Advertisement
| genre contemporary: Contemporary Fiction: A Very Short Introduction Robert Eaglestone, 2013-07-25 Contemporary fiction is a wide and diverse field, now global in dimension, with an enormous range of novels and writers that continues to grow at a fantastic speed. In this Very Short Introduction, Robert Eaglestone provides a clear and engaging exploration of the major themes, patterns, and debates of contemporary fiction. From genre, form, and experimentalism to the legacies of modernism and postmodernism, the relationship between globalization and terrorism, and the impact of technology, Eaglestone examines how works both reflect the world in which we live and the artistic concerns of writers and readers alike. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| genre contemporary: Rethinking Genre in Contemporary Global Cinema Silvia Dibeltulo, Ciara Barrett, 2018-08-02 Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts. |
| genre contemporary: Genre Worlds Beth Driscoll, Lisa Fletcher, Kim Wilkins, 2022-04-29 Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts. |
| genre contemporary: The Poetics of Genre in the Contemporary Novel Tim Lanzendörfer, 2015-11-19 The Poetics of Genre in the Contemporary Novel studies the importance, the uses, and the changes in the work of genre in the contemporary novel. By looking at both the current interest in popular genres in literary writing, as well as at the currently ongoing changes to traditional genres, this book develops a broader perspective that suggests the value of genre criticism. |
| genre contemporary: Like a Knife Andrew F. Jones, 1992 The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have been instrumental to the cultural and political struggles that culminated in the Tienanmen democracy movement of 1989. It also examines the links between popular music and contemporary debates about cultural identity and modernization, as well as the close connections between rock music, youth culture, and student protest. |
| genre contemporary: The Contemporary Femme Fatale Katherine Farrimond, 2017-07-06 The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency. The films discussed raise questions about the limits and potential of positioning women who meet highly normative standards of beauty as powerful icons of female agency. They point towards the constant shifting between patriarchal appropriation and feminist recuperation that inevitably accompanies such representations within mainstream media contexts. |
| genre contemporary: Modern Genre Theory David Duff, 2014-09-11 Since Aristotle, genre has been one of the fundamental concepts of literary theory, and much of the world's literature and criticism has been shaped by ideas about the nature, function and value of literary genres. Modern developments in critical theory, however, prompted in part by the iconoclastic practices of modern writers and the emergence of new media such as film and television, have put in question traditional categories, and challenged the assumptions on which earlier genre theory was based. This has led not just to a reinterpretation of individual genres and the development of new classifications, but also to a radically new understanding of such key topics as the mixing and evolution of genres, generic hierarchies and genre-systems, the politics and sociology of genres, and the relations between genre and gender. This anthology, the first of its kind in English, charts these fascinating developments. Through judicious selections from major twentieth-century genre theorists including Yury Tynyanov, Vladimir Propp, Mikhail Bakhtin, Hans Robert Jauss, Rosalie Colie, Fredric Jameson, Tzvetan Todorov, Gérard Genette and Jacques Derrida, it demonstrates the central role that notions of genre have played in Russian Formalism, structuralism and post-structuralism, reception theory, and various modes of historical criticism. Each essay is accompanied by a detailed headnote, and the volume opens with a lucid introduction emphasising the international and interdisciplinary character of modern debates about genre. Also included are an annotated bibliography and a glossary of key terms, making this an indispensable resource for students and anyone interested in genre studies or literary theory. |
| genre contemporary: Genre, Authorship and Contemporary Women Filmmakers Katarzyna Paszkiewicz, 2018-06-06 Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard. |
| genre contemporary: Meaning-Making in the Contemporary Congregational Song Genre Daniel Thornton, 2020-10-06 This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures. |
| genre contemporary: Genre in a Changing World Charles Bazerman, Adair Bonini, 2009-09-16 Genre studies and genre approaches to literacy instruction continue to develop in many regions and from a widening variety of approaches. Genre has provided a key to understanding the varying literacy cultures of regions, disciplines, professions, and educational settings. GENRE IN A CHANGING WORLD provides a wide-ranging sampler of the remarkable variety of current work. The twenty-four chapters in this volume, reflecting the work of scholars in Europe, Australasia, and North and South America, were selected from the over 400 presentations at SIGET IV (the Fourth International Symposium on Genre Studies) held on the campus of UNISUL in Tubarão, Santa Catarina, Brazil in August 2007—the largest gathering on genre to that date. The chapters also represent a wide variety of approaches, including rhetoric, Systemic Functional Linguistics, media and critical cultural studies, sociology, phenomenology, enunciation theory, the Geneva school of educational sequences, cognitive psychology, relevance theory, sociocultural psychology, activity theory, Gestalt psychology, and schema theory. Sections are devoted to theoretical issues, studies of genres in the professions, studies of genre and media, teaching and learning genre, and writing across the curriculum. The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work. |
| genre contemporary: The Fourth Genre Robert L. Root, Michael Steinberg, 2012 This best-selling anthology is a comprehensive and indispensable introduction to the way creative nonfiction is written today. The Fourth Genre offers the most comprehensive, teachable, and current introduction available today to the cutting-edge, evolving genre of creative nonfiction. While acknowledging the literary impulse of nonfiction to be a fourth genre equivalent to poetry, fiction, and drama, this text focuses on subgenres of the nonfiction form, including memoir, nature writing, personal essays, literary journalism, cultural criticism, and travel writing. This anthology was the first to draw on the common ground of the practicing writer and the practical scholar and to make the pedagogical connections between creative writing practice and composition theory, bridging some of the gaps between the teaching of composition, creative writing, and literature in English departments. |
| genre contemporary: The Far Edges of the Fourth Genre Sean Prentiss, Joe Wilkins, 2014-03-01 Though creative nonfiction has been around since Montaigne, St. Augustine, and Seneca, we’ve only just begun to ask how this genre works, why it functions the way it does, and where its borders reside. But for each question we ask, another five or ten questions roil to the surface. And each of these questions, it seems, requires a more convoluted series of answers. What’s more, the questions students of creative nonfiction are drawn to during class discussions, the ones they argue the longest and loudest, are the same ideas debated by their professors in the hallways and at the corner bar. In this collection, sixteen essential contemporary creative nonfiction writers reflect on whatever far, dark edge of the genre they find themselves most drawn to. The result is this fascinating anthology that wonders at the historical and contemporary borderlands between fiction and nonfiction; the illusion of time on the page; the mythology of memory; poetry, process, and the use of received forms; the impact of technology on our writerly lives; immersive research and the power of witness; a chronology and collage; and what we write and why we write. Contributors: Nancer Ballard, H. Lee Barnes, Kim Barnes, Mary Clearman Blew, Joy Castro, Robin Hemley, Judith Kitchen, Brenda Miller, Ander Monson, Dinty W. Moore, Sean Prentiss, Lia Purpura, Erik Reece, Jonathan Rovner, Bob Shacochis, and Joe Wilkins. |
| genre contemporary: Runaway Genres Yogita Goyal, 2019-10-29 Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal’s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature. |
| genre contemporary: Masculinity in the Contemporary Romantic Comedy John Alberti, 2013-09-11 This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current crises in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender. |
| genre contemporary: Contemporary Fairy-Tale Magic , 2020-01-13 Contemporary Fairy-Tale Magic, edited by Lydia Brugué and Auba Llompart, studies the impact of fairy tales on contemporary cultures from an interdisciplinary perspective, with special emphasis on how literature and film are retelling classic fairy tales for modern audiences. We are currently witnessing a resurgence of fairy tales and fairy-tale characters and motifs in art and popular culture, as well as an increasing and renewed interest in reinventing and subverting these narratives to adapt them to the expectations and needs of the contemporary public. The collected essays also observe how the influence of academic disciplines like Gender Studies and current literary and cinematic trends play an important part in the revision of fairy-tale plots, characters and themes. |
| genre contemporary: American Sky Fred Tribuzzo, 2014-04-15 American Sky is the story of a young man going to work for a father and a son, learning to start a Lycoming engine on a hot summer day. In American Sky, events and people shift in time, and experiences blossom unexpectedly. Yet the influence of a mentor remains a visible, poignant anchor. |
| genre contemporary: Genre and Contemporary Hollywood Steve Neale, 2019-07-25 This wide-ranging text is one of the first to look in detail at some of the principal genres, cycles and trends in Hollywood's output during the last two decades. It includes analysis of such films as Sense and Sensibility, Grifters, The Mask, When Harry Met Sally, Pocahontas, Titanic, Basic Instinct, Coppola's Dracula, and Malcolm X. |
| genre contemporary: The Fourth Genre Robert L. Root, Michael Steinberg, 2002 An anthology of personal essays and memoirs, literary journalism, and academic/cultural criticism. Designed for use in a classroom, the first half of the 62 essays is a sampler of contemporary creative nonfiction, while the second part discusses theories about the nature of creative nonfiction and t |
| genre contemporary: Musical Style and Genre Marina Lobanova, 2000 First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
| genre contemporary: Contemporary Western John White, 2019-05-03 In this book, John White explores how films such as Open Range, True Grit and Jane Got a Gun reinforce a conservative myth of America exceptionalism; endorsing the use of extreme force in dealing with enemies and highlighting the importance of defending the homeland. |
| genre contemporary: Thinking Outside the Box Gary R. Edgerton, 2008-11-07 From the Western and the sitcom to the game show and the reality series, genre has been at the center of television's identity since programming began in the 1940s. Thinking Outside the Box: A Contemporary Television Genre Reader brings together some of the best and most challenging scholarship about television genres, exploring their beginnings, their development, and their shaping by creators, networks, and viewers. While television genre was seen as static in the scholarship of the 1980s, Thinking Outside the Box explores the malleable and reflective nature of various TV programs. The book begins with a historical and theoretical overview of television genres and examines their influences on a national popular culture. The authors analyze less-studied genres such as cartoons, soap operas, and talk shows, locating their place and critical importance in American society. Thinking Outside the Box also examines the ways in which television genres have begun to blend together in recent years. Shows such as American Idol, The Osbournes, Fear Factor, and Trading Spaces are all examples of hybrid programming that illustrate the intuitive nature of genre and how its formulas succeed within mainstream television. The book closes with an investigation of American television's reach into foreign countries and its impact on the patterns of various genres worldwide. Thinking Outside the Box is an essential resource for understanding television's past and future. It is the first book to focus on genre as a significant process in the development of the TV industry and includes an epilogue that serves as a convenient bibliographic guide to further study. Instead of treating genre as a trivial categorization of various programs, Thinking Outside the Box makes a strong case for genre as essential to media-studies scholarship. Identifying historical continuities and envisioning trends, this is the richest and most up-to-date study of how television genres form, operate, and change. |
| genre contemporary: Vulgar Genres Steven Ruszczycky, 2022-01-11 Vulgar Genres examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium. Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life. |
| genre contemporary: Genre Screenwriting Stephen V. Duncan, 2014-09-18 It's simple: films need to have commercial value for the studios to produce them, distributors to sell them, and theater chains to screen them. While talent definitely plays a part in the writing process, it can be the well-executed formulaic approaches to the popular genres that will first get you noticed in the industry. Genre Screenwriting: How to Write Popular Screenplays That Sell does not attempt to probe in the deepest psyche of screenwriters and directors of famous or seminal films, nor does it attempt to analyze the deep theoretic machinations of films. Duncan's simple goal is to give the reader, the screenwriter, a practical guide to writing each popular film genre. Employing methods as diverse as using fairy tales to illustrate the 'how to' process for each popular genre, and discussing these popular genres in modern television and its relation to its big screen counterpart, Duncan provides a one-stop shop for novices and professionals alike. |
| genre contemporary: Banding Together Jennifer C. Lena, 2012-02-12 Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological, and aesthetic traits among contemporary genres? Do genres follow patterns in their development? Lena discovers four dominant forms--Avant-garde, Scene-based, Industry-based, and Traditionalist--and two dominant trajectories that describe how American pop music genres develop. Outside the United States there exists a fifth form: the Government-purposed genre, which she examines in the music of China, Serbia, Nigeria, and Chile. Offering a rare analysis of how music communities operate, she looks at the shared obstacles and opportunities creative people face and reveals the ways in which people collaborate around ideas, artworks, individuals, and organizations that support their work. |
| genre contemporary: There You'll Find Me Jenny B. Jones, 2011-10-04 In a small cottage house in rural Ireland, Finley is forced to face a past she can't outrun. When Finley books her trip to the Emerald Isle as a foreign exchange student, she hopes to create a new identity and get some answers from God. After all, since her brother's recent death, God seems to have forgotten she even exists. Now all she wants to do is let her heart heal, see the sights in her brother's favorite country, and work on her college audition piece for a prestigious music conservatory. She plans to use her brother's journal from his time as Ireland as her guide, yet from the moment she boards the plane and sits next to Beckett Rush, teen star of the hottest vampire flicks, nothing goes according to her well-ordered plan. The peace and beauty of the Irish village are no match for the chaos that soon becomes her life. When she gets roped into working as Beckett Rush's personal assistant, she finds this famous wild child is not quite what he seems. And as she grows closer to the mysterious actor, her own secrets refuse to stay put. As things begin to unravel, Finley takes desperate measures to control her own life and fill the empty spaces her brother left behind. When it all comes crashing down, Finley must discover how to give her past to God . . . if there's to be any hope in her future. |
| genre contemporary: Genre Imagery in Early Modern Northern Europe ArthurJ. DiFuria, 2017-07-05 Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a more expansive array of accessible meanings in genre's deft grafting of everyday scenarios with a rich complex of experiential, cultural, political, and religious references. Authors deploy a variety of approaches to detail genre's multivalent relations to older, more established pictorial and literary categories, the interplay between the meaning of the everyday and its translation into images, and the multifaceted concerns genre addressed for its rapidly expanding, unprecedentedly diverse audience. |
| genre contemporary: Room Emma Donoghue, 2017-05-07 Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room. |
| genre contemporary: Genre Anis S. Bawarshi, Mary Jo Reiff, 2010-03-08 GENRE: AN INTRODUCTION TO HISTORY, THEORY, RESEARCH, AND PEDAGOGY provides a critical overview of the rich body of scholarship that has informed a “genre turn” in Rhetoric and Composition, including a range of interdisciplinary perspectives from rhetorical theory, applied linguistics, sociology, philosophy, cognitive psychology, and literary theory. |
| genre contemporary: The Television Genre Book Glen Creeber, 2009-02-15 Genre is central to understanding the industrial context and the visual form of television. This new edition of a key textbook brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of television genre. The Television Genre Book is structured in eleven sections which introduce the concept of ‘genre’ itself and how it has been understood in television studies, and then address in turn key televisual genres: drama, soap opera, comedy, news, documentary, reality television, children’s television, animation, prime time and day time. The discussion is illustrated throughout with case studies of classic and contemporary programming from each genre, ranging from The Sopranos to Bleak House and from Monty Python’s Flying Circus to South Park. The second edition includes selected guides to further reading and a full bibliography. |
| genre contemporary: We Met in December Rosie Curtis, 2019-09-05 Prepare to fall head over heels. The perfect book for fans of Josie Silver, This Time Next Year, and anyone who ever fell in love with the wrong person... ‘Gorgeously festive and romantic’ Rosie Walsh, bestselling author of The Man Who Didn’t Call |
| genre contemporary: Why Poetry Matthew Zapruder, 2017-08-15 An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone. |
| genre contemporary: The Comic Book Film Adaptation Liam Burke, 2015-03-31 In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics. |
| genre contemporary: Contemporary Russian Satire Karen L. Ryan-Hayes, 2006-04-27 This wide-ranging study presents an examination of the extraordinary diversity and range of satirical writing in contemporary Russian literature. Through the close analysis of seminal satirical texts written by five Russian and emigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. The author focuses on different subgenres of satire and offers practical criticism on each text. |
| genre contemporary: Come Back to Me (Waters of Time Book #1) Jody Hedlund, 2021-06-01 The ultimate cure that could heal any disease? Crazy. That's exactly what research scientist Marian Creighton has always believed about her father's quest, even if it does stem from a desire to save her sister Ellen from the genetic disease that stole their mother from them. But when her father falls into a coma after drinking a vial of holy water believed to contain traces of residue from the Tree of Life, Marian must question all of her assumptions. He's left behind tantalizing clues that suggest he's crossed back in time. Insane. Until Marian tests his theories and finds herself in the Middle Ages during a dangerous peasant uprising. William Durham, a valiant knight comes to Marian's rescue and offers her protection . . . as his wife. The longer Marian stays in the past, the more she cares about William. Can she ever find her father and make it back to the present to heal her sister? And when the time comes to leave, will she want to? Bestselling author Jody Hedlund is your guide down the twisting waters of time to a volatile era of superstition, revolts, and chivalry in this suspenseful story. |
| genre contemporary: The Dynamics of Genre Dallas Liddle, 2009-01-05 The poet's tale : literature, journalism, and genre in 1855 -- The authoress's tale : the triumph of journalism in Harriet Martineau's Autobiography -- The editor's tale : Anthony Trollope and the historiography of the mid-Victorian press -- The reviewer's tale : George Eliot and the end(s) of journalistic apprenticeship -- The clergyman's tale : sensation fiction and the anatomy of a nine days' wonder--The scholars' tales : theories of journalism and the practice of literary history -- Epilogue : the tale of the owls : literature, journalism, and genre after 1865. |
| genre contemporary: Australian Genre Film Kelly McWilliam, Mark David Ryan, 2021-04-26 Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. |
| genre contemporary: Film Genre Barry Langford, 2005 This book provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked. |
| genre contemporary: Heat and Alterity in Contemporary Dance Ananya Chatterjea, 2020-10-28 This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice. Winner of the 2022 Oscar G. Brockett Prize for Dance Research |
| genre contemporary: The Nonfictionist's Guide Robert L. Root, 2008 This book explores the elements of contemporary creative nonfiction and discusses the use of experimental forms, the effects of present and past tense and experiential and reflective voices, and the issue of truth. The book also offers nonfiction writers suggestions about composing strategies and craft issues. |
| genre contemporary: Routledge International Handbook of the Sociology of Art and Culture Laurie Hanquinet, Mike Savage, 2015-09-16 The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest. |
GENRE Definition & Meaning - Merriam-Webster
The meaning of GENRE is a category of artistic, musical, or literary composition characterized by a particular style, form, or content. How to use genre in a sentence. Did you know?
List of genres - Wikipedia
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.
GENRE | English meaning - Cambridge Dictionary
GENRE definition: 1. a style, especially in the arts, that involves a particular set of characteristics: 2. produced…. Learn more.
Genre - Examples and Definition of Genre in Literature - Literary …
As a literary device, genre refers to a form, class, or type of literary work. The primary genres in literature are poetry, drama / play, essay, short story, and novel.
What is a Genre? Definition, Examples of Genres in Literature
Define genre in literature: Genre is the classification and organization of literary works into the following categories: poetry, drama, prose, fiction, and nonfiction. The works are divided based …
What is a Genre? || Definition & Examples | College of Liberal Arts
Genre is the name we use to describe the categories that have developed over time for what we read, what we watch, and what we listen to. And the kinds of genres that exist in one culture at …
GENRE Definition & Meaning | Dictionary.com
Genre definition: a class or category of artistic endeavor having a particular form, content, technique, or the like.. See examples of GENRE used in a sentence.
GENRE definition and meaning | Collins English Dictionary
A genre is a particular type of literature, painting, music, film, or other art form which people consider as a class because it has special characteristics.
What does GENRE mean? - Definitions.net
Genre refers to a category or classification of literary, artistic, musical, or other creative works, characterized by shared elements, themes, styles, or subject matter.
genre noun - Definition, pictures, pronunciation and usage notes ...
Definition of genre noun from the Oxford Advanced Learner's Dictionary. a particular type or style of literature, art, film or music that you can recognize because of its special features. Crime …
GENRE Definition & Meaning - Merriam-Webster
The meaning of GENRE is a category of artistic, musical, or literary composition characterized by a particular style, form, or content. How to use genre in a sentence. Did you know?
List of genres - Wikipedia
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.
GENRE | English meaning - Cambridge Dictionary
GENRE definition: 1. a style, especially in the arts, that involves a particular set of characteristics: 2. produced…. Learn more.
Genre - Examples and Definition of Genre in Literature - Literary …
As a literary device, genre refers to a form, class, or type of literary work. The primary genres in literature are poetry, drama / play, essay, short story, and novel.
What is a Genre? Definition, Examples of Genres in Literature
Define genre in literature: Genre is the classification and organization of literary works into the following categories: poetry, drama, prose, fiction, and nonfiction. The works are divided based …
What is a Genre? || Definition & Examples | College of Liberal Arts
Genre is the name we use to describe the categories that have developed over time for what we read, what we watch, and what we listen to. And the kinds of genres that exist in one culture at …
GENRE Definition & Meaning | Dictionary.com
Genre definition: a class or category of artistic endeavor having a particular form, content, technique, or the like.. See examples of GENRE used in a sentence.
GENRE definition and meaning | Collins English Dictionary
A genre is a particular type of literature, painting, music, film, or other art form which people consider as a class because it has special characteristics.
What does GENRE mean? - Definitions.net
Genre refers to a category or classification of literary, artistic, musical, or other creative works, characterized by shared elements, themes, styles, or subject matter.
genre noun - Definition, pictures, pronunciation and usage notes ...
Definition of genre noun from the Oxford Advanced Learner's Dictionary. a particular type or style of literature, art, film or music that you can recognize because of its special features. Crime …
