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| ferne jacobs artist website: Studio Craft as Career Paul J. Stankard, 2016-12-28 American master Stankard reveals hard-won career guidance from his 45-year career, plus shares distinguished colleagues' insights A guided analysis of 150+ top contemporary works helps your own art compete with the best Personal advice from the top on ways to pursue creative excellence, with plenty of specific visual examples |
| ferne jacobs artist website: Art in America Frank Jewett Mather, Frederic Fairchild Sherman, 2008 |
| ferne jacobs artist website: Art in America , 2005 |
| ferne jacobs artist website: Choice , 1990 |
| ferne jacobs artist website: Art Now Gallery Guide , 2001-05 |
| ferne jacobs artist website: Objects: USA 2020 Glenn Adamson, 2020-10-27 Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward. |
| ferne jacobs artist website: Surface Design Journal , 1997 |
| ferne jacobs artist website: American Craft , 2000 |
| ferne jacobs artist website: Old Traditions/new Directions Rebecca A. T. Stevens, 1981 |
| ferne jacobs artist website: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| ferne jacobs artist website: Ruth Castle Damian Skinner, 2015 |
| ferne jacobs artist website: Modernism and the Spiritual in Russian Art Louise Hardiman, Nicola Kozicharow, 2017-11-13 In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions. |
| ferne jacobs artist website: Textile Techniques in Metal Arline M. Fisch, 1997 An internationally recognized jewellery designer, Fisch has been largely responsible for introducing to a wide audience, the concept of applying fibre techniques to metal. In the process, she has enriched the creative lives of both metalworkers and fibre artists. Jewellery makers and sculptors have discovered new techniques for their familiar materials. Weavers, basket makers, and other fibre artists have incorporated new and wonderful materials into their familiar textile techniques. In Textile Techniques in Metal, Arline Fisch describes in detail the application of fibre techniques to precious and non-precious metals. After tracing the technique back to ancient and diverse cultures, she describes the basic tools and materials required. Then, with step-by-step instructions and ample how-to-photos, she explains how to work each fibre technique in metal wire or strip: weaving, knitting (including machine knitting), crochet, braiding, lace making, basketry, and knotting. Each technique is illustrated with examples of handsome jewellery by accomplished designers. created by talented designers, illustrating the full range of styles, techniques, and metals. Whether you're a jewellery maker, a sculptor, a fibre artist, or simply an admirer of fine an innovative design, this is a book you'll want to browse through at leisure and then study in detail. |
| ferne jacobs artist website: History of Computer Art Thomas Dreher, 2020 The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The History of Computer Art features examples of early developments in media like cybernetic sculptures, computer graphics and animation (including music videos and demos), video and computer games, reactive installations, virtual reality, evolutionary art and net art. The functions of relevant art works are explained more detailed than usual in such histories. |
| ferne jacobs artist website: Edward's Menagerie: The New Collection Kerry Lord, 2019-10-03 Enter a whole new world of 50 animal crochet patterns from bestselling author Kerry Lord. Crochet your way through this new collection of easy-to-make amigurumi characters – from a philosophical sloth and a chess-playing armadillo to a very fluffy Angora bunny who loves her job in customer service. Learn to improve your crochet techniques, working up from the beginner projects through to the more challenging later patterns. Each animal uses only basic stiches and there’s step-by-step instructions that mean this is the perfect book to learn to crochet. Each animal follows Kerry’s basic standard form, so if you can make one animal from the book, you can learn to make them all. Level one patterns: Hare; Alpaca; Tapir; Camel; Wombat; Kangaroo; Buffalo; Warthog. Level two patterns: Woodmouse; Meerkat; Oryx; Rat; Arctic Hare; Mouse; Beaver; Quokka; Ox; Possum; White Tiger; Three-toed Sloth; Platypus; Mole; Black and White Ruffed Lemur; Echidna; Tasmanian Devil. Level three patterns: Arctic Fox; Reindeer; Chinchilla; Moose; Giant Anteater; Fennec Fox; Llama; Baboon; Badger; Gibbon; Okapi; Otter; Fallow Stag; Angora Rabbit; Sloth Bear; Leopard; Muskox; Boer Goat; Shire Horse; Armadillo; Snow Leopard; Skunk; Flying Fox; Lynx; Red Panda. |
| ferne jacobs artist website: Joomchi and Beyond Jiyoung Chung, 2011 |
| ferne jacobs artist website: Entangled Karen Wright, 2017 |
| ferne jacobs artist website: Mobile Museums Felix Driver , Mark Nesbitt, Caroline Cornish, 2021-04-19 Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor |
| ferne jacobs artist website: The Grotta Home by Richard Meier Glenn Adamson, Richard Meier, 2019 The Grotta House was designed by star architect Richard Meier Excellent private collection of ceramics, jewelry, wood and fiber An ambitious project fusing art and architecture A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it. |
| ferne jacobs artist website: Surprised by Joy C. S. Lewis, 2017-02-14 A repackaged edition of the revered author’s spiritual memoir, in which he recounts the story of his divine journey and eventual conversion to Christianity. C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—takes readers on a spiritual journey through his early life and eventual embrace of the Christian faith. Lewis begins with his childhood in Belfast, surveys his boarding school years and his youthful atheism in England, reflects on his experience in World War I, and ends at Oxford, where he became the most dejected and reluctant convert in all England. As he recounts his lifelong search for joy, Lewis demonstrates its role in guiding him to find God. |
| ferne jacobs artist website: A Place of Greater Safety Hilary Mantel, 2009-11-12 An extraordinary work of historical imagination from the double Booker Prize-winning author of the Wolf Hall trilogy, now a major TV series, this is Hilary Mantel’s epic novel of the French Revolution. |
| ferne jacobs artist website: Mexico Metropolitan Museum of Art (New York, N.Y.), Los Angeles County Museum of Art, 1990 Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art. |
| ferne jacobs artist website: Sam Maloof, Woodworker Sam Maloof, 1988 This text presents essays and photographs by American furniture-maker Sam Maloof. What if Picasso had been a chair maker and Stravinsky a designer of tables? What would have been the impact of such intense creative talent on twentieth-century furniture? Today there is a man with this quality of profound artistic vision and talent who has devoted his life to making furniture. His name is Sam Maloof, and this book is his life and work told in his own words. Sam Maloof started making furniture immediately after World War II, when there was very little demand |
| ferne jacobs artist website: Walter Benjamin and the Architecture of Modernity Andrew E. Benjamin, Charles Rice, 2009 In what ways are Walter Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? This volume collects essays on time in cinema, the problem of kitsch, the design of graves and tombs, and more. |
| ferne jacobs artist website: Reservation Blues Sherman Alexie, 2013-10-15 DIVDIVWinner of the American Book Award and the Murray Morgan Prize, Sherman Alexie’s brilliant first novel tells a powerful tale of Indians, rock ’n’ roll, and redemption/div Coyote Springs is the only all-Indian rock band in Washington State—and the entire rest of the world. Thomas Builds-the-Fire takes vocals and bass guitar, Victor Joseph hits lead guitar, and Junior Polatkin rounds off the sound on drums. Backup vocals come from sisters Chess and Checkers Warm Water. The band sings its own brand of the blues, full of poverty, pain, and loss—but also joy and laughter.DIV It all started one day when legendary bluesman Robert Johnson showed up on the Spokane Indian Reservation with a magical guitar, leaving it on the floor of Thomas Builds-the-Fire’s van after setting off to climb Wellpinit Mountain in search of Big Mom./divDIV In Reservation Blues, National Book Award winner Alexie vaults with ease from comedy to tragedy and back in a tour-de-force outing powered by a collision of cultures: Delta blues and Indian rock. DIVThis ebook features an illustrated biography including rare photos from the author’s personal collection./div/divDIV/div/div |
| ferne jacobs artist website: Identity and Image Jutta Vinzent, 2006-06-22 This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - refugee art is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that transgressed nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities. |
| ferne jacobs artist website: Dürer and Beyond Stijn Alsteens, Freyda Spira, 2012 This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975.--Publisher's website. |
| ferne jacobs artist website: Pieces of Grace Karen Gibson, 2021-03-13 Grace believed she went from losing it all to having it all. In a desperate attempt to put her life back together, Grace, divorced and jobless, leaves Tucson to return to Chicago-a place she never planned to call home again. She also never planned to fall for Benjamin Hayward. Drawn into the fairytale existence of his power and wealth, Grace is unable to see what her family and friends see, and ignores the warning signs of Dr. Benjamin Hayward's dark side. Benjamin's secrets-the death of his mentally ill wife and the disappearance of his daughter-push Grace into an abyss deeper than the one that brought her home in the first place, and she risks losing even more. Pieces of Grace is a complicated story of relationships confused by undercurrents of mental illness. Readers find themselves hoping family and friends can carry Grace through her most difficult moments. |
| ferne jacobs artist website: Allure , 2008 |
| ferne jacobs artist website: Lenore Tawney Karen Patterson, 2019-09-18 Recent years have seen an enormous surge of interest in fiber arts, with works made of thread on display in art museums around the world. But this art form only began to transcend its origins as a humble craft in the late nineteenth and early twentieth centuries, and it wasn’t until the 1950s and 1960s that artists used the fiber arts to build critical practices that challenged the definitions of painting, drawing, and sculpture. One of those artists was Lenore Tawney (1907–2007). Raised and trained in Chicago before she moved to New York, Tawney had a storied career. She was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall, as well as for being one of the first artists to blend sculptural techniques with weaving practices and, in the process, pioneered a new direction in fiber art. Despite her prominence on the New York art scene, however, she has only recently begun to receive her due from the greater art world. Accompanying a retrospective at the John Michael Kohler Arts Center, this catalog features a comprehensive biography of Tawney, additional essays on her work, and two hundred full-color illustrations, making it of interest to contemporary artists, art historians, and the growing audience for fiber art. Copublished with the John Michael Kohler Arts Center. |
| ferne jacobs artist website: Schumann's Piano Cycles and the Novels of Jean Paul Erika Reiman, 2004 A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music. |
| ferne jacobs artist website: On Weaving Anni Albers, 2003-01-01 This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates. |
| ferne jacobs artist website: Haines San Mateo County Criss-cross Directory , 2008 |
| ferne jacobs artist website: Untamed Urbanisms Adriana Allen, Andrea Lampis, Mark Swilling, 2015-07-30 An electronic version of this book is available Open Access at www.tandfebooks.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. One of the major challenges of urban development has been reconciling the way cities develop with the mounting evidence of resource depletion and the negative environmental impacts of predominantly urban-based modes of production and consumption. This book aims to re-politicise the relationship between urban development, sustainability and justice, and to explore the tensions emerging under real circumstances, as well as their potential for transformative change. For some, cities are the root of all that is unsustainable, while for others cities provide unique opportunities for sustainability-oriented innovations that address equity and ecological challenges. This book is rooted in the latter category, but recognises that if cities continue to evolve along current trajectories they will be where the large bulk of the most unsustainable and inequitable human activities are concentrated. By drawing on a range of case studies from both the global South and global North, this book is unique in its aim to develop an integrated social-ecological perspective on the challenge of sustainable urban development. Through the interdisciplinary and original research of a new generation of urban researchers across the global South and North, this book addresses old debates in new ways and raises new questions about sustainable urban development. . |
| ferne jacobs artist website: Screen World John A. Willis, 1994 |
| ferne jacobs artist website: European Archaeology Abroad S.J. van der Linde, 2013-10-01 What are European archaeologists doing abroad? What have they been doing there for the past three to four centuries? Are they doing things differently nowadays? To address these questions, this book explores the scope, impact and ethics of European archaeological policies and practices in the Mediterranean area, the Near East, sub-Saharan Africa, Asia and Latin America. Acknowledging that international and transcultural projects have a range of different stakeholders, the first part of this book aims to identify some of the values and motivations behind different European archaeologies abroad. This is done by providing thorough historical overviews on a range of European countries, including France, Spain, Germany, Belgium, the Netherlands and Poland. But how are these values translated, through socio-political, theoretical and administrative frameworks, unto local circumstances in host countries? And how are these archaeological activities received locally? The second part of this book attempts to answer these questions through a range of historical and contemporary case studies, in Africa, in Asia, in South America, in the Near East and in Europe. The third part of the book offers several critical reflections on European values, motivations and collaboration projects, as perceived by archaeological heritage professionals based in, and/or working in Senegal, Sudan, Somaliland, Colombia, and the Near East. This collection of historical overviews, contemporary case studies and critical reflections focuses on the challenging relationships between archaeological practices and policies, including the requirements and wishes of archaeologists, of local communities and of other stakeholders in Europe and in the host countries. In addition to researchers and students, this book should be of interest to practicing archaeologists, heritage professionals and policy makers the world over, as they seek to reach better informed decisions regarding archaeological projects and international collaboration. This publication was produced in the framework of the ACE project – “Archaeology in Contemporary Europe. Professional Practices and Public Outreach”, with the support of the Culture 2007-2013 programme of the European Commission. |
| ferne jacobs artist website: Precedents and Case-Based Reasoning in the European Court of Justice Marc Jacob, 2014-03-20 Past cases are the European Court of Justice's most prominent tool in making and justifying the rulings and decisions which affect the everyday lives of more than half a billion people. Marc Jacob's detailed analysis of the use of precedents and case-based reasoning in the Court uses methods such as doctrinal scholarship, empirical research, institutional analysis, comparative law and legal theory in order to unravel and critique the how and why of the Court's precedent technique. In doing so, he moves the wider debate beyond received 'common law' versus 'civil law' figments and 'Eurosceptic' versus 'Euromantic' battle lines, and also provides a useful blueprint for assessing and comparing the case law practices of other dispute resolution bodies. |
| ferne jacobs artist website: The Machine Embroiderer's Workbook Val Holmes, 1991 Introduces the art of needlepoint embroidery by the use of sewing machines, to those uninitiated in this craft as well as to those who wish to understand their sewing machines better. This book is presented as a course, so that students can work through from the beginning to the end, but it is also possible to use the book as a reference work if a particular point needs clarifying. The Machine Embroiderer's Workbook also contains a list of useful addresses of manufacturers and material suppliers. Val Holmes is the author of Gardens in Embroidery. |
| ferne jacobs artist website: Demonic History Kirk Wetters, 2014-08-31 In this ambitious book, Kirk Wetters traces the genealogy of the demonic in German literature from its imbrications in Goethe to its varying legacies in the work of essential authors, both canonical and less well known, such as Gundolf, Spengler, Benjamin, Lukács, and Doderer. Wetters focuses especially on the philological and metaphorological resonances of the demonic from its core formations through its appropriations in the tumultuous twentieth century. Propelled by equal parts theoretical and historical acumen, Wetters explores the ways in which the question of the demonic has been employed to multiple theoretical, literary, and historico-political ends. He thereby produces an intellectual history that will be consequential both to scholars of German literature and to comparatists. |
| ferne jacobs artist website: People of Today , 2002 |
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Ferne boutique lifestyle blog. Read our blog. WE'RE SERVING UP STYLES FOR ALL YOUR SPRING OCCASIONS GET THIS FIT IN BAY CITY. Browse our summer collection. Z Supply. …
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Ferne Boutique was established in 2015 and it is our first location. Our unique selection of on-trend must haves, affordable looks, and locally women-owned jewelry lines have kept fashion …
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Henry Ferne (1602–1662), English bishop; Hortense Ferne (1885–1976), American artist; John Ferne (1553–1609), English writer, lawyer and MP
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The Foundation for the Education and Research in Neurological Emergencies (FERNE) is focused on improving neurologic emergency care.
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About | Foundation for the Education and Research in Neurological ...
FERNE Mission Statement The Foundation for the Education and Research in Neurological Emergencies is an independent not-for-profit organization committed to the following principles: …
