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| fires in the mirror script: Fires in the Mirror Anna Deavere Smith, 1997 THE STORY: In 1991, in the Crown Heights section of Brooklyn, an Hasidic man's car jumped a curb, killing Gavin Cato, a seven-year-old black child. Later, in what appears to have been an act of retaliation on the part of a faction of the black comm |
| fires in the mirror script: Ethnotheatre Johnny Saldaña, 2016-06-16 Ethnotheatre transforms research about human experiences into a dramatic presentation for an audience. Johnny Saldaña, one of the best-known practitioners of this research tradition, outlines the key principles and practices of ethnotheatre in this clear, concise volume. He covers the preparation of a dramatic presentation from the research and writing stages to the elements of stage production. Saldaña nurtures playwrights through adaptation and stage exercises, and delves into the complex ethical questions of turning the personal into theatre. Throughout, he emphasizes the vital importance of creating good theatre as well as good research for impact on an audience and performers. The volume includes multiple scenes from contemporary ethnodramas plus two complete play scripts as exemplars of the genre. |
| fires in the mirror script: Female Subjects in Black and White Elizabeth Abel, Barbara Christian, Helene Moglen, 2023-09-01 This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities—as well as the transformative possibilities—between white feminist and African American cultural formations. Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism. This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues |
| fires in the mirror script: Remembering D. Pollock, 2017-02-28 Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to challenge and expand upon traditional ways of transmitting historical knowledge. The contributors' central concerns are performative aspects of oral history itself and the theatrical or classroom re-performance of oral history. The essays detail classroom and public pedagogies, community-based interventions, processes of developing interview-based performances, and the ethical and political implications of oral history as an embodied form of representation. The essays collected in this volume present the most current scholarship straddling the rich intersection between oral history and performance, and together suggest ways for scholars and performers to use oral history to challenge more traditional modes of knowledge. |
| fires in the mirror script: The Influence of Tennessee Williams Philip C. Kolin, 2008-10-06 The author of A Streetcar Named Desire and Cat on a Hot Tin Roof drew on personal and family drama for material. Essays examine how Williams's confessional style influenced Inge, Mamet, Kushner, Lori-Parks and others. There is a special study of African-American theater. Features interview with Albee on Williams' influence--Provided by publisher. |
| fires in the mirror script: Handbook of Arts-Based Research Patricia Leavy, 2025-01-31 Bringing together interdisciplinary leaders in methodology and arts-based research (ABR), this comprehensive handbook explores the synergies between artistic and research practices and addresses issues in designing, implementing, evaluating, and publishing ABR studies. Coverage includes the full range of ABR genres, including those based in literature (such as narrative and poetic inquiry); performance (music, dance, playbuilding); visual arts (drawing and painting, collage, installation art, comics); and audiovisual and multimethod approaches. Each genre is described in detail and brought to life with robust research examples. Team approaches, ethics, and public scholarship are discussed, as are innovative ways that ABR is used within creative arts therapies, psychology, education, sociology, health sciences, business, and other disciplines. The companion website includes selected figures from the book in full color, additional online-only figures, and links to online videos of performance pieces-- |
| fires in the mirror script: Print and the Poetics of Modern Drama W. B. Worthen, 2005 In Print and the Poetics of Modern Drama, W. B. Worthen asks how the print form of drama bears on how we understand its dual identity. |
| fires in the mirror script: Encyclopedia of American Folklife Simon J Bronner, 2015-03-04 American folklife is steeped in world cultures, or invented as new culture, always evolving, yet often practiced as it was created many years or even centuries ago. This fascinating encyclopedia explores the rich and varied cultural traditions of folklife in America - from barn raisings to the Internet, tattoos, and Zydeco - through expressions that include ritual, custom, crafts, architecture, food, clothing, and art. Featuring more than 350 A-Z entries, Encyclopedia of American Folklife is wide-ranging and inclusive. Entries cover major cities and urban centers; new and established immigrant groups as well as native Americans; American territories, such as Guam and Samoa; major issues, such as education and intellectual property; and expressions of material culture, such as homes, dress, food, and crafts. This encyclopedia covers notable folklife areas as well as general regional categories. It addresses religious groups (reflecting diversity within groups such as the Amish and the Jews), age groups (both old age and youth gangs), and contemporary folk groups (skateboarders and psychobillies) - placing all of them in the vivid tapestry of folklife in America. In addition, this resource offers useful insights on folklife concepts through entries such as community and group and tradition and culture. The set also features complete indexes in each volume, as well as a bibliography for further research. |
| fires in the mirror script: Martin's Dream Clayborne Carson, 2013-01-08 On August 28, 1963 hundreds of thousands of demonstrators flocked to the nation's capital for the March on Washington for Jobs and Freedom, where Dr. Martin Luther King Jr. delivered his famous I Have a Dream speech. It was Clayborne Carson's first demonstration. A nineteen year old black student from a working-class family in New Mexico, Carson hitched a ride to Washington. Unsure how he would return home, he was nonetheless certain that he wanted to connect with the youthful protesters and community organizers who spearheaded the freedom struggle. Decades later, Coretta Scott King selected Dr. Carson—then a history professor at Stanford University-- to edit the papers of her late husband. In this candid and engrossing memoir, he traces his evolution from political activist to activist scholar. He vividly recalls his involvement in the movement's heyday and in the subsequent turbulent period when King's visionary Dream became real for some and remained unfulfilled for others. He recounts his conversations with key African Americans of the past half century, including Black Power firebrand Stokely Carmichael and dedicated organizers such as Ella Baker and Bob Moses. His description of his long-term relationship with Coretta Scott King sheds new light on her crucial role in preserving and protecting her late husband's legacy. Written from the unique perspective of a renowned scholar, this highly readable account gives readers valuable new insights about the global significance of King's inspiring ideas and his still unfolding legacy |
| fires in the mirror script: Light without Fire Scott Korb, 2015-07-14 The story of America’s first Muslim institution of higher education, Zaytuna College In the fall of 2010, anti-Muslim furor in the United States reached a breaking point, capping a decade in which such sentiment had surged. Loud, angry crowds gathered near New York’s Ground Zero to protest plans to build an Islamic cultural center, while a small-time Florida minister appeared on national television almost nightly promising to celebrate the anniversary of 9/11 with the burning of Korans. At the same time, fifteen devout Muslims quietly gathered in a basement in Berkeley, California, to execute a plan that had been coming together for over a decade: to found Zaytuna College, “Where Islam Meets America.” It would be the nation’s first four-year Muslim liberal arts college, its mission to establish a thoroughly American, academically rigorous, and traditional indigenous Islam. In Light without Fire, Scott Korb tells the story of the school’s founders, Sheikh Hamza Yusuf and Imam Zaid Shakir, arguably the two most influential leaders in American Islam, “rock stars” who, tellingly, are little known outside their community. Korb also introduces us to Zaytuna’s students, young American Muslims of all stripes who admire—indeed, love—their teachers in ways college students typically don’t and whose stories, told for the first time, signal the future of Islam in this country. From a heady theology classroom to a vibrant storefront mosque, from the run-down streets Oakland to grand ballrooms echoing with America’s most powerful Muslim voices, Korb follows Zaytuna’s students and teachers as they find their place and their voice. He ultimately creates an intimate portrait of the school and provides a new introduction to Islam as it is being lived and re-envisioned in America. It’s no exaggeration to say that here, at Zaytuna, are tomorrow’s Muslim leaders. |
| fires in the mirror script: Old Wives' Tales and Other Women's Stories Tania Modleski, 1998-11 Alerting readers to a body of recent work that has gone under-examined, Tania Modleski redraws in Old Wives' Tales the perimeter of popular culture. A critical analysis of films such as The Ballad of Little Jo, The Piano and Dogfight, Old Wives' Tales also takes up performance, autobiographical experience, and contemporary social issues to illustrate how women's genres mediate between us and reality. Modelski examines the changes occurring in traditional women's genres, such as romances and melodrama, and explores the phenomenon of female authors and performers who cross-dress--women, that is, who are moving into male genres and staking out territory declared off-limits by men and by many feminists. |
| fires in the mirror script: In the Lurch Ryan Claycomb, 2023-01-18 Some of theater’s most powerful works in the past thirty years fall into the category of verbatim theater, socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the “rightward lurch” of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested history—Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy? |
| fires in the mirror script: The Interpretation of Difference James Frieze, 2002 |
| fires in the mirror script: What Playwrights Talk about when They Talk about Writing Jeffrey Sweet, 2017-01-01 The art and craft of playwriting as explored in candid conversations with some of the most important contemporary dramatists Edward Albee, Lanford Wilson, Lynn Nottage, A. R. Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth anniversary of the Yale Drama Series and the David Charles Horn Foundation Prize for emerging playwrights. Jeffrey Sweet, himself an award-winning dramatist, hosts a virtual roundtable of perspectives on how to tell stories onstage featuring extensive interviews with a gallery of gifted contemporary dramatists. In their own words, Arthur Kopit, Marsha Norman, Christopher Durang, David Hare, and many others offer insights into all aspects of the creative writing process as well as their personal views on the business, politics, and fraternity of professional theater. This essential work will give playwrights and playgoers alike a deeper and more profound appreciation of the art form they love. |
| fires in the mirror script: Notes from the Field Anna Deavere Smith, 2019-05-21 Smith’s powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope.” —The Village Voice Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation” (Variety). Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”) Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope. |
| fires in the mirror script: Theatre of the Real C. Martin, 2012-10-23 This book proposes a new way to consider theatre and performance that claims a special relationship to reality, truth and authenticity. It documents innovations in devising and staging theatre and performance that takes reality as its subject, cultural shifts that have generated theatre of the real, some of its problems and some possibilities. |
| fires in the mirror script: The Oxford Handbook of Qualitative Research Patricia Leavy, 2020-09-07 The Oxford Handbook of Qualitative Research, Second Edition presents a comprehensive, interdisciplinary overview of the field of qualitative research. Divided into eight parts, the forty chapters address key topics in the field such as approaches to qualitative research (philosophical perspectives), narrative inquiry, field research, and interview methods, text, arts-based, and internet methods, analysis and interpretation of findings, and representation and evaluation. The handbook is intended for students of all levels, faculty, and researchers across the disciplines, and the contributors represent some of the most influential and innovative researchers as well as emerging scholars. This handbook provides a broad introduction to the field of qualitative research to those with little to no background in the subject, while providing substantive contributions to the field that will be of interest to even the most experienced researchers. It serves as a user-friendly teaching tool suitable for a range of undergraduate or graduate courses, as well as individuals working on their thesis or other research projects. With a focus on methodological instruction, the incorporation of real-world examples and practical applications, and ample coverage of writing and representation, this volume offers everything readers need to undertake their own qualitative studies. |
| fires in the mirror script: Analysing Gender in Performance J. Paul Halferty, Cathy Leeney, 2022-12-12 Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance. |
| fires in the mirror script: Beyond the Studio Cynthia Henderson, 2024-09-19 This book is a conversation about acting with noted actor, director and educator Cynthia Henderson. Cynthia takes the reader on a journey to the heart of acting, sharing techniques and exercises she has developed over a lifetime of personal and professional exploration. Drawing from the diverse landscape of what it means to be human, Cynthia creates a space to meet the actor where they are. It is a profound and often humorous guide that is accessible for the beginning actor while inviting the seasoned professional to dive deeper. Her unique insights into actor training form the cornerstone for compelling character development and offer insight into how theatre can be a catalyst for social change. Cynthia’s concepts are cutting edge actor training. More than an acting book, this book is an intimate look at the exploration of the human condition and why we do what we do. |
| fires in the mirror script: Performing Loss Jodi Kanter, 2007-11-13 In Performing Loss: Rebuilding Community through Theater and Writing, author Jodi Kanter explores opportunities for creativity and growth within our collective responses to grief. Performing Loss provides teachers, students, and others interested in performance with strategies for reading, writing, and performing loss as communities—in the classroom, the theater, and the wider public sphere. From an adaptation of Jose Saramago’s novel Blindness to a reading of Suzan-Lori Parks’s The America Play, from Kanter’s own experience creating theater with terminally ill patients and federal prisoners to a visual artist’s response to September 11th, Kanter shows in practical, replicable detail how performing loss with community members can transform experiences of isolation and paralysis into experiences of solidarity and action. Drawing on academic work in performance, cultural studies, literature, sociology, and anthropology, Kanter considers a range of responses to grief in historical context and goes on to imagine newer, more collaborative, and more civically engaged responses. Performing Loss describes Kanter’s pedagogical and artistic processes in lively and vivid detail, enabling the reader to use her projects as models or to adapt the techniques to new communities, venues, and purposes. Kanter demonstrates through each example the ways in which writing and performing can create new possibilities for mourning and living together. |
| fires in the mirror script: Theories of Performance Elizabeth Bell, 2008-02-11 Theories of Performance invites students to explore the possibilities of performance for creating, knowing, and staking claims to the world. Each chapter surveys, explains, and illustrates classic, modern, and postmodern theories that answer the questions, What is performance? Why do people perform? and How does performance constitute our social and political worlds? The chapters feature performance as the entry point for understanding texts, drama, culture, social roles, identity, resistance, and technologies. |
| fires in the mirror script: Teaching Performance Studies Nathan Stucky, Cynthia Wimmer, 2002 Edited by Nathan Stucky and Cynthia Wimmer, Teaching Performance Studies is the first organized treatment of performance studies theory, practice, and pedagogy. This collection of eighteen essays by leading scholars and educators reflects the emergent and contested nature of performance studies, a field that looks at the broad range of human performance from everyday conversation to formal theatre and cultural ritual. The cross-disciplinary freedom enacted by the writers suggests a new vision of performance studies--a deliberate commerce between field and classroom. |
| fires in the mirror script: Women Pulitzer Playwrights Carolyn Casey Craig, 2004-11-05 In the first century of the coveted Pulitzer Prizes, only 11 women have won the prize for drama: Zona Gale (1921), Susan Glaspell (1931), Zoe Akins (1935), Mary Coyle Chase (1945), Ketti Frings (1958), Beth Henley (1981), Marsha Norma (1983), Wendy Wasserstein (1989), Paula Vogel (1998), Margaret Edson (1999), and Suzan-Lori Parks (2002). This book is about them and their landmark plays, beginning with Gale's Miss Lulu Bett, which championed the unmarried woman forced to work in the home of a married relative, and closing with Parks' controversial Topdog/Underdog, which made her the first black woman to win the prize. Drawn from personal interviews with the playwrights and research from archives and unpublished material, this work shows how the stage art of women has reflected life in the American family and traces a strong thread of feminist history in our culture. Overview chapters set the stage for each playwright and play with sketches of the time period, highlighting the major points of women's experiences in culture, society and the family. Other chapters analyze each play in detail and discuss the playwright's life and opinions. The book also includes a quick history of the Pulitzer Prize and a chapter honoring black female playwrights. |
| fires in the mirror script: Creating Verbatim Theatre from Oral Histories Clare Summerskill, 2020-09-13 Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners. This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays. |
| fires in the mirror script: Contemporary African American Women Playwrights Philip C. Kolin, 2007-11-07 In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas. |
| fires in the mirror script: How Plays Work Martin Meisel, 2007-06-28 Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope. The final chapters explore ways in which both the drive for significant understanding and the appetite for wonder can and do find satisfaction and delight. Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.--BOOK JACKET. |
| fires in the mirror script: Dark Matter Andrew Sofer, 2013-10-28 Dark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors. |
| fires in the mirror script: Acting Out Lynda Hart, Peggy Phelan, 1993 Both a critical account of contemporary feminist performance and illustration of its depth and diversity, Acting Out is essential reading for anyone interested in feminist theory, sexual difference, queer theory, or the politics of contemporary performance. Contributors include Philip Auslander, C. Carr, Kate Davy, Joyce Devlin, Elin Diamond, Jill Dolan, Hillary Harris, Lynda Hart, Lynda M. Hill, Julie Malnig, Vivan M. Patraka, Peggy Phelan, Janelle Reinelt, Sandra L. Richards, Amy Robinson, Judy C. Rosenthal, Rebecca Schneider, Raewyn Whyte, and Yvonne Yarbro-Bejarano. |
| fires in the mirror script: What is Theatre? John Brown, 2013-02-01 This major introductory textbook is from one of the leading educators working in theatre today. What Is Theatre? will make its reader a better playgoer, responding more fully to performance, with a keener appreciation of all the resources of theatre-acting, design, direction, organization, theatre buildings, and audiences. By focusing on the best professional practice and the most helpful learning processes, Dr. Brown shows how to read a play-text and to see and hear its potential for performance. Throughout this book, suggestions are given for student essays and class discussions, to help both instructor and reader to clarify their thoughts on all aspects of theatre-going. While the main focus is on present-day theatre in North America, history is used to illuminate current practice. Theatres in Europe and Asia also feature in the discussion. A view is given of all contributors to performance, with special emphasis placed on actors and the plays they perform. This textbook is not tied to a few specific play-texts, but designed to be effective regardless of which play a student sees or reads. In Part Two, leading practitioners of different generations and cultural backgrounds describe their own work, providing a variety of perspectives on the contemporary theatre. All this is supplemented by nearly 100 black and white and color illustrations from productions, working drawings, and plans. This new text engages its readers in the realities of the theatre; it is up-to-date, comprehensive, and packed with practical advice for understanding how theatre works and how plays come alive in performance. John Russell Brown is professor of Theatre at the University of Michigan, Ann Arbor, and has taught at a variety of colleges including New York and Stanford Universities. For 15 years he was an associate director of the National Theatre in London, and he has directed plays in many other theatres including Cincinnati Playhouse, the Empty Space in Seattle, and the Clurman Theatre in New York. Professor Brown has written extensively about theatre, especially about Shakespeare and contemporary theatre. He is editor of The Oxford Illustrated History of Theatre. |
| fires in the mirror script: Civiliesation Daryl Conant M. Ed., 2015-02-23 civiLIESation: The Undeniable Truth is an in-depth look at what we are, who we are, and the ultimate purpose of our existence. The cosmos is a grand miracle, and though we dont know its origin or purpose, one thing does remain true and that is that the entire cosmos is made up of energy, the energy of creation. The Earth is a living biosphere that is a product of the atomic expansion of the universe. The Earths containment system allows for the sustainability of life. During the early stages of civilization life was reckless, barbaric, and uncontained. It would take thousands of years for the primitive energy to evolve into a sophisticated, civilized energy. One of the key factors for a shift in human behavior was through the conception of ego energy. The ego would be responsible for the governing power of civilization known as The Mass of Collective Energy. CiviLIESation explores illusionary perceptions, projections, and reflections of the ego. CiviLIESation is a presentation of conscious awareness. |
| fires in the mirror script: Theatre in a Media Culture Amy Petersen Jensen, 2014-11-04 As the media have increasingly become the lens through which we see the world, media styles have shaped even the fine arts, and contemporary theatre is particularly indebted to mass media's dramatic influence. In order to stay culturally and financially viable, theatre producers have associated theatrical productions and their promotion with film, television, and the Internet by adopting new theatrical practices that mirror the form and content of mass communication. This work demonstrates how mediatization, or the adoption of the semantics and the contexts of mass media, has changed the way American theatre is produced, performed, and perceived. Early chapters use works like Robert Wilson's 3D digital opera Monsters of Grace and Thecla Schophorst's digitally animated Bodymaps to demonstrate the shifting nature of live performance. Critical analysis of the interaction between the live performer and digital technology demonstrates that the use of media technology has challenged and changed traditional notions of dramatic performance. Subsequent discussion sustains the argument that theatre has reconfigured itself to access the economic and cultural power of the media. Final chapters consider the extent to which mediatization undermines theatrical authorship and creativity. |
| fires in the mirror script: The Creative Spirit Stephanie Arnold, 2004 Provides coverage of the wide range of contemporary theatre and includes scripts of five plays: August Wilson's Joe Turner's Come and Gone, Wakako Yamauchi's And the Soul Shall Dance, Tony Kushner's Angels in America, Marsha Norman's Getting Out, and Sam Shepard's Buried Child. |
| fires in the mirror script: Naming Theatre J. Frieze, 2009-10-16 Reading a range of work from the US and UK over the last two decades, this is an innovative study of theatre's growing obsession with technologies and effects of naming. How does theatre reflect, and intervene in, naming practices across domains such as philosophy, computing, journalism, anthropology, advertising, military training, and genetics? |
| fires in the mirror script: Brecht Damals und Heute John Willett, 1995 This 20th jubilee volume of the Brecht Yearbook also celebrates 25 years of the International Brecht Society. John Willett, has assembled material from the international symposium he convened in Bourges in 1992, along with statements and articles from those who feel an affinity with Brecht. |
| fires in the mirror script: Brecht Jahrbuch , 1995 |
| fires in the mirror script: The Power of One Louis E. Catron, 2000 This book demonstrates techniques of writing, acting, and directing that encourage the reader to create a personal theatrical experience. |
| fires in the mirror script: Encyclopedia of African American Women Writers Yolanda Williams Page, 2007-01-30 African American women writers published extensively during the Harlem Renaissance and have been extraordinarily prolific since the 1970s. This book surveys the world of African American women writers. Included are alphabetically arranged entries on more than 150 novelists, poets, playwrights, short fiction writers, autobiographers, essayists, and influential scholars. The Encyclopedia covers established contemporary authors such as Toni Morrison and Gloria Naylor, along with a range of neglected and emerging figures. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works, a survey of the author's critical reception, and primary and secondary bibliographies. Literature students will value this book for its exploration of African American literature, while social studies students will appreciate its examination of social issues through literature. African American women writers have made an enormous contribution to our culture. Many of these authors wrote during the Harlem Renaissance, a particularly vital time in African American arts and letters, while others have been especially active since the 1970s, an era in which works by African American women are adapted into films and are widely read in book clubs. Literature by African American women is important for its aesthetic qualities, and it also illuminates the social issues which these authors have confronted. This book conveniently surveys the lives and works of African American women writers. Included are alphabetically arranged entries on more than 150 African American women novelists, poets, playwrights, short fiction writers, autobiographers, essayists, and influential scholars. Some of these figures, such as Toni Morrison and Gloria Naylor, are among the most popular authors writing today, while others have been largely neglected or are recently emerging. Each entry provides a biography, a discussion of major works, a survey of the writer's critical reception, and primary and secondary bibliographies. The Encyclopedia closes with a selected, general bibliography. Students and general readers will welcome this guide to the rich achievement of African American women. Literature students will value its exploration of the works of these writers, while social studies students will appreciate its examination of the social issues these women confront in their works. |
| fires in the mirror script: Forged by Fire Sharon M. Draper, 2013-07-23 When Gerald was a child he was fascinated by fire. But fire is dangerous and tragedy strikes. The one bright light in Gerald's life is his little half sister, Angel, whom he struggles to protect from her abusive father. Gerald finds success on the Hazelwood Tigers basketball team, and Angel develops her talents as a dancer, despite the trouble that still haunts them. |
| fires in the mirror script: TDR. , 1996 |
| fires in the mirror script: Harvard Review , 1993 |
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Track wildfires & smoke across the US. Monitor fire spread, intensity, and lightning strikes. Stay informed with real-time updates on Map of Fire.
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It provides a public resource of information to best prepare and manage wildfire season. Developed in a joint partnership between the EPA and USFS.
Wildfire smoke map: Track fires and red flag warnings across the …
Track the latest wildfire and smoke information with data that is updated hourly based upon input from several incident and intelligence sources.
Fire Information - National Interagency Fire Center
InciWeb provides ongoing information on active wildfires across the nation. InciWeb lists incident-specific information about fires, news, announcements, contact information, hours of …
Maps show Canada wildfire smoke forecast for U.S. as dozens of …
May 30, 2025 · More than 90 fires out of 174 active blazes were burning "out of control" across Canada as of Thursday, according to the Canadian Interagency Forest Fire Center, forcing …
LANCE | FIRMS - NASA
3 days ago · NASA | LANCE | Fire Information for Resource Management System provides near real-time active fire data from MODIS and VIIRS to meet the needs of firefighters, scientists …
InciWeb the Incident Information System
The .gov means it’s official. Federal government websites often end in .gov or .mil. Before sharing sensitive information, make sure you’re on a federal government site.
Live Fire Map: Track Wildfires Near You - Frontline
Frontline Wildfire Defense is proud to offer access to this interactive wildfire map and live fire tracker. Keep an eye on recent wildfire activity, so you can take appropriate action to protect …
Fire and Smoke Map Version 4 New | AirNow.gov
Please use the Fire and Smoke map to check on wildfire smoke impacts in your area. Use this box for geographic or location based searches.
Fire Updates For Bal Harbour, FL - Daily Tracker | WeatherBug
Local fire updates and warnings for Bal Harbour, FL and surrounding areas. Get the latest fire watch details and map. Visit today!
