Mathew Kuefler, 2006-03 Few books have had the social, cultural, and scholarly impact of John Boswell's Christianity, Social Tolerance, and Homosexuality. Arguing that neither the Bible nor the Christian tradition was nearly as hostile to homoeroticism as was generally thought, its initial publication sent shock waves through university classrooms, gay communities, and religious congregations. Twenty-five years later, the aftershocks still reverberate. The Boswell Thesis brings together fifteen leading scholars at the intersection of religious and sexuality studies to comment on this book's immense impact, the endless debates it generated, and the many contributions it has made to our culture. The essays in this magnificent volume examine a variety of aspects of Boswell's interpretation of events in the development of sexuality from Classical Antiquity through the Middle Ages, including a Roman emperor's love letters to another man; suspicions of sodomy among medieval monks, knights, and crusaders; and the gender-bending visions of Christian saints and mystics. Also included are discussions of Boswell's career, including his influence among gay and lesbian Christians and his role in academic debates between essentialists and social constructionists. Elegant and thought-provoking, this collection provides a fitting twenty-fifth anniversary tribute to the incalculable influence of Christianity, Social Tolerance, and Homosexuality and its author. |
| homoeroticism in classical arabic literature: The Mischievous Muse: Extant Poetry and Prose by Ibn Quzmān of Córdoba (d. AH 555/AD 1160) James T. Monroe, 2017-04-03 The first part of this work includes all the known works of the twelfth-century Andalusi author Ibn Quzmān, most of which are zajal poems composed in the colloquial dialect of Andalus. They have been edited in a Romanized transliteration, and are accompanied by a facing-page English prose translation, along with notes and commentaries intended to elucidate matters relevant to each poem. In the second part of the work, sixteen chapters are devoted to analyzing specific poems from a literary perspective, in order to delve into their meaning and, thereby, explain the poet’s literary goals. |
| homoeroticism in classical arabic literature: Masculine Identity in the Fiction of the Arab East since 1967 Samira Aghacy, 2009-12-08 This book offers an exploration of masculinity in the literature of the Arab East (Lebanon, Jordan, Palestine, Syria, and Iraq) in the context of a specific set of anxieties about gender roles and sexuality in Arab societies. While gender studies in the area have focused primarily on the situation of women, the treatment of Arab men as gendered subjects has fallen behind. Samira Aghacy’s rich analysis presents gender relations not within a fixed biological mold but rather as a complex phenomenon fraught with ambivalence and operating within particular historical and geopolitical settings. Through a series of close readings of twenty contemporary Arabic novels, Aghacy presents a mosaic of masculinities that challenges the generally held view of an essentialized archetypal Arab man and that mirrors a contested vision of manliness where men figure in diverse sociocultural environments. This groundbreaking work reveals the volatile nature of masculinity and its inextricability from femininity. |
| homoeroticism in classical arabic literature: Rūmī and the Hermeneutics of Eroticism Mahdi Tourage, 2007-11-30 This is the first systematic examination of the esoteric significance of the bawdy tales and explicit sexual passages present in Rūmī’s (d. 1273) Mathnawī, a masterpiece of medieval Perso-Islamic mystical literature and theosophic teachings. Using the relevant features of postmodern theories as strategic conceptual tools, and drawing on the recent interpretations of medieval kabbalistic texts, it is a fascinating examination of the link between the dynamics of eroticism and esotericism operative in Rūmī’s Mathnawī. In some of these bawdy tales, the phallus is used as an esoteric symbol. The book concludes that these tales are used primarily to communicate esoteric secrets, particularly when this communication is contemplated along gender lines, mediated through erotic imagery, or expressed in sexual terms. |
| homoeroticism in classical arabic literature: Eros and Sexuality in Islamic Art Francesca Leoni, Mika Natif, 2013 Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation. |
| homoeroticism in classical arabic literature: Roads of Excess, Palaces of Wisdom Jeffrey J. Kripal, 2001-12 William Blake once wrote that The road of excess leads to the palace of wisdom. Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, roads of excess, which can both lead to important insights into these scholars' works and point us to our own palaces of wisdom. In his new book, Kripal addresses the twentieth-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics, and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism—Evelyn Underhill, Louis Massignon, R. C. Zaehner, Agehananda Bharati, and Elliot Wolfson—as well as relating his own mystical experiences. The result, Kripal finds, is seven palaces of wisdom: the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation. An original and penetrating analysis of modern scholarship and scholars of mysticism, Roads of Excess, Palaces of Wisdom is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon. |
| homoeroticism in classical arabic literature: Sufism and Early Islamic Piety Arin Shawkat Salamah-Qudsi, 2019 Explores aspects of the private lives and interpersonal ties, between the personal and communal domains of early Sufis. |
| homoeroticism in classical arabic literature: Men in African Film & Fiction Lahoucine Ouzgane, 2011 Fills a gap in the international literature by offering new insights into the heterogeneous ways in which African men are performing, negotiating and experiencing masculinity. Through their analysis of the depictions in film and literature of masculinities in colonial, independent and post-independent Africa, the contributors open some key African texts to a more obviously politicized set of meanings. Collectively, the essays provide space for rethinking current theory on gender and masculinity: - how only some of the most popular theories in masculinity studies in the West hold true in African contexts; - howWestern masculinities react with indigenous masculinities on the continent; - how masculinity and femininity in Africa seem to reside more on a continuum of cultural practices than on absolutely opposite planes; - andhow generation often functions as a more potent metaphor than gender. Lahoucine Ouzgane is Associate Professor of English & Film Studies, University of Alberta, Canada. |
| homoeroticism in classical arabic literature: Sex and Desire in Muslim Cultures Aymon Kreil, Lucia Sorbera, Serena Tolino, 2020-12-10 What have different ideas about sex and gender meant for people throughout the history of the Middle East and North Africa? This book traces sex and desire in Muslim cultures through a collection of chapters that span the 9th to 21st centuries. Looking at spaces and periods where sexual norms and the categories underpinning them emerge out of multiple subjectivities, the book shows how people constantly negotiate the formulation of norms, their boundaries and their subversion. It demonstrates that the cultural and political meanings of sexualities in Muslim cultures - as elsewhere – emerge from very specific social and historical contexts. The first part of the book examines how people constructed, discussed and challenged sexual norms from the Abbasid to the Ottoman period. The second part looks at literary and cinematic Arab cultural production as a site for the construction and transgression of gender norms. The third part builds on feminist historiography and social anthropology to question simplistic dichotomies and binaries. Each of the contributions shows how understanding of sexualities and the subjectivities that evolve from them are rooted in the mutually-constitutive relationships between gender and political power. In identifying the plurality of discourses on desires, the book goes beyond the dichotomy of norm and transgression to glimpse what different sexual norms have meant at different times across the Middle East. |
| homoeroticism in classical arabic literature: Iraq Heather Bleaney, Roper, Peter Sluglett, 2004-06-01 Well-considered answers to the many questions raised by the situation in Iraq, past and present, are rare. This first comprehensive, thematically organised, bibliography devoted to Iraq is based on the full Index Islamicus database and is drawn from a wide variety of European-language journals and books. Featuring an extensive introduction to the subject and its literature by Peter Sluglett, this bibliography will help readers to find their way through the massive secondary literature now available. Following the pattern established by the Index Islamicus, both journal articles and book publications are included, as well as important internet resources. The editors have taken care to add much new material to bring its coverage up to date, and supplement the previously published volumes, while the most important and/or influential publications are conveniently highlighted in the introduction. An indispensable gateway for all those with a more than superficial interest in what is, and what has been, happening in this nation so much the focus of attention today. |
| homoeroticism in classical arabic literature: The Dangerous Lives of Public Performers A. Shay, 2014-07-10 Examining performers from the ancient Mediterranean world to the modern Islamic Middle East, including India and Pakistan, Shay explores the careers, artistic performances, and legacies of these individuals who were forced to produce entertainment and art for, and have sex with, any and all patrons. |
| homoeroticism in classical arabic literature: World Writing Mary Gallagher, 2008-08-16 Much has been said about the relationship between globalization and culture and the political implications of that relationship. There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world. Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics. Among the essays are Celia Britton's reading of Édouard Glissant on languages in the globalized world; Mary Gallagher's comparison of Glissant's poetics of cultural diversity with the ethics of Emmanuel Levinas; David Palumbo-Liu's exploration of the ethics of postcolonial fiction in J.M. Coetzee's work; Mary Louise Pratt's critique, based on recent Latin American writing, of the prematurely celebratory nature of globalization; and Julia Kristeva's argument for the value of poetics and the ethics of hospitality. What emerges is an intricate discussion of the elusive relationship between the realms of ethics, poetics, and politics as they intersect in our changing world. |
| homoeroticism in classical arabic literature: Histories of the Modern Middle East I. Gershoni, Y. Hakan Erdem, Ursula Woköck, 2002 Machine generated contents note: 1 Doing History: Modem Middle Eastern Studies Today, -- Israel Gershoni and Ursula Wokick -- Part 1 New Dimensions of Modernizing Processes -- 2 The Great Ottoman Debasement, 1808-1844: A Political Economy Framework, fevket Pamuk -- 3 A Prelude to Ottoman Reform: Ibn 'Abidin on Custom and Legal Change, Wael B. Hallaq -- 4 The Damascus Affair and the Beginnings of France's Empire in the Middle East, Mary C. Wilson -- 5 The Gender of Modernity: Reflections from Iranian Historiography, Afsaneh Najmabadi -- Part 2 Globalization Then and Now -- 6 From Liberalism to Liberal Imperialism: Lord Cromer and the First Wave of Globalization in Egypt, Roger Owen -- 7 Late Capitalism and the Reformation of the Working Classes in the Middle East, Joel Beinin -- Part 3 Recovering Lost Voices in the Age of Colonialism -- 8 Exploring the Field: Lost Voices and Emerging Practices in Egypt, 1882-1914, Zachary Lockman -- 9 Slaves or Siblings? Abdallah al-Nadim's Dialogues -- About the Family, Eve M. Troutt Powell -- 10 Shaikh al-Ra'is and Sultan Abdiilhamid II: The Iranian Dimension of Pan-Islam, Juan R. I. Cole -- Part 4 Constructing Identities, Defining Nations -- 11 Recruitment for the Victorious Soldiers of Muhammad in the Arab Provinces, 1826-1828, Hakan Erdem -- 12 The Politics of History and Memory: A Multidimensional Analysis of the Lausanne Peace Conference, 1922-1923, -- Fatma Miige Godek -- 13 Arab Society in Mandatory Palestine: The Half-Full Glass? -- Rashid Khalidi -- 14 Manly Men on a National Stage (and the Women Who Make Them Stars), Walter Armbrust. |
| homoeroticism in classical arabic literature: Medieval Andalusian Courtly Culture in the Mediterranean , |
| homoeroticism in classical arabic literature: The World in a Book Elias Muhanna, 2019-05-28 Based on the author's dissertation (doctoral)-- Harvard University, 2012. |
| homoeroticism in classical arabic literature: The Sexual World of the Arabian Nights David Ghanim, 2018-04-12 From the stories of wives and their lovers to those of kings and their conquests, to the overarching story of Shahrazad and Shahryar, the tales of the Arabian Nights have offered countless audiences entertainment and enjoyment as well as serving as cautionary stories. An outstanding piece of world literature, the Arabian Nights provide a lively and interesting way of exploring aspects of sexuality, romance, gender, culture, wealth, and politics. Looking at a wide range of the tales, David Ghanim offers a rigorous exploration of their profound sexuality: looking at both the context in which they were written and organised, as well as their legacy. By including accounts of heterosexuality, homosexuality, cuckoldry, insatiable lust, promiscuity, rape, incest, bestiality, demonic sexuality, and erotica, Ghanim highlights the complexity and dynamism of medieval sexuality, the active role of women in sexual activities, and the prevailing positive outlook on sexual liaison and gender mixing. |
| homoeroticism in classical arabic literature: A Cultural History of Sexuality in the Middle Ages Ruth Evans, 2012-03-01 Historians of sexuality have often assumed that medieval people were less interested in sex than we are. But people in the Middle Ages wrote a great deal about sex: in confessors' manuals, in virginity treatises, and in literary texts. This volume looks afresh at the cultural meanings that sex had throughout the period, presenting new evidence and offering new interpretations of known material. Acknowledging that many of the categories that we use today to talk about sexuality are inadequate for understanding sex in premodern times, the volume draws on important recent work in the historiography of medieval sexuality to address the conceptual and methodological challenges the period presents. A Cultural History of Sexuality in the Middle Ages presents an overview of the period with essays on heterosexuality, homosexuality, sexual variations, religious and legal issues, health concerns, popular beliefs about sexuality, prostitution and erotica. |
| homoeroticism in classical arabic literature: Reader's Guide to Lesbian and Gay Studies Timothy Murphy, 2013-10-18 The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report). |
| homoeroticism in classical arabic literature: The New Cambridge History of Islam: Volume 4, Islamic Cultures and Societies to the End of the Eighteenth Century Robert Irwin, 2010-11-04 Robert Irwin's authoritative introduction to the fourth volume of The New Cambridge History of Islam offers a panoramic vision of Islamic culture from its origins to around 1800. The introductory chapter, which highlights key developments and introduces some of Islam's most famous protagonists, paves the way for an extraordinarily varied collection of essays. The themes treated include religion and law, conversion, Islam's relationship with the natural world, governance and politics, caliphs and kings, philosophy, science, medicine, language, art, architecture, literature, music and even cookery. What emerges from this rich collection, written by an international team of experts, is the diversity and dynamism of the societies which created this flourishing civilization. Volume four of The New Cambridge History of Islam serves as a thematic companion to the three preceding, politically oriented volumes, and in coverage extends across the pre-modern Islamic world. |
| homoeroticism in classical arabic literature: Unspeakable Love Brian Whittaker, 2011-08-16 Homosexuality is a taboo subject in the Arab world. While clerics denounce it as a heinous sin, newspapers write cryptically of 'shameful acts' and 'deviant behaviour'. Amid the calls for reform in the Middle East, homosexuality is one issue that almost everyone in the region would prefer to ignore. In this absorbing account, Guardian journalist Brian Whitaker calls attention to the voices of men and women who are struggling with gay identities in societies where they are marginalised and persecuted by the authorities. He paints a disturbing picture of people who live secretive, fearful lives and who are often jailed, beaten, and ostracised by their families, or sent to be 'cured' by psychiatrists. Deeply informed and engagingly written, Unspeakable Love reveals that - while deeply repressive prejudices and stereotypes still govern much thinking about homosexuality - there are pockets of change and tolerance. This updated edition includes new material covering developments since the book's first publication. |
| homoeroticism in classical arabic literature: The Heritage of Arabo-Islamic Learning Maurice A. Pomerantz, Aram Shahin, 2015-10-14 The Arabo-Islamic heritage of the Islam is among the richest, most diverse, and longest-lasting literary traditions in the world. Born from a culture and religion that valued teaching, Arabo-Islamic learning spread from the seventh century and has had a lasting impact until the present.In The Heritage of Arabo-Islamic Learning leading scholars around the world present twenty-five studies explore diverse areas of Arabo-Islamic heritage in honor of a renowned scholar and teacher, Dr. Wadad A. Kadi (Prof. Emerita, University of Chicago). The volume includes contributions in three main areas: History, Institutions, and the Use of Documentary Sources; Religion, Law, and Islamic Thought; Language, Literature, and Heritage which reflect Prof. Kadi’s contributions to the field. Contributors:Sean W. Anthony; Ramzi Baalbaki; Jonathan A.C. Brown; Fred M. Donner; Mohammad Fadel; Kenneth Garden; Sebastian Günther; Li Guo; Heinz Halm; Paul L. Heck; Nadia Jami; Jeremy Johns; Maher Jarrar; Marion Holmes Katz; Scott C. Lucas; Angelika Neuwirth; Bilal Orfali; Wen-chin Ouyang; Judith Pfeiffer; Maurice A. Pomerantz; Riḍwān al-Sayyid ; Aram A. Shahin; Jens Scheiner; John O. Voll; Stefan Wild. |
| homoeroticism in classical arabic literature: Beholding Beauty Domenico Ingenito, 2020-12-29 Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry explores the relationship between sexuality, politics, and spirituality in the lyrics of Saʿdi Shirazi (d. 1292 CE), one of the most revered masters of classical Persian literature. Relying on a variety of sources, including unstudied manuscripts, Domenico Ingenito presents the so-called “inimitable smoothness” of Saʿdi’s lyric style as a serene yet multifaceted window into the uncanny beauty of the world, the human body, and the realm of the unseen. The book constitutes the first attempt to study Sa‘di’s lyric meditations on beauty in the context of the major artistic, scientific and intellectual trends of his time. By charting unexplored connections between Islamic philosophy and mysticism, obscene verses and courtly ideals of love, Ingenito approaches Sa‘di’s literary genius from the perspective of sacred homoeroticism and the psychology of performative lyricism in their historical context. |
| homoeroticism in classical arabic literature: The Dream of the Poem , 2009-01-10 Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as the finest labor of poetic translation that I have seen in many years and an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us. The Dream of the Poem is, Howard says, a crowning achievement. |
| homoeroticism in classical arabic literature: Chosen among Women Mary F. Thurlkill, 2008-01-15 Chosen among Women: Mary and Fatima in Medieval Christianity and Shi`ite Islam combines historical analysis with the tools of gender studies and religious studies to compare the roles of the Virgin Mary in medieval Christianity with those of Fatima, daughter of the prophet Muhammad, in Shi`ite Islam. The book explores the proliferation of Marian imagery in Late Antiquity through the Church fathers and popular hagiography. It examines how Merovingian authors assimilated powerful queens and abbesses to a Marian prototype to articulate their political significance and, at the same time, censure holy women's public charisma. Mary Thurlkill focuses as well on the importance of Fatima in the evolution of Shi`ite identity throughout the Middle East. She examines how scholars such as Muhammad Baqir al-Majlisi advertised Fatima as a symbol of the Shi`ite holy family and its glorified status in paradise, while simultaneously binding her as a mother to the domestic sphere and patriarchal authority. This important comparative look at feminine ideals in both Shi`ite Islam and medieval Christianity is of relevance and value in the modern world, and it will be welcomed by scholars and students of Islam, comparative religion, medieval Christianity, and gender studies. |
| homoeroticism in classical arabic literature: Myths and Millennial Dreams of a New Age in Australian Culture , 1996 |
| homoeroticism in classical arabic literature: Roma in the Medieval Islamic World Kristina Richardson, 2021-11-18 Winner of the 2022 Dan David Prize for outstanding scholarship that illuminates the past and seeks to anchor public discourse in a deeper understanding of history Winner of the 2023 Medieval Academy of America Monica H. Green Prize for Distinguished Medieval Research Honorable Mention in the 2023 Middle East Medievalists Book Prize In Middle Eastern cities as early as the mid-8th century, the Sons of Sasan begged, trained animals, sold medicinal plants and potions, and told fortunes. They captivated the imagination of Arab writers and playwrights, who immortalized their strange ways in poems, plays, and the Thousand and One Nights. Using a wide range of sources, Richardson investigates the lived experiences of these Sons of Sasan, who changed their name to Ghuraba' (Strangers) by the late 1200s. This name became the Arabic word for the Roma and Roma-affiliated groups also known under the pejorative term 'Gypsies'. This book uses mostly Ghuraba'-authored works to understand their tribal organization and professional niches as well as providing a glossary of their language Sin. It also examines the urban homes, neighborhoods, and cemeteries that they constructed. Within these isolated communities they developed and nurtured a deep literary culture and astrological tradition, broadening our appreciation of the cultural contributions of medieval minority communities. Remarkably, the Ghuraba' began blockprinting textual amulets by the 10th century, centuries before printing on paper arrived in central Europe. When Roma tribes migrated from Ottoman territories into Bavaria and Bohemia in the 1410s, they may have carried this printing technology into the Holy Roman Empire. |
| homoeroticism in classical arabic literature: Queer Religion Donald Boisvert, Jay E. Johnson, 2011-12-13 This ground-breaking and eye-opening book examines the intersections of religion and same-sex desire, from St. Augustine to Hinduism to contemporary LGBT and queer culture. Queer Religion provides a systematic and detailed overview of the challenges and issues that the intersections of religion, same-sex desire, and gender variance have generated, both now and in the past. It focuses upon the development of these areas of overlap through three distinct historical periods: modern religious history, LGBT liberation movements, and the emergence of queer theory and analysis. This two-volume collection of eclectic essays investigates the experiences of queer people and religion, providing a broad, unique, and invaluable analysis of this important cultural and theological encounter. As a group, the contributors offer brave insights and diverse perspectives on a variety of topics dealing with religion, same-sex desire, and gender expression. Some of these essays are explicitly historical in focus or scholarly articles, while others provide autobiographical viewpoints and personal reminiscences. This book provides a comprehensive look at the queer dimensions of religious practice and belief—essential reading for religious scholars; those within the LGBT community; and anyone interested in human spirituality and sexuality. |
| homoeroticism in classical arabic literature: Arabic Literary Thresholds Muhsin Al-Musawi, 2009-06-15 This volume, dedicated to Jaroslav Stetkevych, includes a number of original contributions that signify a rhetorical shift in the social sciences and Arabic studies. The articles and essays deal with Orientalism, classical Arabic tradition, Andalusian poetry, Francophone literature, translation, architecture and poetry, comparative studies, and Sufism. Literary production is studied in its own terms to situate these literary concerns in the mainstream of cultural studies. The outcome is a solid and highly sophisticated scholarship that makes this book one of the most needed among scholars and students of comparative literature, Arabic poetics and politics, Orientalism, Afro-Asian studies, East/West encounters and translation. |
| homoeroticism in classical arabic literature: Marriage, Money and Divorce in Medieval Islamic Society Yossef Rapoport, 2005-04-21 High rates of divorce, often taken to be a modern and western phenomenon, were also typical of medieval Islamic societies. By pitting these high rates of divorce against the Islamic ideal of marriage,Yossef Rapoport radically challenges usual assumptions about the legal inferiority of Muslim women and their economic dependence on men. He argues that marriages in late medieval Cairo, Damascus and Jerusalem had little in common with the patriarchal models advocated by jurists and moralists. The transmission of dowries, women's access to waged labour, and the strict separation of property between spouses made divorce easy and normative, initiated by wives as often as by their husbands. This carefully researched work of social history is interwoven with intimate accounts of individual medieval lives, making for a truly compelling read. It will be of interest to scholars of all disciplines concerned with the history of women and gender in Islam. |
| homoeroticism in classical arabic literature: Maqamat Al-luzumiyah,al- Muḥammad ibn Yūsuf Ibn al-Aštarkūwī, 2002 This translation and study extend our knowlege of the Arabic genre of the maq?ma by some years. If translations of the genre are lacking, literary critical studies of it are even rarer. Therefore, the work will be of interest to scholars of Arabic, Spanish, and other literatures, to comparativists, literary historians, critics, and theoreticians. |
| homoeroticism in classical arabic literature: Al-Maqāmāt al-luzūmīya by Abū l-Ṭāhir Muḥammad ibn Yūsuf al-Tamīmī al-Saraqusṭī, ibn al-Aštarkūwī (d. 538/1143) James Monroe, 2021-10-11 Although the Arabic maqāmah, a branch of the picaresque genre, was much cultivated in the Middle Ages, little is known about it aside from the works of al-Hamadhānī and al-ḥarīrī, its first two cultivators. This translation of the Maqāmāt al-luzūmīyah by the twelfth-century Andalusi author al-Saraqustī makes available to Western scholars of narrative prose a hitherto little-known but important collection of Arabic maqāmāt. The Preliminary Study places this specific collection in the context of the overall maqama genre, it further places that genre in the contexts both of Arabic and of world literature, exploring the differences between the picaresque genre and the modern novel. It discusses the meaning of the work, shows the way in which it is original within its genre, and establishes its organic unity. Finally, it shows that late and post-classical Arabic literary works such as that of al-Saraqustī, which were composed during the so-called period of decadence, are not decadent at all, contrary to the opinion prevalent among scholars in the field. |
| homoeroticism in classical arabic literature: Female Homosexuality in the Middle East Samar Habib, 2007 This book dares to probe the biggest taboo in contemporary Arab culture with the very first in-depth study of female homosexual relations in Arabic-speaking and neighbouring countries. |
| homoeroticism in classical arabic literature: Richard Burton, T.E. Lawrence and the Culture of Homoerotic Desire Feras Alkabani, 2024-09-19 In the 19th and early 20th centuries, the Arabic-speaking regions of the Ottoman Empire saw a crucial change in attitudes towards sexuality. Notions of 'respectability', 'propriety' and 'sexual morality' were being transformed in literary and cultural discourses, a shift that was related to the gradual rise in anti-Ottoman Arab nationalism. However, contemporary Orientalists such as Sir Richard Burton and T.E. Lawrence were oblivious to certain aspects of this process of cultural reconfiguration. While accounts of male-love poetry (ghazal al-mudhakkar) were being gradually expurgated from the Arab literary heritage, elaborate narratives of Oriental homoerotic desire distinctively characterise the encounters of both Burton and Lawrence with the Arab East. By comparing their literary and autobiographical accounts of the Arab Orient with contemporary Arabic literature, Feras Alkabani is able to expose this critical disparity in cross-cultural portrayals of sexual morality and homoerotic desire. Alkabani relates the conflicting agendas of contemporary Orientalists and Arab scholars to the shifts in international imperial power relations and the eventual collapse of the Ottoman Empire. His detailed comparative study reveals the significance of homoerotic desire within Orientalist and Arab literary discourses at a time when the meaning and connotations of poetic male-love were undergoing a critical change in Arab culture and literature. It will prove invaluable for those researching Orientalism, nationalism, imperialism and manifestations of homoerotic desire in the fin-de-siècle Middle East. |
| homoeroticism in classical arabic literature: Classical Arabic Begging Poetry and Šakwā, 8th-12th Centuries Georgia-Nepheli Papoutsakis, 2017 Intro; Arabische Studien; Table of Contents; Acknowledgements; Introduction; Abu Dulama, Abu s-Samaqmaq and Other Early; 1.1 The Early Kufans; 1.2 Abu Dulama; 1.3 Abu s-Samaqmaq; 1.4 Abu Firʻawn as-Sasi; Ibn al-Hajjaj and the Yatima Poets; 2.1 The Yatīma Poets; 2.2 Ibn al-Hajjāj; Ibn Quzman and His Predecessors; 3.1 Begging Poetry and Sakwā Prior to Ibn Quzmān; 3.2 Ibn Quzmān; Epilogue; Bibliography; Appendix: Select Arabic Texts; Index: Names of Poets. |
| homoeroticism in classical arabic literature: Ottoman Empire and European Theatre Vol. I Michael Hüttler, Hans Ernst Weidinger, 2013-06-15 The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the Genius of Opera, Turkish prima donna Leyla Gencer (1928-2008). The Prologue, The Stage of Politics, features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning Diplomacy and Theatre, and Act II takes the reader to Europe South, West and North. Act III has contributions concerning theatre in Central Europe, while Act IV deals with Mozart and the world of the seraglio. Act V turns our attention to the Ottoman Sultan Selim III, and the Epilogue considers literary and theatrical adventures of The Hero in the Sultan's Harem. Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel. |
| homoeroticism in classical arabic literature: LGBT Transnational Identity and the Media Christopher Pullen, 2012-02-29 Offering a critical introduction into LGBT (lesbian, gay, bisexual and transgender) transnational identity in the media, this book examines performances and representations within documentary and fiction oriented texts. An interdisciplinary approach is put forward, revealing new potentials for non western queer identity. |
| homoeroticism in classical arabic literature: Dreaming in Byzantium and Beyond George T. Calofonos, 2016-05-13 Although the actual dreaming experience of the Byzantines lies beyond our reach, the remarkable number of dream narratives in the surviving sources of the period attests to the cardinal function of dreams as vehicles of meaning, and thus affords modern scholars access to the wider cultural fabric of symbolic representations of the Byzantine world. Whether recounting real or invented dreams, the narratives serve various purposes, such as political and religious agendas, personal aspirations or simply an author’s display of literary skill. It is only in recent years that Byzantine dreaming has attracted scholarly attention, and important publications have suggested the way in which Byzantines reshaped ancient interpretative models and applied new perceptions to the functions of dreams. This book - the first collection of studies on Byzantine dreams to be published - aims to demonstrate further the importance of closely examining dreams in Byzantium in their wider historical and cultural, as well as narrative, context. Linked by this common thread, the essays offer insights into the function of dreams in hagiography, historiography, rhetoric, epistolography, and romance. They explore gender and erotic aspects of dreams; they examine cross-cultural facets of dreaming, provide new readings, and contextualize specific cases; they also look at the Greco-Roman background and Islamic influences of Byzantine dreams and their Christianization. The volume provides a broad variety of perspectives, including those of psychoanalysis and anthropology. |
Homoeroticism - Wikipedia
Homoeroticism is sexual attraction between members of the same sex, including both male–male and female–female attraction. [1] The concept differs from the concept of homosexuality: it …
Homoeroticism, Female/Male, Concept - Encyclopedia.com
By rejecting the explicitly biological that is a component of the term homosexual, homoeroticism is able to describe feelings, attitudes, and desires that reach beyond (often pathologized and …
Homoeroticism vs. Homosexuality - What's the Difference? | This …
Homoeroticism refers to the romantic or sexual attraction between members of the same sex, regardless of their sexual orientation. It can encompass a wide range of behaviors and …
HOMOEROTIC Definition & Meaning - Merriam-Webster
The meaning of HOMOEROTIC is of, relating to, or involving sexual activity between people of the same sex; specifically : marked by, revealing, or portraying sexual desire between people of …
homoeroticism - Urban Dictionary
Feb 26, 2010 · Homoeroticism is the noun referring to the highly charged sexual tension brought about when two members of the same sex (usually men of whom one or both are generally …
HOMOEROTICISM Definition & Meaning - Dictionary.com
Wilde's first novel was attacked for its homoeroticism and decadence. sexual attraction to people of one's own gender; homosexuality: She was not ready to confront her own unexplored …
Homoeroticism - The Art and Popular Culture Encyclopedia
Homoeroticism refers to the representation of same-sex love and desire, most especially as it is depicted or manifested in the visual arts and literature. It can also be found in performative …
Homoeroticism - Robin's SM-201 Website
Homoeroticism is sexual attraction between members of the same sex, either male–male or female–female. The concept differs from the concept of homosexuality: it refers specifically to …
homoerotic | definition by Lexicon Library.LGBT
something that evokes arousal or desire towards/for someone, or between people, of the same gender, regardless of their sexuality; or something that depicts or is suggestive of same …
What does homoeroticism mean? - Definitions.net
Homoeroticism refers to romantic or sexual attraction or behavior between members of the same gender or sex. It can also refer to the acknowledgement and depiction of such relationships in …
Homoeroticism - Wikipedia
Homoeroticism is sexual attraction between members of the same sex, including both male–male and female–female attraction. [1] The concept differs from the concept of homosexuality: it refers specifically to the …
Homoeroticism, Female/Male, Concept - Encyclopedia.com
By rejecting the explicitly biological that is a component of the term homosexual, homoeroticism is able to describe feelings, attitudes, and desires that reach beyond (often pathologized and medicalized) …
Homoeroticism vs. Homosexuality - What's the Difference? | This vs. T…
Homoeroticism refers to the romantic or sexual attraction between members of the same sex, regardless of their sexual orientation. It can encompass a wide range of behaviors and expressions, from subtle …
HOMOEROTIC Definition & Meaning - Merriam-Webster
The meaning of HOMOEROTIC is of, relating to, or involving sexual activity between people of the same sex; specifically : marked by, revealing, or portraying sexual desire between people of the same sex. How to …
homoeroticism - Urban Dictionary
Feb 26, 2010 · Homoeroticism is the noun referring to the highly charged sexual tension brought about when two members of the same sex (usually men of whom one or both are generally believed to be heterosexual) …
