Advertisement
| faces in the crowd valeria luiselli: Faces in the Crowd Valeria Luiselli, 2014-04-21 Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 An extraordinary new literary talent.--The Daily Telegraph In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer.--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition. —Publishers Weekly |
| faces in the crowd valeria luiselli: Faces in the Crowd Valeria Luiselli, 2012-05-03 In the heart of Mexico City a woman, trapped in a house and a marriage she can neither fully inhabit nor abandon, thinks about her past.She has decided to write a novel about her days at a publishing house in New York; about the strangers who became lovers and the poets and ghosts who once lived in her neighbourhood. In particular, one of the obsessions of her youth - Gilberto Owen - an obscure Mexican poet of the 1920s, a marginal figure of the Harlem Renaissance, a busker on Manhattan's subway platforms, a friend and an enemy of Federico Garca Lorca. As she writes, Gilberto Owen comes to life on the page: a solitary, faceless man living on the edges of Harlem's writing and drinking circles at the beginning of the Great Depression, haunted by the ghostly image of a woman travelling on the New York subway. Mutually distorting mirrors, their two lives connect across the decades between them, forming a single elegy of love and loss. |
| faces in the crowd valeria luiselli: Sidewalks Valeria Luiselli, 2013-05-02 Evocative, erudite and consistently surprising, these narrative essays explore the places - real and imagined - that shape our lives. Whether wandering the familiar streets of her neighbourhood, revisiting the landmarks of her past, or getting lost in a foreign city, Valeria Luiselli plots a unique and exhilarating course that traces unexpected pathways between diverse ideas and reveals the world from a fresh perspective. Here, we follow Luiselli as she cycles around Mexico City, shares a cigarette with the night porter in her Harlem apartment, and hunts down a poet's tomb in Venice. Each location sparks Luiselli's nimble curiosity and prompts imaginative reflections and inventions on topics as varied as the fluidity of identity, the elusiveness of words that can't be translated, the competing methods of arranging a bookcase, and the way that city-dwellers evade eye-contact with their neighbours while spying on their lives. Sidewalks cements Luiselli's reputation as one of Latin America's most original, smart and exciting new literary voices. |
| faces in the crowd valeria luiselli: Tell Me How It Ends Valeria Luiselli, 2017-03-13 Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established. —Annalia Luna, Brazos Bookstore Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read. —Stephen Sparks, Point Reyes Books Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017. —Katharine Solheim, Unabridged Books While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see. —Rick Simonson, Elliott Bay Book Company Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt. —Brad Johnson, Diesel Bookstore The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential. —Mark Haber, Brazos Bookstore Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency. —Jeremy Garber, Powell's Books |
| faces in the crowd valeria luiselli: Lost Children Archive Valeria Luiselli, 2020-02-04 NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post One of The Atlantic’s Great American Novels of the Past 100 Years In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world. |
| faces in the crowd valeria luiselli: The Glassy, Burning Floor of Hell Brian Evenson, 2021-08-03 “Here is how monstrous humans are.” A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling suspense. |
| faces in the crowd valeria luiselli: Suite for Barbara Loden Nathalie Léger, 2016-10-17 The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result. |
| faces in the crowd valeria luiselli: The Body Where I was Born Guadalupe Nettel, 2015-06-16 The first novel to appear in English by one of the most talked-about and critically acclaimed writers of new Mexican fiction. From a psychoanalyst's couch, the narrator looks back on her bizarre childhood—in which she was born with an abnormality in her eye into a family intent on fixing it. In a world without the time and space for innocence, the narrator intimately recalls her younger self—a fierce and discerning girl open to life’s pleasures and keen to its ruthless cycle of tragedy. With raw language and a brilliant sense of humor, both delicate and unafraid, Nettel strings together hard-won, unwieldy memories—taking us from Mexico City to Aix-en-Provence, France, then back home again—to create a portrait of the artist as a young girl. In these pages, Nettel’s art of storytelling transforms experience into inspiration and a new startling perception of reality. Nettel's eye…gives rise to a tension, subtle but persistent, that immerses us in an uncomfortable reality, disquieting, even disturbing—a gaze that illuminates her prose like an alien sun shining down on our world. —Valeria Luiselli, author of Sidewalks and Faces in the Crowd It has been a long time since I've found in the literature of my generation a world as personal and untransferable as that of Guadalupe Nettel. —Juan Gabriel Vásquez, author of The Sound of Things Falling Nettel reveals the subliminal beauty within beings…and painstakingly examines the intimacies of her soul. —Magazine Littéraire “Guadalupe Nettel’s storytelling power is majestic.—Typographical Era In Praise of Natural Histories Five flawless stories... —The New York Times “Nettel’s stories are as atmospheric and emotionally battering as Checkhov’s.”—Asymptote |
| faces in the crowd valeria luiselli: Umami Laia Jufresa, 2016-07-07 'A wonderfully surprising novel, powered by wit, exuberance and nostalgia.' Chloe Aridjis, author of Sea Monsters A captivating portrait of contemporary Mexico, cut through with dazzling wit and sensitivity It started with a drowning. Deep in the heart of Mexico City, where five houses cluster around a sun-drenched courtyard, lives Ana, a precocious twelve-year-old still coming to terms with the mysterious death of her little sister years earlier. Over the rainy, smoggy summer she decides to plant a vegetable garden in the courtyard, and as she digs the ground and plants her seeds, her neighbors in turn delve into their past. As the ripple effects of grief, childlessness, illness and displacement saturate their stories, secrets seep out and questions emerge – Who was my wife? Why did my mom leave? Can I turn back the clock? And how could a girl who knew how to swim drown? Using five voices to tell the singular story of life in an inner city mews, Umami is a quietly devastating novel of missed encounters, missed opportunities, missed people, and those who are left behind. Compassionate, surprising, funny and inventive, it deftly unpicks their stories to offer a darkly comic portrait of contemporary Mexico, as whimsical as it is heart-wrenching. |
| faces in the crowd valeria luiselli: The Missing Year of Juan Salvatierra Pedro Mairal, 2013-07-15 An artist’s sons hunt for their mysterious inheritance: “A pleasure to read . . . One of the most significant Argentine writers working today” (David Leavitt, author of The Lost Language of Cranes). At age nine, Juan Salvatierra became mute following a horse riding accident. At twenty, he began secretly painting a series of long rolls of canvas in which he minutely detailed six decades of life in his village on Argentina’s river frontier with Uruguay. After the death of Salvatierra, his sons return to the village from Buenos Aires to deal with their inheritance: a shed packed with painted rolls of canvas stretching over two miles in length and depicting personal and communal history. Museum curators from Europe come calling to acquire this strange, gargantuan artwork. But an essential roll is missing. A search ensues that illuminates the links between art and life, as an intrigue of family secrets buried in the past cast their shadows on the present. “Will surely leave some readers thinking of Henry James’s tragicomic accounts of the artist’s life.” —The New Republic “Pedro Mairal isn’t your old college literature professor’s idea of an Argentine novelist.” —Los Angeles Times |
| faces in the crowd valeria luiselli: Search History Eugene Lim, 2021-10-05 Search History oscillates between a wild cyberdog chase and lunch-date monologues as Eugene Lim deconstructs grieving and storytelling with uncanny juxtapositions and subversive satire. Frank Exit is dead—or is he? While eavesdropping on two women discussing a dog-sitting gig over lunch, a bereft friend comes to a shocking realization: Frank has been reincarnated as a dog! This epiphany launches a series of adventures—interlaced with digressions about AI-generated fiction, virtual reality, Asian American identity in the arts, and lost parents—as an unlikely cast of accomplices and enemies pursues the mysterious canine. In elliptical, propulsive prose, Search History plumbs the depths of personal and collective consciousness, questioning what we consume, how we grieve, and the stories we tell ourselves. |
| faces in the crowd valeria luiselli: You Too Can Have a Body Like Mine Alexandra Kleeman, 2015-08-25 “A powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation.” —New York Times Book Review An intelligent and madly entertaining debut novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation. A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That’s My Partner! A eats (or doesn’t) the right things, watches endless amounts of television, often just for the commercials—particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket’s entire, and increasingly ample, supply of veal. Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C’s pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature. |
| faces in the crowd valeria luiselli: The Wallcreeper Nell Zink, 2015-10-01 ‘Heady and rambunctious ... Wake up, this book says: in its plot lines, in its humour, in its philosophical underpinnings and political agenda. I'll pay it the highest compliment it knows – this book is a wild thing.’ New York Times Book Review |
| faces in the crowd valeria luiselli: Among Strange Victims Daniel Salda–a Par’s, 2016-06-07 Slackers meets Savage Detectives in this polyphonic ode to the pleasures of not measuring up. |
| faces in the crowd valeria luiselli: Call Me Zebra Azareen Van der Vliet Oloomi, 2018 Winner of the PEN/Faulkner Award for Fiction Hearken ye fellow misfits, migrants, outcasts, squint-eyed bibliophiles, library-haunters and book stall-stalkers: Here is a novel for you.--Wall Street Journal A tragicomic picaresque whose fervid logic and cerebral whimsy recall the work of Bola o and Borges. --New York Times Book Review Finalist for the PEN/Faulkner Award for Fiction * Longlisted for the PEN/Open Book Award * An Amazon Best Book of the Year * A Publishers Weekly Bestseller Named a Best Book by: Entertainment Weekly, Harper's Bazaar, Boston Globe, Fodor's, Fast Company, Refinery29, Nylon, Los Angeles Review of Books, Book Riot, The Millions, Electric Literature, Bitch, Hello Giggles, Literary Hub, Shondaland, Bustle, Brit & Co., Vol. 1 Brooklyn, Read It Forward, Entropy Magazine, Chicago Review of Books, iBooks and Publishers Weekly From an award-winning young author, a novel following a feisty heroine's quest to reclaim her past through the power of literature--even as she navigates the murkier mysteries of love. Zebra is the last in a line of anarchists, atheists, and autodidacts. When war came, her family didn't fight; they took refuge in books. Now alone and in exile, Zebra leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago. Books are Zebra's only companions--until she meets Ludo. Their connection is magnetic; their time together fraught. Zebra overwhelms him with her complex literary theories, her concern with death, and her obsession with history. He thinks she's unhinged; she thinks he's pedantic. Neither are wrong; neither can let the other go. They push and pull their way across the Mediterranean, wondering with each turn if their love, or lust, can free Zebra from her past. An adventure tale, a love story, and a paean to the power of language and literature starring a heroine as quirky as Don Quixote, as introspective as Virginia Woolf, as whip-smart as Miranda July, and as spirited as Frances Ha, Call Me Zebra will establish Van der Vliet Oloomi as an author on the verge of developing a whole new literature movement (Bustle). |
| faces in the crowd valeria luiselli: A Year in Japan Kate T. Williamson, 2006 New York City-based writer and illustrator Williamson shares discoveries about Japan and its culture based on a recent year spent in Kyoto as a postgraduate student. The text combines the author's colorful illustrations with brief descriptions presented in a script-style text. The end result is a charming, journal-like publication in which Williams |
| faces in the crowd valeria luiselli: México20 Various, 2015-10-13 Hay Festival, the British Council and Conaculta have joined forces to bring twenty young writers under the age of forty to an international readership. These exciting new voices come together in an anthology of short pieces, giving a glimpse of Mexico's outstanding literary culture. Following in the footsteps of the likes of Octavio Paz and Carlos Fuentes, the writers capture an era of shifting boundaries and growing violence, where the country's rapid modernization is often felt to be at the cost of its artistic heritage. Broken families, a man in a birdcage, a lone swimmer - all stories betray a quest for the self when the feeling of loss pervades. Pushkin Press is proud to present these vibrant and moving narratives: Contributors: DBC Pierre, Cristina Riverza Garza, Juan Pablo Anaya, Gerardo Arana, Nicolás Cabral, Verónica Gerber, Pergentino José, Laia Jufresa, Luis Felipe Lomelí, Brenda Lozano, Valeria Luiselli, Fernanda Melchor, Emiliano Monge, Eduardo Montagner Anguiano, Antonio Ortuño, Eduardo Rabasa, Antonio Ramos Revillas, Eduardo Ruiz Sosa, Daniel Saldaña, Ximena Sánchez, Echenique, Carlos Velázquez, Nadia Villafuerte. |
| faces in the crowd valeria luiselli: Enoch Soames Sir Max Beerbohm, 2014-11-01 [...]had another book coming out soon. I asked if I might ask what kind of book it was to be. My poems, he answered. Rothenstein asked if this was to be the title of the book. The poet meditated on this suggestion, but said he rather thought of giving the book no title at all. If a book is good in itself— he murmured, and waved his cigarette. Rothenstein objected that absence of title might be bad for the sale of a book. If, he urged, I went into a bookseller's and said simply, 'Have you got?' or, 'Have you a copy of?' how would they know what I wanted? Oh, of course I should have my name on the cover, Soames answered earnestly. And I rather want, he added, looking hard at Rothenstein, to have a drawing of myself as frontispiece. Rothenstein admitted that this was a capital idea, and mentioned that he was going into the country and would be there for some time. He then looked at his watch, exclaimed at the hour, paid the waiter, and went away with me to dinner. Soames remained at his post of fidelity to the glaucous witch. Why were you so determined not to draw him? I asked.[...]. |
| faces in the crowd valeria luiselli: Portraits and Ashes John Pistelli, 2017-06-24 Julia is an aspiring painter without money or direction, haunted by a strange family history. Mark is a successful architect who suddenly finds himself unemployed with a baby on the way. Alice is a well-known artist and museum curator disgraced when her last exhibit proved fatal. Running from their failures, this trio is drawn toward a strange new cult that seeks to obliterate the individual-and which may be the creation of a mysterious and dangerous avant-garde artist. John Pistelli unforgettably portrays three people desperate to lead meaningful lives as they confront the bizarre new institutions of a fraying America. A suspenseful and poetic novel in the visionary tradition of Don DeLillo, David Mitchell, Kazuo Ishiguro, and Jos� Saramago, PORTRAITS AND ASHES is a scorching picture of our troubled age. |
| faces in the crowd valeria luiselli: Requiem: A Hallucination Antonio Tabucchi, 2002-11-17 A private meeting, chance encounters, and a mysterious tour of Lisbon, in this brilliant homage to Fernando Pessoa. In this enchanting and evocative novel, Antonio Tabucchi takes the reader on a dream-like trip to Portugal, a country he is deeply attached to. He spent many years there as director of the Italian Cultural Institute in Lisbon. He even wrote Requiem in Portuguese; it had to be translated into Italian for publication in his native Italy. Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. But, it turns out, not twelve noon, twelve midnight, so he has a long time to while away. As the day unfolds, he has many encounters—a young junky, a taxi driver who is not familiar with the streets, several waiters, a gypsy, a cemetery keeper, the mysterious Isabel, an accordionist, in all almost two dozen people both real and illusionary. Finally he meets The Guest, the ghost of the long dead great poet Fernando Pessoa. Part travelog, part autobiography, part fiction, and even a bit of a cookbook, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality. |
| faces in the crowd valeria luiselli: Homer & Langley E.L. Doctorow, 2009-09-01 “Beautiful and haunting . . . one of literature’s most unlikely picaresques, a road novel in which the rogue heroes can’t seem to leave home.”—The Boston Globe SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Chicago Tribune • St. Louis Post-Dispatch • The Kansas City Star • Booklist Homer and Langley Collyer are brothers—the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers—wars, political movements, technological advances—and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians . . . and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Praise for Homer & Langley “Masterly.”—The New York Times Book Review “Doctorow paints on a sweeping historical canvas, imagining the Collyer brothers as witness to the aspirations and transgressions of 20th century America; yet this book’s most powerfully moving moments are the quiet ones, when the brothers relish a breath of cool morning air, and each other’s tragically exclusive company.”— O: The Oprah Magazine “A stately, beautiful performance with great resonance . . . What makes this novel so striking is that it joins both blindness and insight, the sensual world and the world of the mind, to tell a story about the unfolding of modern American life that we have never heard in exactly this (austere and lovely) way before.”—San Francisco Chronicle “Wondrous . . . inspired . . . darkly visionary and surprisingly funny.” —The New York Review of Books “Cunningly panoramic . . . Doctorow has packed this tale with episodes of existential wonder that cpature the brothers in all their fascinating wackiness.”—Elle |
| faces in the crowd valeria luiselli: Sleepless Nights Elizabeth Hardwick, 2019-07-02 Sally Rooney: 'High intelligence and beauty.' Margo Jefferson: 'Extraordinary' Rediscover a lost American classic in this kaleidoscopic scrapbook of one woman's memories, with a new introduction by Eimear McBride. I am alone here in New York, no longer a we ... First published in 1979, Sleepless Nights is a unique collage of fiction and memoir, letters and essays, portraits and dreams. It is more than the story of a life: it is Elizabeth Hardwick's experience of womanhood in the twentieth century. Escaping her childhood home of Kentucky, the narrator arrives at a bohemian hotel in Manhattan filled with 'drunks, actors, gamblers ... love and alcohol and clothes on the floor.' Here begin the erotic affairs and dinner parties, the abortions and heartbreaks, the friendships and 'people I have buried'. Here are luminous sketches of characters she has met that illuminate the era's racism, sexism, and poverty. Above all, here is prose blurring into poetry, language to lose - and perhaps to find - yourself in. Society tries to write these lives before they are lived. It does not always succeed. |
| faces in the crowd valeria luiselli: The Land Of Spices Kate O'Brien, 2016-05-19 AN AWARD-WINNING AND REMARKABLE IRISH NOVELIST 'This subtle and beautifully constructed novel deals with the conflict between human and divine love' SUNDAY TIMES 'If novels can be music, this is a novel with perfect pitch' CLARE BOYLAN 'A fuller appreciation of modern literature and a greater understanding of twentieth century Ireland' IRISH TIMES Mere Marie-Helene once turned her back on life, sealing up her heart in order to devote herself to God. Now the formidable Mother Superior of an Irish convent, she has, for some time, been experiencing grave doubts about her vocation. But when she meets Anna Murphy, the youngest-ever boarder, the little girl's solemn, poetic nature captivates her and she feels 'a storm break in her hollow heart'. Between them an unspoken allegiance is formed that will sustain each through the years as the Reverend Mother seeks to combat her growing spiritual aridity and as Anna develops the strength to resist the conventional demands of her background. |
| faces in the crowd valeria luiselli: The Summer I Learned to Fly Dana Reinhardt, 2011 Thirteen-year-old Drew starts the summer of 1986 helping in her mother's cheese shop and dreaming about co-worker, Nick. But when her widowed mother begins dating, Drew turns to her father's copy of The Book of Lists, her pet rat, and Emmett--a boy on a quest--to help her cope. |
| faces in the crowd valeria luiselli: Monkey Boy Francisco Goldman, 2021-07-01 'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New Yorker Francisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love. Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom. Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years. |
| faces in the crowd valeria luiselli: The Love Parade Sergio Pitol, 2022-01-11 Following the chance discovery of certain documents, a historian sets out to unravel the mystery of a murder committed in his childhood Mexico City home in the autumn of 1942. Mexico had just declared war on Germany, and its capital had recently become a colorful cauldron of the most unusual and colorful of the European ilk: German communists, Spanish republicans, Trotsky and his disciples, Balkan royalty, agents of the most varied secret services, opulent Jewish financiers, and more. As the historian-turned-detective begins his investigation, he introduces us to a rich and eccentric gallery of characters, the media of politics, the newly installed intelligentsia, and beyond. Identities are crossed, characters are confounded; Pitol constructs a novel that turns on mistaken identities, blurred memories, and conflicting interests, and whose protagonist is haunted by the ever-looming possibility of never uncovering the truth. At the same time a fast-paced detective investigation and an uproarious comedy of errors, this novel cemented Pitol’s place as one of Latin America’s most important twentieth-century authors. Winner of the Herralde Prize in 1984, The Love Parade is the first installment of what Pitol would later dub his Carnival Triptych. “This novel is not only the best that Pitol has written, but one of the best novels in Mexican literature.” —Sergio González Rodríguez, La Jornada “Sergio Pitol in the splendor of his mastery. A great novel.” —Florian Borchmeyer, Frankfurter Allgemeine Zeitung |
| faces in the crowd valeria luiselli: We are the Goldens Dana Reinhardt, 2014 Since their parents divorce when they were young, Nell and her sister Layla have been each other's stability and support. When Layla starts to pull away, Nell discovers a secret: Layla is involved with one of their teachers. Nell struggles with what to do. |
| faces in the crowd valeria luiselli: Godsend John Wray, 2019-01-24 In California her name was Aden Grace Sawyer. In Pakistan she must choose a different name – Suleyman – and take on a new identity as a young man. She has travelled a long way to begin her new life, and she’ll travel further to protect her secret. But once she is on the ground, Aden finds herself in more danger than she could have dreamed. Faced with violence and loss, she must make intense and unimaginable choices that will test not only her faith, but her understanding of who she is. Compelling, unnerving and timely, Godsend is a subtle masterpiece of empathy: a study of what it means for a person to give themselves to their faith, and how far they will go from home to find a place to belong. |
| faces in the crowd valeria luiselli: Kingdom Cons Yuri Herrera, 2017 In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the kingdom to its core--Page 4 of cover. |
| faces in the crowd valeria luiselli: The Last Great Road Bum Héctor Tobar, 2020-08-25 One of the Los Angeles Times Top 10 California Books of 2020. One of Publishers Weekly’s Top 10 Fiction Books from 2020. Longlisted for the Carnegie Medal for Excellence and the Joyce Carol Oates prize. One of Exile in Bookville’s Favorite Books of 2020. In The Last Great Road Bum, Héctor Tobar turns the peripatetic true story of a naive son of Urbana, Illinois, who died fighting with guerrillas in El Salvador into the great American novel for our times. Joe Sanderson died in pursuit of a life worth writing about. He was, in his words, a “road bum,” an adventurer and a storyteller, belonging to no place, people, or set of ideas. He was born into a childhood of middle-class contentment in Urbana, Illinois and died fighting with guerillas in Central America. With these facts, acclaimed novelist and journalist Héctor Tobar set out to write what would become The Last Great Road Bum. A decade ago, Tobar came into possession of the personal writings of the late Joe Sanderson, which chart Sanderson’s freewheeling course across the known world, from Illinois to Jamaica, to Vietnam, to Nigeria, to El Salvador—a life determinedly an adventure, ending in unlikely, anonymous heroism. The Last Great Road Bum is the great American novel Joe Sanderson never could have written, but did truly live—a fascinating, timely hybrid of fiction and nonfiction that only a master of both like Héctor Tobar could pull off. |
| faces in the crowd valeria luiselli: Crow Fair Thomas McGuane, 2015-03-03 Set in Big Sky Country, a triumphant collection of stories written with a comic genius in the vein of Twain and Gogol—from from the acclaimed author of Ninety-two in the Shade and Cloudbursts, “one of America's best short-story writers of the last 50 years (The Boston Globe) These stories attest to the generous compass of Thomas McGuane's fellow feeling, as well as to his unique way with words. In this collection, filled with grace and humor, the ties of family make for uncomfortable binds: A devoted son is horrified to discover his mother's antics before she slipped into dementia, and a father's outdoor skills are no match for a change in the weather. But complications arise equally in the absence of blood, as when lifelong friends on a fishing trip finally confront their deep dislike for each other. Or when a gifted traveling cattle breeder succumbs to the lure of a stranger's offer of easy money. McGuane is as witty and large-hearted as we have ever known him, and Crow Fair is a jubilant, thunderous confirmation of his status as a modern master. |
| faces in the crowd valeria luiselli: Sexual Personae Camille Paglia, 1990-09-10 From ancient Egypt through the nineteenth century, Sexual Personae explores the provocative connections between art and pagan ritual; between Emily Dickinson and the Marquis de Sade; between Lord Byron and Elvis Presley. It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs. |
| faces in the crowd valeria luiselli: The Funeral Party Ludmila Ulitskaya, 2010-12-01 August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile. |
| faces in the crowd valeria luiselli: Faces in the Crowd Valeria Luiselli, 2014-05-13 Collapsing narratives and the perils of translation from one of the most important new voices in Mexican writing (Alma Guillermoprieto). |
| faces in the crowd valeria luiselli: The Isle of Youth Laura van den Berg, 2013-11-05 Beautiful, strange, and compulsively readable stories from an already-celebrated young writer-- |
| faces in the crowd valeria luiselli: My Face for the World to See Alfred Hayes, 2018-05-31 A brilliant, bruising depiction of the dark side of 1950s Hollywood, from the author of In Love. At a Hollywood party, a screenwriter rescues an aspiring actress from a drunken suicide attempt. He is married, disillusioned; she is young, seemingly wise to the world and its slights. They slide into a casual relationship together, but as they become ever more entangled, he realises that his actions may have more serious consequences than he could ever have suspected. Hayes' exquisite novella, written in his cool, inimitable style, holds a revealing light to the hollowness of the Hollywood dream and exposes the untruths we tell ourselves, even when we think we have left illusions behind. 'A masterpiece ... an insider's manual for all those who would aspire to fame, the ghostly glamour of the movies' Nicholas Lezard, Guardian 'Hayes is the poet of the things we think about while lying in bed, when sleep refuses to carry us off' David Thomson |
| faces in the crowd valeria luiselli: Barbarian Nurseries Héctor Tobar, 2011-09-27 Scott Tores is a thirty-something Mexican-American with a beautiful, blonde wife, Maureen, a mansion outside L.A., and a staff of servants to tend his lawn, clean his house, and care for their three children. But as the novel opens, all the servants have been let go, save for Araceli, the maid. Scott has fallen on hard times after a failed investment and in order to make ends meet has been forced to cut costs. With the recent addition of a newborn into their family, tension escalates, and the couple soon part ways, Maureen to a spa with their baby, Scott to a female co-worker’s house. Both believe the other is caring for the children. Araceli, who has never raised children before, spends more time daydreaming about her former life as a Mexico City artist than caring for the kids. When she starts to run out of food, she spirits the children off on an absurd adventure through Los Angeles in search of their Mexican-American grandfather. When Maureen and Scott finally return home, they panic, thinking Araceli has kidnapped the children. Soon a national media circus explodes over the “abduction.” The Barbarian Nurseries is a lush, highly populated social novel in the vein of Tom Wolfe with a bit of T.C. Boyle that explores dashed dreams through a city divided. |
| faces in the crowd valeria luiselli: Leaving the Atocha Station Ben Lerner, 2023-08 Included in the BEST OF GRANTA launch list for 2023: this story of a young American abroad and adrift is a hilarious, intelligent cult classic, from one of the most celebrated contemporary novelists. |
| faces in the crowd valeria luiselli: Pigeon Alys Conran, 2016 An incongruous ice-cream van lurches up into the Welsh hills through the hail, pursued by a boy and girl who chase it into their own dark make-believe world, and unfurl in their compelling voices a tale which ultimately breaks out of childhood and echoes across the years. Pigeon is the tragic, occasionally hilarious and ultimately intense story of a childhood friendship and how it s torn apart, a story of guilt, silence and the loss of innocence, and a story about the kind of love which may survive it all. |
| faces in the crowd valeria luiselli: Sudden Death Álvaro Enrigue, 2016-04-14 Selected as a Guardian best book of 2016 A funny and mind-bending novel about the clash of empires and ideas in the sixteenth century, told over the course of one dazzling tennis match A brutal tennis match in Rome. Two formidable opponents: the wild Italian painter Michelangelo Merisi da Caravaggio and the loutish Spanish poet Francisco de Quevedo. Galileo, Saint Matthew and Mary Magdalene heckle from the sidelines. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her executioner transforms her legendary locks into the most sought-after tennis balls of the time. Across the ocean in Mexico, the last Aztec emperors play their own games, as Hern�n Cort�s and his Mayan translator and lover scheme and conquer, fight and fuck, not knowing that their domestic comedy will change the course of history. Over the course of one dazzling tennis match - through assassinations and executions, carnal liaisons and papal dramas, artistic and religious revolutions, love and war - Sudden Death tells the grand adventure of the clash of empires and the dawn of the modern era. |
Faces Costa Rica
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
Faces Costa Rica| Tienda en línea de cosméticos, perfumes, …
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre.
Maquillaje facial - cr.faces.com
Faces Costa Rica te trae las mejores marcas como: Covergirl, Dior, MAC, Estee Lauder y Lancôme para que consigas una rutina de maquillaje perfecta para cualquier ocasión.
PERFUME HUGO BOSS BOTTLED ELIXIR | HUGO BOSS | FACES
Compra ya PERFUME HUGO BOSS BOTTLED ELIXIR. Los mejores artículos de belleza y experiencias en nuestra tienda Faces.com
Hombres – facescr - Faces Costa Rica
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
PERFUME PACO RABANNE 1 MILLION ROYAL HOMBRE EDP 50 ml …
Compra ya PERFUME PACO RABANNE 1 MILLION ROYAL HOMBRE EDP . Los mejores articulos de belleza y experiencias en nuestra tienda Faces.com
Mujer - facescr
Con todas las fragancias que tenemos para ti en Faces Costa Rica lograrás cautivar a todos a tu alrededor, pues nuestros perfumes además de ser de las mejores marcas, se adaptan …
SOMBRAS ICONIC LONDON GLAZE CRAYON - FACES
Compra ya SOMBRAS ICONIC LONDON GLAZE CRAYON. Los mejores artículos de belleza y experiencias en nuestra tienda Faces.com
La – facescr
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
Perfumes y fragancias | Faces Costa Rica - Faces Costa Rica| Tienda …
Descubrí perfumes de marcas reconocidas para mujer y hombre con aromas florales, amaderados, dulces y cítricos. Alta duración y gran variedad en Faces.
Faces Costa Rica
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
Faces Costa Rica| Tienda en línea de cosméticos, perfumes, …
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre.
Maquillaje facial - cr.faces.com
Faces Costa Rica te trae las mejores marcas como: Covergirl, Dior, MAC, Estee Lauder y Lancôme para que consigas una rutina de maquillaje perfecta para cualquier ocasión.
PERFUME HUGO BOSS BOTTLED ELIXIR | HUGO BOSS | FACES
Compra ya PERFUME HUGO BOSS BOTTLED ELIXIR. Los mejores artículos de belleza y experiencias en nuestra tienda Faces.com
Hombres – facescr - Faces Costa Rica
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
PERFUME PACO RABANNE 1 MILLION ROYAL HOMBRE EDP 50 ml …
Compra ya PERFUME PACO RABANNE 1 MILLION ROYAL HOMBRE EDP . Los mejores articulos de belleza y experiencias en nuestra tienda Faces.com
Mujer - facescr
Con todas las fragancias que tenemos para ti en Faces Costa Rica lograrás cautivar a todos a tu alrededor, pues nuestros perfumes además de ser de las mejores marcas, se adaptan …
SOMBRAS ICONIC LONDON GLAZE CRAYON - FACES
Compra ya SOMBRAS ICONIC LONDON GLAZE CRAYON. Los mejores artículos de belleza y experiencias en nuestra tienda Faces.com
La – facescr
Tienda en línea para comprar maquillaje, perfumes, fragancias y tratamientos de belleza de marcas reconocidas. Productos para mujer y hombre. Descubrí tu belleza con FACES.
Perfumes y fragancias | Faces Costa Rica - Faces Costa Rica| Tienda …
Descubrí perfumes de marcas reconocidas para mujer y hombre con aromas florales, amaderados, dulces y cítricos. Alta duración y gran variedad en Faces.
