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| giovanni battista viotti biography: Amico Warwick Lister, 2009-07-23 This is the first full-length biography in English of Giovanni Battista Viotti (1755-1824), one of the great violinist-composers in the history of music, and arguably the most influential violinist who ever lived. This study is based on extensive documentary research, much of it here revealed for the first time. |
| giovanni battista viotti biography: Giovanni Battista Viotti Massimiliano Sala, 2006 |
| giovanni battista viotti biography: The Violin: A Social History of the World's Most Versatile Instrument David Schoenbaum, 2013 Traces the history of the instrument, from its first appearance in the mid-sixteenth century to its modern use by artists, writers, and Hollywood and discusses how the affordable, portable instrument can be used to play Beethoven, jazz, and indie rock. |
| giovanni battista viotti biography: Musical History, Biography, and Criticism George Hogarth, 1835 |
| giovanni battista viotti biography: From Vivaldi to Viotti Chappell White, 1992 First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company. |
| giovanni battista viotti biography: Biographical Sketches and Anecdotes of Celebrated Violinists Thomas Lamb Phipson, 1877 |
| giovanni battista viotti biography: A General Biographical Dictionary, containing lives of the most eminent persons of all ages and nations ... Illustrated by 240 portraits, etc Edmund BELLCHAMBERS, 1835 |
| giovanni battista viotti biography: Essentials in Music History Thomas Tapper, Percy Goetschius, 1917 |
| giovanni battista viotti biography: Essentials in Music History Thomas Tapper, Percy Goetschius, 2001-09 A presentation of the essential facts in the history of music. The book will appeal to the music-lover as a simple and naturally consecutive recital of the growth of the art of music. But it is also intended for the student, and for the purpose of individual or classroom instruction the book provides sufficient material for one year's work. At the time of original publication in 1914, Thomas Tapper was Lecturer at New York University and at the Institute of Musical Art in New York, and Percy Goetschius was Instructor at the Institute of Musical Art in New York. |
| giovanni battista viotti biography: The Dictionary of Biographical Reference Lawrence Barnett Phillips, 1871 |
| giovanni battista viotti biography: A Complete History of Music, for Schools, Clubs, and Private Readings Winton James Baltzell, 1905 |
| giovanni battista viotti biography: A Complete History of Music for Schools, Clubs, and Private Reading Winton James Baltzell, 1908 |
| giovanni battista viotti biography: A Complete History of Music for Schools, Clubs, and Private Readings Winton James Baltzell, 2020-09-28 When we think of Music we have in mind an organization of musical sounds into something definite, something by design, not by chance, the product of the working of the human mind with musical sounds and their effects upon the human sensibilities. So long as man accepted the various phenomena of musical sounds as isolated facts, there could be no art. But when he began to use them to minister to his pleasure and to study them and their effects, he began to form an art of music. The story of music is the record of a series of attempts on the part of man to make artistic use of the material which the ear accepts as capable of affording pleasure and as useful in expressing the innermost feelings. The raw material of music consists of the sounds considered musical, the human voice, various musical instruments and the use of this material in such ways as to affect the human sensibilities; that is, to make an impression upon the hearer which shall coincide with that of the original maker of the music who gives to his feelings expression in music. We find in music, as in other branches, that man tries to reduce phenomena to order and to definite form. The mass of musical material is vague, incoherent, disorganized. Man seeks to devise ways to use it intelligibly, and to promote esthetic pleasure. If musical sounds are to be combined simultaneously or successively, this combination should be in accordance with design, not haphazard, just as the builder of the house or the temple puts together his material according to a regular plan. Those who have been leaders in the Art of Music have labored in two ways: to extend the limits of expression in music, and to find the means to contain that expression. At one period stress is laid on making music expressive, at another on the medium for conveying expression to others, the latter being comprehended in the term Form. In connection with this statement, the student will do well to remember that every period of great intellectual activity, social or political, reacted upon music and the other arts; to illustrate, we need but refer to the formal, even artificial character of the music of the period preceding the French Revolution and the freedom and vigor imparted by the spirit of Romanticism which followed in the wake of that great political movement, a difference strikingly illustrated in the music of Haydn and Beethoven, Clementi and Schumann. There is also a constant action and reaction of the various racial streams of power such as the Aryan on the Semitic, East upon the West, Latin upon the Teuton, Folk-music upon the Scholastic. |
| giovanni battista viotti biography: A New General Biographical Dictionary Hugh James Rose, 1857 |
| giovanni battista viotti biography: Migrant City Panikos Panayi, 2020-04-07 The first history of London to show how immigrants have built, shaped and made a great success of the capital city London is now a global financial and multicultural hub in which over three hundred languages are spoken. But the history of London has always been a history of immigration. Panikos Panayi explores the rich and vibrant story of London– from its founding two millennia ago by Roman invaders, to Jewish and German immigrants in the Victorian period, to the Windrush generation invited from Caribbean countries in the twentieth century. Panayi shows how migration has been fundamental to London’s economic, social, political and cultural development.“br/> Migrant City sheds light on the various ways in which newcomers have shaped London life, acting as cheap labour, contributing to the success of its financial sector, its curry houses, and its football clubs. London’s economy has long been driven by migrants, from earlier continental financiers and more recent European Union citizens. Without immigration, fueled by globalization, Panayi argues, London would not have become the world city it is today. |
| giovanni battista viotti biography: A General Biographical Dictionary Edmund Bellchambers, 1835 |
| giovanni battista viotti biography: A Complete History of Music W.J Baltzell, 2020-07-22 Reproduction of the original: A Complete History of Music by W.J Baltzell |
| giovanni battista viotti biography: Greene's Biographical Encyclopedia of Composers David Mason Greene, 1985 |
| giovanni battista viotti biography: A New General Biographical Dictionary , 1853 |
| giovanni battista viotti biography: Baker's Biographical Dictionary of Musicians Nicolas Slonimsky, 2001 This 6-volume set of Bakers covers all musical genres, with entries written by a distinguished group of area specialists as well as the original articles of Nicolas Slonimsky. More than 15, 000 biographies span the medieval ages to the present.This work continues the tradition of offering the most comprehensive and authoritative information on the musicians, along with interesting and insightful evaluations of their contributions to the musical world. Bakers remains the most affordable, comprehensive and readable of all music reference works, providing everyone from the student to scholar a one-stop resource for all their music biographical needs. Some of the artists featured include: Louis Armstrong Johann Sebastian Bach The Beatles Ludwig van Beethoven James Brown John Cage Maria Callas Johnny Cash Miles Davis Claude Debussy Marvin Gaye Philip Glass George Frideric Handel Charlie Parker Luciano Pavarotti Arturo Toscanini Tom Waits And many more |
| giovanni battista viotti biography: A Cultural History of the Violin in Nineteenth-Century London Tom Wilder, 2025-03-18 Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders. The nineteenth century saw developments in the composition, performance and reception of classical music that led to an unprecedented shift in how the violin was appreciated, from humble craft object to one of art. A utilitarian tool defined in 1800 by its tonal properties became by century's end an expensive objet d'art, classified almost exclusively in terms of physical, visible properties. In London's vibrant musical life, Cremonese violins acquired special significance and in turn helped shape the beliefs, knowledge and behaviour of the disparate actors connected to the instrument: musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders. By 1880, London had supplanted Paris as the centre of the international violin trade. One firm in particular, W.E. Hill & Sons, emerged as a major presence in both the local musical community and the global violin market. The Hills were makers, restorers, dealers, and connoisseurs. They were also writers, collectors, and melomaniacs deeply implicated in London's instrument auction and exhibition scene. The mutually reinforcing nature of these activities - which they consciously turned to account for commercial reasons - bear witness to events and developments earlier in the century. Their story illuminates this first study of the violin's nineteenth-century journey from simple musical instrument to mystified work of art. |
| giovanni battista viotti biography: Popular History of Music from the Earliest Times Francis J. Weber, 1891 |
| giovanni battista viotti biography: Chamber Music John H. Baron, 2002 |
| giovanni battista viotti biography: A Dictionary of Musicians from the Earliest Ages to the Present Time , 1827 |
| giovanni battista viotti biography: Beeton's Modern European Celebrities. A Biography of Continental Men and Women of Note, Etc Samuel Orchart Beeton, 1874 |
| giovanni battista viotti biography: Treatise on the History & Construction of the Violin Georges Foucher, 1807 |
| giovanni battista viotti biography: A Dictionary of General Biography William Leist Readwin Cates, 1881 |
| giovanni battista viotti biography: A Pocket Hand-book of Biography Henry Frederic Reddall, 1890 |
| giovanni battista viotti biography: The Comprehensive Dictionary of Biography Dictionaries. - Biography, 1860 |
| giovanni battista viotti biography: The Etude , 1913 A monthly journal for the musician, the music student, and all music lovers. |
| giovanni battista viotti biography: Finding-list of Books in the Classes of Biography, History, and Travels Belonging to the Public Library of Indianapolis Indianapolis Public Library, 1890 |
| giovanni battista viotti biography: Modern Music and Musicians: The great composers : critical and biographical sketches Louis Charles Elson, 1918 |
| giovanni battista viotti biography: Modern Music and Musicians for Vocalists: The great composers: critical and biographical sketches , 1918 |
| giovanni battista viotti biography: A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans, 1993 The penultimate volume of the vast project begun some two decades ago, Volume 15, illustrated like its predecessors with bandw portraits and other artwork, provides information on theatre people including singer Catherine Tofts, comedian James Tokely, bearded lady and harpsichordist Barbara Van Beck, proprietor, playwright, and architect John Vanbrugh, theatrical families like the Vaughans and the husband- and-wife thespians John Baptista and Susanna Verbruggen and the dancing Vestres--Gaetan Appoline Balthazar and his illegitimate son Marie Jean Augustin, as well as a host of Wards (some related, some not). Annotation copyright by Book News, Inc., Portland, OR |
| giovanni battista viotti biography: History of Music in Russia from Antiquity to 1800, Volume 2 Nikolai Findeizen, 2008-02-07 In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century. |
| giovanni battista viotti biography: Music – Media – History Matej Santi, Elias Berner, 2021-01-12 Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge). |
| giovanni battista viotti biography: The Biographical Treasury Samuel Maunder, 1873 |
| giovanni battista viotti biography: Catalogue of Books in the Lower Hall of the Boston Public Library in the Classes of History, Biography, Geography, and Travel Boston Public Library, 1892 |
| giovanni battista viotti biography: The Violin Mark Katz, 2006-02-09 The violin was first mentioned in a book in the sixteenth century. An abundant and diverse literature on the instrument has grown since then, and a complete general guide to these materials has not been produced in the modern era. The last, Edward Heron-Allen's De Fidiculis Bibliographia , was published in1894. This book fills that void, organizing and annotating information on the violin from a variety of fields and sources. It provides a comprehensive, though selective, guide to all facets of the instrument. The book is divided into 4 main parts: Reference and General Studies; Acoustics and Construction; Violin Playing, Performance Practice, and Music; and Violinists, Composers, and Violin Teachers. It will serve as a ready reference for students and scholars, and is a welcome addition to the esteemed Routledge Music Bibliography series. |
| giovanni battista viotti biography: Lessons in Musical History John Comfort Fillmore, 1888 |
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