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| gianni russo wives: Hollywood Godfather Gianni Russo, 2019-03-21 Gianni Russo was a handsome twenty-five-year-old mobster with no acting experience when he walked onto the set of The Godfather and entered Hollywood history. He played Carlo Rizzi, the husband of Connie Corleone, who set up her brother Sonny, played by James Caan, for a hit. Russo didn't have to act - he knew the Mob inside and out, from his childhood in Little Italy, to Mafia legend Frank Costello who took him under his wing, to acting as a messenger to New Orleans Mob boss Carlos Marcello during the Kennedy assassination, to having to go on the lam after shooting and killing a member of the Colombian drug cartel in his Vegas club (he was acquitted of murder when the court ruled this as justifiable homicide). Along the way, Russo befriended Frank Sinatra, who became his son's godfather, and Marlon Brando, who mentored his career as an actor after trying to get Francis Ford Coppola to fire him from The Godfather. Russo had passionate affairs with Marilyn Monroe, Liza Minelli and scores of other celebrities. He went on to star in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday and Rush Hour 2, among many other films in which he also acted as producer. Hollywood Godfather is his no-holds-barred account of a life lived on the edge. It is a story filled with violence, glamour, sex - and fun. |
| gianni russo wives: Summary of Gianni Russo & Patrick Picciarelli's Hollywood Godfather Everest Media,, 2022-05-25T22:59:00Z Please note: This is a companion version & not the original book. Sample Book Insights: #1 I owned the hottest club in Las Vegas, called Gianni Russo’s State Street. I was able to attract my celebrity friends, who in turn drew high-rolling tourists and politicians looking for photo ops. The club was a success from the start. #2 I had come a long way from being a crippled, tough New York kid with little formal education and no prospects for the future. I was successful and loving every minute of it. I heard the commotion before I knew what was causing it. Gales of laughter, shouts across the room in greeting, and boisterous applause for my piano player. #3 I was stabbed in the face by a broken champagne bottle between the eyes. I was enraged, but I took care of business and shot the attacker dead. The police were great, professional, and accommodating. #4 I took it easy at home for the next few days, feeling no remorse about the shooting. It was a righteous homicide, in that I had been defending not only myself but anyone else in the club who might have become the victim of further slashings. |
| gianni russo wives: The History of Sex in American Film Jody Pennington, 2007-07-30 Although American films, especially Hollywood fare, are often belittled for their one-dimensional portrayal of sex, a close examination of the history of sex in American motion pictures reveals that American cinema has actually represented sex in myriad ways. A more complete understanding of the ways in which sex has been represented onscreen requires an approach that pays equal attention to cinematic techniques and to the diversity of sexual values and behaviors in American society. It is necessary to frame this discussion within the multiple contradictions of an industry that has both repressed and represented sex with equal fervor over the course of its history; of audiences that have both taken offense at and flocked to films with sexual themes; and a body politic that has regulated the sexual in popular culture even as its discourse has been saturated with sexual images and topics. The History of Sex in American Cinema moves seamlessly between general film and social history to clarify how exactly sex has been expressed cinematically, and how we have responded to those expressions as a culture. In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and by the end of the 1960s Americans were having sex more often, and with more partners, than ever before. There was also now a public debate surrounding sexuality, and one of the loudest and most continually active voices in this debate was that of American film. This work begins with an examination of some of the earliest altercations in what later came to be known as the culture wars, and follows those skirmishes, more often than not provoked by American film, up to the modern day. By looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, The History of Sex in American Film suggests a perspective from which today's culture wars can be better understood. This work combines close readings of many representative films-including Who's Afraid of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A. Confidential, and Closer-with a social and historical account of the most significant changes in American sexual behavior and sexual representation over the past fifty years. |
| gianni russo wives: Hollywood Godfather Gianni Russo, Patrick Picciarelli, 2019-03-12 Hollywood Godfather is Gianni Russo's over-the-top memoir of a real-life mobster-turned-actor who helped make The Godfather a reality, and his story of life on the edge between danger and glamour. Gianni Russo was a handsome 25-year-old mobster with no acting experience when he walked onto the set of The Godfather and entered Hollywood history. He played Carlo Rizzi, the husband of Connie Corleone, who set her brother Sonny—played by James Caan—up for a hit. Russo didn't have to act—he knew the mob inside and out: from his childhood in Little Italy, where Mafia legend Frank Costello took him under his wing, to acting as a messenger for New Orleans mob boss Carlos Marcello during the Kennedy assassination, to having to go on the lam after shooting and killing a member of the Colombian drug cartel in his Vegas club. Along the way, Russo befriended Frank Sinatra, who became his son's godfather, and Marlon Brando, who mentored his career as an actor after trying to get Francis Ford Coppola to fire him from The Godfather. Russo had passionate affairs with Marilyn Monroe, Liza Minelli, and scores of other celebrities. He went on to become a producer and starred in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday and Rush Hour 2, among many other films. Hollywood Godfather is a no-holds-barred account of a life filled with violence, glamour, sex—and fun. |
| gianni russo wives: The Film Appreciation Book Jim Piper, 2014-11-18 This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| gianni russo wives: Women and the Mafia Giovanni Fiandaca, 2007-09-04 The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women. |
| gianni russo wives: Girls, Performance, and Activism Dana Edell, 2021-08-30 Girls, Performance, and Activism offers artists, activists, educators, and scholars a comprehensive analysis, celebration, and critique of the ways in which teenage girls create and perform activist theater. Girls, particularly Black and Latinx teenagers, are using the tools of performance to share their stories, devise new ones, and use the stage to advocate for social change. Interweaving interviews, poetic text, drama, and theory, this book provides readers with a comprehensive understanding of how and why this field erupted and the ways in which girls are using performance to transform themselves and enact change in their communities. As a white woman who has collaboratively created theater with hundreds of girls of color over the past 20 years, Dana Edell offers strategies for engaging with girls across difference through an intersectional lens in order to acknowledge the ways in which race, gender, age, class, ability, and sexuality influence girls’ experiences and relationships with adult collaborators as they work to create meaningful, impactful, and often personal activist performances. This is the go-to handbook for teachers, theater directors, and performance makers who want to create politically engaged work with teenage girls. |
| gianni russo wives: Cullotta Dennis N. Griffin, 2007 From burglary to armed robbery and murder, infamous bad guy Frank Cullotta not only did it all, in Cullotta he admits to it -- and in graphic detail. This no-holds-barred biography chronicles the life of a career criminal who started out as a thug on the streets of Chicago and became a trusted lieutenant in Tony Spilotro's gang of organised lawbreakers in Las Vegas. Cullotta's was a world of high-profile heists, street muscle, and information -- lots of it -- about many of the FBI's most wanted. In the end, that information was his ticket out of crime, as he turned government witness and became one of a handful of mob insiders to enter the Witness Protection Program. |
| gianni russo wives: The Encyclopedia of Racism in American Films Salvador Jimenez Murguía, 2018-04-12 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginalization. Even in the 21st century, the American film industry is not “color blind,” evidenced by films such as Babel (2006), A Better Life, (2011), and 12 Years a Slave (2013). The Encyclopedia of Racism in American Film documents one facet of racism in the film industry, wherein historically underrepresented peoples are misrepresented—through a lack of roles for actors of color, stereotyping, negative associations, and an absence of rich, nuanced characters. Offering insights and analysis from over seventy scholars, critics, and activists, the volume highlights issues such as: Hollywood’s diversity crisis White Savior films Magic Negro tropes The disconnect between screen images and lived realities of African Americans, Latinos, Native Americans, and Asians A companion to the ever-growing field of race studies, this volume opens up a critical dialogue on an always timely issue. The Encyclopedia of Racism in American Film will appeal to scholars of cinema, race and ethnicity studies, and cultural history. |
| gianni russo wives: Wooden Eyes Carlo Ginzburg, 2001 Ginzburg, the preeminent Italian historian of his generation [who] helped create the genre of microhistory (New York Times), ruminates on how perspective affects what we see and understand. 26 illustrations. |
| gianni russo wives: Screen World 2000 John Willis, Barry Monush, 2001 (Screen World). John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own. |
| gianni russo wives: Transpositions Rosi Braidotti, 2006-03-27 This book offers an account of ethical and political subjectivity in contemporary culture. It makes a case for a non-unitary or nomadic conception of the subject, in opposition to the claims of ideologies such as conservatism, liberal individualism and techno-capitalism. Braidotti takes a stand against moral universalism, while offering a vigorous defence of nomadic ethics against the charges of relativism and nihilism. She calls for a new form of ethical accountability that takes Life as the subject, not the object, of enquiry. The nomadic ethical subject negotiates successfully the complex tension between the multiplicity of political forces on the one hand and the sustained commitment to emancipatory politics on the other. |
| gianni russo wives: Tales of My Native Town Gabriele D'Annunzio, 1920 |
| gianni russo wives: Gender and Politics Jane H. Bayes, 2012-07-10 This timely collection offers a fresh look on the impact of gender perspectives in the discipline of political science at the beginning of the 21st century. Jane Bayes combats the Eurocentric focus that has characterised both fields and suggests viable alternatives for the future of the disciplines. |
| gianni russo wives: Video Hound's Golden Movie Retriever, 1991 David J Weiner, Thomson Gale, 1991 |
| gianni russo wives: Port Cities of the Eastern Mediterranean Malte Fuhrmann, 2022-06-30 Eastern Mediterranean port cities, such as Constantinople, Smyrna, and Salonica, have long been sites of fascination. Known for their vibrant and diverse populations, the dynamism of their economic and cultural exchanges, and their form of relatively peaceful co-existence in a turbulent age, many would label them as models of cosmopolitanism. In this study, Malte Fuhrmann examines changes in the histories of space, consumption, and identities in the nineteenth and early twentieth century while the Mediterranean became a zone of influence for European powers. Giving voice to the port cities' forgotten inhabitants, Fuhrmann explores how their urban populations adapted to European practices, how entertainment became a marker of a Europeanized way of life, and consuming beer celebrated innovation, cosmopolitanism and mixed gender sociability. At the same time, these adaptations to a European way of life were modified according to local needs, as was the case for the new quays, streets, and buildings. Revisiting leisure practises as well as the formation of class, gender, and national identities, Fuhrmann offers an alternative view on the relationship between the Islamic World and Europe. |
| gianni russo wives: Bodies That Matter Judith Butler, 2014-09-03 In Bodies That Matter, Judith Butler further develops her distinctive theory of gender by examining the workings of power at the most material dimensions of sex and sexuality. Deepening the inquiries she began in Gender Trouble, Butler offers an original reformulation of the materiality of bodies, examining how the power of heterosexual hegemony forms the matter of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She offers a clarification of the notion of performativity introduced in Gender Trouble and explores the meaning of a citational politics. The text includes readings of Plato, Irigaray, Lacan, and Freud on the formation of materiality and bodily boundaries; Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather; along with a reconsideration of performativity and politics in feminist, queer, and radical democratic theory. |
| gianni russo wives: In the Moment Ben Gazzara, 2005-09 The pioneering actor recalls his own life on and off screen, including his successful relationship with Elia Kazan and his numerous roles in experimental films such as Husbands, Killing of a Chinese Bookie, and Opening Night, among others. Reprint. |
| gianni russo wives: The Hegemony of Heritage Deborah L. Stein, 2018-05-11 A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Hegemony of Heritage makes an original and significant contribution to our understanding of how the relationship of architectural objects and societies to the built environment changes over time. Studying two surviving medieval monuments in southern Rajasthan—the Ambika Temple in Jagat and the Ékalingji Temple Complex in Kailaspuri—the author looks beyond their divergent sectarian affiliations and patronage structures to underscore many aspects of common practice. This book offers new and extremely valuable insights into these important monuments, illuminating the entangled politics of antiquity and revealing whether a monument’s ritual record is affirmed as continuous and hence hoary or dismissed as discontinuous or reinvented through various strategies. The Hegemony of Heritage enriches theoretical constructs with ethnographic description and asks us to reexamine notions such as archive and text through the filter of sculpture and mantra. |
| gianni russo wives: Diversity in Leadership Joy Damousi, Kim Rubenstein, Mary Tomsic, 2014-11-25 While leadership is an over-used term today, how it is defined for women and the contexts in which it emerges remains elusive. Moreover, women are exhorted to exercise leadership, but occupying leadership positions has its challenges. Issues of access, acceptable behaviour and the development of skills to be successful leaders are just some of them. Diversity in Leadership: Australian women, past and presentprovides a new understanding of the historical and contemporary aspects of Indigenous and non-Indigenous women’s leadership in a range of local, national and international contexts. It brings interdisciplinary expertise to the topic from leading scholars in a range of fields and diverse backgrounds. The aims of the essays in the collection document the extent and diverse nature of women’s social and political leadership across various pursuits and endeavours within democratic political structures. |
| gianni russo wives: The Godfather Mario Puzo, Chris Rice, 1998 Don Corleone is the Godfather, head of one of the richest families in New York and a gangster. His favourite son Michael is a lawyer who wants to lead a quiet life, but when Don Corleone is nearly killed by a rival Mafia family, Michael is soon drawn into the family business. |
| gianni russo wives: Dark Continent Mark Mazower, 2009-05-20 An unflinching and intelligent alternative history of the twentieth century that provides a provocative vision of Europe's past, present, and future. [A] splendid book. —The New York Times Book Review Dark Continent provides an alternative history of the twentieth century, one in which the triumph of democracy was anything but a forgone conclusion and fascism and communism provided rival political solutions that battled and sometimes triumphed in an effort to determine the course the continent would take. Mark Mazower strips away myths that have comforted us since World War II, revealing Europe as an entity constantly engaged in a bloody project of self-invention. Here is a history not of inevitable victories and forward marches, but of narrow squeaks and unexpected twists, where townships boast a bronze of Mussolini on horseback one moment, only to melt it down and recast it as a pair of noble partisans the next. |
| gianni russo wives: Gianni Celati Rebecca J. West, 2000-01-01 The first book-length study in any language of Celati's entire body of work, this monograph ranges over a broad landscape of critical thought and creative writing. |
| gianni russo wives: Film Maria Pramaggiore, Tom Wallis, 2008-07-31 Film: A Critical Introduction provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research. |
| gianni russo wives: My Father, My Don Tony Napoli, Charles Messina, 2008 Describes the saga of the Napoli Family and takes readers on a journey, detailing one family's involvement in American organized crime. |
| gianni russo wives: Disney A to Z Dave Smith, 1996 Includes full descriptions of all Donald Duck, Mickey Mouse, Pluto, and Goofy cartoons; the story of Mickey's birth; the Disney Channel Premiere films and Disney television shows; the Disney parks; Disney Academy Awards and Emmy Awards; the Mouseketeers throughout the years; and details of Disney company personnel and primary actors. |
| gianni russo wives: Leonard Maltin's Movie and Video Guide , 2003 |
| gianni russo wives: A Leap from the Method Allan Rich, 2007 A Divorce That Finds You takes the reader, via a unique and dynamic e-mail relationship of two friends, through the pain of a breakup and into the beauty and joy of a new life. As one character aptly says, You get out of a bad life and look at the new and beautiful things you attract to yourself. On another level, the book subtly and gently offers the reader insights into a Science of Mind approach to life and the active participation we each posses in the selection of our own destiny, both on a daily and cosmic scale, whether we recognize it or not. The choice is ours. |
| gianni russo wives: Mafia Brotherhoods Letizia Paoli, 2003-10-23 Relying on previously undisclosed confessions of former mafia members now cooperating with the police, Letizia Paoli provides a clinically accurate portrait of mafia behavior, motivations, and structure in Italy. The mafia, Paoli demonstrates, are essentially multifunctional ritual brotherhoods focused above all on retaining and consolidating their local political power base. A truly interdisciplinary work of history, politics, economics, and sociology, Mafia Brotherhoods reveals in dramatic detail the true face of one of the world's most mythologized criminal organizations. |
| gianni russo wives: Race talk Antonia Lucia Dawes, 2020-07-28 This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Race talk is about language use as an anti-racist practice in multicultural city spaces. The book contends that attention to talk reveals the relations of domination and subordination in heterogeneous, ethnically diverse and multilingual contexts, while also helping us to understand how transcultural solidarity might be expressed. Drawing on original ethnographic research conducted on licensed and unlicensed market stalls in in heterogeneous, ethnically diverse and multilingual contexts, this book examines the centrality of multilingual talk to everyday struggles about difference, positionality and entitlement. In these street markets, Neapolitan street vendors work alongside documented and undocumented migrants from Bangladesh, China, Guinea Conakry, Mali, Nigeria and Senegal as part of an ambivalent, cooperative and unequal quest to survive and prosper. As austerity, anti-immigration politics and urban regeneration projects encroached upon the possibilities of street vending, talk across linguistic, cultural, national and religious boundaries underpinned the collective action of street vendors struggling to keep their markets open. The edginess of their multilingual organisation offered useful insights into the kinds of imaginaries that will be needed to overcome the politics of borders, nationalism and radical incommunicability. |
| gianni russo wives: Aquatic Dermatology G. Angelini, D. Bonamonte, 2012-12-06 Skin diseases caused by aquatic organisms are continually on the increase owing to the great number of people who now converge on the hydrosphere for holidays, sports and professional activities. Aquatic skin diseases are no longer only a seasonal affliction but can be observed at any period, thanks to the tourist boom promoting aquatic holidaymaking throughout the year. This book aims to contribute to the knowledge of some aquatic animals that have only developed a poisonous apparatus to protect themselves and adapt to their environment, as well as of the various clinical pictures induced by different pathogenic mechanisms. Besides the afflictions caused by biotoxins, skin reactions to microscopic organisms present in seawater, freshwater, swimming pools and aquariums are described, together with some non-biotic forms induced by direct contact with salt and freshwater. A better knowledge of the aquatic environment may help people to enjoy this enthralling habitat at lesser risk. |
| gianni russo wives: The Films of Oliver Reed Susan D. Cowie, Tom Johnson, 2011-09-12 From the obscure 1958 Sonja Henie vehicle Hello London to the 2000 Academy Award winner Gladiator, the screen career of dynamic British actor Oliver Reed (1937-1999) is thoroughly documented in this illustrated filmography. Following a concise biography, the authors chronologically list all 96 of Reed's films, among them The Curse of the Werewolf, Oliver!, The Devils, The Three Musketeers and Tommy. Each entry contains extensive cast and production credits, a synopsis, critical commentary and contemporary reviews. Included are forewords by actors Sir Christopher Lee and Ron Moody, and an afterword by Oliver Reed's frequent director Michael Winner. Additional comments by Reed's friends and coworkers Janette Scott, Catherine Feller, William Hobbs, Jennie Linden, Jimmy Sangster and Samantha Eggar provide fascinating and insightful offscreen glimpses of a major cinema icon. |
| gianni russo wives: Leonard Maltin's Movie and Video Guide 2001 Leonard Maltin, 2000-08 The latest version of this bestselling guide has more than 20,000 capsule movie reviews--including over 300 new entries--with ratings and running times. Also featured is information on videos and laser discs and a newly updated Index of leading performers. |
| gianni russo wives: Leonard Maltin's Movie Guide 2006 Leonard Maltin, 2005-08 Offers readers a comprehensive reference to the world of film, including more than eight thousand DVD titles, along with information on performers, ratings, running times, and helpful features. |
| gianni russo wives: Italian Women Artists Carole Collier Frick, National Museum of Women in the Arts (U.S.), 2007 Surveying the women painters, engravers and sculptors working in 16th and 17th century Italy, this text examines their artistic practices and achievements. |
| gianni russo wives: Italian Fascism and Developmental Dictatorship A. James Gregor, 2014-07-14 Political scientists generally have been disposed to treat Italian Fascism--if not generic fascism--as an idiosyncratic episode in the special history of Europe. James Gregor contends, to the contrary, that Italian Fascism has much in common with an inclusive class of developmental revolutionary regimes. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| gianni russo wives: Monthly Film Bulletin , 1963 |
| gianni russo wives: Video Movie Guide 1993 Mick Martin, Marsha Porter, 1992 |
| gianni russo wives: The Godfather Legacy Harlan Lebo, 1997 Featuring production records, credits, reviews, and interviews with many of the principals involved, The Godfather Legacy is a rare and vivid peek into the making of three of the most compelling films in Hollywood history. |
| gianni russo wives: “The” End of Capitalism (as We Knew It) J. K. Gibson-Graham, 2006-03-24 In the mid-1990s, at the height of academic discussion about the inevitability of capitalist globalization, J. K. Gibson-Graham presented a groundbreaking and controversial argument for envisioning alternative economies. This new edition includes an introduction in which the authors address critical responses to The End of Capitalism and outline the economic research and activism they have been engaged in since the book was first published. “Paralyzing problems are banished by this dazzlingly lucid, creative, and practical rethinking of class and economic transformation.” —Meaghan Morris, Lingnan University, Hong Kong “Profoundly imaginative.” —Eve Kosofsky Sedgwick, City University of New York “Filled with insights, it is clearly written and well supported with good examples of actual, deconstructive practices.” —International Journal of Urban and Regional Research J. K. Gibson-Graham is the pen name of Katherine Gibson and Julie Graham, feminist economic geographers who work, respectively, at the Australian National University in Canberra and the University of Massachusetts Amherst. |
Gianni Versace - Wikipedia
Giovanni Maria "Gianni" Versace (Italian: [dʒoˈvanni maˈriːa ˈdʒanni verˈsaːtʃe]; [a] 2 December 1946 – 15 July 1997) was an …
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Jun 10, 2025 · Gianni Versace, Italian fashion designer known for his daring fashions and glamorous lifestyle. He designed throughout …
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Gianni Versace - Wikipedia
Giovanni Maria "Gianni" Versace (Italian: [dʒoˈvanni maˈriːa ˈdʒanni verˈsaːtʃe]; [a] 2 December 1946 – 15 July 1997) was an Italian fashion designer, socialite and businessman.
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Jun 10, 2025 · Gianni Versace, Italian fashion designer known for his daring fashions and glamorous lifestyle. He designed throughout the 1980s and ’90s and built a fashion empire by …
Designer Gianni Versace's Life, Career and Death in Photos
Jul 12, 2023 · Gianni Versace was at the height of his career when serial killer Andrew Cunanan fatally shot him on July 15, 1997, on the steps of Versace's Miami Beach mansion. See his life …
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Jul 10, 2020 · In 1978, Gianni Versace had a vision for a new fashion line and opened his first boutique in Milan. By 1997, he had 130 high-end boutiques around the world — and was a...
Gianni - Wikipedia
Gianni is an Italian name (occasionally a surname), a short form of the Italian Giovanni and a cognate of John meaning God is gracious. Gianni is the most common diminutive of Giovanni …
