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| gerard jones comics: Men of Tomorrow Gerard Jones, 2004 Animated by the stories of some of the last century's most charismatic and conniving artists, writers, and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination. This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation. -The New Yorker. |
| gerard jones comics: Killing Monsters Gerard Jones, 2008-08-04 Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life. |
| gerard jones comics: The Comic Book Heroes Will Jacobs, Gerard Jones, 1985 The first history of modern costumed-hero comic books, from the start of the Silver Age in 1956 up to today. Focusing on DC and Marvel Comics, the story begins with the efforts of DC to revitalize such Golden Age heroes as the Flash, Superman, and Green Lantern in the wake of the anti-comic furor of the early 1950s. The authors cover the science fiction rage of the late 1950s, the birth of the experimental Marvel Comics Group in 1961, the emergence of such classic Marvel characters as the Fantastic Four and Spider-Man, the camp craze set off by the Batman TV show in 1966, and the socially conscious and politically relevant comics of the early 1970s. Later chapters describe the slump of the mid-1970s, as the medium lost touch with its young readers, followed by the comics' resurgence of the 1980s, as many new companies help DC and Marvel to extend the boundaries of the field with innovation, daring, and a new sophistication. Factually thorough and written in a lively, narrative style, this history includes behind-the-scenes glimpses at the men who wrote, drew, and published the comics, the impact of their creations on the fans, and critical assessments of the works themselves. Illustrated throughout with examples of comic book art, The Comic Book Heroes will inform and entertain both the hardcore fan and the casual reader of this most popular of American mediums. |
| gerard jones comics: Honey, I'm Home! Gerard Jones, 1993-03-15 Gerard Jone's Honey, I'm Home! has been widely acclaimed as the premier primer on America's Morality Plays-the TV situation comedies that have chained us to our Barcaloungers ever since Lucy first bawled her way into our hearts. Recalling the best and worst the sitcoms have had to offer, Jones recreates their atmosphere and their times with wisdom and style; paralleling the memory-lane trip is his shrewd and provocative assessment of the sitcom's influence on modern society. From Farther Knows Best to Married...with Children, from the empty calories of The Brady Bunch to the social commentary of All in the Family, Honey, I'm Home! is a connoisseur's guide to the sitcom world-where everybody knows your name, and any problem can be solved in twenty-two minutes, plus commercials. |
| gerard jones comics: Ginny Good Gerard Jones, A novel set in the 60's by a writer who lived through them. |
| gerard jones comics: Winter Adam Gopnik, 2011 Collects the thoughts and perspectives of artists, poets, composers, writers, explorers, and scientists on the season of winter, from reflections on snow and God to the future of northern culture. |
| gerard jones comics: Oktane Gerard Jones, 1997-01-14 The red-hot artist who brought you Cyclops and Phoenix and the writer who brought you Magneto and the Magnetic Men now bring you the hero who offended everybody! He's Oktane, nine friggin' feet of muscle, bad taste, and auto parts, and he's rockin' his way through an America gone stupid! The cult-fave, four-issue series of creator-owned chaos that took shots at white Americans, black Americans, Native Americans, naive Americans, and even America's most sacred institution Las Vegas! Is now collected into one highly flammable trade paperback! |
| gerard jones comics: Men of Tomorrow Gerard Jones, 2006-07-01 In the depths of the Depression, out of the crowded tenements of New York and Cleveland, the comic book superhero leapt into being. Out of a mix of geekiness, science fiction, and outsider yearning, a crew of young men from working-class Jewish neighbourhoods and shady backgrounds created a series of blue-eyed, chisel-nosed crime fighters and adventurers who quickly captured the imaginations of young and old. Within a few years their creations had spawned a new genre that still dominates youth entertainment seventy years later. Gerard Jones draws on exhaustive research to portray how the immigrant experience and an outsider mentality shaped the vision of the make-believe hero, while a bizarre melting-pot of left-wing politics, mob money and the worlds of soft-porn and detective magazines contributed to the publishing world that produced the comics and brought them to millions. He chronicles how the success of the comics provoked a backlash that nearly destroyed the industry in the 1950s, and how later they surged back, inspiring a new generation to transmute pre-war fantasies into art, literature, blockbuster movies and graphic novels. Men of Tomorrow rivetingly demonstrates how the creators of the superheroes established their crucial place in the modern imagination. |
| gerard jones comics: Justice League - Breakdowns Keith Giffen, 2017-02-15 In this epic adventure from the late 1980s, two chapters of the JusticeLeague--Justice League America and Justice League Europe--are at their lowestebb. The JLA's Maxwell Lord has been shot, and both teams have been ordered todisband by the United Nations. And while the teams are in disarray, one of theiroldest foes, Despero, returns with revenge in mind--and it's up to Lobo to teamup with Booster Gold to beat him. But how will these teams ever recover fromthis episode? |
| gerard jones comics: The Ten-Cent Plague David Hajdu, 2008-03-18 In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created--in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in Mad magazine. The story of the rise and fall of those comic books has never been fully told--until The Ten-Cent Plague. David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers. The Ten-Cent Plague radically revises common notions of popular culture, the generation gap, and the divide between high and low art. As he did with the lives of Billy Strayhorn and Duke Ellington (in Lush Life) and Bob Dylan and his circle (in Positively 4th Street), Hajdu brings a place, a time, and a milieu unforgettably back to life. |
| gerard jones comics: The Beaver Papers Will Jacobs, Gerard Jones, 1983 |
| gerard jones comics: Networked Gerard Jones, Mark Badger, 2010 Some alien invasions are loud and bloody-- some are quiet and friendly. The blue-skinned girl named Carabella thinks she's escaping the oppression of her own world, but instead, she's exposing the earth to an invasion so soft and friendly that everyone welcomes it-- until Carabella herself sees what's happening and tries to make someone, anyone see that our websites, our cell phones, and even our shoes (yes, shoes) are being used to steal first the privacy and then the freedow of everyone on earth -- p. [4] of cover. |
| gerard jones comics: House of Slaughter #5 James Tynion IV, Tate Brombal, 2022-02-23 The first arc of House of Slaughter comes to a close as Jace finally enacts his secret plan. As chaos fills the halls and the Order members fight off legions of monsters, will Aaron be able to intervene in the battle between his love and the House? And in those final moments, what will he choose? |
| gerard jones comics: Flash by Mark Waid Book One Mark Waid, 2016-12-13 In 1990, Mark Waid wrote his first Flash story. Under his keen pen, Wally West, who had already been running in the footsteps of the Flashes who came before him, matured into a Flash in his own right. Waid brought a depth of character to The Flash that changed him for good. As a child, Wally visits his Aunt Iris and her distinctly boring fiancé, the perpetually tardy Barry Allen. Things get interesting for Wally, first when he discovers that Barry and The Flash work together, and then when an accident in Barry’s lab gives him powers just like his hero’s! Young Wally is quickly in danger-not only from The Flash’s enemies, but from the side effects of his new powers! This first book in THE FLASH BY MARK WAID series collects THE FLASH #62-68, THE FLASH ANNUAL #4-5, THE FLASH SPECIAL #1 and THE FLASH TV SPECIAL #1. |
| gerard jones comics: Anthrax: Among The Living Rob Zombie, Brian Posehn, Corey Taylor, Brian Azzerello, Gerard Way, Mikey Way, Grant Morrison, Scott Ian, Charlie Benante, Anthrax, Brian Azzarello, Z2 Comics, Rick Remender, Joe Trohman, Frank Bello, 2021-07-06 In 1987, Anthrax unleashed a heavy metal & pop culture touchstone with the release of their historic Among the Living album! Now Anthrax & Z2 invite you to explore the album like never before with this original anthology graphic novel! Each song on the album is given an original story by an amazing creative team, along with extra content and the introduction of the new NOTMAN designed by Greg Nicetero (Walking Dead)! Come on this dark journey into the ‘87 underground in America with these esteemed creators... |
| gerard jones comics: Justice League Europe (1989-) #1 Keith Giffen, J.M. DeMatteis, 2014-03-18 Meet the Justice League of EuropeÑCaptain Atom, Wonder Woman, Flash, Power Girl, Elongated Man, Metamorpho, Animal Man and Rocket Red! Setting up the European branch of the Justice League in Paris gets hairy when civilians storm the embassy! |
| gerard jones comics: The Return of Superman Bob Kahan, 1993 Written by various; Art by various Taking place after the WORLD WITHOUT A SUPERMAN storyline, this book features the first appearance of four new heroes as well as Superman's return from the dead. Looking to fill the void after the Man of Steel's death, four new heroes appear, all bearing the trademark S insignia on their chest and claiming to be Superman. As a cyborg Superman, a teenage Superboy, an extremely violent Superman, and man in a suit of armor all appear on the scene, the world tries to figure out who is for real and who is a hoax. But in the end, it will take the return of the one and only Superman to stop one of these impostors from taking over the world. |
| gerard jones comics: Batman Gerard Jones, 1999 |
| gerard jones comics: Superman and Justice League America Vol. 1 Dan Jurgens, Gerard Jones, 2016 Originally published in single magazine form in JUSTICE LEAGUE SPECTACULAR 1 and JUSTICE LEAGUE OF AMERICA 61-68. |
| gerard jones comics: Men of Tomorrow Gerald Jones, 2005-10-11 Animated by the stories of some of the last century's most charismatic and conniving artists, writers, and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination. This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation. -The New Yorker |
| gerard jones comics: Green Lantern: Kyle Rayner Vol. 1 Ron Marz, Beau Smith, 2017-10-10 From Ron Marz, Darryl Banks and Romeo Tanghal comes GREEN LANTERN: KYLE RAYNER VOL. 1, collecting the classic Green Lantern adventures long out of print! Hal Jordan had been Earth’s Green Lantern—a proud hero in an even prouder tradition. But even heroes have their limits, and when his hometown of Coast City was destroyed by Mongul, Hal Jordan reached his. When the Green Lantern Corps’ creators refused Hal the power to change the past, something inside him snapped. He crossed the line he had sworn he never would, and stripped the Guardians of the Universe and their legendary Green Lantern Corps of every shred of power they had, killing many of them in the process. He became a man consumed with his own rage, and an era of heroism ended. The ring and legend of the Corps, however, would not be extinguished. The lone surviving Guardian has come to Earth and bequeathed the final power ring to a young man named Kyle Rayner. With it, a new chapter in the legacy of Green Lantern has begun. But this time, there’s no one to train the new bearer of the ring, and he must learn to wield it in a trial by fire against some of the DC Universe’s most powerful threats! For the first time ever, this volume collects GREEN LANTERN #48-57, NEW TITANS #116-117 and R.E.B.E.L.S. #1. |
| gerard jones comics: Justice League Keith Giffen, J. M. DeMatteis, 1989 YA. Graphic novel. Features a group of s̀uper-hero team who are the Justice League'. |
| gerard jones comics: A Bintel Brief Liana Finck, 2014-04-15 An evocative, elegiac love letter to New York City and the immigrant culture that continues to make it the most original and influential city in the world. As the nineteenth century gave way to the twentieth, a surge of Jewish immigrants to New York City reshaped indelibly not only the culture of the metropolis but of America itself. Struggling to assimilate to a new world while reconciling it to the old one they had left behind, these men and women shared their most private hopes and fears in a series of letters submitted to A Bintel Brief—Yiddish for A Bundle of Letters—the enormously popular, deeply affecting and often hilarious advice column of the newspaper The Forward. Conceived by Abraham Cahan, editor of The Forward, who answered every letter himself, A Bintel Brief transformed the fortunes of the paper, rapidly making it the most widely read Yiddish-language newspaper in the world. The letters that flooded into A Bintel Brief spoke with unparalleled immediacy to the daily heartbreaks and comedies of their bewildered writers' new lives, capturing the hope, isolation and confusion of assimilation, from intergenerational family politics and judgmental neighbors to crises of faith, unrequited love, runaway husbands, soul-crushing poverty and the difficulty of building an entirely new life from scratch. Drawn from these letters—selected and adapted by Liana Finck and brought to life in her singularly expressive illustrations that combine Art Spiegelman's deft emotionality and the magical spirit of Marc Chagall—A Bintel Brief is a wonderful panorama of a world and its people who, though long gone, are startlingly like ourselves. It is also a platonic love story of sorts between Abraham Cahan and Liana, as they engage in a bittersweet dialogue that explores the pleasures and perils of nostalgia, even as it affirms the necessary forward movement of life. |
| gerard jones comics: Pacesetter George Perez, 2008-01-01 Here we have another excellent issue of PACESETTER: The George Perez Magazine, this issue focuses on George ¿1970¿s art¿ In this issue you have all the things you¿ve come to expect from PACESETTER magazine, lot¿s of rare and never seen artwork, articles, trivia, interviews, news and more. In this issue we have our regular feature written by Bobby Nash and George¿s very lovely wife Carol, but you get a very special feature written by none other than George¿s brother David, so you don¿t want to miss this issue. |
| gerard jones comics: Men of Tomorrow Gerald Jones, 2005-10-11 Animated by the stories of some of the last century's most charismatic and conniving artists, writers, and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination. This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation. -The New Yorker |
| gerard jones comics: Comic Books Shirrel Rhoades, 2008 This book is an insider's guide to how the comic book industry works. You'll learn how comic book superheroes are created and the deeper meanings they represent. You'll follow the development of sequential art storytelling - from caveman wall paintings to modern manga and cinematic techniques. Here you will explore comics in all forms: those flimsy pamphlets we call comic books; thick graphic novels; Japanese manga; and blockbuster movies featuring epic battles between good and evil. But behind it all, you'll discover how comics are an intellectual property business, the real money found in licensed bedsheets and fast-food merchandise, heart-pounding theme park rides and collectible toys, video games, and Hollywood extravaganza featuring such popular superheroes as Spider-Man, Superman, X-Men, and Batman. |
| gerard jones comics: The Horror Comic Never Dies Michael Walton, 2019-02-14 Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises. |
| gerard jones comics: All New, All Different? Allan W. Austin, Patrick L. Hamilton, 2019-11-05 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture. |
| gerard jones comics: A Complete History of American Comic Books Shirrel Rhoades, 2008 This book is an updated history of the American comic book by an industry insider. You'll follow the development of comics from the first appearance of the comic book format in the Platinum Age of the 1930s to the creation of the superhero genre in the Golden Age, to the current period, where comics flourish as graphic novels and blockbuster movies. Along the way you will meet the hustlers, hucksters, hacks, and visionaries who made the American comic book what it is today. It's an exciting journey, filled with mutants, changelings, atomized scientists, gamma-ray accidents, and supernaturally empowered heroes and villains who challenge the imagination and spark the secret identities lurking within us. |
| gerard jones comics: The Contemporary Comic Book Superhero Angela Ndalianis, 2009-05-07 Over the last several decades, comic book superheroes have multiplied and, in the process, become more complicated. In this cutting edge anthology an international roster of contributors offer original research and writing on the contemporary comic book superhero, with occasional journeys into the film and television variation. As superheroes and their stories have grown with the audiences that consume them, their formulas, conventions, and narrative worlds have altered to follow suit, injecting new, unpredictable and more challenging characterizations that engage ravenous readers who increasingly demand more. |
| gerard jones comics: The Superhero Reader Charles Hatfield, Jeet Heer, Kent Worcester, 2013-06-14 With contributions from Will Brooker, Jeffrey A. Brown, Scott Bukatman, John G. Cawelti, Peter Coogan, Jules Feiffer, Charles Hatfield, Henry Jenkins, Robert Jewett and John Shelton Lawrence, Gerard Jones, Geoff Klock, Karin Kukkonen, Andy Medhurst, Adilifu Nama, Walter Ong, Lorrie Palmer, Richard Reynolds, Trina Robbins, Lillian Robinson, Roger B. Rollin, Gloria Steinem, Jennifer Stuller, Fredric Wertham, and Philip Wylie Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture. While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century, they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been published over the years is staggering. Major superhero universes constitute one of the most expansive storytelling canvases ever fashioned. Moreover, characters inhabiting these fictional universes are immensely influential, having achieved iconic recognition around the globe. Their images and adventures have shaped many other media, such as film, videogames, and even prose fiction. The primary aim of this reader is twofold: first, to collect in a single volume a sampling of the most sophisticated commentary on superheroes, and second, to bring into sharper focus the ways in which superheroes connect with larger social, cultural, literary, aesthetic, and historical themes that are of interest to a great many readers both in the academy and beyond. |
| gerard jones comics: Batman Unmasked Will Brooker, 2013-09-20 Over the sixty years of his existence, Batman has encountered an impressive array of cultural icons and has gradually become one himself. This fascinating book examines what Batman means and has meant to the various audiences, groups and communities who have tried to control and interpret him over the decades. Brooker reveals the struggles over Batman's meaning by shining a light on the cultural issues of the day that impacted on the development of the character. They include: patriotic propaganda of the Second World War; the accusation that Batman was corrupting the youth of America by appearing to promote a homosexual lifestyle to the fans of his comics; Batman becoming a camp, pop culture icon through the ABC TV series of the sixties; fans' interpretation of Batman in response to the comics and the Warner Bros. franchise of films. |
| gerard jones comics: Heroines of Comic Books and Literature Maja Bajac-Carter, Norma Jones, Bob Batchelor, 2014-03-14 This edited collection offers a variety of perspectives focusing on representation of women as heroines across printed media. In addition, the book extends the discussion of heroines for the broader audience, which provides a much needed, more nuanced discussion of this topic across American popular culture. Contributors go beyond the expected account of women as mothers, wives, warriors, goddesses, and damsels in distress, to provide innovative analysis that situates heroines within culture, revealing them as tough, self-sufficient, and breaking the bounds of gender expectations in places readers may not have expected. Addressing portrayals from Marvel and DC universe, manga, Jack London’s novels, to real-life heroes of Iraq war, this is an indispensable book for scholars in rhetoric, literature, popular culture, and others interested in women’s issues. |
| gerard jones comics: Our Hero Tom De Haven, 2010-03-02 Since his first appearance in Action Comics Number One, published in late spring of 1938, Superman has represented the essence of American heroism. “Faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound,” the Man of Steel has thrilled audiences across the globe, yet as life-long “Superman Guy” Tom De Haven argues in this highly entertaining book, his story is uniquely American. Created by Jerry Siegel and Joe Shuster in the midst of the Great Depression, Superman is both a transcendent figure and, when posing as his alter-ego, reporter Clark Kent, a humble working-class citizen. An orphan and an immigrant, he shares a personal history with the many Americans who came to this country in search of a better life, and his amazing feats represent the wildest realization of the American dream. As De Haven reveals through behind-the-scenes vignettes, personal anecdotes, and lively interpretations of more than 70 years of comic books, radio programs, TV shows, and Hollywood films, Superman’s legacy seems, like the Man of Steel himself, to be utterly invincible. |
| gerard jones comics: Comic Book Nation Bradford W. Wright, 2003-10-17 A history of comic books from the 1930s to 9/11. |
| gerard jones comics: Death, Disability, and the Superhero José Alaniz, 2014-10-15 The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities—disability studies, death and dying studies, and comics studies—José Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series—some familiar (Superman), some obscure (She-Thing). These genre changes reflected a wider awareness of related body issues in the postwar U.S. as represented by hospice, death with dignity, and disability rights movements. The persistent highlighting of the body's “imperfection” comes to forge a predominant aspect of the superheroic self. Such moves, originally part of the Silver Age strategy to stimulate sympathy, enhance psychological depth, and raise the dramatic stakes, developed further in such later series as The Human Fly, Strikeforce: Morituri, and the landmark graphic novel The Death of Captain Marvel, all examined in this volume. Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond. |
| gerard jones comics: Comics for Film, Games, and Animation Tyler Weaver, 2013-05-07 In recent years, a new market of convergence culture has developed. In this new market, one story, idea, concept, or product can be produced, distributed, appreciated, and understood by customers in a variety of different media. We are at the tipping point of this new convergence culture, and comics is a key area affected by this emerging model. In Comics for Film, Games, and Animation Tyler Weaver teaches you how to integrate comics storytelling into your own work by exploring their past, present, and future. You will explore the creation of the unique mythologies that have endured for more than seventy years, and dig into the nitty gritty of their creation, from pacing and scripting issues to collaboration. Finally, you'll gain a love and appreciation of the medium of comics, so much so that you won't be able to wait to bring that medium into your story toolbox. |
| gerard jones comics: Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960 Nathan Vernon Madison, 2013-01-17 In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's new enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming multiculturalism--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books. |
| gerard jones comics: Saving the World Lynnette Porter, Lynette Porter, David Lavery, 2010-12-14 Essays, analysis and exploration of hit TV show Heroes, from experts in the field of TV analysis. |
| gerard jones comics: Understanding Superhero Comic Books Alex Grand, 2023-06-13 This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes; the collaborative design of the Marvel Universe by Jack Kirby, Stan Lee, and Steve Ditko; Jim Starlin's incorporation of the death of superheroes in comic books; John Byrne and the revitalization of superheroes in the modern age; and Alan Moore's deconstruction of superheroes. |
Gerard Butler - IMDb
Gerard Butler. Actor: 300. Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of Irish origin. Gerard spent some of his very early …
Gerard - Wikipedia
Gerard is a masculine forename of Proto-Germanic origin, [1] variations of which exist in many Germanic and Romance languages. Like many other early Germanic names , it is dithematic, …
Meaning, origin and history of the name Gerard
Dec 1, 2024 · Derived from the Old German element ger meaning "spear" combined with hart meaning "hard, firm, brave, hardy". This name was borne by saints from Belgium, Germany, …
Gerard - Meaning of Gerard, What does Gerard mean?
Gerard is an English variant of the name Garret (English and Irish). Gerard is also an English and French variant of the name Gerald (English and German). The name Gerharde (German) is the …
Gerard - Meaning of Name Gerard - Pronounce Gerard Irish Boy …
Meaning of the name Gerard. Listen and learn how to pronounce Gerard so you can get the correct pronunciation for this boy name. MEANING: Means “”brave with a spear”” or “”spear …
Gerard: meaning, origin, and significance explained
Gerard is a popular male name of English origin that carries a powerful and courageous meaning. The name Gerard is derived from the Old English elements “ger” which means “spear” and …
Gerard Name Meaning, Origin, History, And Popularity
May 7, 2024 · Gerard is a masculine name used in English, Dutch, Catalan, and Polish cultures. Historians outline it as a derivative of the German elements ger and hart, implying ‘spear’ and …
Gerard - Name Meaning, What does Gerard mean? - Think Baby Names
Gerard as a boys' name is pronounced je-RARD. It is of Old German origin, and the meaning of Gerard is "spear brave". From gâr, gêr "spear" and hard "brave, hardy, strong". Closely related …
Gerard Butler Made People ‘Cower’ on 'How To Train Your ...
2 days ago · Gerard Butler reprises his 'How to Train Your Dragon' role of Stoick the Vast in the 2025 live-action remake. Mason Thames, who stars as Hiccup in the remake, discusses …
Dean DeBlois & Gerard Butler on How to Train Your Dragon and ...
1 day ago · DeBlois also got a key cast member to return – Gerard Butler as Hiccup’s gung-ho father Stoick the Vast. Butler ultimately came back but it was touch-and-go there for a little while.
Gerard Butler - IMDb
Gerard Butler. Actor: 300. Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of …
Gerard - Wikipedia
Gerard is a masculine forename of Proto-Germanic origin, [1] variations of which exist in many Germanic and Romance languages. …
Meaning, origin and history of the name Gerard
Dec 1, 2024 · Derived from the Old German element ger meaning "spear" combined with hart meaning "hard, firm, brave, hardy". This …
Gerard - Meaning of Gerard, What does Gerard mean?
Gerard is an English variant of the name Garret (English and Irish). Gerard is also an English and French variant of the name Gerald …
Gerard - Meaning of Name Gerard - Pronounce Gerard Irish Boy Name
Meaning of the name Gerard. Listen and learn how to pronounce Gerard so you can get the correct pronunciation for this boy name. …
