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| guernica fernando arrabal: Guernica and Other Plays Fernando Arrabal, 1969 |
| guernica fernando arrabal: Guernica ; The Labyrinth ; The Tricycle ; Picnic on the Battlefield ; And They Put Handcuffs on the Flowers ; The Architect and the Emperor of Assyria ; Garden of Delights Fernando Arrabal, 1986 Seven plays by Spanish playwright, Fernando Arrabal. |
| guernica fernando arrabal: Guernica, and Other Plays Fernando Arrabal, 1969 The celebrated Spanish playwright Fernando Arrabal, who lived in Madrid under the oppression of the Franco regime, writes passionately of human atrocity and of hope. This collection of plays embodies Arrabal's theatre of panic, named after the god Pan. The homme panique is a man who refuses to take risks, who avoids danger and therefore heroism, who avoids the irreparable act, but who, ironically, is caught up in a world of chance that forces him to make choices. The collection includes Guernica, an earthy verbal re-creation of Picasso's famous painting, in which an old Basque couple is caught in the air raids; And They Put Handcuffs on the Flowers, a violent protest against the Franco regime; the ingenious and poetic The Architect and the Emperor of Assyria; and Garden of Delights, which explores the lesbian tendencies of strong adolescent attachments and the sadomasochistic experience of adult love. Includes: 'Guernica' 'And They Put Handcuffs on the Flowers' 'The Architect and the Emperor of Assyria' 'Garden of Delights' |
| guernica fernando arrabal: Baal Babylon Fernando Arrabal, 1961 |
| guernica fernando arrabal: Cult Epics Nico B, 2018-01-31 Celebrating the 25th anniversary of Cult Epics – the controversial arthouse, horror and erotica video label – this commemorative hardcover book covers essential releases from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger, Walerian Borowcyzk, Jean Genet, Abel Ferrara, George Barry, Rene Daalder, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, Nico B, Irving Klaw, and pinup legend Bettie Page. Includes in-depth reviews of films, interviews, and essays on directors by film critics Nathaniel Thompson, Mark R. Hasan, Michael den Boer, Ian Jane, Stephen Thrower, Marcus Stiglegger, Heather Drain and others – fully illustrated in color with rare photos, poster art, and memorabilia. |
| guernica fernando arrabal: El Teatro Pánico de Fernando Arrabal Diego Santos Sánchez, 2014 Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin. |
| guernica fernando arrabal: The Festive Play of Fernando Arrabal Luis Oscar Arata, 2021-12-14 Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes. With this view of Arrabal's work, Luis Arata explores the nature of play in art in the light of Jean Piaget's psychology. He thus offers a new way to approach festive and playful art. |
| guernica fernando arrabal: The war that won't die David Archibald, 2021-06-15 The war that won’t die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers – from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró – rallied to support the country’s democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book’s focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century – including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco’s censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic. |
| guernica fernando arrabal: Savage Coast Muriel Rukeyser, 2013-05-07 Never before published, this autobiographical novel captures the politics and passion of the Spanish Civil War. |
| guernica fernando arrabal: The Architect and the Emperor of Assyria Fernando Arrabal, 1969 |
| guernica fernando arrabal: Guernica, and Other Plays, by Arrabal. Translated from the French by BarbaraWright Fernando Arrabal, 1969 |
| guernica fernando arrabal: Perspectives on Interaction Elena Bonta, 2014-09-18 Interaction is a prominent part of our everyday life and experience; daily reality is constructed within the interactions that individuals establish with those around them, with whom they share experiences in a concrete context. Objects, phenomena and individuals permanently influence each other through this dynamic process. The authors of this volume engage in an on-going interpretative process of defining this influence, giving considerable attention to the way participants to interaction try to understand each other, to interpret each other’s activity and prove this in an explicit or implicit way through a variety of semiotic codes (verbal, nonverbal or paraverbal). The authors, implicitly, address the question: how do social actors (in their quality of translators, writers, painters or teachers) see the world around and the interactions between its constituent parts/activities/processes? The primary goal of Perspectives on Interaction is to bring together concerns, approaches, interpretations and analyses on the proposed topic. The authors, members of a young research group (“Cultural Spaces”), have examined various aspects through which interaction manifests itself in social practices, linguistics, translation studies, didactics and literary discourse. This has made possible the gathering of the material under four headings which constitute the chapters of the book: Translation as Interaction; Aspects of Social Interaction; Texts and Representations in Interaction; Interactive Practices in Literary Discourse. Ideas have been organized around some important key points: communication, action, interaction, competence, performance, linguistic and nonlinguistic signs. The volume will appeal to researchers and students working within the fields of translation, education, arts, discourse and literature, and offers inspiring topics and relevant research. |
| guernica fernando arrabal: The Fictional Arts Eli Rozik, 2011 This book is a comprehensive introduction to the analysis of fictional worlds in a set of fifteen arts, including theatre, opera, figurative ballet, mime, audio drama, figurative drawing/painting, figurative sculpture, strip cartoon, animation, puppet theatre, still photography, photo-novel, silent movie, cinema and TV drama. Due to their extreme differences, the combination of different arts in the description of a single fictional world, and the translation from one medium to another, are considered problematic. While such differences do not concern fictional creativity, which applies the same poetic and rhetoric rules whatever the medium, it is widely accepted that the problem lies in the extreme differences between the mediums of description. In contrast, this study explores their common grounds. These arts are iconic in nature, and if 'iconicity' is re-defined in terms of imprinting images on matter and mediation of language, and as reflecting the common roots of these mediums in a preverbal mode of imagistic thinking, therein is an explanation of their possible combination and translation from one medium to another without impairing the receivers' reading, interpreting and experiencing capacities. Eli Rozik analyses numerous fictional worlds in all these arts, produced during the last 2,500 years of artistic creativity, especially in theatre, art and cinema. This book presupposes that principles underlying the generation of descriptions of fictional worlds by the theatre medium, as proposed in two earlier works (Generating Theatre Meaning and Fictional Thinking), also apply to all the iconic/fictional arts. The text-book format of the volume has been purposefully designed to address the needs of undergraduate and postgraduate students, suiting the structure of university courses and providing all necessary information to access the images/artistic works discussed in the volume via the web and Google. This inter-art journey from theatre theory to the arts is compelling reading for all those involved and engaged in artistic creativity. |
| guernica fernando arrabal: Time Flies and Other Short Plays David Ives, 2001 Playwright David Ives's follow-up collection to the award-winning collection All in the Timing pushes his gift for wacky one-act comedy to new heights: two mayflies on a date realize they have only twenty-four hours to live; a washing-machine repairman falls in love with a perfect washer (should he tell his girlfriend?); an out-of-work shmo decides to spend his day being painter Edgar Degas; two Babylonian blue-collar workers have to build the Tower of Babel -- or else. Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience. |
| guernica fernando arrabal: Surrealism and Cinema Michael Richardson, 2006-03-01 Surrealism has long been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. Most of the critical literature, however, focuses either on the 1920s or the work of Buuel. The aim of this book is to open up a broader picture of surrealism's contribution to the conceptualisation and making of film.Tracing the work of Luis Buuel, Jacques Prvert, Nelly Kaplan, Walerian Borowcyzk, Jan vankmajer, Raul Ruiz and Alejandro Jodorowsky, Surrealism and Cinema charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to the present day. At once a critical introduction and a provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and art and the history of film. |
| guernica fernando arrabal: Between the Lines Michael Y. Bennett, 2024 In thinking about the conceptual empty spaces of theatre, Between the Lines: A Philosophy of Theatre investigates theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre. Ultimately, this book aims to offer a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. |
| guernica fernando arrabal: The Bloomsbury Handbook of the Spanish Civil War Antonio Cazorla-Sanchez, Alison Ribeiro de Menezes, Adrian Shubert, 2023-11-30 In 25 innovative thematic essays, The Bloomsbury Handbook of the Spanish Civil War sees an interdisciplinary team of scholars examine a conflict that, more than 80 years after its conclusion, continues to generate both scholarly and public controversy. Split into four main sections covering Military and Diplomatic Issues, Society and Culture, Politics, and Debates, the volume offers a number of unique features. It is unprecedented in its comprehensiveness and includes chapters on topics that are rarely, if ever, explored in the literature of the field: humanitarianism, children and families, material conditions, the decimation of elites, archives and sources, archaeological approaches, digital approaches, public history, and cultural studies approaches. Instead of discussing each of the two warring sides, Republicans and Francoists, separately, as is so often the case, the book's thematic structure means that these opposing forces are examined together, facilitating comparison and fresh understanding in numerous areas of study. Contributors from the UK, the USA, Canada, Spain and Denmark also analyse the major controversies and disputes surrounding each topic as part of a detailed exploration of one of the seminal events of the 20th century. |
| guernica fernando arrabal: The Automobile Graveyard Fernando Arrabal, 1960 |
| guernica fernando arrabal: Pedro Almodovar Sanchez-Acre, 2021-01-19 |
| guernica fernando arrabal: And They Put Handcuffs on the Flowers Fernando Arrabal, 1973 |
| guernica fernando arrabal: Reconstructing Spain Dacia Viejo-Rose, 2011 This book explores the role of cultural heritage in post-conflict reconstruction, whether as a motor for the prolongation of violence or as a resource for building reconciliation. The research was driven by two main goals: to understand the post-conflict reconstruction process and to identify how this process evolves in the medium term and the impact it has on society. The Spanish Civil War (1936-39) and its subsequent phases of reconstruction provides the primary material for this exploration. In pursuit of the first goal, the book centers on the material practices and rhetorical strategies developed around cultural heritage in post-civil war Spain and the victorious Franco regime's reconstruction. The analysis captures a discursively complex set of practices that made up the reconstruction and in which a variety of Spanish heritage sites were claimed, rebuilt or restored, and represented - as signs of historical narratives, political legitimacy, and group identity. The reconstruction of the town of Gernika is a particularly emblematic instance of destruction and a significant symbol within the Basque regions of Spain, as well as internationally. By examining Gernika, it is possible to identify some of the trends common to the reconstruction as a whole, along with those aspects that pertain to its singular symbolic resonance. In order to achieve the second goal, the book examines the processes of selection, value change, and exclusionary dynamics of reconstruction. Exploring the possible impact of post-civil war reconstruction in the medium term is conducted in two time frames: the period of political transition that followed General Franco's death in 1975, and the 2004-2008 period when Rodriguez Zapatero's government undertook initiatives to 'recover the historic memory' of the war and dictatorship. Finally, the observations made of the Spanish reconstruction are analyzed in terms of how they might reveal general trends in post-conflict reconstruction processes in relation to cultural heritage. These insights are pertinent to the situations in Cambodia, Bosnia and Herzegovina, Afghanistan, and Iraq. |
| guernica fernando arrabal: World Cinema and Cultural Memory I. Hedges, 2015-04-07 Cinema has long played a crucial role in the way that societies represent themselves. Hedges discusses the role of cinema in creating cultural memory within a global perspective that spans five continents. The book's innovative approach and approachable style should transform the way that we think of film and its social effects. |
| guernica fernando arrabal: Happenings Jim Dine, 1965 In this book, Michael Kirby sets out to define and describe those curious performances which have taken on the name of happenings. The descriptions-in words and pictures-are illuminating. The introduction traces the influences--of action painting, surrealism, abstract expressionism, Dadaism, W.C. Fields, and the Marx Brothers--upon the form of happenings. More informative is the section in which five makers of happenings state the aims and devices of their creations. These statements are followed by the scripts of happenings and by long meticulous descriptions of the performance of each happening. The performances which are described have been liberally illustrated with photographs which give an excellent idea of the appearance of the production(s). |
| guernica fernando arrabal: The Tower Struck by Lightning Fernando Arrabal, 1988 The final, definitive match in the competition for the World Chess Championship is about to begin. Contenders Elias Tarsis and Marc Amary take their places at the board. The judges' implacable clock begins to tick, and a hush falls over the capacity crowd in Paris's Beaubourg Center Theater. But before the players can make their first moves, they are distracted by news of the kidnapping of a high-ranking Soviet diplomat. Tarsis--an artist and an intuitive genius--is convinced that his despised opponent--a world-renowned physicist--is behind the kidnapping. So begins the game, and so begins this darkly comic, metaphysical mystery novel ...--Jckt. |
| guernica fernando arrabal: Comedy Eli Rozik, 2011-08-24 While assimilating theoretical insights from Aristotle to this day, this title contests, inter alia, the theory of comedy's ritual origin; challenges the age-old and continuing attempts to determine the structure of action that characterises comedy; and, suggests instead that structures of action are shared by all genres. |
| guernica fernando arrabal: The Weeping Woman Zoe Valdes, 2016-03-01 Originally published as La mujer que llora (Barcelona: Planeta, 2013). |
| guernica fernando arrabal: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| guernica fernando arrabal: Posttraumatic Culture in Spanish and Latin American Theater Henry James Morello, 2025-01-18 In the twentieth century, Argentina, Chile, and Spain suffered dictatorships marked by disappearances, torture, and murder, which left wounds that, in some cases, have yet to heal. Moving these public wounds into the realm of performance, many playwrights sought to address these national traumas by creating what I call “posttraumatic theater.” This book argues that these plays attempt to represent national crises by taking on stylistic features that mimic the symptoms of posttraumatic stress disorder. Drawing on trauma studies, clinical psychology, and neuroscience, Masking the Past examines the commonalities in posttraumatic theater to create a coherent theoretical foundation by which we can explore other cultural products that arise in response to traumatic events. |
| guernica fernando arrabal: World Premières , 1900 |
| guernica fernando arrabal: Folsom Street Blues Jim Stewart, 2011 Stewart has written a wonderful memoir revealing how South of Market became hip SoMa in San Francisco. Leading a lusty life surfing the first wave of gay liberation up to HIV, he is an uninhibited writer spilling personal tales of sex, art, and friendship during that first decade of Gay Liberation after Stonewall. |
| guernica fernando arrabal: Until I Return: The Selected Plays of Ismail Khalidi Ismail Khalidi, 2025-04-24 Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi. With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today. This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East. Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact. |
| guernica fernando arrabal: World Premieres , 1957 |
| guernica fernando arrabal: Videographic Cinema Jonathan Rozenkrantz, 2020-10-01 In 1957, A Face in the Crowd incorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images and imaginaries have emerged, changed and remained over time according to their shifting technical, historical and institutional conditions. Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway (1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention/discovery of the “videographic psyche” by artists, therapists and filmmakers. Spanning six decades, Videographic Cinema discovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. It ends by considering videographic filmmaking itself as a form of archaeology in the age of analogue obsolescence. |
| guernica fernando arrabal: Reception and Renewal in Modern Spanish Theatre, 1939-1963 John London, 1997 The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre. |
| guernica fernando arrabal: Kafkaesque Cinema Angelos Koutsourakis, 2024-05-31 For all its familiarity as a widely used term, e;Kafkaesque cinemae; remains an often-baffling concept that is poorly understood by film scholars. Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and Andre Bazin's suggestion that literary concepts and styles can exceed authors and e;novels from which they emanatee;, this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, Kafkaesque Cinema will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation. |
| guernica fernando arrabal: Who's Who in Contemporary World Theatre Daniel Meyer-Dinkgrafe, 2003-05-20 Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today. |
| guernica fernando arrabal: The Modern Satiric Grotesque and Its Traditions John R. Clark, 1991 |
| guernica fernando arrabal: Gay San Francisco Jack Fritscher, 2006-11 Built on all new information recently unearthed, this stylishly written and illustrated timeline archive of art, sex, obscenity, gender, culture wars, homophobia, pop culture, and the gay mafia, will get 21st-century readers and researchers up to speed fast on the serious fun of who did what to whom when and why. |
| guernica fernando arrabal: ITI World Premieres [technical Data] , 1959 |
| guernica fernando arrabal: Creadores de sombras cine y ETA Santiago de Pablo Contreras, 2017-03-23 Creadores de sombras se centra en el modo en que el cine ha tratado la historia de ETA desde sus orígenes hasta la actualidad. A lo largo de las últimas décadas, más de cincuenta largometrajes cinematográficos han llevado a las pantallas la actividad de este grupo terrorista, tanto por medio de la ficción como del documental. Además, a estas películas estrenadas en pantalla grande hay que sumar más de veinte largometrajes para televisión y vídeo, así como un número aún mayor de cortometrajes. Ello supone un importante corpus audiovisual en torno a ETA, los GAL y otros aspectos de la violencia vasca. No es por tanto -en contra de lo que a veces suele afirmarse, acusando al cine español y al vasco de no atreverse a tratar la trágica realidad reciente de Euskadi-, no es un número pequeño de filmes. En enfoque de este cine se ha modificado con el paso del tiempo, desde las visiones más o menos complacientes de la Transición -cuando todavía muchos veían a ETA como un mero grupo de luchadores contra la dictadura de Franco- hasta la denuncia y la apertura a las víctimas de tiempos recientes. El libro saca a la luz algunas películas casi desconocidas, junto a otras exitosas u objeto de interminables polémicas: Operación Ogro (1979), El proceso de Burgos (1979), La muerte de Mikel (1983), Días contados (1994), Yoyes (2000), La pelota vasca: La piel contra la piedra (2003), Trece entre mil (2005), Todos estamos invitados (2008), Lasa y Zabala (2014) o incluso las referencias a la cuestión vasca en Ocho apellidos vascos (2014). |
Guernica (Picasso) - Wikipedia
Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. [1] [2] It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting …
Guernica, 1937 by Pablo Picasso
Probably Picasso's most famous work, Guernica is certainly his most powerful political statement, painted as an immediate reaction to the Nazi's devastating casual bombing practice on the …
Guernica | Description, History, & Facts | Britannica
Jun 9, 2025 · Guernica, large oil painting by Spanish artist Pablo Picasso named for the Spanish city that German aircraft bombed in 1937. The work received mixed reviews when it was …
格尔尼卡 (绘画) - 维基百科，自由的百科全书
《格尔尼卡》（西班牙語： Guernica ）是巴勃罗·毕加索最著名的绘画作品之一。当时正值西班牙内战，纳粹德国、意大利王国等国家支持弗朗西斯科·佛朗哥领导的西班牙國民軍对抗苏联、 …
Exploring the Symbolism Behind Picasso's Painting 'Guernica'
Dec 31, 2021 · In 1937, Picasso created an anti-war painting called "Guernica." Here we will take a look at this modern art masterpiece. It's one of Picasso's most famous paintings, but do you …
Smarthistory – Pablo Picasso, Guernica
Guernica is his visual response, his memorial to the brutal massacre. After hundreds of sketches, the painting was done in less than a month and then delivered to the Fair’s Spanish Pavilion, …
Picasso’s Guernica – Everything you need to know - Public Delivery
Apr 16, 2025 · In Guernica, the bull is an unofficial national emblem of the Spanish Republic, and bullfighting is an allegory connecting Guernica with an explicitly patriotic meaning. 58 Pablo …
The horrible inspiration behind one of Picasso's great works, 'Guernica …
May 8, 2018 · Painted in the wake of a 1937 fascist bombing, "Guernica" has grown to stand for war atrocities experienced all over the world.
Guernica: Picasso’s 1937 Iconic Anti-War Masterpiece
Dec 4, 2024 · Guernica continues to evoke critical reflections on the cost of violence and advocates for peace. Pablo Picasso's Guernica is a renowned anti-war mural created in …
“Guernica” by Picasso – Denouncement of the Horrors of War
May 18, 2022 · The Guernica by Picasso is a Spanish civil war painting, but why did Picasso paint Guernica in the first place? If you are wondering what the Guernica meaning is, and want to …
Guernica (Picasso) - Wikipedia
Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. [1] [2] It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting …
Guernica, 1937 by Pablo Picasso
Probably Picasso's most famous work, Guernica is certainly his most powerful political statement, painted as an immediate reaction to the Nazi's devastating casual bombing practice on the …
Guernica | Description, History, & Facts | Britannica
Jun 9, 2025 · Guernica, large oil painting by Spanish artist Pablo Picasso named for the Spanish city that German aircraft bombed in 1937. The work received mixed reviews when it was …
格尔尼卡 (绘画) - 维基百科，自由的百科全书
《格尔尼卡》（西班牙語： Guernica ）是巴勃罗·毕加索最著名的绘画作品之一。当时正值西班牙内战，纳粹德国、意大利王国等国家支持弗朗西斯科·佛朗哥领导的西班牙國民軍对抗苏联、 …
Exploring the Symbolism Behind Picasso's Painting 'Guernica'
Dec 31, 2021 · In 1937, Picasso created an anti-war painting called "Guernica." Here we will take a look at this modern art masterpiece. It's one of Picasso's most famous paintings, but do you …
Smarthistory – Pablo Picasso, Guernica
Guernica is his visual response, his memorial to the brutal massacre. After hundreds of sketches, the painting was done in less than a month and then delivered to the Fair’s Spanish Pavilion, …
Picasso’s Guernica – Everything you need to know - Public Delivery
Apr 16, 2025 · In Guernica, the bull is an unofficial national emblem of the Spanish Republic, and bullfighting is an allegory connecting Guernica with an explicitly patriotic meaning. 58 Pablo …
The horrible inspiration behind one of Picasso's great works, 'Guernica …
May 8, 2018 · Painted in the wake of a 1937 fascist bombing, "Guernica" has grown to stand for war atrocities experienced all over the world.
Guernica: Picasso’s 1937 Iconic Anti-War Masterpiece
Dec 4, 2024 · Guernica continues to evoke critical reflections on the cost of violence and advocates for peace. Pablo Picasso's Guernica is a renowned anti-war mural created in …
“Guernica” by Picasso – Denouncement of the Horrors of War
May 18, 2022 · The Guernica by Picasso is a Spanish civil war painting, but why did Picasso paint Guernica in the first place? If you are wondering what the Guernica meaning is, and want to …
