Gil Cuadros City Of God

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  gil cuadros city of god: City of God Gil Cuadros, 1994-11-01 Gil Cuadros published stories and poems in Indivisible, High Risk 2, and Blood Whispers. His work is also on the compact disc, Verdict and the Violence: Poet's Response to the LA Uprising. He was awarded the 1991 Brody Literature Fellowship, and was...
  gil cuadros city of god: City of God Gil Cuadros, 2020-10-20 City of God is an unsparing account of devastation and empowerment in the age of AIDS. From the body’s first mysterious eroticism to its final humiliation and pain, Gil Cuadros gives voice to both the beauty and sorrow of our common fate. His writing cuts like a double-edged sword—at times artful and sharp, at times unfiltered and raw. This is an awesome and haunting book.”—David Trinidad “The sensual, the expressive, the daring, the transformed become the matryrs of every era, every family. Their memoirs, heroics are our most devastating works of art. Gil Cuadros’s story ‘Unprotected’ is a classic of AIDS fiction and deserves a place of honor in the mosaic of American writing.”—Sarah Schulman “In a voice poised between plainspokenness and urgency, Gil Cuadros writes about the remnants of love in a devastated world. The poems and stories in City of God are as dire as they are beautiful, and sharp as a blow to the body.”—Bernard Cooper “I accuse Gil Cuadros of literary seduction in the nth degree … He makes me read on when I want to cry … I do not want to look at his words, and yet I cannot take my eyes away. His images sooth, burn, inspire. I accuse Gil Cuadros of language abuse—his stroke of silk, his pen a bludgeon. I accuse him of heart-bashing.”—Wanda Coleman
  gil cuadros city of god: The Rain God Arturo Islas, 2021-01-19 The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers. — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God. A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future.
  gil cuadros city of god: The Revolt of the Cockroach People Oscar Zeta Acosta, 2013-02-06 The further adventures of “Dr. Gonzo” as he defends the “cucarachas”— the Chicanos of East Los Angeles. One of The Atlantic’s Great American Novels of the Past 100 Years Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's Dr. Gonzo a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of chicken Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.
  gil cuadros city of god: Mestizaje Rafael Pérez-Torres, 2006 Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros, and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge. Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline. Rafael Pérez-Torres is professor of English at the University of California, Los Angeles. He is author of Movements in Chicano Poetry: Against Myths, Against Margins, coauthor of To Alcatraz, Death Row, and Back: Memories of an East LA Outlaw, and coeditor of The Chicano Studies Reader: An Anthology of Aztlán, 1970–2000.
  gil cuadros city of god: The People of Paper Salvador Plascencia, 2006 Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.
  gil cuadros city of god: Nochita Dia Felix, 2014-03-17 A poetic debut novel, formally experimental, by turns hallucinatory, darkly funny and brutally real. Nochita is tender, fierce, and unforgettable. Daughter to a divorced new age guru, Nochita wanders through the cracks of California's counter-culture, half feral child, half absurdist prophet. When tragedy strikes she is sent to live with her father, a working-class cowboy with a fragile grasp on sobriety and a dangerously mean fiancée. Stuck with adults chillingly unable to care for her, Nochita takes to the streets, a runaway with nothing to run from, driven forward by desperation, hope, and an irrepressible wonder. Nochita is a poetic novel dazzling in its detail, stylistically daring, by turns hallucinatory, darkly funny, and brutally real. At its heart is the singular voice of Nochita, tender and fierce, alone and alive and utterly unforgettable. Praise for Nochita: Nochita shimmers with humor and delight, she burns with stark raving intelligence.—Mary Gaitskill In Nochita, Dia Felix builds an extraordinarily rich and inventive language to carry the kaleidoscopic point of view of her young protagonist. What a pleasure to open a book and find such exuberant and committed artistry. A stunning debut.—Janet Fitch There is a way some writers say hello on the first page that gets me excited to be in their conversation. Nochita has it with teeth!! I love this book and the weird strong eye it has on the world, melting clothes off bodies with a crème brulée torch. Nochita is quite the dance to read through, kind of like shaking a bad morning off and realizing you really love this world. Makes me smile, like Dia Felix writes, 'I think I can latch on to this machine now.' BUY THIS BOOK, don’t just stand there reading my fucking blurb!!— CAConrad In the vein of extra-sensitive displaced daughters à la White Oleander, with the crystallized hyper-perception at the center of The Bluest Eye, Nochita is singular, resonant—her pictures get under your skin and stay there; more than lines embedded, here are things you've seen before, numbed and fallen away with the process of becoming adult. Against writers who make a phalanx of accuracy and precision, Felix delivers synesthetic gut-sense in a visual pile-on that picks up and turns over your sense of being human, dirt and M&Ms and kundalini shakti, written by a gifted seer whose inner child is alive and screaming … Nochita brings it down to the roots.—Mila Jaroniec
  gil cuadros city of god: Tropical Town Salomón de la Selva, 1918
  gil cuadros city of god: Drown Junot Díaz, 1997-07-01 From the beloved and award-winning author Junot Díaz, a spellbinding saga of a family’s journey through the New World. A coming-of-age story of unparalleled power, Drown introduced the world to Junot Díaz's exhilarating talents. It also introduced an unforgettable narrator— Yunior, the haunted, brilliant young man who tracks his family’s precarious journey from the barrios of Santo Domingo to the tenements of industrial New Jersey, and their epic passage from hope to loss to something like love. Here is the soulful, unsparing book that made Díaz a literary sensation.
  gil cuadros city of god: We the Animals Justin Torres, 2011 A debut novel that is a brilliant exploration of a close, complicated family and the struggle between brotherhood and becoming an individual
  gil cuadros city of god: Eat the Mouth That Feeds You Carribean Fragoza, 2021-03-30 WINNER OF THE WHITING AWARD PEN AMERICA LITERARY FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature.—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. Eat the Mouth that Feeds You renders the feminine grotesque at its finest.—Myriam Gurba, author of Mean Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction.—Héctor Tobar, author of The Barbarian Nurseries Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force.—Dontaná McPherson-Joseph, The Foreword, *Starred Review . . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons.—Wendy Ortiz, Alta Magazine Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers.—Zoe Ruiz, The Millions This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder.—Kirkus Reviews, *Starred Review Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract.—Publishers Weekly The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut.—Brian Evenson, author of Song for the Unraveling of the World
  gil cuadros city of god: So Far From God Ana Castillo, 2005-06-14 A delightful novel...impossible to resist. —Barbara Kingsolver, Los Angeles Times Book Review Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside.
  gil cuadros city of god: A Good Day for Seppuku Kate Braverman, 2018-02-13 Haunting new stories about girls on the brink of adulthood, women on the verge of breakdowns, and families undone by past deceptions. Kate Braverman is a writer of astonishing versatility and lyricism. Her stories are brilliantly rendered, painfully intimate portraits of individuals who come alive on the page as if illuminated by strobe lighting. With remarkable precision she tracks the restless motions of a mind searching for its reflection in the world—a continuous interrogation of the self that sweeps us along with it, as in a mysterious adventure.—Joyce Carol Oates If fame did not find Braverman when the moment was right, perhaps it will make amends now that the moment is wrong. . . . Braverman excels at flooding readers in images that throb with menace or pleasure, as if descriptive language were a vein into which our most primal fears and desires could be injected.—Katy Waldman, The New Yorker The book feels timeless, think Transparent, sans the trans . . . Kate Braverman, an underground literary icon through decades of razor-sharp writing, returns with a gorgeously observed collection of stories about contemporary Jewish identity. It's profound, realistic, and funny in equal measure.—David Canfield, Entertainment Weekly Braverman daringly, ravishingly, and resoundingly dramatizes the profound consequences of delusions, lies, ignorance, anger, cruelty, poverty, disappointment, conformity, inebriation, and violence with high imagination, sensual precision, cutting humor, and bracing insight.—Donna Seaman, Booklist *Starred review Braverman writes forthright but beautiful sentences. Her details are so vivid that they feel like memories . . . —Publishers Weekly, *Starred/Boxed review Kate Braverman is an original. Reading her is like hitching a ride on a runaway train, always dangerous, always thrilling, always a knockout. Seppuku is all that and more.—Frederick Barthelme, author of There Must Be Some Mistake Braverman is the godmother of literary bad girls and a connoisseur of the shattered beauty glittering in the wreckage of her characters' lives. A Good Day for Seppuku celebrates the Braverman vision, and frames her legacy.—Janet Fitch, author of The Revolution of Marina M. A thirteen-year-old girl must choose between her mother in Beverly Hills or her pot-growing father in the Allegheny Mountains. Dr. Bernie Roth and his wife Chloe reside in a grand hacienda in La Jolla. Their children are in college, and their disappointments are profound. But Bernie has his doctor's bag of elixirs for the regrets of late middle age. Mrs. Barbara Stein, a high school teacher, looks like she'd sacrifice her life for Emily Dickinson's honor. That's camouflage. Mrs. Stein actually spends summers in the Sisyphean search for her prostitute daughter in Los Angeles. These are some of the tales told in Kate Braverman's audacious new story collection. These furious and often hilarious tableaus of American family life remind us of why she has been seducing readers ever since her debut novel Lithium for Medea shook the literary world nearly forty years ago.
  gil cuadros city of god: The Early Modern Hispanic World Kimberly Lynn, Erin Kathleen Rowe, 2017-01-31 Iberia stands at the center of key trends in Atlantic and world histories, largely because Portugal and Spain were the first European kingdoms to 'go global'. The Early Modern Hispanic World engages with new ways of thinking about the early modern Hispanic past, as a field of study that has grown exponentially in recent years. It focuses predominantly on questions of how people understood the rapidly changing world in which they lived - how they defined, visualized, and constructed communities from family and city to kingdom and empire. To do so, it incorporates voices from across the Hispanic World and across disciplines. The volume considers the dynamic relationships between circulation and fixedness, space and place, and how new methodologies are reshaping global history, and Spain's place in it.
  gil cuadros city of god: Down These Mean Streets Piri Thomas, 2016-02-23 Thirty years ago Piri Thomas made literary history with this lacerating, lyrical memoir of his coming of age on the streets of Spanish Harlem. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of drugs, street fighting, and armed robbery--a descent that ended when the twenty-two-year-old Piri was sent to prison for shooting a cop. As he recounts the journey that took him from adolescence in El Barrio to a lock-up in Sing Sing to the freedom that comes of self-acceptance, faith, and inner confidence, Piri Thomas gives us a book that is as exultant as it is harrowing and whose every page bears the irrepressible rhythm of its author's voice. Thirty years after its first appearance, this classic of manhood, marginalization, survival, and transcendence is available in a new edition.
  gil cuadros city of god: Twelve Long Months Brian Malloy, 2010 With the charm and truth he brought to his adult novel The Year of Ice, Malloy delivers a smart, funny work about a straight girl who has fallen hopelessly in love with a gay boy.
  gil cuadros city of god: 6th International Conference on the Conservation of Earthen Architecture The Getty Conservation Institute, 1991-02-28 On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
  gil cuadros city of god: Art from a Fractured Past Cynthia E. Milton, 2014-02-21 Art from a Fractured Past is an interdisciplinary collection examining how Peruvians are representing, and attempting to make sense of, the violence of the 1980s and 1990s through art, including drawings, monuments, fiction, theater, and cinema.
  gil cuadros city of god: We, the Anarchists! Stuart Christie, 2000 At last. A serious examination of the legendary FAI. And hence, by necessity, a history and analysis of the organised anarchist movement in Spain, and its relationship with the wider labor movement. By far the best book on the subject, Christie is ruthless in his examination - from an anarchist perspective - of the theory, and practice of this loose-knit group of anarchist militants. Required reading for everyone who not only wants to understand the history of Spanish anarchism, but for those that might want to see some viable form of anarchist organisation in the 21st century.
  gil cuadros city of god: Impossible Princess Kevin Killian, 2020-12-07 “Whatever his subject matter, Killian maintains full authority—offering up a homoerotic interpretation of Flannery O’Connor’s A Good Man Is Hard to Find and a brilliant imagined history of Hank Williams. Here, under the author’s careful control and easygoing charisma, everything seems up for grabs, and almost anything seems possible.”—Time Out New York Impossible Princess is the third collection of gay short fiction by PEN Award–winning San Francisco–based author Kevin Killian. A member of the “new narrative” circle including Dennis Cooper and Kathy Acker, Killian is a master short story writer, crafting campy and edgy tales that explore the humor and darkness of desire. A former director of Small Press Traffic and a co-editor of Mirage/Periodical, Killian co-wrote Jack Spicer’s biography, Poet Be Like God, and co-edited three Spicer books, including My Vocabulary Did This To Me: Collected Poems. His latest book, Action Kylie, is a collection of poems devoted to Kylie Minogue.
  gil cuadros city of god: Divination on stage Folke Gernert, 2021-02-08 Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
  gil cuadros city of god: AIDS and the Distribution of Crises Jih-Fei Cheng, Alexandra Juhasz, Nishant Shahani, 2020-04-17 AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical, overlapping, and ongoing crises born of global capitalism and colonial, racialized, gendered, and sexual violence. Drawing on their investments in activism, media, anticolonialism, feminism, and queer and trans of color critiques, the scholars, activists, and artists in this volume outline how the neoliberal logic of “crisis” structures how AIDS is aesthetically, institutionally, and politically reproduced and experienced. Among other topics, the authors examine the writing of the history of AIDS; settler colonial narratives and laws impacting risk in Indigenous communities; the early internet regulation of both content and online AIDS activism; the Black gendered and sexual politics of pleasure, desire, and (in)visibility; and how persistent attention to white men has shaped AIDS as intrinsic to multiple, unremarkable crises among people of color and in the Global South. Contributors. Cecilia Aldarondo, Pablo Alvarez, Marlon M. Bailey, Emily Bass, Darius Bost, Ian Bradley-Perrin, Jih-Fei Cheng, Bishnupriya Ghosh, Roger Hallas, Pato Hebert, Jim Hubbard, Andrew J. Jolivette, Julia S. Jordan-Zachery, Alexandra Juhasz, Dredge Byung'chu Kang-Nguyễn, Theodore (Ted) Kerr, Catherine Yuk-ping Lo, Cait McKinney, Viviane Namaste, Elton Naswood, Cindy Patton, Margaret Rhee, Juana María Rodríguez, Sarah Schulman, Nishant Shahani, C. Riley Snorton, Eric A. Stanley, Jessica Whitbread, Quito Ziegler
  gil cuadros city of god: Mexico at the World's Fairs Mauricio Tenorio-Trillo, 2024-06-12 This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
  gil cuadros city of god: Latino Dreams Paul Allatson, 2002-01-01 A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.’s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention—Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz—along with underattended texts from more renowned writers—Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capacities of cultural production. The analysis explores how the selected narratives deploy specific narrative tactics, and a range of literary and other cultural capital, in order to question and reform the U.S.A.’s imaginary coordinates. In these texts, moreover, national imperatives are complicated by recourse to feminist, queer, panethnic, postcolonial, or transnational agendas. Yet the analysis also recognizes instances in which the counter-narrative will is frustrated: the narratives may provide signs of the U.S.A.’s hegemonic resilience in the face of imaginary disavowal.
  gil cuadros city of god: Queer in Aztlán Adelaida R. Del Castillo, Gibrán Güido, 2015 The anthology Queer in Aztlan: Chicano Male Recollections of Consciousness and Coming Out gives readers the opportunity to experience deeply personal narratives from queer Chicanos/Mexicanos, and makes it possible for them to understand and sympathize with the stories' protagonists. It was also a finalist for a 2014 Lambda Award. The book explores issues of queer youth identity, sexuality, masculinity, homophobia, sexism, and violence in Mexican and American culture, presents a complex view of queer Chicanos/Mexicanos, and contests dominant sexual norms. It challenges current scholarship in Chicana/Chicano studies to expand beyond the traditional confines of male sexuality. The seven sections of the book survey the queer experience from a variety of perspectives through reading selections that focus on presence, recollection, embodied self, men of heart, Coatlicue state, and Joteria studies. A unique transnational bibliography gives emphasis to themes on, or by, queer Chicano and Mexicano authors on male sexuality, homoerotic writing, literary criticism, and fiction. Adelaida R. Del Castillo is an associate professor in the Department of Chicana and Chicano Studies at San Diego State University, and from 2007 to 2010 Professor Del Castillo served as the first Chicana chair of the department. Her research interests include Chicana feminisms, the economic survival strategies of working-class women in Mexico City, rights discourse, and postnational notions of citizenship. Gibran Gudo is a doctoral student in the Department of Literature at the University of California, San Diego. In 2010 he organized the 5th Annual Queer People of Color Conference at San Diego State University, and co-organized the National Association for Chicana and Chicano Studies 3rd Joteria Conference. He is a recipient of the Richard P. Geyser Ethics Memorial Scholarship.
  gil cuadros city of god: Blackshirts and Reds Michael Parenti, 2020-09-09 A bold and entertaining exploration of the epic struggles of yesterday and today. Blackshirts & Reds explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology. These terms are often bandied about, but seldom explored in the original and exciting way that has become Michael Parenti's trademark. Parenti shows how rational fascism renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the free-market victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism. Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. A penetrating and persuasive writer with an astonishing array of documentation to implement his attacks. —The Catholic Journalist By portraying the struggle between fascism and Communism in this century as a single conflict, and not a series of discrete encounters, between the insatiable need for new capital on the one hand and the survival of a system under siege on the other, Parenti defines fascism as the weapon of capitalism, not simply an extreme form of it. Fascism is not an aberration, he points out, but a 'rational' and integral component of the system.—Stan Goff, author of Full Spectrum Disorder: The Military in the New American Century Michael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leading progressive political analysts. Author of over 275 published articles and twenty books, his writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as The New York Times and The Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.
  gil cuadros city of god: Punishing Disease Trevor Hoppe, 2018 From the very beginning of the epidemic, AIDS was linked to punishment. Calls to punish people living with HIV—mostly stigmatized minorities—began before doctors had even settled on a name for the disease. Punitive attitudes toward AIDS prompted lawmakers around the country to introduce legislation aimed at criminalizing the behaviors of people living with HIV. Punishing Disease explains how this happened—and its consequences. With the door to criminalizing sickness now open, what other ailments will follow? As lawmakers move to tack on additional diseases such as hepatitis and meningitis to existing law, the question is more than academic.
  gil cuadros city of god: The Autobiography of St. Anthony Mary Claret St. Anthony Mary Claret, 2009 Bares the soul of a saint and reveals the methods which were so successful for him in converting others. From age 5 he was haunted by the thought of the souls about to fall into Hell. This insight fueled his powerful drive to save as many souls as he could.
  gil cuadros city of god: Afro-Latin American Studies Alejandro de la Fuente, George Reid Andrews, 2018-04-26 Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.
  gil cuadros city of god: Our Lady's Juggler Anatole 1844-1924 France, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  gil cuadros city of god: Indivisible Terry Wolverton, Robert Drake, 1991 Bloemlezing homoseksuele literatuur door mannelijke en vrouwelijke auteurs van de Amerikaanse Westkust.
  gil cuadros city of god: Nicaragua James D. Rudolph, 1982 This book is an attempt to treat in a compact and objective manner the dominant social, political, economic, and national security aspects of contemporary Nicaraguan society.
  gil cuadros city of god: The Literary History of Spanish America Alfred Coester, 2023-07-18 From the epic poetry of pre-Columbian civilizations to the contemporary magic realism of Gabriel García Márquez, this book provides a comprehensive survey of the rich and diverse literary traditions of Spanish America. Alfred Coester's insightful analysis and engaging prose make this volume a must-read for anyone interested in the literary history of the Americas. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  gil cuadros city of god: High Risk 2 Amy Scholder, Ira Silverberg, 1994 The original High Risk achieved cult status. Like its predecessor, High Risk 2 is a daring and provocative collection of short fiction, poetry and essays by writers on the cutting-edge of literature. With pieces on AIDS and mortality, urban violence, sex for money, sex for drugs, sex for revenge, and suicide, High Risk 2 offers perverse, profound ways of looking at the world.
  gil cuadros city of god: Barrio-Logos Raúl Homero Villa, 2009-03-06 Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity. Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.
  gil cuadros city of god: Handbook on Body Image Leroy B. Sams, Janet A. Keels, 2013 In this book, the authors present current research in the study of the gender differences, socio-cultural influences and health implications of body image. Topics include muscle dysmorphia as an expression of cultural and social standard influence; a cross-national examination of body image and health behaviours in Jordan and the United States; body image and sexuality in breast cancer survivors; body dissatisfaction among African American, Asian American, and Latina women; mens' body image; eating and body-related disorders among men; mass media's effect on body image and eating disturbances; transferring personal body knowledge in adolescents; body image investment and self-regulation of weight control behaviours; explicit and implicit anti-fat attitudes; feminism and body image; dietary habits, exercise and body image; gender difference modulation in a body-selective region in the brain; body image improvement after cosmetic surgery by evaluating postural changes; body image and quality of life of women with polycystic ovary syndrome; and evaluation of ideal and acceptable body shapes in older adults.
  gil cuadros city of god: When We Were Outlaws Jeanne Córdova, 2011 A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is to the revolution -to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life, she becomes an investigative reporter for the famous, underground L.A. Free Press and finds herself involved with covering the Weather Underground, Angela Davis; exposing neo-Nazi bomber Captain Joe Tomassi, and befriending Emily Harris of the Symbionese Liberation Army. At the same time she is creating what will be the center of her revolutionary lesbian world: her own newsmagazine, The Lesbian Tide, destined to become the voice of the national lesbian feminist movement. By turns provocative and daringly honest, Cordova renders emblematic scenes of the era--ranging from strike protests to utopian music festivals, to underground meetings with radical fugitives--with period detail and evocative characters. For those who came of age in the '70s, and for those who weren't around but still ask 'What was it like?' -Outlaws takes you back to re-live it. It also offers insights about ethics, decision making and strategy, still relevant today. With an introduction by renowned lesbian historian Lillian Faderman, When We Were Outlaws paints a vivid portrait of activism and the search for self-identity, set against the turbulent landscape of multiple struggles for social change that swept hundreds of thousands of Americans into the streets.
  gil cuadros city of god: Goya Francisco Goya, 2002 This book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as the roles assumed by women in late eighteenth- and early nineteenth-century Spain.--BOOK JACKET.
  gil cuadros city of god: Images of Ancient America John L. Sorenson, 1998 Describes and displays many aspects of the civilization that arose in southern Mexico and northern Central America (Mesoamerica) thousands of years ago in order to help readers envision the lives of the people in the Book of Mormon--jacket.
  gil cuadros city of god: The Chicano Studies Reader Chon A. Noriega, Eric Avila, Rafael Prez-torres, Karen Mary Davalos, 2020 An anthology of articles from Aztlán: A Journal of Chicano Studies, published between 1970 and 2019. The fourth edition includes a new section on Chicana/o and Latina/o youth.--
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What Is the Python Global Interpreter Lock (GIL)?
Python's Global Interpreter Lock or GIL, in simple words, is a mutex (or a lock) that allows only one thread to hold the control of the Python interpreter at any one time. In this article you'll learn how …

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Gil - Name Meaning, What does Gil mean? - Think Baby Names
G il as a boys' name is of Greek and Hebrew derivation, and the meaning of the name Gil is "bright promise; young goat; joy". Gil is an alternate spelling of Gilbert (Old French, Old German): from …

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Gil - Name Meaning and Origin
The name Gil is of Hebrew origin and is typically used as a short form of the name Gilbert or Gilad. It means "joy" or "happiness." Gil is a simple and cheerful name that carries a positive and …

Gildan Activewear Inc. (GIL) - Yahoo Finance
Find the latest Gildan Activewear Inc. (GIL) stock quote, history, news and other vital information to help you with your stock trading and investing.

What Is the Python Global Interpreter Lock (GIL)?
Python's Global Interpreter Lock or GIL, in simple words, is a mutex (or a lock) that allows only one thread to hold the control of the Python interpreter at any one time. In this article you'll …

GIL Stock Price | Gildan Activewear Inc. Stock Quote (U.S.: …
May 30, 2025 · Gildan Activewear, Inc. engages in the manufacture and sale of print wear and branded apparel. Its products include activewear, underwear, socks, hosiery, and legwear. …

Gildan Activewear Inc (GIL) Stock Price & News - Google Finance
Get the latest Gildan Activewear Inc (GIL) real-time quote, historical performance, charts, and other financial information to help you make more informed trading and investment decisions.

Gildan Activewear Inc. (GIL) Stock Price, Quote, News & Analysis ...
Jun 6, 2025 · A high-level overview of Gildan Activewear Inc. (GIL) stock. View (GIL) real-time stock price, chart, news, analysis, analyst reviews and more.

Gil - Name Meaning, What does Gil mean? - Think Baby Names
G il as a boys' name is of Greek and Hebrew derivation, and the meaning of the name Gil is "bright promise; young goat; joy". Gil is an alternate spelling of Gilbert (Old French, Old …

GIL Stock Quote Price and Forecast - CNN
View Gildan Activewear Inc. GIL stock quote prices, financial information, real-time forecasts, and company news from CNN.

Gildan Activewear - GIL - Stock Price Today - Zacks
3 days ago · Get the latest Gildan Activewear, Inc GIL detailed stock quotes, stock data, Real-Time ECN, charts, stats and more.

GIL - Gildan Activewear Inc Stock Price and Quote - FINVIZ.com
GIL - Gildan Activewear Inc - Stock screener for investors and traders, financial visualizations.

Gil - Name Meaning and Origin
The name Gil is of Hebrew origin and is typically used as a short form of the name Gilbert or Gilad. It means "joy" or "happiness." Gil is a simple and cheerful name that carries a positive …