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| henry miller the colossus of maroussi: The Colossus of Maroussi Henry Miller, 2010-05-18 Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.” |
| henry miller the colossus of maroussi: The Books in My Life Henry Miller, 1969 In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years. |
| henry miller the colossus of maroussi: The Wisdom of the Heart Henry Miller, 2016-12-20 An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.” |
| henry miller the colossus of maroussi: Big Sur and the Oranges of Hieronymus Bosch Henry Miller, 1957-01-17 In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years. Big Sur is the portrait of a place—one of the most colorful in the United States—and of the extraordinary people Miller knew there: writers (and writers who did not write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable, like Conrad Moricand, the “Devil in Paradise” who is one of Miller’s greatest character studies. Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book—the testament of a free spirit who has broken through the restraints and clichés of modern life to find within himself his own kind of paradise. |
| henry miller the colossus of maroussi: The Henry Miller Reader Henry Miller, 1969 A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence Durrell. |
| henry miller the colossus of maroussi: Henry Miller on Writing Henry Miller, 1964-01-17 “A brilliant selection . . . it is in short a voyage of discovery, an adventure and this the log of that voyage in the life of a probing and powerful writer.” —Robert R. Kirsch, Los Angeles Times Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience. |
| henry miller the colossus of maroussi: Black Spring Henry Miller (Schriftsteller, USA), 1963 |
| henry miller the colossus of maroussi: The Air-Conditioned Nightmare Henry Miller, 1970-01-17 His stories and essays celebrate those rare individuals (famous and obscure) whose creative resilience and mere existence oppose the mechanization of minds and souls. In 1939, after ten years as an expatriate, Henry Miller returned to the United States with a keen desire to see what his native land was really like—to get to the roots of the American nature and experience. He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey. |
| henry miller the colossus of maroussi: On Henry Miller John Burnside, 2018-03-27 An engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern world The American writer Henry Miller's critical reputation—if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's sex books—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—boring and embarrassing. But Burnside says that Miller's notorious image as a pornographer and woman hater has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the air-conditioned nightmare of the modern world. Miller wrote that there is no salvation in becoming adapted to a world which is crazy, and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing. An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant. |
| henry miller the colossus of maroussi: The Perpetual Guest Barry Schwabsky, 2016-03-01 Leading art critic explores the connections between art’s past and present Contemporary art sometimes pretends to have made a clean break with history. In The Perpetual Guest, poet and critic Barry Schwabsky demonstrates that any robust understanding of art’s present must also account for the ongoing life and changing fortunes of its past. Surveying the art world of recent decades, Schwabsky attends not only to its most significant newer faces—among them, Kara Walker, Thomas Hirschhorn, Ai Weiwei, Chris Ofili, and Lorna Simpson—but their forebears as well, both near (Jeff Wall, Nancy Spero, Dan Graham, Cindy Sherman) and more distant (Velázquez, Manet, Matisse, and the portraitists of the Renaissance). Schwabsky’s rich and subtle contributions illuminate art’s present moment in all its complexity: shot through with determinations produced by centuries of interwoven traditions, but no less open-ended for it. |
| henry miller the colossus of maroussi: The Cosmological Eye Henry Miller, 1973 A collection of prose by Henry Miller |
| henry miller the colossus of maroussi: The Devil at Large Erica Jong, 1994 In the perfect match of author and subject, poet and novelist Erica Jong charts the life and legacy of Henry Miller, the archetypal sensualist whose notorious Tropic of Cancer and subsequent books ultimately changed the boundaries of literature. With the same exuberance and love of language that coined the zipless fuck in Fear of Flying, she has created a fascinating book about writers and writing as she meditates on Henry Miller who in turn meditates on her (Gore Vidal). |
| henry miller the colossus of maroussi: A Devil in Paradise (New Directions Bibelot) Henry Miller, 1993-04-17 “A perfect expression of Miller’s moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict.” —The Nation The devil in Henry Miller’s Big Sur paradise is Conrad Moricand: “A friend of his Paris days, who, having been financed and brought over from Europe as an act of mercy by Mr. Miller, turns out as exacting, sponging, evil, cunning and ungrateful a guest as can be found in contemporary literature. Mr. Miller has always been a remarkable creator of character. Conrad Moricand is probably his masterpiece. . . .A Devil in Paradise is the work of a great novelist manqué, a novelist who has no stricter sense of form than the divine creator. . . .Fresh and intoxicating, funny and moving. . .” —The Times Literary Supplement (London) |
| henry miller the colossus of maroussi: Sunday After the War Henry Miller, 1944-01-01 I always carry over 40,000 gold francs about with me in my belt. They weight about 40 pounds, and I am beginning to get dysentery from the load. A collection of stories and excerpts from longer works. |
| henry miller the colossus of maroussi: From Your Capricorn Friend Henry Miller, Irving Stettner, 1984 Presents the best of Miller's contributions to Stroker magazine, which included prose, letters, and drawings ranging in subject matter from his daily activities to Isaac Bashevis Singer's Nobel Prize acceptance speech. |
| henry miller the colossus of maroussi: A Literate Passion Anaïs Nin, Henry Miller, 1989-04-22 A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann |
| henry miller the colossus of maroussi: The Death of Adam Marilynne Robinson, 2014-03-18 In this award-winning collection, the bestselling author of Gilead offers us other ways of thinking about history, religion, and society. Whether rescuing Calvinism and its creator Jean Cauvin from the repressive puritan stereotype, or considering how the McGuffey readers were inspired by Midwestern abolitionists, or the divide between the Bible and Darwinism, Marilynne Robinson repeatedly sends her reader back to the primary texts that are central to the development of American culture but little read or acknowledged today. A passionate and provocative celebration of ideas, the old arts of civilization, and life's mystery, The Death of Adam is, in the words of Robert D. Richardson, Jr., a grand, sweeping, blazing, brilliant, life-changing book. |
| henry miller the colossus of maroussi: Under the Roofs of Paris Henry Miller, 2007-12-01 In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. |
| henry miller the colossus of maroussi: Plexus Henry Miller, 2007-12-01 The “uproariously funny” second book in the Rosy Crucifixion trilogy, “may be Miller’s masterpiece” (Choice). “Plexus is the core volume in The Rosy Crucifixion: the volume which has the most complete description of Henry Miller’s basic values, beliefs, opinions, judgments, both at the time of his ‘Crucifixion’ and at the later time when the trilogy was written. Plexus is simply the most marvelous volume of emotion and ideas and visions and nightmares about man and society in the twentieth century—with art as the link perhaps, or as the soul’s refuge—that I have read in many a long year. There is absolutely no subject in the world that Henry Miller does not seem to know about, want to talk about, and to evaluate with the deep authority of wisdom. He is probably the most learned of all our American writers, the most open to ideas and feelings, and yes, the most worshipful of all the aspects of life, as well as the most critical literary spokesman of our time.” —Maxwell Geismar |
| henry miller the colossus of maroussi: The Colossus of Maroussi Henry Miller, 1958 The author's quest for spiritual renewal is illuminated in descriptions of his impressions of Greece and its people. |
| henry miller the colossus of maroussi: Tropic of Cancer (Harper Perennial Modern Classics) Henry Miller, 2012-01-30 Miller’s groundbreaking first novel, banned in Britain for almost thirty years. |
| henry miller the colossus of maroussi: Tropic of Capricorn Henry Miller, 2015-06-04 A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of the life of the writer and of New York City between the wars: the skyscrapers and the sewers, the lust and the dejection, the smells and the sounds of a city that is perpetually in motion, threatening to swallow everyone and everything. 'Literature begins and ends with the meaning of what Miller has done' Lawrence Durrell 'The only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past' George Orwell 'The greatest American writer' Bob Dylan Henry Miller (1891-1980) is one of the most important American writers of the 20th century. His best-known novels include Tropic of Cancer (1934), Tropic of Capricorn (1939), and the Rosy Crucifixion trilogy (Sexus, 1949, Plexus, 1953, and Nexus, 1959), all published in France and banned in the US and the UK until 1964. He is widely recognised as an irreverent, risk-taking writer who redefined the novel and made the link between the European avant-garde and the American Beat generation. |
| henry miller the colossus of maroussi: The Man Who Died D. H. Lawrence, 2019-01-06 In his last novel, published less than a year before his untimely death at the age of forty-five, D.H. Lawrence takes up the theme of Christ's resurrection and his final days on Earth. Lawrence recounts Christ's agonizing journey from death back to life with an alarmingly profane realism, depicting the tale from the moment of his initial painful awakening to his eventual redemptive sexual relationship with the priestess of the pagan goddess Isis. The story expands beyond its Christian roots to explore and embrace Lawrence's abiding faith in the life-force apparent in every aspect of the natural world. For his final work, Lawrence has encapsulated a lifetime of extraordinary vision into one profound and exquisite parable. |
| henry miller the colossus of maroussi: Inventing Paradise Edmund Keeley, 2002 In the looming shadow of an oppressive dictatorship and imminent world war, George Seferis and George Katsimbalis, along with other poets and writers from Greece's fabled Generation of the 1930s, welcomed Henry Miller and Lawrence Durrell to their homeland. Together, as they spent evenings in Athenian tavernas, explored the Peloponnese, swam off island beaches, and considered the meaning of Greek life and freedom and art, they seemed to be inventing paradise. In a lyrical blend of personal memoir, literary criticism, and interpretative storytelling, Edmund Keeley takes readers on a journey into the poetry, friendships, and politics of this extraordinary time. A remarkable work of cultural history and imaginative criticism, his book recreates a lost paradise of immediate charm, literary greatness, and mythic reach. |
| henry miller the colossus of maroussi: Stand Still Like the Hummingbird Henry Miller, 1962 One of Henry Miller's most luminous statements of his personal philosophy of life, Stand Still Like the Hummingbird, provides a symbolic title for this collection of stories and essays. Many of them have appeared only in foreign magazines while others were printed in small limited editions which have gone out of print. Miller's genius for comedy is at its best in Money and How It Gets That Way--a tongue-in-cheek parody of economics provoked by a postcard from Ezra Pound which asked if he ever thought about money. His deep concern for the role of the artist in society appears in An Open Letter to All and Sundry, and in The Angel is My Watermark he writes of his own passionate love affair with painting. The Immorality of Morality is an eloquent discussion of censorship. Some of the stories, such as First Love, are autobiographical, and there are portraits of friends, such as Patchen: Man of Anger and Light, and essays on other writers such as Walt Whitman, Thoreau, Sherwood Anderson and Ionesco. Taken together, these highly readable pieces reflect the incredible vitality and variety of interests of the writer who extended the frontiers of modern literature with Tropic of Cancer and other great books. |
| henry miller the colossus of maroussi: Nexus Henry Miller, 2007-12-01 Nexus, the last book of Henry Miller's epic trilogy The Rosy Crucifixion, is widely considered to be one of the landmarks of American fiction. In it, Miller vividly recalls his many years as a down-and-out writer in New York City, his friends, mistresses, and the unusual circumstances of his eventful life. |
| henry miller the colossus of maroussi: Remember to Remember Henry Miller, 1961 |
| henry miller the colossus of maroussi: Sextet Henry Miller, 1977 |
| henry miller the colossus of maroussi: Lawrence Durrell, Henry Miller George Wickes, 1962 |
| henry miller the colossus of maroussi: Robots Have No Tails Henry Kuttner, 2014-08-19 A complete collection of Galloway Gallegher stories from “one of the major names in science fiction” (The New York Times). In this comprehensive collection, Henry Kuttner is back with Galloway Gallegher, his most beloved character in the stories that helped make him famous. Gallegher is a binge-drinking scientist who’s a genius when drunk and totally clueless sober. Hounded by creditors and government officials, he wakes from each bender to discover a new invention designed to solve all his problems—if only he knew how it worked . . . Add a vain and uncooperative robot assistant, a heckling grandfather, and a host of uninvited guests—from rabbit-like aliens to time-traveling mafia lawyers to his own future corpse—and Gallegher has more on his hands than even he can handle. Time for another drink! “[A] pomegranate writer: popping with seeds—full of ideas.” —Ray Bradbury, author of Fahrenheit 421 |
| henry miller the colossus of maroussi: The Nightmare Notebook Henry Miller, 1975 The Nightmare Notebook is a beautiful full color reproduction of Henry Miller's notebook. |
| henry miller the colossus of maroussi: Letters to Emil Henry Miller, Emil Schnellock, 1989 Henry Miller's letters to Emil contain a compelling record of this writer in the making, beginning with his first efforts in 1922, tracing his ten-year struggle to find his own voice, and reaching a climax with the publication of 'Tropic of Cancer' in 1934. This one-sided correspondence was often quarried for publication, and has never appeared in print until now. |
| henry miller the colossus of maroussi: Dinner with Persephone Patricia Storace, 2011-10-19 A New York Times Notable Book of the Year Full of insights, marvelously entertaining . . . haunting and beautifully written. --The New York Review of Books I lived in Athens, at the intersection of a prostitute and a saint. So begins Patricia Storace's astonishing memoir of her year in Greece. Mixing affection with detachment, rapture with clarity, this American poet perfectly evokes a country delicately balanced between East and West. Whether she is interpreting Hellenic dream books, pop songs, and soap operas, describing breathtakingly beautiful beaches and archaic villages, or braving the crush at a saint's tomb, Storace, winner of the Whiting Award, rewards the reader with informed and sensual insights into Greece's soul. She sees how the country's pride in its past coexists with profound doubts about its place in the modern world. She discovers a world in which past and present engage in a passionate dialogue. Stylish, funny, and erudite, Dinner with Persephone is travel writing elevated to a fine art--and the best book of its kind since Henry Miller's The Colossus of Maroussi. Splendid. Storace's account of a year in Greece combines past and present, legend and fact, in an unusual and delightful whole. --Atlantic Monthly |
| henry miller the colossus of maroussi: The Summer of My Greek Taverna Tom Stone, 2002-07-03 Tom Stone went to Greece one summer to write a novel -- and stayed twenty-two years. On Patmos, the tiny island where St. John received the apocalyptic visions recorded in the Book of Revelations, he fell in love with Danielle, a beautiful French painter. His novel completed and sold, he decided to stay a little longer. Seven idyllic years later, after the birth of their second child, they left Patmos for Crete, where Stone taught English to civil servants and Danielle painted icons for tourists. But Stone's heart was still on Patmos, and when a Patmian friend, Theológos, called and offered him a summer partnership in his beach tavérna, The Beautiful Helen, Stone jumped at the chance -- much to the dismay of his wife, who cautioned him not to forget the old adage about Greeks bearing gifts. Back on Patmos, Stone quickly discovered that he was no longer a friend or a patron but a competitor. He learned hard lessons about the Greeks' skill at bargaining, and about how truly effective the curse of the Evil Eye can be. There was no longer time to leisurely sip Greek coffee in the morning or linger over oregano-scented lunches with friends. The tavérna closed for the tourists at 3 A.M. and opened for the fishermen at 7; work sometimes seemed little more than a battle to stay awake. Spurring him on were the enormous profits that Theológos had assured him would materialize in August. And there were still the many joys of being back in Patmos: the beauty of the island, the friendships he had made over the years, and the adrenaline rush of success as news began to spread about Stone's cooking; yachts sailed over from Mykonos for dinner. But then came August, and the realization that Theológos had been cheating him out of thousands of dollars. His illusions shattered, Stone turned to his wife and children, who had been there all the time, offering their support. And their love. Featuring Stone's recipes, including his variation on the traditional Greek tzatzíki, his own Chicken Retsina, and the ultimate moussaka, The Summer of My Greek Tavérna is as much a love story as it is the grand, humorous, and sometimes bittersweet adventure of an American pursuing his dreams in a foreign land, a modern-day innocent abroad. |
| henry miller the colossus of maroussi: The Art of Fiction David Lodge, 2012-04-30 In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works. |
| henry miller the colossus of maroussi: So Far, For Now Fiona Kidman, 2022-03-29 Evocative, wry and thought-provoking, this is a rewarding journey with one of our finest writers. It is a little over a decade since Fiona Kidman wrote her last volume of memoir. But her story did not end on its last page; instead her life since has been busier than ever, filled with significant changes, new writing and fascinating journeys. From being a grandmother to becoming a widow, from the suitcase-existence of book festivals to researching the lives and deaths of Jean Batten and Albert Black, she has found herself in new territory and viewed the familiar with fresh eyes. She takes us to Paris and Pike River, to Banff, Belfast and Bangkok, searching for houses in Hanoi and Hawera, reliving her past in Waipu and creating new memories in Otago. These locations and experiences – among others – have shaped Fiona’s recent years, and in this lively book she shares the insights she has picked up along the way. |
| henry miller the colossus of maroussi: Quiet Days in Clichy Henry Miller, 2016-02-04 'Here, even if I had a thousand dollar in my pocket, I know of no sight which could arouse in me the feeling of ecstasy' Looking back to Henry Miller's bohemian life in 1930s Paris, when he was an obscure, penniless writer, Quiet Days in Clichy is a love letter to a city. As he describes nocturnal wanderings through shabby Montmartre streets, cafés and bars, sexual liaisons and volatile love affairs, Miller brilliantly evokes a period that would shape his entire life and oeuvre. 'His writing is flamboyant, torrential, chaotic, treacherous, and dangerous' Anaïs Nin |
| henry miller the colossus of maroussi: Genius and Lust Henry Miller, 1976 Norman Mailer, without a doubt the most important literary figure of his generation, here celebrates the genius of the greatest living American writer from an earlier generation in an extended essay of unequalled brilliance as well as in a generous selection from Miller's work to point the way to the center of the power of his writing. --from front flap. |
| henry miller the colossus of maroussi: The World of Sex Henry Miller, 1970 |
| henry miller the colossus of maroussi: Money and how it Gets that Way Henry Miller, 1946 |
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