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| faith based female monologues: The Ultimate Scene and Monologue Sourcebook, Updated and Expanded Edition Ed Hooks, 2010-05-19 All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. The unique format of the book is ideal for acting teachers who want their students to understand each monologue in context. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book includes the author’s own assessment of each monologue. |
| faith based female monologues: Key Exchange Kevin Wade, 1982 The love lives of two cyclists are contrasted as one fights to save his marriage while the other avoids commitment. Background music. 9 scenes, 2 men, 1 woman, 1 exterior. |
| faith based female monologues: The Ultimate Scene and Monologue Sourcebook Ed Hooks, 1994 Preparing for an audition and unsure of what you want to do?The Ultimate Scene and Monologue Sourcebookis the book you've been waiting for. Unlike “scene books” that reprint 50 to 75 monologues excerpted from plays but don't include any background information, this annotated guide tells you what you really need to know about audition material from more than 300 contemporary plays. Here is how the book works. Suppose that you're looking for a dramatic male/female scene. When you scan “Part One: Play Synopses and Analyses,” you come across an entry forThe Middle of the Nightby Paddy Chayefsky. This is what you see: The Middle of the Night by Paddy Chayefsky (Samuel French) Synopsis: A kindly 53-year-old widower falls in love with a 23-year-old woman who is unhappily married to a musician. No one in their circle of acquaintances approves of this union, but their love is true. Analysis: Excellent human drama, frequently touching. Actors who play the widower need to have a good feel for New York City/Brooklyn speech patterns. This sensitivity isn't as essential for the part of the woman. All levels. Scenes/Monologues: Male Monologues (1), Female/Female Scenes (1), Male/Female Scenes (2) In addition to basic information about the play (author and publisher), the entry provides you with the story line, a critique of the play, and the number of audition-worthy monologues and scenes it contains. If the description of this particular play piques your interest, your next step is to turn to “Part Six: Male/Female Scenes” for specifics about the selection. This is what you'll see there: The Middle of the Night by Paddy Chayefsky (Samuel French) Drama: Act II, Scene 2, pp. 40-44; The Manufacturer (53) and The (23). After an unsatisfactory attempt at lovemaking, The Manufacturer feels awful that he wasn’t able to perform ually. The is very understanding. He then asks her to marry him. The actor playing The Manufacturer must have a good feel for regional New York speech patterns. This skill is less critical for the actress playing The . Start, The Manufacturer: “I’m sorry, Betty.” End, The Manufacturer: “Oh, my sweet , I love you so much you don’t know. If you change your mind tomorrow, I won’t be angry with you. I won’t lie to you, Betty. I’m afraid.” This entry tells you what type of scene this is (dramatic), where you'll find the selection (act, scene, and page numbers), the length of the scene, the names and ages of the characters, the context in which the characters are speaking, and the first and last lines of the scene. If the material seems appropriate, all you have to do is get a copy of the play and get to work. BecauseThe Ultimate Scene and Monologue Sourcebookenables you to make informed decisions about the suitability of more than 1,000 monologues and scenes-which you can find easily through the book's extensive cross indexes—you’ll gain a critical edge in the auditioning process. |
| faith based female monologues: Faith Healer Brian Friel, 1980 In this darkly lyrical tale of a traveling faith healer roaming through Scotland and Wales with his wife and his manager, the author has created a metaphorical portrait of the artist as both creator and destroyer. The Broadway production starred James Mason.--From publisher description. |
| faith based female monologues: Monologues from The Last Frontier Theatre Conference Dawson Moore, Laura Gardner, 2013-04-01 The book contains 64 monologues designed specifically for use in the audition process. These monologues were derived from the Last Frontier Theatre Conference, one of the longest running theater conferences of its kind, held every year in Valdez, Alaska from 2009 to 2012. The monologues are honed for freshness, length, and effect and are designed for actors who are taking an audition/monologue workshop. Also included are some tips on creating monologues by Last Frontier Director Dawson Moore and for acting with the monologues by actor and mentor, Laura Gardner, both of whom selected and edited the monologues. The monologues are catagorized by gender and sorted by age of the speaker. |
| faith based female monologues: Word of the Wives Michele Guinness, Abby Guinness, 2010-05-01 Behind every great man there's a woman who has to put up with him. Now the unheard women of the Bible speak out in an imaginative collection of monologues, setting the story straight from their unique perspective. From the amusing to the moving, the arresting to the irreverent, intriguingly charming and alarmingly frank, over twenty-five pieces to read or perform retell the stories of biblical men seen through the discerning eyes of their wives. |
| faith based female monologues: Thus Saith Eve chris wind, 2011-11-01 Eve should be blamed for choosing the apple? For choosing knowledge over obedience? Knowledge of good and evil? She thinks not. Mary insists she be recognized for who she is--the mother of God. And, well, you can imagine what Noah’s wife had to say about his grand idea. Nineteen epistles in all. Not only good reading, but also well-suited for auditions. “In this book the voices and personalities of women such as Noah’s wife, Mary of Bethany, Zipporah, and Vashti are reimagined in an exciting and empowering way. ... As in her other works, Wind uses historical people, events, and understandings to build a truly wonderful source of feminist fiction. In addition to being an extremely enjoyable and thought provoking read, the monologues can also be used for audition and performance pieces. ... Katie M. Deaver, feminismandreligion.com |
| faith based female monologues: Acting Religious Victoria Rue, 2010-02-01 My passion is embodied learning. Through twenty-five years of teaching, I've learned that students engage with material best when their bodies are active participants in the learning process. I have found this to be particularly true in teaching religious studies and theology. --from the Introduction People are torn by conflict, fractured by cultural, religious, racial, and economic divides. Religion has often been a prime motivator for this violence. Classrooms must be places in which we learn to hold differences and commonalities. Classrooms are opportunities to rehearse, to practice, how we want to live with one another. Religions, says Rue, are more than ideas: they are lived, enacted by human beings in particular ways. And courses in religion need more than a cognitive understanding of central concepts. Rue asserts that students need to viscerally encounter belief, religious practice, religious imagination, and religious experience. Acting Religious, a practical handbook, maps a new approach that uses theatre to teach religion. For many years, Rue has used theatre techniques and plays to introduce students to what she calls the experience of religion, showing how theatre makes theological ideas palatable, visceral, and available. Acting Religious is at once a call to experience meaning and a theatre method to embody it. Experienced and beginning teachers at both college and high school levels, as well as religious educators, will learn how to use the following techniques in the religion or theology classroom: improvisation, characterization, memorization, script writing, performance. From these methods, students will be able to engage religious traditions experientially as well as cognitively. |
| faith based female monologues: Moving in the Shadows Liz Kelly, Yasmin Rehman, Hannana Siddiqui, 2016-04-15 In the UK the number of people who came from a minority ethnic group grew by 53 per cent between 1991 and 2001, from 3.0 million in 1991 to 4.6 million in 2001. Whilst much has been written about the impact of these demographic changes in relation to policy issues, black and minority women and children remain under-researched. Recent publications have tended to focus on South Asian women, forced marriage and 'honour' related violence. Moving in the Shadows brings together for the first time in a single volume, an examination of violence against women and children within the diverse communities of the UK. Its strength lies in its gendered focus as well as its understanding of the need for an integrated approach to all forms of violence against women, whilst foregrounding the experiences of minority women, the communities they are part of, and the organizations which have advocated for their rights and given them voice. The chapters contained within this volume explore a set of core themes: the forms and contexts of violence minority women experience; the continuum of violence; the role of culture and faith in the control of women and girls; the types of intervention within multi-cultural and social cohesion policies; the impacts of violence on British-born and migrant women and girls; and the intersection of race, class, gender and sexuality highlighting issues of similarity and difference. Taken together, they provide a valuable resource for scholars, students, activists, social workers and policy-makers working in the field. |
| faith based female monologues: Mother/Daughter Monologues Volume 1: Babes and Beginnings International Centre for Women Playwrights, Emily Cicchini, Gretchen Elizabeth Smith, 2010-01-05 This is the first anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: Babes and Beginnings includes female characters from pre-teens to late twenties. This anthology features the work of playwrights Bara Swain, Barbara Lindsay, Cassandra Lewis, Chris Shaw Swanson, Christy A. Brothers, Elaine Romero, Elizabeth Whitney, Isabella Russell-Ides, James Venhaus, Jo J. Adamson, Kaite O'Reilly, Karen Jeynes, Kevin Six, Kimberly Del Busto, Maggie Gallant, Margaret Bail, Mark Harvey Levine, Martha Patterson, Mary O'Malley, Meg Haley, Michele Raper Rittenhouse, Monica Bauer, Nina Solomita, Patricia Montley, Rachel Rubin Ladutke, Robin Rice Lichtig, Sera Weber-Striplin, Steven Bergman, SuzAnne C. Cole, Thomas M. Kelly, and Virginia (Ginger) Fleishans. Foreword by Dr. Gretchen Elizabeth Smith. |
| faith based female monologues: Spike Heels Theresa Rebeck, 1992 Pygmalion goes awry in contemporary comedy of manners which explores sexual harassment, misplaced amour and the possibility of a four sided love triangle.--Doollee.com. |
| faith based female monologues: The Virgin Monologues Carrie Lloyd, 2014-12-19 An insightful, inspirational, amusing and honest guide to relationships for the modern single Christian woman. How does the single Christian woman maintain her relationships while staying true to herself? How can she thrive in a predominately secular culture and keep her faith in a world that doesn't reflect her values? The Virgin Monologues teaches how to do healthy relationships, what to fight for and what to give up on. It gives healthy principles to understand before looking for a team mate. |
| faith based female monologues: Dramatic Monologue Glennis Byron, 2014-05-01 The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume: * explores the origins of the monologue and presents a history of definitions of the term * considers the monologue as a form of social critique * explores issues at play in our understanding of the genre, such as subjectivity, gender and politics * traces the development of the genre through to the present day. Taking as example the increasingly politicized nature of contemporary poetry, the author clearly and succinctly presents an account of the monologue's growing popularity over the past twenty years. |
| faith based female monologues: The Vagina Monologues Eve Ensler, 2001-03-10 A landmark in women’s empowerment—as relevant as ever in the age of #MeToo—that honors female sexuality in all its complexity It’s been more than twenty years since Eve Ensler’s international sensation The Vagina Monologues gave birth to V-Day, the radical, global grassroots movement to end violence against women and girls. This special edition features six never-before-published monologues, a new foreword by National Book Award winner Jacqueline Woodson, a new introduction by the author, and a new afterword by One Billion Rising director Monique Wilson on the stage phenomenon’s global impact. Witty and irreverent, compassionate and wise, this award-winning masterpiece gives voice to real women’s deepest fantasies, fears, anger, and pleasure, and calls for a world where all women are safe, equal, free, and alive in their bodies. Praise for The Vagina Monologues “Probably the most important piece of political theater of the last decade.”—The New York Times “This play changed the world. Seeing it changed my soul. Performing in it changed my life. I am forever indebted to Eve Ensler and the transformative legacy of this play.”—Kerry Washington “Spellbinding, funny, and almost unbearably moving . . . both a work of art and an incisive piece of cultural history, a poem and a polemic, a performance and a balm and a benediction.”—Variety “Often wrenching, frequently riotous. . . . Ensler is an impassioned wit.”—Los Angeles Times “Extraordinary . . . a compelling rhapsody of the female essence.”—Chicago Tribune |
| faith based female monologues: Private Goes Public: Self-Narrativisation in Brian Friel's Plays Gaby Frey, 2015-11-25 In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. |
| faith based female monologues: Sensational Movie Monologues Robert Cettl, 2010-12-12 |
| faith based female monologues: Islamic Feminism and the Discourse of Post-Liberation Marnia Lazreg, 2020-12-29 This important study examines the cultural turn for women in the Middle East and North Africa, analyzing the ways they have adjusted to and at times defended, socially conservative redefinitions of their roles in society in matters of marriage, work, and public codes of behavior. Whether this cultural turn is an autochthonous response, or an alternative to Western feminism, Islamic Feminism and the Discourse of Post-Liberation: The Cultural Turn in Algeria examines the sources, evolution, contradictions as well as consequences of the Cultural Turn. Focusing on Algeria, but making comparisons with Tunisia and Morocco, it takes an in-depth look at Islamic feminism and studies its functions in the geopolitics of control of Islam. It also explores the knowldge effects of the cultural turn and crucially identifies a critical way of re-orienting feminist thought and practice in the region. This new work from a highly regarded scholar will appeal to researchers, graduates, and undergraduates in North African studies; Middle Eastern studies; sociology, women and gender studies; anthropology; political science; and ethnic and critical race studies. |
| faith based female monologues: "Let Us Die that We May Live" Johan Leemans, 2003 This title offers an approachable, surprising, and not always reverent insight into the life of the Early Church. It reveals the full importance of the martyr homily in terms of style, treatment of its subject, and social and liturgical issues. |
| faith based female monologues: Routledge Library Editions: Victorian Poetry Various Authors, 2021-02-25 This set reissues 4 books on Victorian poetry originally published between 1966 and 2003. The volumes focus predominantly on the works of Emily Dickinson, Elizabeth Barrett and Robert Browning. This set will be of particular interest to students of English literature. |
| faith based female monologues: 200 Plays for GCSE and A-Level Performance Jason Hanlan, 2021-05-20 How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space |
| faith based female monologues: Scenes and Monologues of Spiritual Experience Roger Ellis, 2013 SCENES AND MONOLOGUES OF SPIRITUAL EXPERIENCE FROM THE BEST CONTEMPORARY PLAYS |
| faith based female monologues: Walt Whitman and the World Gay Wilson Allen, Ed Folsom, 1995-06 Celebrating the various ethnic traditions that melded to create what we now call American literature, Whitman did his best to encourage an international reaction to his work. But even he would have been startled by the multitude of ways in which his call has been answered. By tracking this wholehearted international response and reconceptualizing American literature, Walt Whitman and the World demonstrates how various cultures have appropriated an American writer who ceases to sound quite so narrowly American when he is read into other cultures' traditions. |
| faith based female monologues: Resources in Women's Educational Equity , |
| faith based female monologues: The Ministry of Women in the New Testament Dorothy A. Lee, 2021-02-16 Respected scholar Dorothy Lee considers evidence from the New Testament and early church to show that women's ministry is confirmed by the biblical witness. Her comprehensive examination explores the roles women played in the Gospels and the Pauline corpus, with a particular focus on passages that have been used in the past to limit women's ministry. She argues that women in the New Testament were not only valued as disciples but also given leadership roles, which has implications for the contemporary church. |
| faith based female monologues: AS Drama and Theatre Studies: The Essential Introduction for Edexcel Alan Perks, Jacqueline Porteous, 2009-05-07 AS Drama and Theatre Studies: The Essential Introduction for Edexcel is a comprehensive and accessible guide to the new specification. The textbook covers all aspects of the AS year in depth, from exploring play texts to demonstrating skills in performance and theatre design. The detailed guidance and classroom-friendly features include: overviews of specification and assessment requirements written and practical exercises tips from a Chief Examiner extension exercises to stretch the more able student worked examples to illustrate best practice a glossary of useful words and terms. Written by a Chief Examiner and a Principal Moderator, this authoritative book offers a wealth of informed and supportive exercises to ensure that students reach their maximum potential. |
| faith based female monologues: Theatre Record , 2007 |
| faith based female monologues: Interculturalism and Performance Now Charlotte McIvor, Jason King, 2018-12-29 This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism. |
| faith based female monologues: Elizabeth Barrett and Robert Browning Mary Sanders Pollock, 2016-04-28 First published in 2003, this book examines the creative partnership of Elizabeth Barrett and Robert Browning, and provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward. |
| faith based female monologues: Interpreter: A Journal of Mormon Scripture, Volume 4 (2013) The Interpreter Foundation, 2013-05-29 This is volume 4 (2013) of Interpreter: A Journal of Mormon Scripture by The Interpreter Foundation. It contains articles on a variety of topics including affinities between ancient sources and modern revelations on Enoch, a book review of Exploring the First Vision, a book review of Against Calvinism, questions we should consider about Mormon Studies, some thoughts on faith and doubt, the Sod of God and the LDS temple, notes on Book of Mormon names, and an introduction to the subject of Josiah's Reform and Margaret Barker's temple theology, with perspectives by William J. Hamblin and Kevin Christensen. |
| faith based female monologues: Seeing the Light Samuel Schuman, 2010-01-18 Samuel Schuman examines the place of religious colleges and universities, particularly evangelical Protestant institutions, in contemporary American higher education. Many faith-based schools are flourishing. They have rigorous academic standards, impressive student recruitment, ambitious philanthropic goals, and well-maintained campuses and facilities. Yet much of the U.S. higher-education community ignores them or accords them little respect. Seeing the Light considers, instead, what can be learned from the viability of these institutions. The book begins with a history of post secondary U.S. education from the perspective of the religious traditions from which it arose. After focusing briefly on nonevangelical institutions, Schuman next looks at three Roman Catholic institutions—the College of New Rochelle, Villanova University, and Thomas Aquinas College. He then profiles evangelical colleges and universities in detail, discovering the factors contributing to their success. These institutions range from nationally recognized to little known, from rich to poor, with both highly selective and open admission requirements. Interviews with key administrators, faculty, and students reveal the challenges, the successes, and the goals of these institutions. Schuman concludes that these schools—Baylor University, Anderson University, New Saint Andrews College, Calvin College, North Park University, George Fox University, Westmont College, Oral Roberts University, Northwestern College, and Wheaton College—and others like them offer important and timely lessons for the broader higher-education community. |
| faith based female monologues: Modernism in Irish Women's Contemporary Writing Paige Reynolds, 2024 This volume explores the relationship between contemporary Irish women writers and literary modernism. Paige Reynolds examines how the work of Elizabeth Bowen, Edna O'Brien, Anne Enright, and others, employs the modernist mode to articule female interiority as a way of thinking about contemporary social problems. |
| faith based female monologues: The Playwright's Manifesto Paul Sirett, 2022-09-08 Shortlisted for the STR Theatre Book Prize 2023 A manifesto for the future of playwriting, this book challenges you to be a part of that future in the belief that it is fundamentally important to write plays. Plays help us understand ourselves, others, and the world around us. Reading this book, you will be challenged to learn your craft, explode what you know, prioritise what is important to you, and write in the way that only you can write. Most books on playwriting explain how to create a believable character in a story driven by plot. This book, however, goes even further in its exploration of the playwright's most valuable tool: theatricality. By learning from the past, and the present, the playwrights of tomorrow can create new, vivid, theatrical drama for the future. This manifesto also examines the process of writing, the art of collaboration, and the impact of writing on a playwright's mental health. It identifies the highs and lows, as well as the trials and tribulations, of life as a playwright in today's world. Theatre is a living artform. It is time for playwrights to acknowledge that fact and to celebrate the unique, primal thrill that a live theatre experience offers us. The future of playwriting is in your hands. Do you accept the challenge? |
| faith based female monologues: Narrative and Voice in Postwar Poetry Neil Roberts, 2014-05-12 Poetry in English since the Second World War has produced a number of highly original narrative works, as diverse as Derek Walcott's Omeros, Ted Hughes' Gaudete and Anne Stevenson's Correspondences. At the same time, poetry in general has been permeated by narrative features, particularly those linguistic characteristics that Mikhail Bakhtin considered peculiar to the novel, and which he termed dialogic. This book examines the narrative and dialogic elements in the work of a range of poets from Britain, America, Ireland, Australia and the Caribbean, including poetry from the immediate postwar years to the contemporary, and novel-like narratives to personal lyrics. Its unifying theme is the way in which these poets, with such contrasting styles and from such varied backgrounds, respond to and creatively adapt the language-worlds, and hence the social worlds in which they live. The volume includes a detailed bibliography to assist students in further study, and will be a valuable resource to undergraduate and postgraduate students of contemporary poetry. |
| faith based female monologues: Feminist Practices Mary Hawkesworth, 2013-11-01 A classroom resource for instructors that includes full syllabi and teaching modules, Feminist Practices will be of interest to anyone who teaches in women’s, gender, and sexuality studies. Feminist Practices is intended for use in classrooms and to spark creative ideas for teaching a diverse array of topics. What makes a practice feminist? What is at stake in claiming the feminist label? Whether within a university context or in larger national and global ones, feminist projects involve challenging established relations of power (critique), envisioning alternative possibilities (theory), and employing activism to change social relations. By taking diverse forms of feminist practice as its focal point, this course reader investigates how to study the complexity of women’s and men’s lives in ways that take race, gender-power, ethnicity, class, and nationality seriously. Feminist Practices also shows how the production of such feminist knowledge challenges long-established beliefs about the world. Topics covered include • Gendered labor, • Commercialization of sexuality and reproduction, • Love and marriage in the twenty-first century, • Violence against women, • Varieties of feminist activism, and • Women’s leadership and governance. Feminist Practices draws upon articles published in Signs: Journal of Women in Culture and Society to explore the nature of feminist practices in the twenty-first century and the range of issues these practices address. Organized thematically the collection captures the complexity of a global movement that emerges in the context of local struggles over diverse modes of injustice. |
| faith based female monologues: The Palgrave Encyclopedia of Victorian Women's Writing Lesa Scholl, Emily Morris, 2022-12-15 Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement. |
| faith based female monologues: Plays for Children and Young Adults Rashelle S. Karp, June H. Schlessinger, 1991 |
| faith based female monologues: Women and Gender in Medieval Europe Margaret Schaus, 2006 Publisher description |
| faith based female monologues: Lady Parts Kathryn D. Blanchard, Jane S. Webster, 2012-11-13 How might women in the Bible tell their stories if they were prompted to do so by Eve Ensler's controversial play, The Vagina Monologues? This collection imagines some answers to that question. The monologues herein are written by a variety of authors, including scholars, undergraduates, clergy, and laywomen; the content of the narratives reflects this variety, being at times faithful or irreverent, tragic or even funny. All seek to give twenty-first-century voices to women in canonical texts--including the Hebrew Bible, Deuterocanonical books, and New Testament--who are often speechless, nameless, or otherwise marginalized. Not for the faint of heart, these monologues not only end the silences but also add flesh and bone to characters whose experiences have too easily been justified, metaphorized, or altogether ignored. By naming the torn places in these women's stories, this volume invites readers to encounter both the biblical characters and their contemporary interpreters with an attitude of compassionate listening. Our hope is that such compassionate listening may contribute not only to more just readings of sacred texts, but also to the mission of Eve Ensler and V-Day to end global violence against women and girls. |
| faith based female monologues: New Statesman , 2004 |
| faith based female monologues: Monologues of Women of the Bible Iva I. Williams-Harris, 2019-07-12 Monologues of Women of the Bible is designed to provide Christian monologues in the market place, particularly for female actors. This will give actors additional choices of monologues to select. Perhaps, these monologues will address and help someone who is experiencing spiritual warfares in their lives. |
BY Gregory A. Smith
Dec 14, 2021 · 3 PEW RESEARCH CENTER www.pewresearch.org Acknowledgments This report is a collaborative effort based on the input and analysis of the following individuals.
Religious affiliation of members of 117th Congress
Jan 1, 2021 · 1 PEW RESEARCH CENTER Religious affiliation of members of 117th Congress State District Name Party Continuing/freshman Denominational family
More Americans Than People in Other Advanced Economies …
Jan 1, 2021 · report deeper faith due to the coronavirus outbreak. The pandemic has led to the . cancellation of religious activities and in-person services around the world, but few people say …
Religious affiliation of members of 116th Congress
1 PEW RESEARCH CENTER State District First/middle Last Party Incumbent/ Freshman Denominational family AK At-Large Don Young R I Anglican/Episcopal
U.S.Religious Landscape Survey - Pew Research Center's …
agree that there is more than one true way to interpret the teachings of their faith, a pattern that occurs in nearly all traditions. The exceptions are Mormons and Jehovah’s Witnesses, 54% …
MARCH 2012 Faith on the Move - Pew Research Center's …
Jun 28, 2011 · Faith on the Move, a new study by the Pew Research Center’s Forum on Religion & Public Life, focuses on the religious affiliation of international migrants, examining patterns of …
NUMBERS, FACTS AND TRENDS SHAPING THE WORLD …
some branch of the Christian faith.1 But the major new survey of more than 35,000 Americans by the Pew Research Center finds that the percentage of adults (ages 18 and older) who describe …
Pew Research Center - Science and religion interviewer …
Aug 26, 2020 · Transitioning to a different topic, I have a few questions about faith issues and the role of religion in our country today… Do you think religion plays an important role in life in …
PEW RESEARCH CENTER 2019-2020 SURVEY OF …
Feb 16, 2021 · 4 PEW RESEARCH CENTER www.pewresearch.org ASK IF CHRISTIAN (RELIGMOD_W60=1-4 OR CHR_W60=1): BORNMOD_W60 Would you describe yourself as …
BY Aleksandra Sandstrom - Pew Research Center's Religion …
Pew Research Center, Jan. 3, 2019, “Faith on the Hill: The religious composition of the 116th Congress
BY Gregory A. Smith
Dec 14, 2021 · 3 PEW RESEARCH CENTER www.pewresearch.org Acknowledgments This report is a collaborative effort based on the input and analysis of the following individuals.
Religious affiliation of members of 117th Congress
Jan 1, 2021 · 1 PEW RESEARCH CENTER Religious affiliation of members of 117th Congress State District Name Party Continuing/freshman Denominational family
More Americans Than People in Other Advanced Economies …
Jan 1, 2021 · report deeper faith due to the coronavirus outbreak. The pandemic has led to the . cancellation of religious activities and in-person services around the world, but few people say …
Religious affiliation of members of 116th Congress
1 PEW RESEARCH CENTER State District First/middle Last Party Incumbent/ Freshman Denominational family AK At-Large Don Young R I Anglican/Episcopal
U.S.Religious Landscape Survey - Pew Research Center's …
agree that there is more than one true way to interpret the teachings of their faith, a pattern that occurs in nearly all traditions. The exceptions are Mormons and Jehovah’s Witnesses, 54% …
MARCH 2012 Faith on the Move - Pew Research Center's …
Jun 28, 2011 · Faith on the Move, a new study by the Pew Research Center’s Forum on Religion & Public Life, focuses on the religious affiliation of international migrants, examining patterns of …
NUMBERS, FACTS AND TRENDS SHAPING THE WORLD …
some branch of the Christian faith.1 But the major new survey of more than 35,000 Americans by the Pew Research Center finds that the percentage of adults (ages 18 and older) who describe …
Pew Research Center - Science and religion interviewer …
Aug 26, 2020 · Transitioning to a different topic, I have a few questions about faith issues and the role of religion in our country today… Do you think religion plays an important role in life in …
PEW RESEARCH CENTER 2019-2020 SURVEY OF …
Feb 16, 2021 · 4 PEW RESEARCH CENTER www.pewresearch.org ASK IF CHRISTIAN (RELIGMOD_W60=1-4 OR CHR_W60=1): BORNMOD_W60 Would you describe yourself as …
BY Aleksandra Sandstrom - Pew Research Center's Religion …
Pew Research Center, Jan. 3, 2019, “Faith on the Hill: The religious composition of the 116th Congress
