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| gail tremblay poems: Farther from and Too Close to Home Gail Tremblay, 2013-12-10 A book of poems by Gail Tremblay. |
| gail tremblay poems: Indian Singing Gail Tremblay, 1998 Tremblay's poetry sings of the myths and rituals of her Native culture, offering hope. |
| gail tremblay poems: Reading and Writing Poetry with Teenagers Fredric Lown, Judith W. Steinbergh, 1996 This versatile volume combines examples of poetry from historical and contemporary masters with high school writing. Each chapter contains poems for reading aloud, poems for discussion, models for writing exercises, samples of student poems, and a bibliography for extended reading. Many teachers use Reading and Writing Poetry with Teenagers across disciplines. Writing exercises include: Animals as Symbols Family Portraits in Words Of War and Peace Writing Song Lyrics as an Expression of Social Protest |
| gail tremblay poems: The Heart as a Drum Robin Riley Fast, 1999 An accessible introduction to a wide range of contemporary poetry by Native Americans |
| gail tremblay poems: Encyclopedia of American Indian Literature Jennifer McClinton-Temple, Alan Velie, 2015-04-22 Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works. |
| gail tremblay poems: Letters to America Jim Daniels, 1995 A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures. |
| gail tremblay poems: Reading Poetry with College and University Students Thomas Fink, 2022-09-22 Reading Poetry with College and University Students aims to help faculty foster students' intellectual and aesthetic engagement with poems while enabling them to sharpen critical and creative thinking skills. Reading authors across history and the globe--such as Julia Alvarez, Amiri Baraka, Gwendolyn Brooks, Mahmoud Darwish, John Donne, Paolo Javier, Yusef Komunyakaa, Audre Lorde, and Wislawa Szymborska--Thomas Fink zeroes in on how learners can surmount and even enjoy tackling the most difficult aspects of poetry. By exploring students' emotional identification with speakers and characters of poems as well as poets themselves, Fink shows how an instructor can motivate students to produce effective and empathic interpretations. Through divergent readings of selected poems, the book addresses the influence of various theoretical paradigms, ranging from ecological, psychological, feminist, and queer theory to deconstructive, postcolonial, and surface reading orientations. Instructors receive practical guidance through these poems, poets, and modes of reading, helping to give learners raw material to reach their own nuanced interpretations and strengthen their emotional, aesthetic, and intellectual acumen. |
| gail tremblay poems: Blues and Greens Alan Chong Lau, 2000-04-01 Alan Chong Lau’s poetic memoir of his days as a produce worker in Seattle’s Chinatown reveals a microcosm of grassroots, working-class Asian America—a world where customers, workers, and fruits and vegetables intersect in exchanges that crackle with energy and brim over with humor. With the simple profundity of a Zen koan, the poems bear witness to people’s humanity. Lau portrays in words and pictures a community in constant flux as it moves to the push and pull of immigration. Blues and Greens has a lot to say about Asian Americans. What emerges is an acutely observed, nuanced critique of where Asian Americans—native-born, refugee, and migrant—are today. |
| gail tremblay poems: Details of Flesh Cortney Davis, 1997 As if taking testimony from herself as nurse, lover, daughter, mother, Cortney Davis gives us Details of Flesh -beautifully wrought, utterly unforgettable poems.-Honor Moore, author of The White Blackbird and Memoir Cortney Davis is a revelation.-Martin Espada, author of Imagine the Angels of Bread With her unwavering and compassionate nurse's gaze, Cortney Davis renders the details of flesh. |
| gail tremblay poems: Indian Singing in 20th Century America Gail Tremblay, 1990 Indian Singing in 20th Century America is a book of poems about finding ways to endure in a confused world. It celebrates cultures that understand the need for ceremony and that respect the Earth as the supporter of life. These poems are based in old traditions rooted in the American continent and even when they talk of personal matters are informed by the experience of indigenous ways of seeing. They are, however, clearly planted in contemporary American experience and record the survival of a people who continue to show strength even though they often face great loss and adversity--from Preface. |
| gail tremblay poems: A Line of Cutting Women Beverly McFarland, 1998 Fiction and essay anthology. Women's Studies. In this anthology culled from twenty-two years of award-winningCALYX: A Journal of Art and Literature By Women, a long line of writers share their visions of the worlds women create. What an extraordinary collection of worthwhile writing, brave in many cases, beautiful in almost all. A book to sit down with. I was able to remember my first reading of some of these stories -- many of them first publications -- and relive the excitement! -- Grace Paley. Anyone who still doubts the existence of a multicultural 'women's culture' will be forever changed by this book -- and will have enjoyed a fine read in the bargain -- Robin Morgan. Thirty-seven stories, drawn from two decades worth of issues ofCALYX: A Journal of Art and Literature By Women, demonstrate both how important a role the journal has played in providing a venue for both unknown and well-established writers, and how sharp its editorial eyes have been. There are superb tales here by such familiar figures as Julia Alvarez (the affecting ``Now World'), Linda Hogan (``Crow'), and Alicia Ostriker (``Esther, or The World Turned Upside Down'), as well as stunning work by less well-known writers, including M. Evelina Galang's Her Wild American Self and Hollis Seamon's Gypsies in the Place of Pain. The volume takes its title from a fierce, sad tale by Rita Marie Nibasa, about the ways in which love and violence often mingle. Because the stories are by women from a number of cultures, and because the tales embrace so many kinds of narrative views (from the grimly documentary to magic realism), the collection provides a useful overview of the large, diverse, often angry and usually vital work being produced by a new, and markedly varied, generation of women writers. First-rate short fiction.-Kirkus |
| gail tremblay poems: The Woman of Too Many Days Mary I. Cuffe, 1999 Poetry. You might think I know/ the woman of too many days.// I don't. At least, I try not to./ She goes on and on,/ but I don't listen.// She happens to be where I am./ She happens everywhere,/ like a bad accident of a woman. THE WOMAN OF TOO MANY DAYS looks at the world askew and approaches wisdom through paradox. She is a realist, a magician, a crone, a seer, a maker of great fictions and a teller of truths. Vulgar, she sprays mango out her nose; elegant, she carries an old music box because 'music is the hardest child to leave behind.' Mary Cuffe's creation is compelling; this book keeps you listening -- David Swanger. |
| gail tremblay poems: Speak to Me Words Dean Rader, Janice Gould, 2003 Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices. |
| gail tremblay poems: Natalie on the Street Ann Nietzke, 1994 An inspiring testimony of effecting change, Natalie on the Street is a personal record of the writer's relationship with a schizophrenic elderly woman who lived on the streets of her central Los Angeles neighborhood. Nietzke courageously reveal[s] . . . Natalie's human face.- Publishers Weekly |
| gail tremblay poems: New Voices from the Longhouse Joseph Bruchac, Maurice Kenny, Karoniaktatie, 1989 An anthology of contemporary Iroquois writing. |
| gail tremblay poems: A History of British, Irish and American Literature Hans-Peter Wagner, 2021-10-04 The third revised and enlarged edition contains discussions of British, Irish and American literary works up to 2020. Focussing on outstanding writings in prose, poetry, drama and non-fiction, the book covers the time from the Anglo-Saxon period to the 21st century. The feature that makes this literary history unique among its rivals is the coverage of television/web series as a particular form of postmodern drama. The chapters on recent drama now contain detailed analyses of the development of TV and web series from Britain, Ireland and America, with extensive discussions of those series now considered classics. In addition, there are several major innovative features. To begin with, each century is introduced by a survey of the socio-political and cultural backgrounds in which the literary works are embedded. Furthermore, extensive visual material (more than 160 engravings, cartoons and paintings) has been integrated. This visual aspect as well as the introductory sections on art for each century give the reader an excellent idea of the symbiosis between visual and literary representations. Further innovative aspects include - discussions of non-fictional works from literary criticism and theory, travel writing, historiography, and the social sciences - analyses of such popular genres as crime fiction, science fiction, fantasy, the Western, horror fiction, and children’s literature - footnotes explaining technical and historical terms and events - a detailed glossary of literary terms - chronological tables for British/Anglo-Irish and American literatures an updated (cut-off date 2020), extensive bibliography containing suggestions for further reading |
| gail tremblay poems: Raising the Tents Frances Payne Adler, 1993 Jewish poet politicizes the personal, writing about the Holocaust, divorce, and the power of her voice |
| gail tremblay poems: Open Heart Judith Sornberger, 1993 This warmly loving book is hard to put down and hard to forget. Sornberger is a poet to watch.- Library Journal An elegant collection of poetry rooted in a woman's relationships with family, ancestors, and the world-it is a testimony to an openness of the heart. |
| gail tremblay poems: Native American Women Gretchen M. Bataille, Laurie Lisa, 2003-12-16 This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index. |
| gail tremblay poems: Approaches Hartmut Lutz, 2002 |
| gail tremblay poems: A Concise Companion to Twentieth-Century American Poetry Stephen Fredman, 2008-04-15 This Concise Companion gives readers a rich sense of how thepoetry produced in the United States during the twentieth centuryis connected to the country’s intellectual life more broadly. Helps readers to fully appreciate the poetry of the period bytracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war;feminism and the female poet; poetries of immigration andmigration; communism and anti-communism; philosophy andtheory. Each chapter ranges across the entire century, comparing poetsfrom one part of the century to those of another. New syntheses make the volume of interest to scholars as wellas students and general readers. |
| gail tremblay poems: Returning the Gift Joseph Bruchac, 1994 An unprecedented gathering of more than 300 Native writers was held in Norman, Oklahoma, in 1992. The Returning the Gift Festival brought more Native writers together in one place than at any other time in history. Returning the Gift, observes co-organizer Joseph Bruchac, both demonstrated and validated our literature and our devotion to it, not just to the public, but to ourselves. In compiling this volume, Bruchac invited every writer who attended the festival to submit new, unpublished work; he then selected the best of the more than 200 submissions to create a collection that includes established writers like Duane Niatum, Simon Ortiz, Lance Henson, Elizabeth Woody, Linda Hogan, and Jeanette Armstrong, and also introduces such lesser-known or new voices as Tracy Bonneau, Jeanetta Calhoun, Kim Blaeser, and Chris Fleet. The anthology includes works from every corner of the continent, representing a wide range of tribal affiliations, languages, and cultures. By taking their peoples' literature back to them in the form of stories and songs, these writers see themselves as returning the gift of storytelling, culture, and continuance to the source from which it came. In addition to contributions by 92 writers are two introductory chapters: Joseph Bruchac comments on the current state of Native literature and the significance of the festival, and Geary Hobson traces the evolution of the event itself. |
| gail tremblay poems: The End of the Class War Catherine Brady, 1999 As stark and moving as Angela's Ashes, Brady's collection is a poignant exploration of working class Irish American life. |
| gail tremblay poems: Dreaming the Dawn E. K. Caldwell, 1999-01-01 A fresh, articulate collection of interviews with twelve of the most influential Native American voices includes the words of writers Sherman Alexie and James Welch, poet Elizabeth Woody, activist Winona LaDuck, and actor Litefoot, among others. |
| gail tremblay poems: Ecological Literature and the Critique of Anthropocentrism Bryan L. Moore, 2017-10-14 This book is an analysis of literary texts that question, critique, or subvert anthropocentrism, the notion that the universe and everything in it exists for humans. Bryan Moore examines ancient Greek and Roman texts; medieval to twentieth-century European texts; eighteenth-century French philosophy; early to contemporary American texts and poetry; and science fiction to demonstrate a historical basis for the questioning of anthropocentrism and contemplation of responsible environmental stewardship in the twenty-first century and beyond. Ecological Literature and the Critique of Anthropocentrism is essential reading for ecocritics and ecofeminists. It will also be useful for researchers interested in the relationship between science and literature, environmental philosophy, and literature in general. |
| gail tremblay poems: Florilegia Debi Berrow, 1987 A selection of some of the finest literary and artistic work published by women. Among the ninety-six contributors are: Paula Gunn Allen, Julia Alvarez, Ellen Bass, Olga Broumas, Frida Kahlo, Barbara Kingsolver, and Margaret Randall. CALYX collects its finest writing from the last decade.- USA Today |
| gail tremblay poems: A Fierce Brightness Margarita Donnelly, Beverly McFarland, Micki Reaman, 2002 This dazzling collection presents some of the most important women poets of the past 25 years. |
| gail tremblay poems: Light in the Crevice Never Seen Haunani-Kay Trask, 1999 The (female) Malcolm X of Hawai'I's inconsolable grief and rage at the destruction of her people's land. |
| gail tremblay poems: Calyx , 2003 |
| gail tremblay poems: Women Artists of the American West Susan R. Ressler, 2003 Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works. |
| gail tremblay poems: When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry Joy Harjo, 2020-08-25 Selected as one of Oprah Winfrey's Books That Help Me Through United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete. |
| gail tremblay poems: Modern American Counter Writing A. Robert Lee, 2010-01-21 The dissident voice in US culture might almost be said to have been born with the territory. Its span runs from Roger Williams to Thoreau, Anne Bradstreet to Gertrude Stein, Ambrose Bierce to the New Journalism, The Beats to the recent Bad Subjects cyber-crowd. This new study analyses three recent literary tranches in the tradition: a re-envisioning of the whole Beat web or circuit; a consortium of postwar outrider voices – Hunter Thompson to Frank Chin, Joan Didion to Kathy Acker; and a latest purview of what, all too casually, has been designated ethnic writing. The aim is to set up and explore these different counter-seams of modern American writing, those which sit outside, or at least awkwardly within, agreed literary canons. |
| gail tremblay poems: Black Candle Chitra Banerjee Divakaruni, 2000 Sumptuous poems about South Asian women from the author of Mistress of Spices and Sister of My Heart. |
| gail tremblay poems: Another Spring, Darkness Anuradha Mahapatra, 1996 It's a rare pleasure to read translations of poems that convey them as poetry. These versions from the Bengali . . . evoke that thrill of recognition: that across culture and language we are encountering a great world poet. [Her] vision is simultaneously poetic and political, local and horizonless, moved by love and utterly unsentimental.a?Adrienne Rich You cannot read these poems without being transformed by the hot breath of the gods, the eternal sweetness of flowers, and the soul of this powerful poet as she mesmerizes you. . . . This is one of the finest collections of poetry I have come across in recent years. You need this book.a?Joy Harjo These are excellent translations of an unusual poetry, harsh and ambiguous and beautiful.a?Chitra Banerjee Divakaruni The real India of Mahapatra's Another Spring, Darkness is truly human, emotionally moving, and rendered in a poetry as graceful as it is gritty.a?Joseph Bruchac This is the first English translation of poetry by a working-class woman from West Bengal. Her poetic world is isolated, vast, impoverisheda'full of disturbing visions and surrealistic juxtapositions at the edge of myth. |
| gail tremblay poems: Encyclopedia of Native American Artists Deborah Everett, Elayne L. Zorn, 2008-09-30 Indigenous North Americans have continuously made important contributions to the field of art in the U.S. and Canada, yet have been severely under-recognized and under-represented. Native artists work in diverse media, some of which are considered art (sculpture, painting, photography), while others have been considered craft (works on cloth, basketry, ceramics).Some artists feel strongly about working from a position as a Native artist, while others prefer to produce art not connected to a particular cultural tradition. |
| gail tremblay poems: Cracking the Earth Beverly McFarland, Micki Reaman, 2001 From Barbara Kingsolver to Julia Alvarez, CALYX celebrates 25 years of literary discoveries. A silver anniversary anthology. |
| gail tremblay poems: Reading Native American Women Inés Hernández-Avila, 2005 This new collection reveals the vitality of the intellectual and creative work of Native women today. The authors examine the avenues that Native American women have chosen for creative, cultural, and political expressions, and discuss the points of convergence between Native American feminisms and other feminisms. Individual contributors articulate their positions around issues such as identity, community, sovereignty, culture, and representation. This engaging volume crystallizes the myriad realities that inform the authors' intellectual work, and clarifies the sources of inspiration for their roles as individuals and indigenous intellectuals, reaffirming their paramount commitment to their communities and Nations. It will be of great value to Native writers as well as instructors and students in Native American studies, women's studies, anthropology, cultural studies, literature, and writing and composition. |
| gail tremblay poems: The Country of Women Sandra Kohler, 1995 In the poems of Sandra Kohler the aubade [or dawn song] tradition is given fresh and surprising shape in poems of rich harmonies where a dark undertow, a sweet languor pulls back towards dream. . . . Her full-bodied, meditative songs of mother-love, sexuality, desire, and discovery unashamedly unfold a life in these memorable 'long cadences of morning'a?Eleanor Wilner, author of Otherwise Renders with both wisdom and astonishment [the] conviction that 'Nothing is more exotic than the real.'a? Publishers Weekly All of us can learn from this wonderful book.a?Tom Ferte, editor of Calapooya Collage Sandra Kohler's poems find art in the mundane, the sacred, and the profane. Examining woman's experience as sexual being, as mother, and as artist, Kohler reveals what it means to live in a woman's body. |
| gail tremblay poems: A History of American Poetry Richard Gray, 2015-03-30 A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries |
| gail tremblay poems: A to Z of American Indian Women Liz Sonneborn, 2014-05-14 Presents a biographical dictionary profiling important Native American women, including birth and death dates, major accomplishments, and historical influence. |
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