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| features of caribbean literature: Miguel Street V. S. Naipaul, Vidiadhar Surajprasad Naipaul, 2000 The time is World War II, the setting a derelict street in Trinidad's capital, Port of Spain. In this tender early novel, Naipaul renders the residents' lives (and the legends that arise around them) with Dickensian verve and Chekhovian compassion. Copyright © Libri GmbH. All rights reserved. |
| features of caribbean literature: Caribbean Literature in Transition Evelyn O'Callaghan, Tim Watson, Raphael Dalleo, Curdella Forbes, Ronald Cummings, Alison Donnell, 2020-12 |
| features of caribbean literature: Caribbean Literature and the Environment Elizabeth M. DeLoughrey, Renée K. Gosson, George B. Handley, 2005 Examines the literatures of the Caribbean from an ecocritical perspective in all language areas of the region. This book explores the ways in which the history of transplantation and settlement has provided unique challenges and opportunities for establishing a sense of place and an environmental ethic in the Caribbean. |
| features of caribbean literature: Autofiction and Advocacy in the Francophone Caribbean Renée Larrier, 2020-03-23 Very refreshing in the understanding of Caribbean literature . . . Succeeds in blending close readings of specific texts with a constant awareness of the larger picture. . . . From a theoretical complexity that calls on Glissant, Fanon, Ngugi, Benito-Rojo among others, this profoundly human exploration of autofiction and advocacy in Francophone Caribbean literature study does not succumb to the temptation of theory; that is, she does not demand texts illustrate a rigid theoretical frame; the reverse is true throughout the study.—Cilas Kemedjio, University of Rochester Larrier breaks new ground in analyzing first-person narratives by five Francophone Caribbean writers—Joseph Zobel, Patrick Chamoiseau, Gisele Pineau, Edwidge Danticat, and Maryse Conde—that manifest distinctive interaction among narrators, protagonists, characters, and readers through a layering of voices, languages, time, sources, and identities. Employing the Martinican combat dance—danmye—as a trope, the author argues that these narratives can be read as testimony to the legacy of slavery, colonialism, and patriarchy that denied Caribbean people their subjectivity. In chapters devoted to Zobel, Chamoiseau, Pineau, Danticat, and Conde—who come from Martinique, Guadeloupe, and Haiti—Larrier probes the presence, construction, and strategy of the first-person narrator, which sometimes shifts within the text itself. Providing a perspective different from European travel literature, these texts deliberately position the I as a witness and/or performer who articulates experiences ignored or misinterpreted by sojourners' more widely circulated chronicles. While not purporting to speak for others, the I is concerned with transmitting what he or she saw, heard, experienced, or endured, therefore disrupting conventional representations of the Francophone Caribbean. Moreover, in modeling authenticity and agency, autofiction is also a form of advocacy. |
| features of caribbean literature: Caribbean Literature and the Public Sphere Raphael Dalleo, 2011-10-17 Bringing together the most exciting recent archival work in anglophone, francophone, and hispanophone Caribbean studies, Raphael Dalleo constructs a new literary history of the region that is both comprehensive and innovative. He examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story. Dalleo’s comparative approach will be important to Caribbeanists from all of the region’s linguistic traditions, and his book contributes even more broadly to debates in Latin American and postcolonial studies about postmodernity and globalization. |
| features of caribbean literature: The Caribbean Short Story Lucy Evans, Mark A. McWatt, Emma Smith, 2011 The short story has been integral to the development of Caribbean literature, and continues to offer possibilities for invention and reinvigoration. As the most comprehensive study of its kind, this important and timely volume explores the significance of the short story form to Caribbean cultural production across the twentieth and twenty-first centuries. The twenty original essays collected here offer a unique set of inquiries and insights into the historical, cultural and stylistic characteristics of Caribbean short story writing. The book draws together diverse critical perspectives from established and emerging scholars, including Shirley Chew, Alison Donnell, James Procter, Raymond Ramcharitar and Elaine Savory. Essays cover the publishing histories of specific islands; intersections of the local, global and diasporic; treatments of race and gender; language, orality and genre; and cultural contexts from tourism to calypso to cricket. Book jacket. |
| features of caribbean literature: English in the Caribbean Dagmar Deuber, 2014-04-03 An in-depth study of English as spoken in two major anglophone Caribbean territories, Jamaica and Trinidad. |
| features of caribbean literature: Myal Erna Brodber, 2014-08-08 Jamaican-born novelist and sociologist Erna Brodber describes Myal as “an exploration of the links between the way of life forged by the people of two points of the black diaspora—the Afro-Americans and the Afro-Jamaicans.” Operating on many literary levels—thematically, linguistically, stylistically—it is the story of women’s cultural and spiritual struggle in colonial Jamaica. The novel opens at the beginning of the 20th century with a community gathering to heal the mysterious illness of a young woman, Ella, who has returned to Jamaica after an unsuccessful marriage abroad. The Afro-Jamaican religion myal, which asserts that good has the power to conquer all, is invoked to heal Ella, who has been left zombified” and devoid of any black soul. Ella, who is light skinned enough to pass for white, has suffered a breakdown after her white American husband produced a black-face minstrel show based on the stories of her village and childhood. This cultural appropriation is one of a series Ella encountered in her life, and parallels the ongoing theft of the labor and culture of colonized peoples for imperial gain and pleasure. The novel‘s rich, vivid language and vital characters earned it the Commonwealth Writers’ Prize for Canada and the Caribbean. The novel links nicely with Brodber’s coming-of-age story, Jane & Louisa Will Soon Come Home, also from Waveland Press, for its similar images, themes, and specific Jamaican cultural references to colonialism, religion, slavery, gender, and identity. Both novels are Brodber’s way of telling stories outside of published history to point out the whitewashing and distortion of black history through religion and colonialism. |
| features of caribbean literature: A Concise History of the Caribbean B. W. Higman, 2010-12-13 A Concise History of the Caribbean presents a general history of the Caribbean islands from the beginning of human settlement about seven thousand years ago to the present. It narrates processes of early human migration, the disastrous consequences of European colonization, the development of slavery and the slave trade, the extraordinary profits earned by the plantation economy, the great revolution in Haiti, movements toward political independence, the Cuban Revolution, and the diaspora of Caribbean people. Written in a lively and accessible style yet current with the most recent research, the book provides a compelling narrative of Caribbean history essential for students and visitors. |
| features of caribbean literature: Making Men Belinda Edmondson, 1999 Explores the gendered subjectivity of West Indian writers and their dependence on models from Victorian England for their narratives of self and nation. |
| features of caribbean literature: Imperial Intimacies Hazel V. Carby, 2019-09-24 'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know. |
| features of caribbean literature: The Oxford Book of Caribbean Verse Stewart Brown, Mark A. McWatt, 2009 The Caribbean has produced one of the most vigorous and exciting bodies of poetry of the last one hundred year. The Oxford Book of Caribbean Verse is the only contemporary anthology to present the best of the English-language poetry of the region alongside selections from the poetry of boththe French and Spanish Caribbean. Featuring a range of established poets from Derek Walcott to Jesus Cos Causse, Olive Senior to Aime Cesaire, as well as exciting new voices, this is a rich and challenging book. |
| features of caribbean literature: A History of Literature in the Caribbean: English- and Dutch-speaking countries Albert James Arnold, Julio Rodríguez-Luis, J. Michael Dash, 2001-01-01 For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean. |
| features of caribbean literature: A History of Literature in the Caribbean: Hispanic and francophone regions Professor A James Arnold, Albert James Arnold, Julio Rodríguez-Luis, J. Michael Dash, 1994 This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers. Readers will have access to the best current scholarship on the evolution of popular and literate cultures in the various regions since their earliest emergence. The History of Literature in the Caribbean brings together the most distinguished team of literary Caribbeanists ever assembled, cutting across ideological commitments and critical methods. Differences in point of view between individual contributors are left intact here as the sign of the colonial inheritance of the region. Introductions and conclusions to the various sections of the History written by the respective subeditors, set them in proper perspective. The unique synoptic aspect of the History lies in its comprehensiveness and its range, which are unequaled. Contributors: A. James Arnold, Julio Rodriguez-Luis, H. Lopez Morales, Maria Elena Rodriguez Castro, Silvio Torres Saillant, Seymour Menton, Ian I. Smart, Efrain Barradas, Raquel Chang-Rodriguez, Carlos Alonso, Ivan A. Schulman, W.L. Siemens, William Luis, Gustavo Pellon, Emilio Bejel, Sandra M. Cypess, Peter Earle, Adriana Mndez Rodenas, J. Michael Dash, Ulrich Fleischmann, Maximilien Laroche, Rgis Antoine, Lon-Franois Hoffmann, Randolph Hezekiah, Bridget Jones, F.I. Case, Marie-Denise Shelton, Beverly Ormerod, J. Michael Dash, Jack Corzani, Anthea Morrison, Juris Silenieks, Frantz Fanon, Vere Knight. |
| features of caribbean literature: Cultural Entanglements Shane Graham, 2020-05-12 In addition to being a poet, fiction writer, playwright, and essayist, Langston Hughes was also a globe-trotting cosmopolitan, travel writer, translator, avid international networker, and—perhaps above all—pan-Africanist. In Cultural Entanglements, Shane Graham examines Hughes’s associations with a number of black writers from the Caribbean and Africa, exploring the implications of recognizing these multiple facets of the African American literary icon and of taking a truly transnational approach to his life, work, and influence. Graham isolates and maps Hughes’s cluster of black Atlantic relations and interprets their significance. Moving chronologically through Hughes’s career from the 1920s to the 1960s, he spotlights Jamaican poet and novelist Claude McKay, Haitian novelist and poet Jacques Roumain, French Negritude author Aimé Césaire of Martinique, South African writers Es’kia Mphahlele and Peter Abrahams, and Caribbean American novelist Paule Marshall. Taken collectively, these writers’ intellectual relationships with Hughes and with one another reveal a complex conversation—and sometimes a heated debate—happening globally throughout the twentieth century over what Africa signified and what it meant to be black in the modern world. Graham makes a truly original contribution not only to the study of Langston Hughes and African and Caribbean literatures but also to contemporary debates about cosmopolitanism, the black Atlantic, and transnational cultures. |
| features of caribbean literature: A Masterpiece of World Literature : From Classical to Present Era Dr. Rishikesh Tewari, 2025-05-14 This magnum opus, A MASTERPIECE OF WORLD LITERATURE - From Classical To Present Era, is a seminal work that encapsulates the vast expanse of literary theory and criticism, traversing the realms of American, Australian, and Indian literature. This comprehensive tome delves into the complexities of colonial and post-colonial literatures, while also exploring the ancient and new literatures in English. Furthermore, it ventures into the domain of comparative literature, offering a nuanced understanding of the diverse literary traditions that have shaped the world's cultural heritage. A distinctive feature of this book is its focus on Contemporary Indian Literature in English Translation, providing a platform for the voices of Indian writers to be heard globally. Additionally, it examines the significance of English studies in India, highlighting the impact of linguistic and cultural diversity on literary expression. By weaving together these disparate threads, this masterpiece presents a rich tapestry of world literature, serving as an invaluable resource for scholars, students, and literature enthusiasts alike. |
| features of caribbean literature: Dance Between Two Cultures William Luis, 2001 Offers insights on Latino Caribbean writers born or raised in the United States who are at the vanguard of a literary movement that has captured both critical and popular interest. In this groundbreaking study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Alvarez, Cristina Garcia, and Piri Thomas, among others. While engaging in close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context. As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture that they themselves live in. Latino Caribbeans are engaged in a metaphorical dance with Anglo Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence. |
| features of caribbean literature: Writing in Limbo Simon Gikandi, 2018-03-15 In Simon Gikandi’s view, Caribbean literature and postcolonial literature more generally negotiate an uneasy relationship with the concepts of modernism and modernity—a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. |
| features of caribbean literature: The Other America J. Michael Dash, 1998 A wide-ranging work that explores two centuries of Caribbean literature from a comparative perspective. While haunted by the need to establish cultural difference and authenticity, Caribbean thought is inherently modernist in its recognition of the interplay between cultures, brought about by centuries of contact, domination, and consent. |
| features of caribbean literature: How to Love a Jamaican Alexia Arthurs, 2018-07-24 “In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once. All of them convince and sing. All of them shine.”—Zadie Smith An O: The Oprah Magazine “Top 15 Best of the Year” • A Well-Read Black Girl Pick Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light-Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a couple leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors. Praise for How to Love a Jamaican “A sublime short-story collection from newcomer Alexia Arthurs that explores, through various characters, a specific strand of the immigrant experience.”—Entertainment Weekly “With its singular mix of psychological precision and sun-kissed lyricism, this dazzling debut marks the emergence of a knockout new voice.”—O: The Oprah Magazine “Gorgeous, tender, heartbreaking stories . . . Arthurs is a witty, perceptive, and generous writer, and this is a book that will last.”—Carmen Maria Machado, author of Her Body and Other Parties “Vivid and exciting . . . every story rings beautifully true.”—Marie Claire |
| features of caribbean literature: The Continuum Encyclopedia of Children's Literature Bernice E. Cullinan, Diane Goetz Person, 2005-01-01 Provides articles covering children's literature from around the world as well as biographical and critical reviews of authors including Avi, C.S. Lewis, J.K. Rowling, and Anno Mitsumasa. |
| features of caribbean literature: Becka's Buckra Baby Thomas MacDermot, 2021-05-21 Becka’s Buckra Baby (1904) is a novel by Thomas MacDermot. Published under his pseudonym Tom Redcam by the All Jamaica Library, Becka’s Buckra Baby is a tragic story of race and class set in Jamaica. Understated and ironic, the novel critiques the social conditions of Jamaica under British colonialism. Mixing English with patois, MacDermot sheds light on the disparities between the island’s black and white communities, crafting a story now recognized as the beginning of modern Caribbean literature. Noel Maud Bronvola is peculiar. Her peculiar name, chosen by a peculiar father, has always set her apart. When her father dies, Noel chooses to remember him by his commitment to the people—despite widespread corruption, he chose to act honorably and spent years waiting for a promotion within the government that would never come. In his memory, Noel dedicates herself to helping others. She gets an education, becomes a teacher, and develops personal relationships with her young students from a poor black neighborhood in Kingston. One day, struggling with her desire to get married, she decides to present a gift to one of her students. Just before Christmastime, Noel brings a doll to Becka’s mother, who politely accepts a toy her daughter will have no time to play with. Neither of them could predict the tragedy to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Thomas MacDermot’s Becka’s Buckra Baby is a classic of English literature reimagined for modern readers. |
| features of caribbean literature: In the Castle of My Skin George Lamming, 2017-05-25 'They won't know you, the you that's hidden somewhere in the castle of your skin' Nine-year-old G. leads a life of quiet mischief crab catching, teasing preachers and playing among the pumpkin vines. His sleepy fishing village in 1930s Barbados is overseen by the English landlord who lives on the hill, just as their 'Little England' is watched over by the Mother Country. Yet gradually, G. finds himself awakening to the violence and injustice that lurk beneath the apparent order of things. As the world he knows begins to crumble, revealing the bruising secret at its heart, he is spurred ever closer to a life-changing decision. Lyrical and unsettling, George Lamming's autobiographical coming-of-age novel is a story of tragic innocence amid the collapse of colonial rule. 'Rich and riotous' The Times 'Its poetic imaginative writing has never been surpassed' Tribune |
| features of caribbean literature: Performance and Personhood in Caribbean Literature Jeannine Murray-Román, 2016-01-11 Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circumstances that led to the development of performance traditions supersede the geopolitical and linguistic divisions of colonialism, the literary uses of these traditions resonate across the linguistic boundaries of the region. The author thus identifies the aesthetic that emerges from the act of writing about live arts and moving bodies as a practice that is grounded in the historically, geographically, and culturally specific features of the Caribbean itself. Working with twentieth- and twenty-first-century sources ranging from theatrical works and novels to blogs, Murray-Román examines the ways in which writers such as Jacques Stephen Alexis, Zoé Valdés, Rosario Ferré, Patrick Chamoiseau, and Marlon James experiment with textually compensating for the loss of the corporeality of live relationship in performance traditions. Through their exploration of the interaction of literature and performance, she argues, Caribbean writers themselves offer a mode of bridging the disjunction between cultural and philosophical approaches within Caribbean studies. |
| features of caribbean literature: Beyond Windrush J. Dillon Brown, Leah Reade Rosenberg, 2015-07-10 This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as “the Windrush writers” in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These “founders” have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature. Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean, and white-creole—who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism). |
| features of caribbean literature: High Mas Kevin Adonis Browne, 2018-09-26 Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence. |
| features of caribbean literature: The Book of Night Women Marlon James, 2009-02-19 From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft. |
| features of caribbean literature: Language in Exile Barbara Lalla, Jean D'Costa, 2009-03-15 An important addition to studies of the genesis and life of Jamaican Creole as well as other New World creoles such as Gulla. Highlighting the nature of the nonstandard varieties of British English dialects to which the African slaves were exposed, this work presents a refreshingly cogent view of Jamaican Creole features. --SECOL Review The history of Jamaican Creole comes to life through this book. Scholars will analyze its texts, follow the leads it opens up, and argue about refining its interpretations for a long time to come. --Journal of Pidgin & Creole Languages The authors are to be congratulated on this substantial contribution to our understanding of how Jamaican Creole developed. Its value lies not only in the linguistic insights of the authors but also in the rich trove of texts that they have made accessible. --English World-Wide Provides valuable historical and demographic data and sheds light on the origins and development of Jamaican Creole. Lalla and D'Costa offer interesting insights into Creole genesis, not only through their careful mapping of the migrations from Europe and Africa, which constructed the Jamaican society but also through extensive documentation of early texts. . . . Highly valuable to linguists, historians, anthropologists, psychologists, and anyone interested in the Caribbean or in the history of mankind. --New West Indian Guide |
| features of caribbean literature: The Oxford Book of Caribbean Short Stories Stewart Brown, 2001 The Caribbean is the source of one of the richest, most accessible, and yet technically adventurous traditions of contemporary world literature. This collection extends beyond the realm of English-speaking writers, to include stories published in Spanish, French, and Dutch. It brings together contributions from major figures such as V. S. Naipaul, and Gabriel Garcia Marquez, and work from the exciting new generation of Caribbean writers represented by Edwidge Danticat, and Jamaica Kincaid. |
| features of caribbean literature: The Waters of Harmony Pasquale De Marco, 2025-03-03 Journey to the heart of the Caribbean, a region where vibrant cultures, captivating histories, and breathtaking beauty converge to create an enchanting symphony of experiences. The Waters of Harmony invites you to immerse yourself in the allure of these resplendent islands, where azure waters meet sun-kissed beaches and lush rainforests echo with the songs of exotic birds. From the vibrant streets of Havana to the tranquil shores of Barbados, this book takes you on an unforgettable odyssey through the Caribbean's rich tapestry of heritage and traditions. Discover the legacies of indigenous peoples, the struggles for freedom, and the triumphs of nation-building that have shaped the region's destiny. Immerse yourself in the Caribbean's vibrant cultural expressions, from the infectious rhythms of reggae and salsa to the delectable flavors of Creole cuisine. Explore the region's natural wonders, from coral reefs teeming with marine life to volcanic peaks shrouded in mystery. Meet the people of the Caribbean, whose resilience, passion, and unwavering spirit shine through in their stories of triumph over adversity. Unravel the tales of influential thinkers, groundbreaking artists, and visionary leaders who have emerged from the Caribbean, leaving an indelible mark on the world. Discover the region's contributions to art, literature, music, and politics, and gain a deeper appreciation for its profound impact on global culture. The Waters of Harmony is an invitation to experience the Caribbean in all its glory, to savor its beauty, embrace its diversity, and learn from its resilience. Through captivating storytelling and stunning imagery, this book brings the Caribbean to life, leaving you with a newfound appreciation for this enchanting region and its people. If you like this book, write a review! |
| features of caribbean literature: The Caribbean Oral Tradition Hanétha Vété-Congolo, 2016-10-27 The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productions in the Black Atlantic world and beyond. |
| features of caribbean literature: Defining Jamaican Fiction Barbara Lalla, 1996 Marronage - the process of flight by slaves from servitude to establish their own hegemonies in inhospitable or wild territories - had its beginnings in the early 1500s in Hispaniola, the first European settlement in the New World. As fictional personae the maroons continue to weave in and out of oral and literary tales as central and ancient characters of Jamaica's heritage. Attributes of the maroon character surface in other character types that crowd Jamaica's literary history - resentful strangers, travelers, and fugitives; desperate misfits and strays; recluses, rejects, wild men, and outcasts; and rebels in physical and psychological wildernesses. Defining Jamaican Fiction identifies the place of Jamaican fiction in the larger regional literature and focuses on its essential themes and strategies of discourse for conveying these themes. |
| features of caribbean literature: Routes and Roots Elizabeth DeLoughrey, 2009-12-31 Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations. —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the tidalectic between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines. |
| features of caribbean literature: Maroon Medicine E. A. Dodd, 2021-09-28 Maroon Medicine (1905) is a short story collection by E. A. Dodd. Published by the All Jamaica Library under the pseudonym E. Snod, Maroon Medicine was the first collection of short stories written by a Caribbean author. Inspired by Anansi, a spider-trickster spirit from West African folklore, Maroon Medicine is a highly original work of fiction that paved the way for generations of fiction writers across the Caribbean. “‘An a what me got fe Chris’mas bar dis little maugre pig? Me cawfee no sell well, and me premento don bear, a what me got? Me we have to do sompin?’” Mr. Watson, a rather weak man with little talent for farming, is desperate to earn money before Christmas. When his neighbor stops by to chat, he hears how the man’s wife has been struggling to overcome a debilitating illness through a series of herbal medicines. Suggesting he knows more than he does about herbs and other native ingredients, Watson realizes there is money to be made in healing the sick—or at least in trying. Soon, he gets his business off the ground. The four stories of this collection—“Maroon Medicine,” “Paccy rum,” “Red cock,” and “Courting of the dudes”—capture the wit and determination of Mr. Watson, a character who does his best to get by with the little he has. With a beautifully designed cover and professionally typeset manuscript, this edition of E. A. Dodd’s Maroon Medicine is a classic of Jamaican literature reimagined for modern readers. |
| features of caribbean literature: Introduction to Barbados Gilad James, PhD, Barbados is a small island country located in the eastern Caribbean, and it is known for its beautiful beaches, crystal clear water, and vibrant culture. The country is home to over 280,000 people, and the official language is English. Barbados has a long and turbulent history, including colonization by the Spanish, British, and Portuguese, and the country gained independence from Britain in 1966. The economy of Barbados is heavily based on tourism, with visitors coming from all over the world to enjoy the country's natural beauty and cultural heritage. Despite its small size, Barbados has contributed significantly to the world of music, particularly in the genres of Calypso, Soca, and Reggae. The country has also produced several notable sports stars, including cricketer Sir Garfield Sobers and track and field athlete Obadele Thompson. Overall, Barbados is a beautiful and culturally rich country that offers a unique and memorable experience for tourists and locals alike. As an AI language model, this is the basic summary that I can provide. |
| features of caribbean literature: The Caribbean Chris Campbell, Michael Niblett, 2016 Bringing together the work of literary critics, social scientists, activists, and creative writers, this edited collection explores the complex relationships between environmental change, political struggle, and cultural production in the Caribbean. It ranges across the archipelago, with essays covering such topics as the literary representation of tropical storms and hurricanes, the cultural fallout from the Haitian earthquake of 2010, struggles over the rainforest in Guyana, and the role of colonial travel narratives in the reorganization of landscapes. The collection marks an important contribution to the fields of Caribbean studies, postcolonial studies, and ecocriticism. Through its deployment of the concept of 'world-ecology', it offers up a new angle of vision on the interconnections between aesthetics, ecology, and politics. The volume seeks to grasp these categories not as discrete (if overlapping) entities, but rather as differentiated moments within a single historical process. The 'social' changes through which the Caribbean has developed have always involved changes in the relationship between humans and the rest of nature; and these changes have long been entangled with the emergence of new kinds of cultural production. The contributors to this collection provide a series of unique insights into the relationship between aesthetic practice and specific ecological processes and pressure-points in the region. More than ever Caribbean writers and artists are engaging explicitly with environmental concerns in their work; this volume responds to that trend by bringing literary and cultural criticism into sustained dialogue with debates around local, national, and regional ecological issues. |
| features of caribbean literature: Pepperpot , 2014 'Pepperpot' features outstanding new entries from the 2013 Commonwealth Short Story 2013. |
| features of caribbean literature: Symbolism 16 Rüdiger Ahrens, Florian Kläger, Klaus Stierstorfer, 2016-10-10 Essays in this special focus constellate around the diverse symbolic forms in which Caribbean consciousness has manifested itself transhistorically, shaping identities within and without structures of colonialism and postcolonialism. Offering interdisciplinary critical, analytical and theoretical approaches to the objects of study, the book explores textual, visual, material and ritual meanings encoded in Caribbean lived and aesthetic practices. |
| features of caribbean literature: C. L. R. James and Creolization Nicole King, 2011-01-01 C. L. R. James (1901–1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances. |
| features of caribbean literature: Early Settlers of the Insular Caribbean Corinne L. Hofman, Andrzej T. Antczak, 2019-05-09 Early Settlers of the Insular Caribbean: Dearchaizing the Archaic offers a comprehensive coverage of the most recent advances in interdisciplinary research on the early human settling of the Caribbean islands. It covers the time span of the so-called Archaic Age and focuses on the Middle to Late Holocene period which - depending on specific case studies discussed in this volume - could range between 6000 BC and AD 1000. A similar approach to the early settlers of the Caribbean islands has never been published in one volume, impeding the realization of a holistic view on indigenous peoples' settling, subsistence, movements, and interactions in this vast and naturally diversified macroregion.Delivered by a panel of international experts, this book provides recent and new data in the fields of archaeology, collection studies, palaeo-botany, geomorphology, paleoclimate and bioarchaeology that challenge currently existing perspectives on early human settlement patterns, subsistence strategies, migration routes and mobility and exchange. This publication compiles new approaches to 'old' data and museum collections, presents the results of starch grain analysis, paleocoring, seascape modelling, and network analysis. Moreover, it features newer published data from the islands such as Margarita and Aruba. All the above-mentioned data compiled in one volume fills the gap in scholarly literature, transforms some of the interpretations in vogue and enables the integration of the first settlers of the insular Caribbean into the larger Pan-American perspective.This book not only provides scholars and students with compelling new and interdisciplinary perspectives on the Early Settlers of the Insular Caribbean. It is also of interest to unspecialized readers as it discusses subjects related to archaeology, anthropology, and - broadly speaking - to the intersections between humanities and social and environmental sciences, which are of great interest to the present-day general public. |
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