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| gace 380: Routledge Revivals: Medieval France (1995) William W. Kibler, Grover A. Zinn, 2017-07-05 First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers. |
| gace 380: Lincolnshire Pedigrees Arthur Roland Maddison, 1906 |
| gace 380: The Publications of the Harleian Society Arthur Roland Maddison, 1906 |
| gace 380: Medieval France William W. Kibler, 1995 Arranged alphabetically, with a brief introduction that clearly defines the scope and purpose of the book. Illustrations include maps, B/W photographs, genealogical tables, and lists of architectural terms. |
| gace 380: Lincolnshire Pedigrees: Supplement Arthur Roland Maddison, 1906 |
| gace 380: Transcript of the Enrollment Books New York (N.Y.). Board of Elections, 1955 |
| gace 380: Water-supply Paper , 1944 |
| gace 380: Critical Mechanics Problems in Systems Design , 1982 |
| gace 380: A Performer's Guide to Medieval Music Ross W. Duffin, 2000 A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music. |
| gace 380: The Index Library , 1930 For list of publications see covers, pt. 28/30, April/June, 1890, p. x; pt. 82, December 1900, p. iii-iv. |
| gace 380: Montgomery of Alamein: Normandy to the Baltic, victory Bernard Law Montgomery Montgomery of Alamein (Viscount), 1974 |
| gace 380: Geological Survey Water-supply Paper , 1950 |
| gace 380: The Encyclopædia Britannica Hugh Chisholm, 1911 |
| gace 380: Engineering and Mining Journal-press , 1922 |
| gace 380: The Lwoo Joseph Pasquale Crazzolara, 1950 |
| gace 380: A Calculation Procedure for Parabolic Flows with Adaptive Grid and Spline Techniques Sumanta Acharya, 1982 |
| gace 380: The Amorous Heart Marilyn Yalom, 2018-01-09 An eminent scholar unearths the captivating history of the two-lobed heart symbol from scripture and tapestry to T-shirts and text messages, shedding light on how we have expressed love since antiquity The symmetrical, exuberant heart is everywhere: it gives shape to candy, pendants, the frothy milk on top of a cappuccino, and much else. How can we explain the ubiquity of what might be the most recognizable symbol in the world? In The Amorous Heart, Marilyn Yalom tracks the heart metaphor and heart iconography across two thousand years, through Christian theology, pagan love poetry, medieval painting, Shakespearean drama, Enlightenment science, and into the present. She argues that the symbol reveals a tension between love as romantic and sexual on the one hand, and as religious and spiritual on the other. Ultimately, the heart symbol is a guide to the astonishing variety of human affections, from the erotic to the chaste and from the unrequited to the conjugal. |
| gace 380: Jazykozpyt František Jílek, 1932 |
| gace 380: The Lwoo: Clans Joseph Pasquale Crazzolara, 1954 |
| gace 380: Commercial Relations of the United States with Foreign Countries United States. Department of Commerce and Labor. Bureau of Statistics, United States. Bureau of Foreign Commerce(1854-1903), 1897 |
| gace 380: The Arts of Disruption Nicolette Zeeman, 2020-07-22 The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities. |
| gace 380: A New Universal Biography, Containing Interesting Accounts John Platts, 1826 |
| gace 380: A New Universal Biography ... of ... Eminent Persons in All Ages and Countries Classed According to Their Various Talents and Pursuits, and Arranged in Chronological Order, Showing the Progress of Men and Things ... to which is Added an Alphabetical Index John PLATTS (Unitarian Minister.), 1826 |
| gace 380: The Discourse of Modernism Timothy J. Reiss, 2018-03-15 Timothy J. Reiss perceives a new mode of discourse emerging in early seventeenth-century Europe; he believes that this form of thought, still our own, may itself soon be giving way. In The Discourse of Modernism, Reiss sets up a theoretical model to describe the process by which one dominant class of discourse is replaced by another. He seeks to demonstrate that each new mode does not constitute a radical break from the past but in fact develops directly from its predecessor. |
| gace 380: A New Universal Biography: Forming the first volume of series III John Platts, 1826 |
| gace 380: A Universal Biography John Platts, 1826 |
| gace 380: Engineering and Mining Journal , 1922 |
| gace 380: Inventaire historique des actes transcrits aux insinuations ecclésiastiques de l'ancien diocèse de Lisieux Léopold-Ferdinand-Désiré Riel, 1892 |
| gace 380: A History of Musical Style Richard L. Crocker, 2014-05-05 Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography. |
| gace 380: The Encyclopædia Britannica: Index Hugh Chisholm, James Louis Garvin, 1926 |
| gace 380: The Encyclopaedia Britannica Hugh Chisholm, 1911 |
| gace 380: Encyclopedia Britannica , 1911 |
| gace 380: The Encyclopaedia Britannica , 1911 |
| gace 380: “A” Transcript of the Registers of the Company of Stationers of London Edward Arber, 1894 |
| gace 380: 1987 Census of Construction Industries: Industry series. 28 parts , 1990 |
| gace 380: The Art of Grafted Song Yolanda Plumley, 2013-10-28 Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning fixed forms of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy. The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages. |
| gace 380: Combatting Illicit Trade in Tobacco Products Stanisław Tosza, John A. E. Vervaele, 2022-02-17 This book focuses on the enforcement aspect of tobacco control policy, and argues that the intense regulation of the tobacco market will never be successful as long as it can be circumvented by the availability of illicit tobacco products. Yet, current efforts to combat illicit tobacco trade are insufficient, suffering from several flaws and gaps at the regulatory and operational levels. The aim of this book is to provide an analysis of the legal framework and practice of enforcement with regard to illicit tobacco products. Combining criminological and legal perspectives, it presents and critically analyses the phenomenon of illicit tobacco trade, as well as the policies, legal frameworks and practices in six EU countries with regard to combatting this phenomenon, assessing the strengths and weaknesses of their approaches. Furthermore, it studies the relationship between the EU and third countries (e.g. Ukraine) in terms of how the EU can influence policy and enforcement in these countries in order to counter illicit tobacco trafficking. Not exclusively focusing on the EU, the book also includes an analysis of enforcement against illicit tobacco products in the US. The EU Member States analysed in the book (Belgium, Germany, Italy, Latvia, the Netherlands and Poland) reflect the range of currently available approaches. Some of them have ratified the WHO Protocol against tobacco smuggling; others have not. They belong to different legal traditions and face different challenges due to their respective border situations. While Belgium and the Netherlands are key entry ports to the EU, Poland and Latvia represent the Eastern land border of the EU, with various regional challenges. Italy has a long maritime border, where trafficking is possible from Northern Africa and from the Middle East. It also has significant experience in fighting organised crime. Lastly, Germany is the largest market in Europe and situated in the middle of these trafficking routes. |
| gace 380: Christine de Pizan 2000 , 2022-09-12 Christine de Pizan (ca. 1364-ca. 1430)—whether read as lyric poet, prose polemicist or historian, feminist or universal moralist—has over the past thirty years become more widely read than any other medieval French author. The attraction of her works continues to grow amongst the general public, as well as among critics and historians of literature, ideas, science and the visual arts, political scientists and philologists, and specialists in feminist theory. Christine intrigues readers by her intellectual paradoxes as much as by her prefiguration of modern attitudes by and toward women. This collection of essays honours Angus J. Kennedy, an illustrious scholar who has greatly contributed to fostering this modern growth in interest. The editors here present a significant sampling of varieties of inquiry on Christine: a broad range of contributors, from around the world, represent different approaches and levels of experience. The volume contains two indexes, and a bibliography structured to serve as an integrated and integral reference source to pertinent primary and secondary materials. This volume thus charts the progress of Christine de Pizan studies at the start of the new millennium. True to the spirit of its honoree, it also aims to serve as a gateway to future research. |
| gace 380: Mémoires de Saint-Simon Louis de Rouvroy Saint-Simon, 1906 |
| gace 380: Supportive Fellow-speakers and Cooperative Conversations Wolfram Bublitz, 1988-01-01 This is a study of a specific type of everyday conversation whose essential hallmark is its participants' attempt to gain agreement and consent when establishing and maintaining a continuous and coherent flow of talk. Basing his analyses on the Survey'-corpus and resorting to an interpretative, reconstructive mode of description, Bublitz focusses on two main phenomena: (a) discourse topic and topical actions (like INTRODUCING and CHANGING A TOPIC or DIGRESSING from it), (b) hearer signals and reactive speaker contributions. The interlocutors' topic-centered and topic-organizing behaviour is shown to be predominantly and systematically oriented towards supporting their fellow-speakers to the extent that it seems to be justified to regard large parts of these conversations as having a monological character'. |
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