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| grout palisca music history: A History of Western Music Donald Jay Grout, 1996 |
| grout palisca music history: A History of Western Music Burkholder, J. Peter, Grout, Donald Jay, 2014-02-28 Combining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Combining thoughtful revisions - particularly to chapters on the twentieth and twenty-first centuries - with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime. |
| grout palisca music history: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| grout palisca music history: A History of Western Music Donald Jay Grout, Claude V. Palisca, 2001-01-01 This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history. |
| grout palisca music history: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics. |
| grout palisca music history: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| grout palisca music history: Music and Culture in the Middle Ages and Beyond Benjamin Brand, David J. Rothenberg, 2016-10-27 It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. |
| grout palisca music history: A Concise History of Western Music Paul Griffiths, 2009 |
| grout palisca music history: Ideas and Styles in the Western Musical Tradition Douglass Seaton, 2010 Ideas and Styles in the Western Musical Tradition, Third Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse the reader in the historical and intellectual contexts of musical styles. In addition, the thoroughly updated and revised third edition: * Includes the most current historiography * Clarifies the interconnections and divisions between musical periods, moving away from -periodization- terms * Offers an updated and comprehensive timeline * Expands the final chapter with additional recent works and more reflection on postmodernism * Features a unique anthology-free design that allows instructors the flexibility to choose their own musical examples (a correlation guide to the major score anthologies is included in the Companion Website) The third edition is also enhanced by a new Companion Website (www.oup.com/us/seaton) with study aids, teaching tips, chapter synopses, review and quiz materials, and listening recommendations. Also included are questions for study and reflection, guidance for research and writing in music history, and hints for pronouncing church Latin, as well as a correlation guide to the major score anthologies. |
| grout palisca music history: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn. |
| grout palisca music history: Women & Music Karin Pendle, 2001-04-22 The second edition of the “milestone” work of history that focuses on female musicians through the ages (College Music Symposium). This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers. |
| grout palisca music history: Inventing the Business of Opera Beth Lise Glixon, Jonathan Glixon, 2007-12 Marco Faustini was among the most active and successful professionals in 17th-century Venetian opera. Through examination of Marco Faustini's documents, Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-17th century Venice. |
| grout palisca music history: Study & Listening Guide for Concise History of Western Music James Peter Burkholder, 1998-01 Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music. |
| grout palisca music history: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| grout palisca music history: The Musician's Guide to Theory and Analysis Jane Piper Clendinning, Elizabeth West Marvin, 2016-06-01 The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike. |
| grout palisca music history: Arts-based Education Tatiana Chemi, Lihong Wang, Xiangyun Du, 2019 Arts-Based Education: China and Its Intersection with the World investigates the field of arts-based educational practices and research. |
| grout palisca music history: A History of Western Music Donald Jay Grout, 1973 Describes and illustrates a wide range of musical styles found in Western culture throughout history and highlights the art and contributions of significant composers. |
| grout palisca music history: World Music Terry E. Miller, Andrew Shahriari, 2013-07-24 Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental first impression of the music, followed by an aural analysis of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including On Your Own Time and Explore More sidebars, and Questions to Consider Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook. |
| grout palisca music history: Music in Jewish history and culture Emanuel Rubin, John H. Baron, 2006 |
| grout palisca music history: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely. |
| grout palisca music history: Charles Ives and the Classical Tradition Geoffrey Block, J. Peter Burkholder, 1996-01-01 Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic. |
| grout palisca music history: Language of the Spirit Jan Swafford, 2017-04-11 A preeminent composer, music scholar, and biographer presents an engaging and accessible introduction to classical music For many of us, classical music is something serious -- something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art. |
| grout palisca music history: The Origins of Music Nils L. Wallin, Bjorn Merker, Steven Brown, 2001-07-27 The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling |
| grout palisca music history: Aquinas Edward Feser, 2009-09 One of the most influential philosophers and theologians in history, St. Thomas Aquinas was the father of modern philosophy of religion, and is infamous for his proofs for God's existence. In this cogent introduction to the great Saint's work, Edward Feser argues that you cannot fully understand Aquinas' philosophy without his theology and vice versa. Covering his thoughts on the soul, natural law, metaphysics, and the interaction of faith and reason, this will prove indispensable for students, experts or the general reader. |
| grout palisca music history: Chemistry , 2019 Chemistry, science, stoichiometry, thermodynamics, organic chemistry. |
| grout palisca music history: A History of Western Music Donald J. Grout, 2001-06 |
| grout palisca music history: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| grout palisca music history: Music in the Baroque (Western Music in Context: A Norton History) Wendy Heller, 2014 Companion to Music in the baroque. |
| grout palisca music history: The History of Classical Music Stuart A. Kallen, 2013-04-12 This volume covers the history of classic music with individual chapters on its medieval and renaissance roots, the baroque era, classical period, romantic era, modern era, and classical music in the new millennium. Informative sidebars, numerous quotations from authoritative sources, annotated bibliographies, and a complete index make this volume a valuable research tool for students. |
| grout palisca music history: Baroque Music John Walter Hill, 2005 John Walter Hill's highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750. |
| grout palisca music history: Socratic Logic 3e Pbk Peter Kreeft, 2010-01-12 Symbolic logic may be superior to classical Aristotelian logic for the sciences, but not for the humanities. This text is designed for do-it-yourselfers as well as classrooms. |
| grout palisca music history: Listen Joseph Kerman, Gary Tomlinson, 2015 Also contains 6-CD set by Joseph Kerman and Gary Tomlinson. |
| grout palisca music history: Listening to Charles Ives James Peter Burkholder, 2021 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure--hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer's diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone. |
| grout palisca music history: The Oresteia of Aeschylus Aeschylus, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| grout palisca music history: Standard Wirebound Manuscript Paper (Green Cover, Pack Of 5) , 1986-02 |
| grout palisca music history: Toward a Materialist Conception of Music History Stephan Hammel, 2024-08-19 This book argues for the relevance, appropriateness, and usefulness of historical materialism to the musicological project. It interrogates the history of encounters between Marxism and music studies — both within and without the Soviet sphere — before staging the missed encounter between classical musicology and Second International Marxism. It concludes with a framework for understanding style history in terms of changes in the forces and relations of musical production. |
| grout palisca music history: Teaching Music History Mary Natvig, 2017-07-05 Unlike their colleagues in music theory and music education, teachers of music history have tended not to commit their pedagogical ideas to print. This collection of essays seeks to help redress the balance, providing advice and guidance to those who teach a college-level music history or music appreciation course, be they a graduate student setting out on their teaching career, or a seasoned professor having to teach outside his or her speciality. Divided into four sections, the book covers the basic music history survey usually taken by music majors; music appreciation and introductory courses aimed at non-majors; special topic courses such as women and music, music for film and American music; and more general issues such as writing, using anthologies, and approaches to teaching in various situations. In addition to these specific areas, broader themes emerge across the essays. These include how to integrate social history and cultural context into music history teaching; the shift away from the 'classical canon'; and how to organize a course taking into consideration time constraints and the need to appeal to students from a diverse range of backgrounds. With contributions from both teachers approaching retirement and those at the start of their careers, this volume provides a spectrum of experience which will prove valuable to all teachers of music history. |
| grout palisca music history: The Concise Oxford History of Music Gerald Abraham, 1979 |
| grout palisca music history: Rock Music Styles Katherine Charlton, 2023 In this edition, A History is intended to be used as the text for a college-level course on the history of rock music. As a teacher and a writer, author's primary concern has been to help students develop an understanding of both the musical and cultural roots of rock music and the ability to hear a direct relationship between those roots and currently popular music-- |
| grout palisca music history: Charles Ives J. Peter Burkholder, 1987-01-01 Looks at how Ives' music changed over the course of his career, identifies the most important influences, and discusses the themes of Ives' work |
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Types of Grout - The Home Depot
May 16, 2025 · Different types of grout have specific uses. Learn how to choose the right type of grout for your shower, floor, backsplash and more.
7 Types of Grout and How to Choose the Right One for the Job
Jul 19, 2023 · Grout is essential for filling the gaps between tiles and sealing out dust, dirt, and moisture. Discover the benefits and drawbacks of these 7 grout types.
Grout - Wikipedia
Grout is a dense substance that flows like a liquid yet hardens upon application, often used to fill gaps or to function as reinforcement in existing structures. [1] .
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Feb 24, 2025 · To grout your tiles, the first thing you need to do is choose and mix your grout. Then, just spread the grout along the tiles, remove the excess, apply a sealant, and you're …
Choosing the Right Grout and Mortar - Lowe's
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How to Grout Tile: Grouting Tips and Techniques - Family …
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Types of Grouting, Advantages, Applications and Process
Grouting is the process of injecting material into cavities or cracks in concrete, masonry structure, soil, rock-mass to increase the structure’s load-bearing capacity refers to grouting and the …
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