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| feminist castration stories: Feminism against Cisness Emma Heaney, 2024-03-29 The contributors to Feminism against Cisness showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull. Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest |
| feminist castration stories: Feminism/Femininity in Chinese Literature , 2016-08-22 The present volume of Critical Studies is a collection of selected essays on the topic of feminism and femininity in Chinese literature. Although feminism has been a hot topic in Chinese literary circles in recent years, this remarkable collection represents one of the first of its kind to be published in English. The essays have been written by well-known scholars and feminists including Kang-I Sun Chang of Yale University, and Li Ziyun, a writer and feminist in Shanghai, China. The essays are inter- and multi-disciplinary, covering several historical periods in poetry and fiction (from the Ming-Qing periods to the twentieth century). In particular, the development of women’s writing in the New Period (post-1976) is examined in depth. The articles thus offer the reader a composite and broad perspective of feminism and the treatment of the female in Chinese literature. As this remarkable new collection attests, the voices of women in China have begun calling out loudly, in ways that challenge prevalent views about the Chinese female persona. |
| feminist castration stories: The Female Eunuch Germaine Greer, 2008-10-14 The publication of Germaine Greer's The Female Eunuch in 1970 was a landmark event, raising eyebrows and ire while creating a shock wave of recognition in women around the world with its steadfast assertion that sexual liberation is the key to women's liberation. Today, Greer's searing examination of the oppression of women in contemporary society is both an important historical record of where we've been and a shockingly relevant treatise on what still remains to be achieved. |
| feminist castration stories: Feminism Christopher J. E. Johnson, 2017-04-12 Feminists have taught us that women are oppressed, abused, and cheated in America, but the truth is the exact opposite. Women have been sheltered, protected, and valued to the point that the American woman is the most privileged creature to ever walk the face of the earth. This book documents hard facts to prove that feminism is abusing and destroying the already under-privileged men in our society, and they break down families through lies and manipulation. |
| feminist castration stories: Telling Tales Katherine Cummings, 1991 A Stanford University Press classic. |
| feminist castration stories: Theorizing Feminism Anne C. Herrmann, Abigail J. Stewart, 2018-05-04 In the past three decades, feminist scholars have produced an extraordinary rich body of theoretical writing in humanities and social science disciplines. This revised and updated second edition of Theorizing Feminism: Parallel Trends in the Humanities and Social Sciences, is a genuinely interdisciplinary anthology of significant contributions to feminist theory.This timely reader is creatively edited, and contains insightful introductory material. It illuminates the historical development of feminist theory as well as the current state of the field. Emphasizing common themes and interests in the humanities and social sciences, the editors have chosen topics that remain relevant to current debates, reflect the interests of a diverse community of thinkers, and have been central to feminist theory in many disciplines.The contributors include leading figures from the fields of psychology, literary criticism, sociology, philosophy, anthropology, art history, law, and economics. This is the ideal text for any advanced course on interdisciplinary feminist theory, one that fills a long-standing gap in feminist pedagogy. |
| feminist castration stories: Feminist Social Thought Diana Tietjens Meyers, 2014-06-03 First published in 1998. Feminist Social Thought brings together key articles by prominent feminist thinkers, offering students sophisticated treatment of the theoretical topics central to feminist social thought. This reader highlights salient concerns in contemporary feminist scholarship and the advances feminist philosophers have made. The editor's introduction outlines alternative routes through the text, allowing instructors to easily adapt this reader to their particular courses and the interests of their students. Each article is prefaced with a short introduction by the editor placing it in context, highlighting the principle issues and the conclusions reached. Students will find these headnotes helpful when tackling the challenging theoretical issues addressed. Representing a spectrum of feminist thinking, Feminist Social Thought is organized around seven topics constructions of gender; theorizing diversity; figurations of women; subjectivity, agency and feminist critique; social identity, solidarity and political engagement; care and its critics; and women, equality and justice. Students will be exposed to a wide variety of feminist philosophy and encouraged to think critically about challenging questions around pivotal subjects including * How are gender norms instilled, enforced, and perpetuated? * What are the relationships between gender and other socially demarcated positions such as race, class and sexual orientation? * What resources do women have at their disposal for recognizing their subordination and resisting it? * What goals should feminist politics pursue? * How can social and legal equality be reconciled with difference? |
| feminist castration stories: Feminism and Film Theory Constance Penley, 2013-07-04 First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism. |
| feminist castration stories: Hamlet’s Hereditary Queen Kerrie Roberts, 2022-12-30 This book explores a fresh and insightful interpretation of Hamlet’s Gertrude as a prominent and powerful figure in the play. It shows how traditional readings of this character, both performance-based and scholarly, have been guided and constrained by misogynistic perspectives on female power. Bringing together the author’s wealth of insight from a theatre practitioner’s perspective and combining it with a scholarly perspective, the book argues that Gertrude need not be limited to sex and motherhood. She could instead be played as Denmark’s blood royal Queen, her role in the play then being about female political power. Gertrude’s royal status could play out on stage through a variety of possible performance choices for stage design, stage business, acting processes, and the actor’s presence – both speaking and silent. Hamlet's Hereditary Queen takes into consideration Shakespeare’s source myths, historical studies of the position of queens and the issues concerning them in early modern England, Hamlet’s performance history, and the text itself. It questions traditional readings of Hamlet, and offers detailed analyses of relevant scenes to demonstrate how Gertrude’s Hamlet might play out on stage in the twenty-first century. This is an engaging and insightful interpretation for students and scholars of theatre and performance studies and Shakespeare studies, as well as theatre practitioners. |
| feminist castration stories: Feminism Reframed Alexandra M. Kokoli, 2009-10-02 Feminism Reframed: Reflections on Art and Difference addresses the on-going dialogue between feminism, art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical interventions of feminist art historians in the academy, the press and the art world have not only politicised and transformed the themes, methods and conceptual tools of art history, but have also contributed to the emergence of new interdisciplinary areas of investigation, including notably that of visual culture. Although the impact of such fruitful transformations is indisputable, their exact contribution to contemporary scholarship remains a matter for debate, not least because feminism itself has changed significantly since the Women’s Liberation Movement. Feminism Reframed reviews and revises existing feminist art histories but also reasserts the need for continuous feminist interventions in the academy, the art world and beyond. With contributions by Anthea Behm, Alisia Grace Chase, Jennifer G. Germann, Catherine Grant, Joanne Heath, Ruth Hemus, Alexandra Kokoli, Beth Anne Lauritis, Griselda Pollock, Karen Roulstone, Anne Swartz and Sue Tate. “Coming at the moment when contemporary art practices are themselves involved in re-cycling, re-evaluating and re-enacting the past, this collection asks how feminism’s own ‘troubled’ histories can be reframed productively in the present. The questions that feminism raised in the 1970s and 80s are still pertinent, and are addressed in a number of original essays: What does gender equality mean in the arts? How can women’s subjectivities be articulated or performed differently in art practices? Can attention to gender enable us to engage with complex differences of race, sexuality and class, of age and generation? Do we need new interpretative and conceptual models for writing about art? Alexandra Kokoli’s thoughtful and illuminating introduction reminds us that reframing is a risky but exciting business if it makes us ask these questions anew, with attention to the politics and aesthetics of the present.” —Rosemary Betterton, Lancaster University |
| feminist castration stories: A History of Feminist Literary Criticism Gill Plain, Susan Sellers, 2007-08-30 Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism. |
| feminist castration stories: Feminism Art Theory Hilary Robinson, 2015-04-20 Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, the long-anticipated new edition of Feminism-Art-Theory has been extensively updated and reworked. Completely revised, retaining only one-third of the texts of the earlier edition, with all other material being new inclusions Brings together 88 revealing texts from North America, Europe and Australasia, juxtaposing writings from artists and activists with those of academics Embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism, to education and aesthetics Includes many classic texts, but is particularly notable for its inclusion of rare and significant material not reprinted elsewhere Provides a uniquely flexible resource for study and research due to its scale and structure; each of the seven sections focuses on a specific area of debate, with texts arranged chronologically in order to show how issues and arguments developed over time |
| feminist castration stories: Feminist Film Studies Janet McCabe, 2005-01-19 An introduction to feminist film theory as a discourse from the early seventies to the present. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory. |
| feminist castration stories: Feminist Messages Joan Newlon Radner, 1993 Burning dinners, stitching scandalous quilts, talking hard in the male dominated world of rap music---Feminist Messages interprets such acts as instances of coding, or covert expressions of subversive or disturbing ideas. While coding may be either deliberated or unconscious, it is a common phenomenon in women's stories, art, and daily routines. Because it is essentially ambiguous, coding protects women from potentially dangerous responses from those who might be troubled by their messages. |
| feminist castration stories: Fantasies of Gender and the Witch in Feminist Theory and Literature Justyna Sempruch, 2008 Lincoln's Censor examines the effect of government suppression on the Democratic press in Indiana during the spring of 1863. President Abraham Lincoln, who suspended the writ of habeas corpus in 1862, claiming presidential prerogatives given by the Constitution at times of invasion or rebellion, had some political misgivings about the intimidation of Democratic newspapers, but let the practice continue in Indiana from April through June of 1863. |
| feminist castration stories: The Feminist Uncanny in Theory and Art Practice Alexandra M. Kokoli, 2016-08-11 The Feminist Uncanny in Theory and Art Practice investigates the widely debated, deeply flawed yet influential concept of the uncanny through the lens of feminist theory and contemporary art practice. Not merely a subversive strategy but a cipher of the fraught but fertile dialogue between feminism and psychoanalysis, the uncanny makes an ideal vehicle for an arrangement marked by ambivalence and acts as a constant reminder that feminism and psychoanalysis are never quite at home with one another. The Feminist Uncanny begins by charting the uncanniness of femininity in foundational psychoanalytic texts by Ernst Jentsch, Sigmund Freud, Jacques Lacan and Mladen Dolar, and contextually introduces a range of feminist responses and appropriations by Hélène Cixous, Julia Kristeva and Sarah Kofman, among others. The book also offers thematically organised interpretations of famous artworks and practices informed by feminism, including Judy Chicago's Dinner Party, Faith Ringgold's story quilts and Susan Hiller's 'paraconceptualism', as well as less well-known practice, such as the Women's Postal Art Even (Feministo) and the photomontages of Maud Sulter. Dead (lexicalised) metaphors, unhomely domesticity, identity and (dis)identification, and the tension between family stories and art's histories are examined in and from the perspective of different artistic and critical practices, illustrating different aspects of the feminist uncanny. Through a 'partisan' yet comprehensive critical review of the fascinating concept of the uncanny, The Feminist Uncanny in Theory and Art Practice proposes a new concept, the feminist uncanny, which it upholds as one of the most enduring legacies of the Women's Liberation Movement in contemporary art theory and practice. |
| feminist castration stories: Sex/Machine Patrick D. Hopkins, 1998 As powerful interacting social and physical forces, gender and technology shape our experiences, cultures, and identities--sometimes in such comfortable and subtle ways that it takes effort to appreciate them; sometimes in such conspicuous and explosive ways that everyone recognizes their importance. Delving into these issues is an opportunity to discover how technology promises or threatens to rewrite our ideas about sex, sexuality, and gender identity. |
| feminist castration stories: Post-feminist Impasses in Popular Heroine Television Alison Horbury, 2015-07-28 Alison Horbury investigates the reprisal of the myth of Persephone - a mother-daughter plot of separation and initiation - in post-feminist television cultures where, she argues, it functions as a symptom expressing a complex around the question of sexual difference - what Lacan calls 'sexuation', where this question has been otherwise foreclosed. |
| feminist castration stories: Issues in Feminist Film Criticism Patricia Erens, 1990 This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s. —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood. |
| feminist castration stories: The SAGE Handbook of Feminist Theory Mary Evans, Clare Hemmings, Marsha Henry, Hazel Johnstone, Sumi Madhok, Ania Plomien, Sadie Wearing, 2014-08-12 At no point in recorded history has there been an absence of intense, and heated, discussion about the subject of how to conduct relations between women and men. This Handbook provides a comprehensive guide to these omnipresent issues and debates, mapping the present and future of thinking about feminist theory. The chapters gathered here present the state of the art in scholarship in the field, covering: Epistemology and marginality Literary, visual and cultural representations Sexuality Macro and microeconomics of gender Conflict and peace. The most important consensus in this volume is that a central organizing tenet of feminism is its willingness to examine the ways in which gender and relations between women and men have been (and are) organized. The authors bring a shared commitment to the critical appraisal of gender relations, as well as a recognition that to think ‘theoretically’ is not to detach concerns from lived experience but to extend the possibilities of understanding. With this focus on theory and theorizing about the world in which we live, this Handbook asks us, across all disciplines and situations, to abandon our taken-for-granted assumptions about the world and interrogate both the origin and the implications of our ideas about gender relations and feminism. It is an essential reference work for advanced students and academics not only of feminist theory, but of gender and sexuality across the humanities and social sciences. |
| feminist castration stories: Women Make Horror Alison Peirse, 2020-09-17 Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre. |
| feminist castration stories: The Transgender Studies Reader Susan Stryker, Stephen Whittle, 2013-10-18 Transgender studies is the latest area of academic inquiry to grow out of the exciting nexus of queer theory, feminist studies, and the history of sexuality. Because transpeople challenge our most fundamental assumptions about the relationship between bodies, desire, and identity, the field is both fascinating and contentious. The Transgender Studies Reader puts between two covers fifty influential texts with new introductions by the editors that, taken together, document the evolution of transgender studies in the English-speaking world. By bringing together the voices and experience of transgender individuals, doctors, psychologists and academically-based theorists, this volume will be a foundational text for the transgender community, transgender studies, and related queer theory. |
| feminist castration stories: The Picture of Abjection Tina Chanter, 2008 In The Picture of Abjection, Tina Chanter addresses a fundamental problem in film theory by negotiating a middle path between gaze theory approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer. Chanter argues that abjection is the unthought ground of fetishistic theories. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to deify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident. -- Publisher. |
| feminist castration stories: Between Feminism and Psychoanalysis Teresa Brennan, 2002-03-11 In this landmark collection of original essays, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism, and explore the significance of its institutional context. They write against the received views on 'French feminism' and essentialism. A remarkable restatement of current positions within psychoanalysis and feminism, the volume as a whole will change the terms of existing debates, and make its arguments and concerns more generally accessible. |
| feminist castration stories: Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture Fuminobu Murakami, 2006-02-01 Using the Euro-American theoretical framework of postmodernism, feminism and post-colonialism, this book analyses the fictional and critical work of four contemporary Japanese writers; Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin. In addition the author reconsiders this Euro-American theory by looking back on it from the perspective of Japanese literary work. Presenting outstanding analysis of Japanese intellectuals and writers who have received little attention in the West, the book also includes an extensive and comprehensive bibliography making it essential reading for those studying Japanese literature, Japanese studies and Japanese thinkers. |
| feminist castration stories: The Routledge Companion to Feminism and Postfeminism Sarah Gamble, 2004-11-23 Approachable for general readers as well as for students in women's studies related courses at all levels, this invaluable guide follows the unique Companion format in combining over a dozen in-depth background chapters with more than 400 A-Z dictionary entries. The background chapters are written by major figures in the field of feminist studies, and include thorough coverage of the history of feminism, as well as extensive discussions of topics such as Postfeminism, Men in Feminism, Feminism and New Technologies and Feminism and Philosophy. The dictionary entries cover the major individuals and issues essential to an understanding both of feminism's roots and of the trends that are shaping its future. Readers will find entries on people such as Aphra Behn, Simone de Beauvoir, Princess Diana, Courtney Love and Robert Bly, and on subjects such as Afro-American feminism, cosmetic surgery, the 'new man', prostitution, reproductive technologies and 'slasher' films. |
| feminist castration stories: Black British Feminism Heidi Safia Mirza, 1997 A collection of classic texts and new black feminist scholarship that traces the crucial developments and debates of the last twenty years. It is the first volume entirely dedicated to the writings of black women in a British context. |
| feminist castration stories: Nostalgia and Sexual Difference (RLE Feminist Theory) Janice Doane, DEVON HODGES, 2013-05-20 Dissatisfaction with the present can cause people to gaze nostalgically back to an idealized past; that nostalgia pervades contemporary rhetoric. In lamenting the ‘degeneracy’ of present-day America, social and literary critics as well as contemporary novelists often choose as their scapegoat the women’s movement and its increasing influence. Doane and Hodges show us how these social observers seek to ‘reinstate’ America and American values in ways that, overtly or covertly, do battle with the feminist movement for control of rhetoric, the power of language. |
| feminist castration stories: Changing the Story Gayle Greene, 1991 The feminist fiction movement of the 1960s-1980s was and is as significant a movement as Modernism, Greene argues here. Focusing on the metafiction of Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence, she traces the roots of this feminist literary explosion to the second women's movement and places these writers within a sociohistorical matrix, and at the same time creates a new literary canon. Greene also speculates on the future of feminist fiction in the current regressive period of edition (unseen), $17.50. Annotation copyrighted by Book News, Inc., Portland, OR |
| feminist castration stories: Monstrosity from the Inside Out Teresa Cutler-Broyles, Marko Teodorski, 2019-01-04 Emerging from darkness, daring to take form and become something more than the Other, monsters stalk these pages, shifting form in true monstrous fashion as they inhabit literature and film, history and parallel communities modelled after our own. They become enmeshed in popular music, run rampant through cities, take androgynous form to rally for their own identities, their own futures, and their own families, and they hold up mirrors while we are caught shattering our sense of Self. Both the past and the future are rich fodder for the evil that monsters do, and from freak show to homunculus to serial killer to cyborg, they remind us that they are never far from sight - and that we cannot look away even if we wish to. Monstrosity from the Inside Out takes as the paradox that monsters are simultaneously impossible and very much a part of what it means to be human. |
| feminist castration stories: Coming to Terms (RLE Feminist Theory) Elizabeth Weed, 2012-11-27 For over a decade, feminist studies have occupied an extraordinary position in the United States. On the one hand, they have contributed to the development of a strong ‘identity’ politics; on the other, they have been part of the post-structuralist critique of the unified subject – its experience, truth and presence – and of the massive challenge to Western metaphysics and humanism. Along with race and ethnic studies, feminist enquiry has moved beyond the fiction of a unitary feminism to address the differences within the study of difference. The essays in this volume all address feminism’s relationships to theory and politics at the level of the criticism and production of knowledge. Readers and students of politics, history, literature, philosophy, sociology and the sciences – anyone with a stake in theory and politics – will benefit from this powerful book. |
| feminist castration stories: Feminist Utopian Novels of the 1970s Tatiana Teslenko, 2003-08-19 This book presents an exploration of the reinvented utopia that provided second-wave feminists of the 1970s with a conceptual space to articulate the politics of change. Tatiana Teslenko argues that utopian fiction of this decade offered a means of validating the personal as well as the political, and of criticizing a patriarchal social order. Teslenko reveals feminists' attempt through fiction to envision a new political order. |
| feminist castration stories: Feminist Theory and the Body Janet Price, Margrit Shildrick, 1999 First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company. |
| feminist castration stories: Contemporary Feminist Utopianism Lucy Sargisson, 2002-11-01 A new and challenging entry into the debates between feminism and postmodernism, Contemporary Feminist Utopianism challenges some basic preconceptions about the role of political theory today. Sargisson explores current debates within utopian studies, feminist theory and poststructuralist deconstruction. Utopian thinking is offered as a route out of the dilemma of contemporary feminism as well as a way of conceptualizing its current situation. This book provides an exploration of, and exercise in, utopian thought. |
| feminist castration stories: Feminism, Psychoanalysis, and Maternal Subjectivity Alison Stone, 2013-03-01 In this book, Alison Stone develops a feminist approach to maternal subjectivity. Stone argues that in the West the self has often been understood in opposition to the maternal body, so that one must separate oneself from the mother and maternal care-givers on whom one depended in childhood to become a self or, in modernity, an autonomous subject. These assumptions make it difficult to be a mother and a subject, an autonomous creator of meaning. Insofar as mothers nonetheless strive to regain their subjectivity when their motherhood seems to have compromised it, theirs cannot be the usual kind of subjectivity premised on separation from the maternal body. Mothers are subjects of a new kind, who generate meanings and acquire agency from their position of re-immersion in the realm of maternal body relations, of bodily intimacy and dependency. Thus Stone interprets maternal subjectivity as a specific form of subjectivity that is continuous with the maternal body. Stone analyzes this form of subjectivity in terms of how the mother typically reproduces with her child her history of bodily relations with her own mother, leading to a distinctive maternal and cyclical form of lived time. |
| feminist castration stories: A Concise Companion to Feminist Theory Mary Eagleton, 2008-04-15 The Concise Companion to Feminist Theory introduces readers to the broad scope of feminist theory over the last 35 years. Introduces readers to the broad scope of feminist theory over the past 35 years. Guides students along the cutting edge of current feminist theory. Suitable for students and scholars of all fields touched by feminist thought. Covers an exceptionally broad range of disciplines, discourses and feminist positions. Organised around concepts rather than schools of feminism. |
| feminist castration stories: The World Come of Age Lilian Calles Barger, 2018-07-02 On November 16, 2017, Pope Francis tweeted, Poverty is not an accident. It has causes that must be recognized and removed for the good of so many of our brothers and sisters. With this statement and others like it, the first Latin American pope was associated, in the minds of many, with a stream of theology that swept the Western hemisphere in the 1960s and 70s, the movement known as liberation theology. Born of chaotic cultural crises in Latin America and the United States, liberation theology was a trans-American intellectual movement that sought to speak for those parts of society marginalized by modern politics and religion by virtue of race, class, or sex. Led by such revolutionaries as the Peruvian Catholic priest Gustavo Gutiérrez, the African American theologian James Cone, or the feminists Mary Daly and Rosemary Radford Ruether, the liberation theology movement sought to bridge the gulf between the religious values of justice and equality and political pragmatism. It combined theology with strands of radical politics, social theory, and the history and experience of subordinated groups to challenge the ideas that underwrite the hierarchical structures of an unjust society. Praised by some as a radical return to early Christian ethics and decried by others as a Marxist takeover, liberation theology has a wide-raging, cross-sectional history that has previously gone undocumented. In The World Come of Age, Lilian Calles Barger offers for the first time a systematic retelling of the history of liberation theology, demonstrating how a group of theologians set the stage for a torrent of new religious activism that challenged the religious and political status quo. |
| feminist castration stories: Men Doing Feminism Tom Digby, 2013-10-28 The relation between feminism and men is often presumed to be antagonistic, so that men are expected to resist feminism, and feminists are assumed to hate men. That pattern of opposition is disrupted, however, by the continually increasing numbers of men who are participating in feminist theory and practice, trying to integrate feminist perspectives into their scholarship, teaching, work, play, friendships, and romantic involvements. Responses to this male feminism have varied. Sometimes male feminists find some female feminists critical of men who oppose or decline to join feminist projects, but also rebuff the few men who do undertake feminist projects. On the other hand, some women feminists have unequivocally welcomed men as allies in political, business, religious, and academic contexts. The essays in Men Doing Feminism reveal that there is justification for both views, the skeptical and the enthusiastic, because feminist men are as diverse as feminist women. Many of the eighteen contributors to this book--women, men, blacks, whites, gays, straights, transsexuals--use personal narrative to show ways that men's lives can shape their approaches to doing feminism and to convey the opportunities and challenges involved in integrating feminism into a man's life. Some authors argue that men's experiences prepare them to make contributions that are of crucial importance to feminist theory. Others argue that men must radically reform, or even abandon manhood and masculinity if they are to be feminists. In Men Doing Feminism, feminist theory is used to illuminate men's lives, and men's lives serve as a basis for feminist theory. Contributors: Michael Awkward, Susan Bordo, Harry Brod, Tom Digby, Judith K. Gardiner, C. Jacob Hale, Sandra Harding, Patrick Hopkins, Joy James, David Kahane, Michael Kimmel, Gary Lemons, Larry May, Brian Pronger, Henry Rubin, Richard Schmitt, James P. Sterba, Laurence Mordekhai Thomas, and Thomas E. Wartenberg. |
| feminist castration stories: First Things Mary Jacobus, 2020-04-03 In First Things Mary Jacobus combines close readings with theoretical concerns in an examination of the many forms taken by the mythic or phantasmic mother in literary, psychoanalytic and artistic representations. She carefully explores the ways in which the maternal imaginary informs both unconscious processes and signifying practices at all levels. Her fierce analysis of specific texts and paintings raises questions about the the symbolic and biological maternal body and how they relate to each other in literary and psychoanalytic terms. The invocation of writings by Kleist, Wollstonecraft, Mary Shelley, Malthus and de Sade, along with analysis of French revolutionary iconography and Realist and Impressionist paintings by Eakins and Morisot, make this wide-ranging text a truly interdisciplinary study. First Things sees literary theory and psychoanalysis as mutually illuminating practices. The work of Freud, Klein, Kristeva and Bion shape an inquiry into such topics as population discourse, surrogate motherhood, AIDS, mastectomy and psychoanalysis itself. In addition, Jacobus elaborates on Freud's oedipal preconceptions, Klein's missing theory of signs, memory, melancholia, narcissism and maternal reverie. |
| feminist castration stories: Freudians And Feminists Edith Kurzweil, 2019-03-04 This book traces the intellectual history of the interaction between feminists and Freudian thought, charting the essence of psychoanalytic theories through the years to show specific notions were adapted, readapted, and discarded by successive generations of feminists. |
Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. [a][2][3][4][5] Feminism …
feminism - Encyclopedia Britannica
Apr 21, 2025 · At its core, feminism is the belief in full social, economic, and political equality for women. Feminism largely arose in response to Western traditions that restricted the rights of …
FEMINIST Definition & Meaning - Merriam-Webster
The meaning of FEMINIST is a person who supports or engages in feminism. How to use feminist in a sentence.
What Is Feminism and Why Is It Important? - Global Citizen
At its core, feminism is about all genders having equal rights, opportunities, and treatment. The movement has its roots right in the earliest eras of human civilization, working to prioritize the …
The Core Ideas and Beliefs of Feminism - ThoughtCo
Feminism aims for equal rights and opportunities for women in politics, society, and economy. Feminism is not only for women but also considers race, gender, sexuality, and other …
FEMINIST | English meaning - Cambridge Dictionary
FEMINIST definition: 1. a person who believes in feminism, and tries to achieve change that helps women to get equal…. Learn more.
What is Feminism? - Human Rights Careers
At its core, feminism is the belief that women deserve equal social, economic, and political rights and freedoms. Over the years, feminism has focused on issues like the right to vote, …
Feminism's Long History
Feb 28, 2019 · The history of established feminist movements in the United States roughly breaks down into four different time periods.
Origin of Feminism: From Early Struggles to Modern Movements
Dec 5, 2024 · By examining its historical phases—commonly referred to as “waves”—and analyzing the societal, cultural, and political contexts that shaped each era, we can gain a …
What is Feminism? Understanding Its History and Goals
Feb 8, 2024 · Feminism is a term that is often spoken about but not always fully understood. At its core, feminism is a movement that seeks equality for all genders, but the journey of feminism …
Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. [a][2][3][4][5] Feminism …
Feminism | Definition, History, Types, Waves, Examples, & Facts ...
Apr 21, 2025 · At its core, feminism is the belief in full social, economic, and political equality for women. Feminism largely arose in response to Western traditions that restricted the rights of …
FEMINIST Definition & Meaning - Merriam-Webster
The meaning of FEMINIST is a person who supports or engages in feminism. How to use feminist in a sentence.
Feminism: Ideas, Beliefs, and Movements - ThoughtCo
Feminism aims for equal rights and opportunities for women in politics, society, and economy. Feminism is not only for women but also considers race, gender, sexuality, and other …
What Is Feminism and Why Is It Important? - Global Citizen
At its core, feminism is about all genders having equal rights, opportunities, and treatment. The movement has its roots right in the earliest eras of human civilization, working to prioritize the …
FEMINIST | English meaning - Cambridge Dictionary
FEMINIST definition: 1. a person who believes in feminism, and tries to achieve change that helps women to get equal…. Learn more.
FEMINISM Definition & Meaning - Merriam-Webster
The meaning of FEMINISM is belief in and advocacy of the political, economic, and social equality of the sexes expressed especially through organized activity on behalf of women's rights and …
What is Feminism? - Human Rights Careers
At its core, feminism is the belief that women deserve equal social, economic, and political rights and freedoms. Over the years, feminism has focused on issues like the right to vote, …
Feminism 101: Definition, Facts, and Ways to Take Action
Feminism refers to a range of ideas and socio-political movements centered on the belief that women face unequal treatment because of their gender, and that society must establish …
What Is Feminism? - WorldAtlas
Apr 25, 2017 · Feminism is an ideological and political movement that seeks equality and equity for women in all aspects, including social, political, personal, and economic realms. This …
