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| feminist literary theory a reader: Feminist Literary Theory Mary Eagleton, 2010-12-20 Now in its third edition, Feminist Literary Theory remains the most comprehensive, single volume introduction to a vital and diverse field Fully revised and updated to reflect changes in the field over the last decade Includes extracts from all the major critics, critical approaches and theoretical positions in contemporary feminist literary studies Features a new section, Writing 'Glocal', which covers feminism's dialogue with postcolonial, global and spatial studies Revised chapter introductions provide readers with helpful contextual information while extensive notes offer recommendations for further reading |
| feminist literary theory a reader: Feminist Literary Theory Mary Eagleton, 1996-01-30 Radically revised and expanded from its original format, this second edition covers new material on Black feminisms, and the impact of post-modernism on feminism. It is the perfect introduction to feminist literary theory today. |
| feminist literary theory a reader: Feminist Literary Theory and Criticism Sandra M. Gilbert, Susan Gubar, 2007 With selections by more than 100 writers and scholars, the Reader is an ideal companion for literature surveys where critical and theoretical texts are featured, as well as a rich, flexible core text for advanced courses in feminist theory and criticism. The Reader can be packaged with the Norton Anthology of Literature by Women, Third Edition, at a substantial discount. |
| feminist literary theory a reader: Feminist Literary Theory Mary Eagleton, 1986 |
| feminist literary theory a reader: Feminist Literary Theory , 2003 |
| feminist literary theory a reader: Literary Theories Julian Wolfreys, 1999-09 The first reader and introductory guide to literary theory—includes close readings and a full glossary and bibliography Literary Theories is the first reader and introductory guide in one volume. Divided into 12 sections covering structuralism, feminism, marxism, reader-response theory, psychoanalysis, deconstruction, post-structuralism, postmodernism, new historicism, postcolonialism, gay studies and queer theory, and cultural studies, Literary Theories introduces the reader to the most challenging and engaging aspects of critical studies in the humanities today. Classic essays representing the different theoretical positions and offering striking examples of close readings of literature are preceded by new introductions which present the theory in question and discuss its main currents. With a full glossary and detailed bibliography, Literary Theories is the perfect introductory guide and reader in one volume. Included are essays by Roland Barthes, Jean Baudrillard, Homi K. Bhabha, Judith Butler, Terry Castle, Iain Chambers, Rey Chow, Paul de Man, Jacques Derrida, Jonathan Dollimore, Terry Eagleton, Catherine Gallagher, Stephen Heath, Wolfgang Iser, Fredric Jameson, Hans Robert Jauss, Claire Kahane, Gail Ching Liang Low, Mary Lydon, Jean-François Lyotard, James M. Mellard, D.A. Miller, J. Hillis Miller, Louis Adrian Montrose, Michael Riffaterre, Avital Ronell, Nicholas Royle, Eve Kosofsky Sedgwick, Alan Sinfield, and Raymond Williams. |
| feminist literary theory a reader: A History of Feminist Literary Criticism Gill Plain, Susan Sellers, 2007-08-30 Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism. |
| feminist literary theory a reader: A Readers Guide to Contemporary Feminist Literary Criticism Maggie Humm, 2015-07-17 This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach. Each chapter has an easy-to-use format, comprising an introductory overview, an explanation of key themes and techniques, a detailed account of the work of specific critics, and a summary which includes critiques of the approach. Each chapter is accompanied by a guide to the primary texts and further reading. |
| feminist literary theory a reader: The Feminist Reader Catherine Belsey, Jane Moore, 1989 |
| feminist literary theory a reader: Encyclopedia of Feminist Literary Theory Elizabeth Kowaleski-Wallace, 2009-03-23 From the cutting edge to the basics The latest advances as well as the essentials of feminist literary theory are at your fingertips as soon as you open this brand-new reference work. It features-in quick and convenient form-precise definitions of important terms and concise summaries of the salient ideas of critics working in the field who have made significant contributions to feminist literary studies, and points out how a feminist perspective has affected the development of emerging ideas and intellectual practices. Every effort has been made to include as many feminist thinkers as possible. Expanded coverage of key subjects Overview entries cover topics ranging from creativity, beauty, and eroticism topornography, violence, and war, with a thorough exploration of the major theoretical points of feminist literary approaches and concerns. In addition, entries organized around literary periods and fields, such as medieval studies, Shakespeare and Romanticism survey subjects in the framework of feminist literary theory and feminist concerns. Shows how feminist ideas have shaped literary theory The Encyclopedia gathers in one place all the key words, topics, proper names, and critical terminology of feminist literary theory. Emphasis throughout is on usage in the United States and Great Britain since the l970s. Each entry is accompanied by a bibliography that is a point of departure for further research. A key advantage of this Encyclopedia is that it amasses bibliographic references for so many important and often-cited works within a single volume. Instructors especially will find this information invaluable in the preparation of course material. Special FeaturesOffers precise contemporary definitions of all important critical terms * Summarizes the salient ideas of key literary critics * Overviews cover major theoretical issues * Entries on periods and fields survey feminist contributions * Emphasizes terminology that has evolved since the l970s * Indexes proper names, subjects, key words, and related topics |
| feminist literary theory a reader: The Feminist Reader Catherine Belsey, Jane Moore, 1997 The second edition of this highly successful anthology makes available to the feminist reader a collection of essays which does justice to the range and diversity, as well as to the eloquence and the challenge of recent feminist critical theory and practice. The new, enlarged Feminist Reader includes Toni Morrison's brilliant discussion of a Hemingway short story, Line Pouchard's reading of Radclyffe Hall's lesbian classic, The Well of Loneliness, Marjorie Garber on Elvis and cross-dressing, and Diane Elam on the relation between feminist and postmodernism, in addition to a selection of influential essays by prominent feminist critics and theorists. |
| feminist literary theory a reader: Feminist Theory Reader CAROLE MCCANN, Seung-kyung Kim, 2013-06-07 The third edition of the Feminist Theory Reader anthologizes the important classical and contemporary works of feminist theory within a multiracial transnational framework. This edition includes 16 new essays; the editors have organized the readings into four sections, which challenge the prevailing representation of feminist movements as waves. Introductory essays at the beginning of each section lay out the framework that brings the readings together and provide historical and intellectual context. Instructors who have adopted the book can email SalesHSS@taylorandfrancis.com to receive test questions associated with the readings. Please include your school and location (state/province/county/country) in the email. Now available for the first time in eBook format 978-0-203-59831-3. |
| feminist literary theory a reader: Feminist Television Criticism: A Reader Brunsdon, Charlotte, Spigel, Lynn, 2007-12-01 Covers the area of feminist media criticism. This edition discusses subjects including, alternative family structures, de-westernizing media studies, industry practices, Sex and the City, Oprah, and Buffy. |
| feminist literary theory a reader: The Black Feminist Reader Joy James, T. Denean Sharpley-Whiting, 2000-06-08 Organized into two parts, Literary Theory and Social and Political Theory, this Reader explores issues of community, identity, justice, and the marginalization of African American and Caribbean women in literature, society, and political movements. |
| feminist literary theory a reader: Feminisms Robyn R. Warhol, Diane Price Herndl, 1997 In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever to be published. In this revised edition, the editors have updated the volume, in keeping with the expanded parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward where difference commands attention, not dismissal or negativism, they have continued the original collection's mission of providing a multiplicity of perspectives and approaches. This anthology contains three new sections (Conflict, Gaze, and Practice) and includes more selections by and about women of color and lesbians. Aimed at academics and the general public alike, this collection is an indispensable guide to the range of practice on campus today in the field of feminist literary criticism. |
| feminist literary theory a reader: My Life in Middlemarch Rebecca Mead, 2014-01-28 Rebecca Mead was a young woman in a coastal town of England when she first read George Eliot's Middlemarch. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs and then marriage and family, Rebecca Mead reread Middlemarch. The novel, which Virginia Woolf famously described as one of the few English novels written for grown-up people, offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads the reader into the life that her favorite book made for her, as well as the many lives the novel has led since it was written. Employing a structure that perfectly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's novel and brings them into the world. Offering both a fascinating reading of Eliot's biography and an uncanny portrait of the ways in which Mead's life echoes that of the author herself, My Life in Middlemarch is a book for who wonders about the power of literature to shape our lives. |
| feminist literary theory a reader: Feminist Theory, Women's Writing Laurie Finke, 2018-03-15 No detailed description available for Feminist Theory, Women's Writing. |
| feminist literary theory a reader: Feminist Theory Reader Carole Ruth McCann, Seung-Kyung Kim, 2010 Feminist Theory Reader, second edition, continues its unique approach of anthologizing the important works of feminist theory within a multiracial transnational framework. Classic works in feminist theory by scholars such as Simone De Beauvoir, Gloria Anzaldua, Judith Butler, belle hooks, Nancy Hartsock, Deniz Kandiyoti,and Chandra Talpade Mohanty appear alongside cutting-edge scholarship by Paula Moya, Aiwha Ong, Raewyn Connell, Suzanne Walters, Mrinalina Sinha, and Rhacel Parreas. The new edition significantly updates both the local and global perspectives that distinguished the first edition, incorporating themes and debates on the rise in the contemporary feminist scholarship. |
| feminist literary theory a reader: Feminist Theory: A Reader Frances Bartkowski, Wendy Kolmar, 2013-01-09 Feminist Theory: A Reader represents the history, intellectual breadth, and diversity of feminist theory. The selections are organized into six historical periods from the 18th century to the late 2000s and include key feminist manifestos to help readers see the link between feminist theory and application. The collection presents feminist through from its inception as the province of women of different races, classes, nationalities, and sexualities in order to demonstrate the continuity in feminist theory discussions. A lexicon of the debates- clear, concise explanations of twelve key concepts that characterize the development of feminist thought since its inception- provides a vocabulary of important feminist theory terms and puts that vocabulary in context. |
| feminist literary theory a reader: Virginia Woolf A. Fernald, 2006-09-16 This study argues that Virginia Woolf taught herself to be a feminist artist and public intellectual through her revisionary reading. Fernald gives a clear view of Woolf's tremendous body of knowledge and her contrast references to past literary periods |
| feminist literary theory a reader: Feminisms Redux Robyn R. Warhol, Diane Price Herndl, 2009 The 1991 landmark edition of Feminisms presented the most comprehensive collection of American and British feminist literary criticism ever published. In 1997, the volume was revised to include more than two dozen new essays. Now Robyn Warhol-Down and Diane Price Herndl revisit the canon of feminist literary criticism and theory once again and re-establish the measure for representing the latest developments in the field. Feminisms Redux provides academics and general readers with a newly revised and indispensable collection of essays representing the range of feminist literary criticism. |
| feminist literary theory a reader: Feminisms Maggie Humm, 2014-06-11 This major textbook for women's studies provides an excellent and wide-ranging introduction to feminist ideas and perspectives on issues such as the family, sexuality, work, education, patriarchy, race, language, culture and representation. It brings together over seventy key excerpts. |
| feminist literary theory a reader: Changing Subjects Gayle Greene, Coppélia Kahn, 2012 These twenty autobiographical essays by eminent feminist literary critics explore the process by which women scholars became feminist scholars, articulating the connections between the personal and political in their lives and work. From these diverse histories a collective history emerges of the development of feminism. Offering a spectrum of experiences and critical positions that engage with current debates in feminism, it will be valuable to teachers and students of feminist theory, women's studies, and the history of the women's movement. |
| feminist literary theory a reader: A Concise Companion to Feminist Theory Mary Eagleton, 2003-08-01 The Concise Companion to Feminist Theory introduces readers to the broad scope of feminist theory over the last 35 years. Introduces readers to the broad scope of feminist theory over the past 35 years. Guides students along the cutting edge of current feminist theory. Suitable for students and scholars of all fields touched by feminist thought. Covers an exceptionally broad range of disciplines, discourses and feminist positions. Organised around concepts rather than schools of feminism. |
| feminist literary theory a reader: Feminism and the Politics of Reading Lynne Pearce, 1997 Feminism and the Politics of Reading is the first major work to theorize the processes and practices of reading within a gendered context. Looking at what it is to be a self-conscious feminist reader, and at what happens when that feminism is off-duty, Lynne Pearce engages with a wide range of literary and visual texts to explore the complex personal and political implications of what we do every time we read. |
| feminist literary theory a reader: Working with Feminist Criticism Mary Eagleton, 1996-11-06 Using the concepts and practices of feminist literary criticism, this constantly challenging workbook not only makes the connection between women's writing and women's lives but breaks new ground in enabling students to apply critical concepts and to feel more at ease with the texts common to feminist literary theory. |
| feminist literary theory a reader: The Cambridge Companion to Feminist Literary Theory Ellen Rooney, 2006-07-06 Feminism has dramatically influenced the way literary texts are read, taught and evaluated. Feminist literary theory has deliberately transgressed traditional boundaries between literature, philosophy and the social sciences in order to understand how gender has been constructed and represented through language. This lively and thought-provoking Companion presents a range of approaches to the field. Some of the essays demonstrate feminist critical principles at work in analysing texts, while others take a step back to trace the development of a particular feminist literary method. The essays draw on a range of primary material from the medieval period to postmodernism and from several countries, disciplines and genres. Each essay suggests further reading to explore this field further. This is the most accessible guide available both for students of literature new to this developing field, and for students of gender studies and readers interested in the interactions of feminism, literary criticism and literature. |
| feminist literary theory a reader: Feminist Literary Studies K. K. Ruthven, 1990-09-13 K. K. Ruthven looks at the impact of Marxism, structuralism, and post-structuralism on feminist critical practice. |
| feminist literary theory a reader: Critical Theory Today Lois Tyson, 2006 This new edition of the classic guide offers a thorough and accessible introduction to contemporary critical theory. It provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African-American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading. This book can be used as the only text in a course or as a precursor to the study of primary theoretical works. It motivates readers by showing them what critical theory can offer in terms of their practical understanding of literary texts and in terms of their personal understanding of themselves and the world in which they live. Both engaging and rigorous, it is a how-to book for undergraduate and graduate students new to critical theory and for college professors who want to broaden their repertoire of critical approaches to literature. |
| feminist literary theory a reader: A Companion to Literary Theory David H. Richter, 2018-03-19 Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century. |
| feminist literary theory a reader: The Essential Feminist Reader Estelle Freedman, 2007-09-18 Including: Susan B. Anthony Simone de Beauvoir W.E.B. Du Bois Hélène Cixous Betty Friedan Charlotte Perkins Gilman Emma Goldman Guerrilla Girls Ding Ling • Audre Lorde John Stuart Mill Christine de Pizan Adrienne Rich Margaret Sanger Huda Shaarawi • Sojourner Truth Mary Wollstonecraft Virginia Woolf The Essential Feminist Reader is the first anthology to present the full scope of feminist history. Prizewinning historian Estelle B. Freedman brings decades of teaching experience and scholarship to her selections, which span more than five centuries. Moving beyond standard texts by English and American thinkers, this collection features primary source material from around the globe, including short works of fiction and drama, political manifestos, and the work of less well-known writers. Freedman’s cogent Introduction assesses the challenges facing feminism, while her accessible, lively commentary contextualizes each piece. The Essential Feminist Reader is a vital addition to feminist scholarship, and an invaluable resource for anyone interested in the history of women. |
| feminist literary theory a reader: A Practical Reader in Contemporary Literary Theory Peter Brooker, Peter Widdowson, 2014-05-22 This introduction to practicing literary theory is a reader consisting of extracts from critical analyses, largely by 20th century Anglo-American literary critics, set around major literary texts that undergraduate students are known to be familiar with. It is specifically targeted to present literary criticism through practical examples of essays by literary theorists themselves, on texts both within and outside the literary canon. Four example essays are included for each author/text presented. |
| feminist literary theory a reader: A Feminist Reader in Early Cinema Jennifer M. Bean, Diane Negra, 2002-11-21 A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of early cinema itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, war actualities, and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen |
| feminist literary theory a reader: Simone de Beauvoir Elizabeth Fallaize, 1998 Simone de Beauvoir was a prolific writer and feminist, whose name has attracted a volatile mix of adulation and hostility. This collection of critical responses to a wide range of Beauvoir's writing explores the changing perceptions of the woman and explores why her work remains influential today. |
| feminist literary theory a reader: African American Literary Theory Winston Napier, 2000-07 The first volume to expound African American literary theory from the 1920s to present African American Literary Theory: A Reader is the first volume to document the central texts and arguments in African American literary theory from the 1920s through the present. As the volume progresses chronologically from the rise of a black aesthetic criticism, through the Blacks Arts Movement, feminism, structuralism and poststructuralism, and the rise of queer theory, it focuses on the key arguments, themes, and debates in each period. By constantly bringing attention to the larger political and cultural issues at stake in the interpretation of literary texts, the critics gathered here have contributed mightily to the prominence and popularity of African American literature in this country and abroad. African American Literary Theory provides a unique historical analysis of how these thinkers have shaped literary theory, and literature at large, and will be a indispensable text for the study of African American intellectual culture. Contributors include Sandra Adell, Michael Awkward, Houston A. Baker, Jr., Hazel V. Carby, Barbara Christian, W.E.B. DuBois, Ann duCille, Ralph Ellison, Henry Louis Gates, Jr., Addison Gayle Jr., Carolyn F. Gerald, Evelynn Hammonds, Phillip Brian Harper, Mae Gwendolyn Henderson, Stephen E. Henderson, Karla F.C. Holloway, Langston Hughes, Zora Neale Hurston, LeRoi Jones (Amiri Baraka), Joyce A. Joyce, Alain Locke, Wahneema Lubiano, Deborah E. McDowell, Harryette Mullen, Larry Neal, Charles I. Nero, Robert F. Reid-Pharr, Marlon B. Ross, George S. Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Sherley Anne Williams, and Richard Wright. |
| feminist literary theory a reader: A Reader's Guide to Contemporary Literary Theory Selden, 2005-09 |
| feminist literary theory a reader: Autotheory as Feminist Practice in Art, Writing, and Criticism Lauren Fournier, 2021-02-23 Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term autotheory began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. |
| feminist literary theory a reader: Feminist Theories for Dramatic Criticism Gayle Austin, 1990 Looks at post-war American drama by women, bridging the gap between theatrical theory and feminist theory |
Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, …
feminism - Encyclopedia Britannica
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Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. [a][2][3][4][5] Feminism holds …
Feminism | Definition, History, Types, Waves, Examples, & Facts ...
Apr 21, 2025 · At its core, feminism is the belief in full social, economic, and political equality for women. Feminism largely arose in response to Western traditions that restricted the rights of …
FEMINIST Definition & Meaning - Merriam-Webster
The meaning of FEMINIST is a person who supports or engages in feminism. How to use feminist in a sentence.
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Feminism refers to a range of ideas and socio-political movements centered on the belief that women face unequal treatment because of their gender, and that society must establish …
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