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| feiffer's people monologues: Feiffer's People Jules Feiffer, 1969 A long-run Broadway hit, this warmly humorous--and human--play by our theatre's most renowned comic writer, offers a wise and witty examination of a family hilariously beset by marital and domestic problems. ...one of the most professional pieces of work Bro |
| feiffer's people monologues: Actors Guide to Monologues Jane Grumbach, Robert Emerson, 1974 |
| feiffer's people monologues: Actors Guide to Monologues , 1972 |
| feiffer's people monologues: Guide to Monologues, Men Robert Emerson, Jane Grumbach, 1988 |
| feiffer's people monologues: The Actor's Book of Contemporary Stage Monologues Nina Shengold, 1987 This unique anthology provides a wealth of material for actors and acting students, and a wonderful overview of the best recent plays for anyone interested in theatre. The more than 150 monologues cover a diverse range of subjects, and offer a variety of dramatic styles and moods. Each monologue is introduced with a short description of the plot, setting, and character type by the leading plauwrights of our time. Featured dramatists include: Christopher Durang, Wendy Wasserstein, Lanford Wilson, Wallace Shawn, Tina Howe, Caryl Churchill, Athol Fugard, Beth Henley, Sam Shepard, David Henry Hwang, Harry Kondoleon, John Patrick Shanley, Larry Shue, Michael Weller, David Rabe, Marsha Norman, August Wilson, Albert Innaurato, Jules Feiffer, Harold Pinter, David Hare, Jose Rivera, Tom Stoppard, John Guare, David Mamet, Charles Fuller, William Matrosimone, Robert Patrick, Miguel Pinero |
| feiffer's people monologues: A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City Halley Feiffer, 2018-07-17 “I’ve been single for so long, I’ve started having sexual fantasies about my vibrator, riffs Karla for her captive, cancer-ward audience. The patients—her mother, who’s recovering from surgery for ovarian cancer, and her roommate behind the curtain, aren’t laughing—or even awake—but there’s someone else in the room . . .In Halley Feiffer’s “ painfully irresistible (The New York Times) new play, a foul-mouthed twenty-something comedian and a middle-aged man embroiled in a nasty divorce are brought together unexpectedly when their cancer-stricken mothers become roommates in the hospital. Together, this unlikely duo must negotiate some of life’s biggest challenges . . . while making some of the world’s most inappropriate jokes. Can these two very lost people learn to laugh through their pain and lean on each other when all they really want to do is run away? In A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City, Halley Feiffer slays in a work that’s dark and disturbing and yet totally hilarious. The acclaimed world premiere at MCC Theater featured Beth Behrs, Erik Lochtefeld, Lisa Emery, and Jacqueline Sydney, and was directed by Trip Cullman. |
| feiffer's people monologues: How To Make Friends and Then Kill Them Halley Feiffer, 2016-06-28 Left to their own devices by their alcoholic mother, Ada and Sam cultivate an insular world into which they soon draw a third wheel - a pockmarked, limping wallflower named Dorrie. In the years spanning childhood to young adulthood, these three troubled girls learn to lean on each other completely, finding ways to fill each other up and to tear each other down. But when a horrible accident turns their reality upside down, they find they must decide whether they will continue to foster their familiar, codependent cycle, or whether they will break free, with or without each other's aid. |
| feiffer's people monologues: I'm Kind of a Big Deal Stefanie Wilder-Taylor, 2011-06-07 WARNING TO READERS: The Author of This Book is Kind of Crazy, Kind of Delusional, and All Kinds of Hilarious Whether she’s driving a limo for former Family Ties star Justine Bateman, dancing in the dark for a rarely seen Bob Dylan music video, or stalking a bachelor reject from TV’s Love Connection, Stefanie Wilder-Taylor is kind of a big deal—at least in her own mind. Smart, screwy, and scathingly funny, her tell-all essays capture every cringe-worthy moment of her kind-of famous life. From bombing as a stand-up comic for born-again Christians, to winging it as a singing waitress in an Italian restaurant, to posting open letters to Angelina Jolie and David Hasselhoff, this unstoppable L.A. transplant refuses to give up on her dreams—no matter how ill-advised—and shows us a side of Hollywood better kept hidden. When it comes to funny women—unplugged and unleashed—they don’t get any wilder than Stefanie Wilder-Taylor. . . . |
| feiffer's people monologues: Elliot Loves Jules Feiffer, 1990 Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not comfortable with a woman outside the confines of a divorce court.' The encounter becomes an initiation ceremony crackling with witty, barbed, and devastating dialogue that strips the two lovers of all pretensions, forcing them to confront each other anew in a painful awareness of their vulnerability. The result is a bitterly funny play about the ambiguities of being in love, with Jules Feiffer at his most incisive, wise, and wickedly honest. |
| feiffer's people monologues: Hold Me! Jules Feiffer, 1977 THE STORY: Blending together a series of sketches, skits and vignettes, this delightful revue peoples the stage with the engaging and all-too-human characters made famous through the author's renowned cartoons. The theme is the plight of today's ci |
| feiffer's people monologues: Fool for Love Sam Shepard, 1984 The sad lament of Pecos Bill on the eve of killing his wife: Cast: gender - mixed; number - 1 male, 1 female; size - small; ages - adults. |
| feiffer's people monologues: Feiffer's People Jules Feiffer, 2006 |
| feiffer's people monologues: I'm Gonna Pray For You So Hard Halley Feiffer, 2017-03-16 Ella is a precocious and fiercely competitive actress whose sole aim in life is making her famous playwright father, David, proud. Over the course of a boozy evening, Ella and David deliberate over whether to read the reviews of her Off-Broadway debut…and things unravel from there. Halley Feiffer’s dark, probing and very funny new play pulls the audience into the middle of a deeply complicated relationship and sheds new light on the eternal struggles of parents and children to find common ground. |
| feiffer's people monologues: Back to Black Fabrice Leroy, 2025-05-13 The legendary American cartoonist and author Jules Feiffer has enjoyed a long and varied career, working on everything from illustrating The Phantom Tollbooth to writing the screenplay for the film Popeye. But some of his most innovative work came very late in his career, with a trio of graphic novels he composed in his eighties: Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018). Back to Black provides the first full-length critical analysis of this trilogy, exploring how it pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of Feiffer’s distinctive style. Fabrice Leroy shows how Feiffer deftly alternates between dramatic and satirical tones as he plays with the conventions of noir to provide a caustic yet moving commentary on mid-twentieth-century American life. Through close readings of each novel in the trilogy, he examines Feiffer’s singular depiction of the central political issues in the United States from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, McCarthyism, the American Dream, immigration, antisemitism, civil rights, and gender discrimination. Placing the noir trilogy into the context of Feiffer’s long career, Back to Black demonstrates how he offers a loving pastiche of the genre without losing his unique voice or critical edge. |
| feiffer's people monologues: Shorter, Faster, Funnier Eric Lane, Nina Shengold, 2011-05-03 This cornucopia of comedy showcases works by major playwrights and emerging young writers, with casts of all sizes and diverse and challenging roles for actors of every age and type. You’ll discover such colorful characters as a businessman free-falling from a plane, an embittered sword swallower, a punkish girl skateboarder, and retirees in post-apocalyptic Siberia, alongside plays that unleash the humor in high school reunions, alien invasions, office cubicle farms, and even post-Katrina New Orleans. Perfect for actors, students, theater lovers, and comedy fans, Shorter, Faster, Funnier covers the spectrum of humor, from slyly witty to over-the-top outrageous. Rob Ackerman ● Billy Aronson ● John Augustine ● Pete Barry ● Dan Berkowitz ● Adam Bock ● Eric Coble ● Philip Dawkins ● Anton Dudley ● Christopher Durang ● Liz Ellison ● Halley Feiffer ● Peter Handy ● Jeffrey Hatcher ● Amy Herzog ● Mikhail Horowitz ● David Ives ● Caleen Sinnette Jennings ● Ean Miles Kessler ● Dan Kois ● Eric Lane ● Drew Larimore ● Warren Leight ● Mark Harvey Levine ● Elizabeth Meriwether ● Michael Mitnick ● Megan Mostyn-Brown ● Mark O’Donnell ● Nicole Quinn ● Wayne Rawley ● Theresa Rebeck ● Jacqueline Reingold ● Laura Shaine ● Nina Shengold ● Jane Shepard ● Edwin Sanchez ● Samara Siskind ● Daryl Watson ● Barbara Wiechmann ● Mary Louise Wilson ● Garth Wingfield ● Gary Winter ● Elizabeth Wong ● Dana Yeaton |
| feiffer's people monologues: The Goodbye People Herb Gardner, 1974 It is Coney Island in February and old Max SIlverman, recovering from a coronary, is planning to reopen his long-closed beach bar-- with the entrapped assistance of his daughter Nancy, who has changed her name and her nose, deserted her husband and is searching for a new identity. Into their dreams and lives wanders Arthur Korman, a youngish, amiable sunrise-watcher who hates his job, but never seems able to make a decision to quit.--Publisher. |
| feiffer's people monologues: Little Murders Jules Feiffer, 1968 Jules Feiffer Full Length, Black Comedy Characters: 6 male, 2 female Interior Set Depressed New Yorker Alfred Chamberlain is engaged to perky, can-do Patsy Newquist. As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings and a sniper's bullet. Jules Feiffer, a satirical sharpshooter with a deadly aim, stares balefully at the meaningle |
| feiffer's people monologues: Summer Theatre Directory , 1994 |
| feiffer's people monologues: Summer Theatre Directory, 1996 Jill Charles, 1996-12 |
| feiffer's people monologues: Horizon , 1981 |
| feiffer's people monologues: Heroes and Villains David Hajdu, 2010-11 Heroes and Villains is the first collection of essays by David Hajdu' award - winning author of The Ten - Cent Plague' Positively 4th Street' and Lush Life. Eclectic and controversial' Hajdu's essays take on topics as varied as pop music' jazz' th... |
| feiffer's people monologues: Laugh Lines Eric Lane, Nina Shengold, 2008-12-10 This one-of-a-kind anthology features thirty-six hilarious short plays by major American playwrights and emerging new voices, all guaranteed to send readers and audiences into peals of laughter. From the surrealistic wit of Steve Martin's The Zig-Zag Woman to the biting political satire of Steven Dietz's The Spot, from Christopher Durang's wonderfully loopy Wanda's Visit to Shel Silverstein's supremely twisted The Best Daddy, there's something in here to make everyone laugh. There are plays for casts of all sizes, from monologues to large ensembles, with diverse and challenging roles for actors of every age and type. Even the titles are funny: Mark O'Donnell's There Shall Be No Bottom (a bad play for worse actors), Elaine May's The Way of All Fish, and Alan Ball's Your Mother's Butt. A bonanza for theatergoers, performers, and comedy fans, Laugh Lines will bring down the house. From the Trade Paperback edition. |
| feiffer's people monologues: God Bless You, Dr. Kevorkian Kurt Vonnegut, 1999 This fictional adventure takes the form of a series of interviews' - brief pieces originally read on WNYC, Manhattan's public radio station but now revised and rewritten. As a 'reporter on the afterlife' Vonnegut trips down 'the blue tunnel to the pearly gates' and imagines an afterworld peopled, for the most part, with characters of great dignity and wit who managed to make their unique contributions by simply being who they are. Subjects include Issac Newton, James Earl Ray, Mary Shelley, John Brown, William Shakespeare, and some twenty-five others.' |
| feiffer's people monologues: The Facts on File Companion to American Drama Jackson R. Bryer, Mary C. Hartig, 2010 Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers. |
| feiffer's people monologues: The Summer Theatre Directory , 1986 |
| feiffer's people monologues: Bye Bye Birdie Charles Strouse, 1996 Bye Bye Birdie * The Telephone Hour * How Lovely to Be a Woman * Put On a Happy Face * A Healthy, Normal American Boy (We Love You, Conrad) * One Boy * Let's Settle Down * Honestly Sincere * Hymn for a Sunday Evening * One Last Kiss * A Lot of Livin' to Do * Kids * A Mother Doesn't Matter Anymore * A Giant Step * Rosie. |
| feiffer's people monologues: Complete Catalogue of Plays Dramatists Play Service, Inc, 2003 |
| feiffer's people monologues: Vital Signs Jane Martin, 1990 This suite of theatrical miniatures over thirty two minute monologues. The two men in the cast are optional foils for the six women who perform a collage about contemporary woman in all her warmth and majesty, her fear and frustration, her joy and sadness. |
| feiffer's people monologues: The Ghost Script Jules Feiffer, 2018-07-31 Never has the incomparable Jules Feiffer been more eerily prophetic than in this stunning finale to his best-selling Kill My Mother trilogy. Hollywood is haunted. 1953. Ghosts abound. In particular, the ghost of Detective Sam Hannigan—murdered in Bay City twenty-two years earlier by Addie Perl, the hired assassin who then bought a Hollywood nightclub with her blood money. Among the nightclub’s favored clientele is Sam’s widow, Elsie. Blinded by a Japanese bullet while on a USO tour in the South Pacific, Elsie has been reinvented into “Miss Know-It-All,” a Hollywood gossip columnist. But blind Elsie is haunted by the ghost of her husband, Sam, who asks her accusingly: “If Miss Know-It-All knows so much, why can’t she find Cousin Joseph, the man who had me killed?” Hollywood is haunted. Spooks abound. Agents Shoen and Kline, investigators for the House Un-American Activities Committee, manipulate the blacklisted, buxom, over-the-hill starlet-turned-hooker Lola Burns into working for them and naming the names she had once refused to betray. Hollywood is haunted. Communist screenwriters Oz McCay and Faye Bloom are noisily plotting, boozing, and laughing their way toward their impending disaster. Hollywood is haunted. As an inside joke, writer-director Annie Hannigan—Sam and Elsie’s daughter—comes up with the idea of a “Ghost Script” that may or may not exist but is rumored to expose the inside story of the Hollywood blacklist and the names of its undercover masterminds, most notably the reclusive philanthropist Lyman Murchison, a superpatriot with a dirty secret. Hollywood is haunted. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking, nebbishy good guy who’s never been in a fight he didn’t lose. Archie’s single aim is to live up to the memory of the ghost who haunts him: Detective Sam Hannigan. Trail along with Archie into the middle of this muddle, as he tracks the arc of history and finds that it has rounded itself off into a circular firing squad. In this antic and brilliant assault on our past and present, Jules Feiffer shows us, once and for all, that if there’s one thing Americans hate, it’s learning from past mistakes. Every twenty years or so, a new generation must address new biases and injustices that are virtually identical to past biases and injustices. But who remembers? Exposing the tragically cyclical path of American history, Jules Feiffer pens the final installment to a noir masterpiece. |
| feiffer's people monologues: Tigers be Still Kim Rosenstock, 2013 A comedy that follows the misadventures of Sherry Wickman, a young woman who has recently earned her masters degree in art therapy only to find herself moving back home. Unemployed and overwhelmed, Sherry retreats to her childhood bed and remains there until an unexpected employment opportunity gives her a renewed sense of purpose and hope. |
| feiffer's people monologues: Downstage Upfront John Smythe, 2004 In its first 40 years, from conception to maturity, through stages of growth both painful and pleasurable, Downstage - New Zealand's first and longest running regional professional theatre company - has lived an extraordinary life. This large and lavishly illustrated 'biography' is published to celebrate Downstage's birthday. It covers all the drama and larger-than-life personalities that have characterised Downstage's life, and the many great productions such as Colin McColl's internationally acclaimed relocation of Ibsen's Hedda Gabler to Karori. A major contribution to New Zealand's cultural history. |
| feiffer's people monologues: 100 Months John Hicklenton, 2015-04-23 John Hicklenton was one of Britain's leading comic book artists, who took his own life in March 2010 with the assistance of Dignitas in Zurich. 100 Months is an apocalyptic parable of environmental devastation written and drawn in fore knowledge of his own impending death. An intense, hallucinatory story with overtones of Dostoevsky's 'Legend of the Grand Inquisitor' and artwork of breathtaking intensity, it is the crowning achievement of a brilliant career, a true graphic novel that engages ultimate themes of life, death and salvation. Controversial, haunting and tortured in all senses, it will inevitably fuel debate around the issues of taking one's own life. Includes a foreword by Pat Mills. |
| feiffer's people monologues: Plays for Actresses Eric Lane, Nina Shengold, 1997-03-25 Gather any group of actresses, from students to stars, and someone will inevitably ask, Where are all the great roles for women? The roles are right here, in this unprecedented and magnificently diverse collection of plays with all-female casts. The seven full-length and ten one-act selections range in tone from the unabashed theatricality of Edward Albee's Pulitzer Prize-winning Three Tall Women to the blistering black comedy of Laura Cunningham's Beautiful Bodies. Their characters include uprooted Japanese war brides, outrageously liberated Shakespearean heroines, an avenging African American housewife, and nuns who double as Catholic schoolgirls. Whether you're looking for a script to produce or a scene for an acting class, this book will provide you with a wealth of juicy, challenging female roles as it introduces you to some of the finest playwrights at work today. |
| feiffer's people monologues: The Art of Ill Will Donald Dewey, 2008-10 Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing. |
| feiffer's people monologues: Amulets Against the Dragon Forces Paul Zindel, 2012-10-01 From Pulitzer Prize-winning author Paul Zindel comes this powerful and deeply moving study of the destructive effects of lovelessness and loneliness on a sensitive adolescent. Presented to critical and popular acclaim by New York's highly regarded Circle Repertory Company, the play probes unerringly into the unsettled lives of its characters and finds the compassion and simple humanity which circumstances have driven within them. AMULETS becomes gripping and disturbing...the characters are invariably fascinating... —NY Times. ...absorbing and vividly written study of mid-50s lower-middle-class alienation and emotional hunger...it's the work of a true playwright. —Variety. This is the play Williams or Inge would have written if they had been born 30 years later and avoided the sexual repression of their times. —BackStage. Drama Full Length 9 men, 3 women (of the 9 men several roles can be doubled): 12 total Interior |
| feiffer's people monologues: The Explainers Jules Feiffer, 1960 |
| feiffer's people monologues: Blink Phil Porter, 2022-03-24 This is the tale of Jonah, Sophie, and a fox called Scruffilitis. It's a love story. A dysfunctional, voyeuristic and darkly funny love story, but a love story all the same. This new play by the Bruntwood Playwriting Prize winner Phil Porter, is an exciting collaboration between Soho Theatre - London's most vibrant venue for new writing, comedy and cabaret - and internationally acclaimed Fringe First winners nabokov. |
| feiffer's people monologues: Sick, Sick, Sick Jules Feiffer, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| feiffer's people monologues: The Fruit Bowl Project Sarah Durkee, 2009-03-25 Call it six degrees of separation. The kids in 8th Grade Writer’s Workshop are awestruck when their teacher announces that through her husband’s cousin, she’s met rock superstar Nick Thompson and has invited him to their class. He’s come to talk about writing and he’s even cooler than they imagined. Nick, known for his music as well as his lyrics, tells the kids his secret: A song is just a bowl of fruit–one must figure out how to paint it. Words are to a writer what paint is to a painter. How many ways can one arrange the fruit? An infinite number. There’s style, voice, genre, and much more to consider. Nick gives the kids two weeks to complete the assignment using seven seemingly ordinary elements. Each student must tell an interesting story, reflecting his or her style. And so The Fruit Bowl Project begins. Rap, poetry, monologue, screenplay, haiku, fairy tale–and more. |
| feiffer's people monologues: Contemporary Jewish-American Dramatists and Poets Joel Shatzky, Michael Taub, 1999-08-30 Entries summarize the life, work, and critical reception of contemporary Jewish-American dramatists and poets. |
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