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guerilla art documentary: Guerrilla Girls: The Art of Behaving Badly Guerrilla Girls, 2020-10-06 Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present. The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. Each copy comes with a punch-out gorilla mask that invites readers to step up and join the movement themselves. Captions by the Guerrilla Girls themselves contextualize the visuals. Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers--known as the Guerrilla Girls--papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. More than a monograph, this book is a call to arms. This career-spanning volume is published to coincide with their 35th anniversary. Perfect for artists, art lovers, feminists, fans of the Guerrilla Girls, students, and activists Add it to the shelf with books like Wall and Piece by Banksy, Why We March: Signs of Protest and Hope by Artisan, and Graffiti Women: Street Art from Five Continents by Nicholas Ganz |
guerilla art documentary: Guerilla Art Goetz Werner, 2009-04-22 This text and DVD package features profiles of, and interviews with, key artists on the scene including Banksy, Futura 2000, Rammellzee, Invader, Barnstormers, Espo, WK Interact, and Zevs. |
guerilla art documentary: The Documentary Film Makers Handbook Genevieve Jolliffe, Andrew Zinnes, 2006-11-14 Documentary films have enjoyed a huge resurgence over the last few years, and there's a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects' lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success. The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution. The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including Mad Hot Ballroom, Born Into Brothels, Touching the Void, Beneath the Veil,and Amandla! The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field. |
guerilla art documentary: The Guerilla Art Kit Keri Smith, 2007-07-26 Temporary art, graffiti, signage, performance, political art, interactive art. |
guerilla art documentary: The Guerilla Film Makers Pocketbook Chris Jones, Genevieve Jolliffe, Andrew Zinnes, 2015-10-22 IF YOU'VE NEVER MADE A FILM BEFORE, THIS AMAZING BOOK WILL TELL YOU: * How other young film makers made their first movie and found massive success * How to take your great ideas and turn them into great films * How to build a team to make your movie now * How to harness cheap technology to make expensive looking films * How to avoid hundreds of pitfalls many other film makers will fall into * How to find audiences and even make money from your movie Veterans of the indie film scene, the authors have produced numerous low budget feature films, sold projects to Hollywood studios, come perilously close to an Oscar nomination, and even ended up in prison! They're also the team behind the best selling Guerilla Film Makers Handbooks series, selling over 100,000 copies around the world and they've taught thousands of emerging film makers the key skills needed to make their own great movies to launch a career. Their offices are at Ealing Studios in London and in Los Angeles. |
guerilla art documentary: GAAG, the Guerrilla Art Action Group, 1969-1976 Guerrilla Art Action Group, 2011 Collects the manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense, Museum officials, and others). Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay, Julie Abeles, Eleanor Clemm, Jon Hendricks and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group's activities and confrontations. |
guerilla art documentary: Street Art NYC Lord K2, Lois Stavsky, 2022-04-15 The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as D'Face, Banksy, Os Gemeos, Case, MaClaim, Invader, Stik and Faith 47. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy's one month 2013 residency, Better Out than In is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky's text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City's five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC. |
guerilla art documentary: Brooklyn Street Art Jaime Rojo, Steven P. Harrington, 2008 A collection of color photographs that showcase the street art of Brooklyn, New York. |
guerilla art documentary: Street Art World Alison Young, 2016-11-15 Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned? Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world. |
guerilla art documentary: Wellington Jenny Harper, Aaron Lister, 2007 Featuring brilliant urban photography, this celebration of the dynamic presence of sculpture in Wellington vividly captures more than 40 sculptures throughout the city's streets and parks. An informative and provocative examination of the sculptures' origins, this collection shows how many of the gorgeous art works came into being due to the shared vision of individuals, government agencies, and corporations who value the relationship of art and city, to brighten the lives of its citizens. The result is both a visual feast and a unique record of the 21st-century city's fabric--sure to be treasured by travelers, art enthusiasts, and locals alike. |
guerilla art documentary: Banksy Captured Steve Lazarides, 2019 Banksy Captured by Steve Lazarides charts the birth of our modern day Robin Hood. A true art legend, a man able to articulate the voice of subculture that made its way to the mainstream. The negatives for these pictures lay in Lazarides’ loft for many years. Whilst Banksy’s rise to fame became undeniable these pictures took on a different meaning than just personal, private documentation. Along with never before heard tales of the artist at work and absurdist capers from their time working together BANKSY CAPTURED shares a moment in time before the artworld and most of the globe took note.--Publisher's website. |
guerilla art documentary: Guerrilla Film Scoring Jeremy Borum, 2015-04-09 As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers, Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game. |
guerilla art documentary: Wild Art David Carrier, Joachim Pissarro, 2013-10-14 Wild Art is an incredibly brash and current collection of over 300 extraordinary artworks that are too offbeat, outrageous, kitschy, quirky, or funky for the formal art world. From pimped cars, graffiti, flash mobs, and burlesque acts, to extreme body art, ice sculpture, light shows, and carnivals, the works featured here are variously moving, funny, or shocking - and guaranteed to elicit a reaction. Authors David Carrier and Joachim Pissarro have studied alternative and underground art cultures for years. Here, they've compiled the ultimate collection of creative works that celebrate the beauty and art in anything and everything, challenging the reader's perception of what is and what isn't art. |
guerilla art documentary: UN/MASKED Donna Kaz, 2016-11-01 An unknown actress on movie star’s arm was how she began. An anonymous activist in a rubber gorilla mask is where she wound up. UN/MASKED: Memoirs of a Guerrilla Girl On Tour follows the surprising twenty-five-year journey of a young artist, Donna Kaz, who is swept off her feet by Willliam Hurt, a rising star, and carried to a beach house in Malibu. The actor William Hurt introduces her to Hollywood’s elite by day and knocks her head in by night. When OJ Simpson kills his former wife in Brentwood, a bell goes off and awakens her angry, activist spirit. Always an outsider, she takes one step further into invisibility and becomes a Guerrilla Girl, a feminist activist who never appears in public without wearing a rubber gorilla mask and who uses the name of a dead woman artist instead of her own. As a Guerrilla Girl, Aphra Behn creates comedic art and theatre that blasts the blatant sexism of the theatre world while proving feminists are funny at the same time. These two narratives—that of a young victim of domestic violence at the hands of a successful actor and that of an artist so fed up with sexism in the theatre world that she puts on a gorilla mask and takes the name of a dead woman artist to provoke change—have been lived by one woman. Donna Kaz offers her compelling first-hand account—illuminated by twenty behind-the-scenes photographs—of her transition from a silent observer to an unapologetic activist. This is the memoir of a woman-turned-survivor-turned-radical-feminist who takes off her mask and, by merging her identities, reveals all. |
guerilla art documentary: Political Graphics Robert Philippe, 1982 |
guerilla art documentary: A Guerrilla Guide to Refusal Andrew Culp, 2022-03-15 A field guide to a nonfascist life at the end of the world as we know it A Guerrilla Guide to Refusal is an unexpected approach to philosophy from a guerrilla-logic point of view. Harnessing critical theory to creatively reimagine counterinsurgency, guerrilla warfare, and interventions beyond the political mainstream, it takes us on a journey through anarchist infowar, queer outlaws, and black insurgency—through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. In doing so, it provides powerful new insight into contemporary political movements that pose no demands, refuse labels, and offer no solutions. Written to both inspire and provoke, A Guerrilla Guide to Refusal urges us to think through the refusal to participate in politics as usual. Author Andrew Culp demonstrates how evasion can combatively deny the existing order its power. Focusing on punk cinema, anarchist pamphlets, feminist art projects, hacker manifestos, and guerrilla manuals, he foregrounds invisibility as a novel force of disruption. He draws on concepts of criminality, fugitivity, and anonymity to bring a more nuanced understanding of how power makes things—and people—visible. The book’s unique format is that of a theoretical manual, comprising freestanding segments instead of blueprints. Poised to reach beyond the academy into activist circles, this potent theory-in-action intervention forces us to reconsider the terrain upon which our struggles against patriarchy, anti-Blackness, capitalism, and the state operate. |
guerilla art documentary: Beyond the Streets , 2019 |
guerilla art documentary: Barry McGee Barry McGee, 2010 Edited by Aaron Rose. |
guerilla art documentary: The Invisible Gorilla Christopher Chabris, Daniel Simons, 2011-06-07 NEW YORK TIMES BESTSELLER • Our minds don’t work the way we think they do. Two renowned psychologists explain how and why our intuitions lead us astray, “[spinning] the plain world [we] know into a wonderment of surprising new insights” (Time). “A must-read for anyone who wants to better understand how the mind works.”—Associated Press In The Invisible Gorilla, Christopher Chabris and Daniel Simons, creators of one of psychology’s most famous experiments, use remarkable stories and counterintuitive scientific findings to demonstrate an important truth: We think we see ourselves and the world as they really are, but we’re actually missing a whole lot. Chabris and Simons combine the work of other researchers with their own findings on attention, perception, memory, and reasoning to reveal how faulty intuitions can lead us to make shocking, costly—even life-threatening—mistakes. In the process, they explain: • Why a company would spend billions to launch a product that its own analysts know will fail • Why award-winning movies are full of editing mistakes • What criminals have in common with chess masters • Why measles and other childhood diseases are making a comeback • Why money managers could learn a lot from weather forecasters The Invisible Gorilla reveals the myriad ways that our intuitions can deceive us, but it’s much more than a catalog of human failings. Chabris and Simons explain why we succumb to these everyday illusions and what we can do to inoculate ourselves against their effects. Ultimately, the book provides a kind of x-ray vision into our own minds, making it possible to pierce the veil of illusions that clouds our thoughts and to think clearly for perhaps the first time. |
guerilla art documentary: Art in the Streets Jeffrey Deitch, 2021-03-16 The most comprehensive book to survey the colorful history of graffiti and street art movements internationally. Forty years ago, graffiti in New York evolved from elementary mark-making into an important art form. By the end of the 1980s, it had been documented in books and films that were seen around the world, sparking an international graffiti movement. This original edition, now back in print after several years, considers the rise of New York graffiti and the international scenes it inspired--from Los Angeles to São Paulo to Paris to Tokyo--as well as earlier and parallel movements: the break dancing and rap music of hip-hop; the graffiti used by Chicano gangs to mark their territory; the skateboarding culture that began in Southern California. Expertly researched, beautifully illustrated, and featuring contributions by many of the most significant curators, writers, and artists involved in the graffiti world, this now classic volume is an in-depth examination of this seminal movement. |
guerilla art documentary: Urban Subversion and the Creative City Oli Mould, 2015-03-27 Check out the author's video to find out more about the book: https://vimeo.com/124247409 This book provides a comprehensive critique of the current Creative City paradigm, with a capital ‘C’, and argues for a creative city with a small ‘c’ via a theoretical exploration of urban subversion. The book argues that the Creative City (with a capital 'C') is a systemic requirement of neoliberal capitalist urban development and part of the wider policy framework of ‘creativity’ that includes the creative industries and the creative class, and also has inequalities and injustices in-built. The book argues that the Creative City does stimulate creativity, but through a reaction to it, not as part of it. Creative City policies speak of having mechanisms to stimulate individual, collective or civic creativity, yet through a theoretical exploration of urban subversion, the book argues that to be 'truly' creative is to be radically different from those creative practices that the Creative City caters for. Moreover, the book analyses the role that urban subversion and subcultures have in the contemporary city in challenging the dominant political economic hegemony of urban creativity. Creative activities of people from cities all over the world are discussed and critically analysed to highlight how urban creativity has become co-opted for political and economic goals, but through a radical reconceptualisation of what creativity is that includes urban subversion, we can begin to realise a creative city (with a small 'c'). |
guerilla art documentary: Metacinema David LaRocca, 2021 When a work of art shows an interest in its own status as a work of art-either by reference to itself or to other works-we have become accustomed to calling this move meta. While scholars and critics have, for decades, acknowledged reflexivity in films, it is only in Metacinema, for the first time, that a group of leading and emerging film theorists join to enthusiastically debate the meanings and implications of the meta for cinema. In ten new essays on vital canonical films including 8-1/2, Holy Motors, Funny Games, and Clouds of Sils Maria, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes. What results is not just an engagement with certain practices and concepts in widespread use in the movies (from Hollywood to global cinema, from documentary to the experimental and avant-garde), but also the development of a veritable and vital new genre of film studies. With more and more films expressing reflexivity, recursion, reference to other films, mise-en-abîme, seriality, and exhibiting related intertextual traits, the time is overdue for the kind of capacious yet nuanced critical study found in Metacinema. |
guerilla art documentary: Stencil Republic , 2012-10-17 Stencil Republic is a pure celebration of the art of the stencil. The 20 stencils featured, printed on perforated card stock so that they can be cut out and used, have been created by international artists from across the street art scene, from the old masters to the new kids on the block. A collector's item in its own right, this is a book of stencils that can be used and treasured or just simply be an inspiration to others to create. |
guerilla art documentary: The Faith of Graffiti Norman Mailer, Jon Naar, 2010-09-07 The Faith is the bible of graffiti. It forever captures the place, the time, and the writings of those of us who made it happen. —Snake I In 1973, author Norman Mailer teamed with photographer Jon Naar to produce The Faith of Graffiti, a fearless exploration of the birth of the street art movement in New York City. The book coupled Mailer's essay on the origins and importance of graffiti in modern urban culture with Naar's radiant, arresting photographs of the young graffiti writers' work. The result was a powerful, impressionistic account of artistic ferment on the streets of a troubled and changing city—and an iconic documentary record of a critical body of work now largely lost to history. This new edition of The Faith of Graffiti, the first in more than three decades, brings this vibrant work—the seminal document on the origins of street art—to contemporary readers. Photographer Jon Naar has enhanced the original with thirty-two pages of additional photographs that are new to this edition, along with an afterword in which he reflects on the project and the meaning it has taken on in the intervening decades. It stands now, as it did then, as a rich survey of a group of outsider artists and the body of work they created—and a provocative defense of a generation that questioned the bounds of authority over aesthetics. |
guerilla art documentary: Street Art and Democracy in Latin America Olivier Dabène, 2019-09-24 This book explores street art’s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), São Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy. |
guerilla art documentary: The Guerilla Film Makers Handbook Chris Jones, Genevieve Jolliffe, 2006-01-01 This third edition of the UK's best-selling filmmaker's bible, builds upon the most successful features of the previous books. Including illustrations, diagrams, and box-outs, this book comes with a DVD, packed with further interviews with filmmakers, as well as theatrical trailers. |
guerilla art documentary: Bitches, Bimbos, and Ballbreakers Guerrilla Girls (Group of artists), 2003 Looks at the diverse female stereotypes through the ages, exploring the origins, history, and significance of such figures as old maid, trophy wife, and prostitute with a heart of gold. |
guerilla art documentary: The History of American Graffiti Roger Gastman, Caleb Neelon, 2011-09-20 Book description to come. |
guerilla art documentary: The Guerrilla Rep Ben Yennie, 2016-08-31 The first and so far only book on Film Markets. A Film Market is the best place a filmmaker can go to get traditional, non-DIY Distribution. The first edition of this book was used as a text at more than ten film schools in the US, and the book has an endorsement from the host of the #1 Filmmaking podcast on iTunes, and advice from 8 distributors. |
guerilla art documentary: Spike Lee's Gotta Have it Spike Lee, 1987 Including Spike Lee's advice on independent filmmaking, excerpts from the production journal Lee kept throughout the making of She's Gotta Have It, and much more, Spike Lee's Gotta Have It is a unique document in film literature. 30 black-and-white photographs. |
guerilla art documentary: Re-envisioning the Contemporary Art Canon Ruth Iskin, 2016-12-08 Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies. |
guerilla art documentary: Film and Video Intermediality Janna Houwen, 2017-07-13 In Film and Video Intermediality, Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions “what is meant by video?” and “what is meant by film?” How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film. Mapping the specificity of film and video is indispensable in analyzing and understanding the many contemporary intermedial objects in which film and video are mixed or combined. |
guerilla art documentary: Art of the Street Andy Cantillon, 2015 Art of the Street, London is the first in a series celebrating the phenomenon of street art in the world's greatest cities. A photographer's view of London's transient street art scene shot over a two year period from 2013. Celebrating the vibrancy, creativity and colour of the movement and documenting a time and place in its history. Artist's work include Stik, Thierry Noir, Jimmy C, Alice, Otto Schade and Nunca with many more both celebrated and unknown. |
guerilla art documentary: Twenty Writing Assignments in Context Melissa Bender, Karma Waltonen, 2016-12-19 Twenty original, classroom-tested assignments: This innovative collection of college writing assignments explores the practical applications of each lesson. Drawing upon current best practices, each chapter includes a discussion of the rationale behind the assignment, along with supplemental elements such as guidelines for evaluation, prewriting exercises and tips for avoiding common pitfalls. The assignments are designed for a range of courses, from first-year composition to upper-division writing in various disciplines. |
guerilla art documentary: Famous Immigrant Artists Adam Furgang, 2017-12-15 The United States has often been described as a melting pot, and many people who have immigrated to the U.S. from other countries in search of the American dream have contributed not just their cultural histories and traditions, but their artistic spirit as well. This book covers important immigrant artists such as the naturalist painter John James Audubon, Superman co-creator Joe Shuster, multimedia artist Yoko Ono, cartoonist Art Spiegelman, and the street artist Thierry Guetta (Mr. Brainwash). Immigrant artists have collectively helped to make America great through their tremendous impact on the visual arts. |
guerilla art documentary: Ron English's Stickable Art Offenses Ron English, Randy Johnson, 2011 Who wants a book that just sits on the coffee table? Here's one to decorate not only the coffee table but the refrigerator, notebooks, laptop computers, public walls, cars - practically any other surface! Ron English's Stickable Art Offenses is a book of stickers readers can actually put up in their own environments, packed with mini-billboards, 'subvertisements' and other visual enhancements from one of the most prolific and recognisable artists working today. |
guerilla art documentary: Guerrilla Film Marketing Robert G. Barnwell, 2019 Create an irresistible brand image and build an audience of loyal and engaged fans... Guerrilla Film Marketing takes readers through each step of the film branding, marketing and promotional process. Tailored specifically to low-budget independent films and filmmakers, Guerrilla Film Marketing offers practical and immediately implementable advice for marketing considerations across every stage of the film production process. Written by leading film industry professional Robert G. Barnwell, Guerrilla Film Marketing teaches readers how to: Master the fundamentals of guerrilla branding, marketing and promotion; Create an integrated marketing plan and calendar based on realistic budgets and expectations; Develop internet and social media marketing campaigns, including engaging studio and film websites and powerful, marketing-centric IMDb listings; Assemble behind-the-scenes pictures, videos and documentaries; Produce marketing materials such as key art, posters, film teasers, trailers and electronic press kits (aka EPKs); and Maximize the marketing impact of events such as test screenings, premiers, film festivals and industry award ceremonies. Guerrilla Film Marketing is filled with dozens of step-by-step instructions, checklists, tools, a glossary, templates and other resources. A downloadable eResource also includes a sample marketing plan and audit, a test screening questionnaire, and more. |
guerilla art documentary: Rise of the Filmtrepreneur IFH Books, 2019-11-19 It's harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. this book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success. |
guerilla art documentary: Lost in the Grooves Kim Cooper, David Smay, 2005-07-08 Do you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's TheMagical World Of The Strands, John Trubee's TheCommunists Are Coming to Kill Us, John Phillips's WolfKing of L.A., and Michel Magne's Moshe MouseCrucifiction?You will when you read Lost in theGrooves, a fascinating guide to the back alleys off the pop music superhighway. Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye's post-divorce kissoff album, Here MyDear; The Ramones' Subterranean Jungle), and spotlighting musicians who simply don't fit into neat categories (k. mccarty, Exuma). The book's encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture fan. |
guerilla art documentary: Artistic Citizenship David Elliott, Marissa Silverman, Wayne Bowman, 2016-09-02 This first-of-its-kind compendium unites perspectives from artists, scholars, arts educators, policymakers, and activists to investigate the complex system of values surrounding artistic-educational endeavors. Addressing a range of artistic domains-including music, dance, theater, visual arts, film, and poetry-contributors explore and critique the conventions that govern our interactions with these practices. Artistic Citizenship focuses on the social responsibilities and functions of amateur and professional artists and examines ethical issues that are conventionally dismissed in discourses on these topics. The questions this book addresses include: How does the concept of citizenship relate to the arts? What sociocultural, political, environmental, and gendered goods can artistic engagements create for people worldwide? Do particular artistic endeavors have distinctive potentials for nurturing artistic citizenship? What are the most effective strategies in the arts to institute change and/or resist local, national, and world problems? What obligations do artists and consumers of art have to facilitate relationships between the arts and citizenship? How can artistic activities contribute to the eradication of adverse 'ism's? A substantial accompanying website features video clips of artivism in action, videotaped interviews with scholars and practitioners working in a variety of spaces and places, a blog, and supplementary resources about existing and emerging initiatives. Thoroughly researched and engagingly written, Artistic Citizenship is an essential text for artists, scholars, policymakers, educators, and students. |
Guerrilla warfare - Wikipedia
Guerrilla warfare is a form of unconventional warfare in which small groups of irregular military, such as rebels, partisans, paramilitary personnel or armed civilians, which may include …
Guerrilla warfare | Facts, Definition, & Examples | Britannica
Guerrilla warfare, type of warfare fought by irregulars in fast-moving, small-scale actions against orthodox military and police forces and, on occasion, against rival insurgent forces, either …
GUERRILLA Definition & Meaning - Merriam-Webster
The meaning of GUERRILLA is a person who engages in irregular warfare especially as a member of an independent unit carrying out harassment and sabotage. How to use guerrilla in …
GUERRILLA | English meaning - Cambridge Dictionary
GUERRILLA definition: 1. a member of an unofficial military group that is trying to change the government by making…. Learn more.
What Is Guerrilla Warfare? Definition, Tactics, Examples
Guerrilla tactics are characterized by repeated surprise attacks and efforts to limit movement of enemy troops. Guerrilla groups also use tactics of propaganda to recruit fighters and win the …
What Is Guerrilla Warfare? - WorldAtlas
Jan 11, 2019 · Guerrilla warfare is a form of combat warfare fought by a civilian population or people not part of the conventional military. In most cases, guerrilla warriors (guerrillas) seek to …
Guerrilla Warfare - American Battlefield Trust
Jun 3, 2013 · Throughout the American Civil War, as vast armies in blue and gray clashed on conventional battlefields, a drastically different kind of conflict was raging as well: a bloody …
Guerrilla warfare - New World Encyclopedia
Guerrilla warfare (also spelled guerilla) is a method of combat by which a smaller group of combatants attempts to use its mobility to defeat a larger, and consequently less mobile, army.
What does guerilla mean? - Definitions.net
guerilla. A guerilla is a member of a small independent group taking part in irregular fighting, typically against larger regular forces. This term often refers to armed individuals or groups …
History of guerrilla warfare - Wikipedia
Guerrilla tactics were used extensively by the forces of the Boer republics in the First and Second Boer Wars in South Africa (1880–1881; 1899–1902) against the invading British Army.
Guerrilla warfare - Wikipedia
Guerrilla warfare is a form of unconventional warfare in which small groups of irregular military, such as rebels, partisans, paramilitary personnel or armed civilians, which may include …
Guerrilla warfare | Facts, Definition, & Examples | Britannica
Guerrilla warfare, type of warfare fought by irregulars in fast-moving, small-scale actions against orthodox military and police forces and, on occasion, against rival insurgent forces, either …
GUERRILLA Definition & Meaning - Merriam-Webster
The meaning of GUERRILLA is a person who engages in irregular warfare especially as a member of an independent unit carrying out harassment and sabotage. How to use guerrilla in …
GUERRILLA | English meaning - Cambridge Dictionary
GUERRILLA definition: 1. a member of an unofficial military group that is trying to change the government by making…. Learn more.
What Is Guerrilla Warfare? Definition, Tactics, Examples
Guerrilla tactics are characterized by repeated surprise attacks and efforts to limit movement of enemy troops. Guerrilla groups also use tactics of propaganda to recruit fighters and win the …
What Is Guerrilla Warfare? - WorldAtlas
Jan 11, 2019 · Guerrilla warfare is a form of combat warfare fought by a civilian population or people not part of the conventional military. In most cases, guerrilla warriors (guerrillas) seek …
Guerrilla Warfare - American Battlefield Trust
Jun 3, 2013 · Throughout the American Civil War, as vast armies in blue and gray clashed on conventional battlefields, a drastically different kind of conflict was raging as well: a bloody …
Guerrilla warfare - New World Encyclopedia
Guerrilla warfare (also spelled guerilla) is a method of combat by which a smaller group of combatants attempts to use its mobility to defeat a larger, and consequently less mobile, army.
What does guerilla mean? - Definitions.net
guerilla. A guerilla is a member of a small independent group taking part in irregular fighting, typically against larger regular forces. This term often refers to armed individuals or groups …
History of guerrilla warfare - Wikipedia
Guerrilla tactics were used extensively by the forces of the Boer republics in the First and Second Boer Wars in South Africa (1880–1881; 1899–1902) against the invading British Army.