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| feminism in the yellow wallpaper: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
| feminism in the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2021-04-13 The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period |
| feminism in the yellow wallpaper: Herland Charlotte Perkins Gilman, 2025-01-21 Herland author Charlotte Perkins Gilman’s captivating masterpiece takes readers to a hidden utopia where gender roles have been redefined, a secret society where women reign supreme. In this Feminist Utopian novel, Gilman’s compelling narrative is told from the perspective of Van Jennings, a sociology student who forms an expedition party. He travels with two friends, Terry and Jeff, to explore an area of uncharted land. These fearless adventurers travel to a land rumored to be home to a society consisting only of women. They enter a world beyond imagination, an isolated land untouched by the influence of men. Within this harmonious civilization, where community is essential to the all-female society, bonds of sisterhood unite its inhabitants. The society is built on cooperation, respect, and intellectual prowess. It is a land where education is paramount. War, greed, and inequality do not exist. Women bear children without men and every individual is valued for their unique contributions. The women maintain their individuality while working with others within the community to reach a consensus. The three explorers grapple with their ingrained beliefs and preconceived notions of their own male dominated society. In this poignant social critique of the early 20th century, readers are immersed in a vision of what society could be when limitations are not imposed on women. Gilman’s vivid storytelling stimulates the imagination and leaves an indelible mark on the reader’s mind. Her eloquence and insight captivating and will leave you with a renewed sense of hope and possibility. |
| feminism in the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2022-06-13 ‘The Yellow Wallpaper’, by Charlotte Perkins Gilman, is a short story first published in January 1892. The psychological thriller by the renowned US women’s rights writer and campaigner is an autobiographical-inspired novella based upon her own experience of severe postnatal depression, leading to post-natal psychosis. At the time, women with PND (known in America as postpartum depression) were seen as hysterical and were often dismissed by doctors who overlooked treatment options through lack of understanding of the condition. In Perkins’ short story, written tellingly from the first-person perspective, the nameless female protagonist is forced to sleep in an attic with yellow wallpaper and is driven mad by her enforced imprisonment following the birth of her first child. The book describes in detail how she sees imagined beings and ghostly sightings in the house. Disturbing in its nature yet utterly realistic to the heroine, the protagonist offers a diary-style narrative detailing her experience as a new mother suffering with severe mental illness: I don’t know why I should write this. I don’t want to. I don’t feel able. And I know John would think it absurd. But I must say what I feel and think in some way—it is such a relief! But the effort is getting to be greater than the relief. Evoking gothic themes of Charlotte Bronte’s 'Jane Eyre', in both Jane Eyre’s own tortuous and notorious Red Room and Bertha Mason's confinement in her loft prison, the book was made into a film in 2011 – directed by Logan Thomas and starring Aric Cushing and Juliet Landau. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self- declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that the domestic environment oppressed women through the patriarchal beliefs upheld by society. A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she chose chloroform over cancer. |
| feminism in the yellow wallpaper: The Yellow Wallpaper & Herland Charlotte Perkins Gilman, 2022-03-31 HarperCollins is proud to present its incredible range of best-loved, essential classics. |
| feminism in the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2020-11-16 The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, published 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working or writing, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period.[2][3][4]The narrator devotes many journal entries to describing the wallpaper in the room - its sickly color, its yellow smell, its bizarre and disturbing pattern like an interminable string of toadstools, budding and sprouting in endless convolutions, its missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.When her husband arrives home, the narrator refuses to unlock her door. When he returns with the key, he finds her creeping around the room, rubbing against the wallpaper, and exclaiming I've got out at last... in spite of you. He faints, but she continues to circle the room, creeping over his inert body each time she passes it, believing herself to have become the woman trapped behind the yellow wallpaper. |
| feminism in the yellow wallpaper: The Charlotte Perkins Gilman Reader Charlotte Perkins Gilman, 1999 THE CHARLOTTE PERKINS GILMAN READER is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of The Yellow Wallpaper, in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production. |
| feminism in the yellow wallpaper: Unpunished D. D.K., 2012-11 Unpunished is a story about, love, abuse, sex, betrayal, deceit, mental illness, murder and the unknown. It's NOT a pretty story, however it is one woman's true story. Donna was on her way home from work one afternoon when she stopped to pick up her mail. She tore excitedly into a package that she assumed was from her mother; instead photographs from her past tumbled onto her lap. She is thrown into the memories of her past, memories that are unwanted and of deeds that went unpunished!! |
| feminism in the yellow wallpaper: Women Uniting to Defeat Patriarchy. A Feminist and Gender Critical Reading of "The Yellow Wallpaper" Sophia Daffner, 2018 Academic Paper from the year 2018 in the subject American Studies - Miscellaneous, grade: 1,3, University of Frankfurt (Main), course: Introduction to Literature, language: English, abstract: The question that characterizes the beginning of Charlotte Perkins Gilman's short story The Yellow Wallpaper (1892) is one that many women in the nineteenth and twentieth century will likely have posed to themselves. What is one to do? Gilman's narrator asks repeatedly, when, as a woman in the late nineteenth century, one has no choice but to assume the role of the helpless wife and mother under the oppression of male authority. The Yellow Wallpaper challenges this stereotypical image of womanhood as well as the unequal relationships between women and men that come along with a male dominated society and its ideology of masculine rationality vs. feminine irrationality (Rodriguez Salas 2012). As a result of being diagnosed with, what was then called, nervous prostration - generally regarded as hysteria - and prescribed the rest cure (Gilman 1935), Gilman also explores and brings to light the problematic views on and treatment of mental health in the nineteenth and twentieth century. At the time, hysteria was primarily associated with passivity, the result of leading a softer life and having an overactive imagination - all stereotypically feminine behaviours - and was thus diagnosed primarily in women (Kahane 1995: 10). In her autobiography Gilman talks about how she was not allowed to write, paint or have more than two hours' intellectual life a day and how she was supposed to live as domestic a life as possible (Gilman 1935), all of which are elements that are closely reflected in the protagonist's diagnosis in The Yellow Wallpaper. |
| feminism in the yellow wallpaper: Charlotte Perkins Gilman's The Yellow Wall-Paper Catherine J. Golden, 2013-10-18 In 1892, Charlotte Perkins Gilman published her landmark work, The Yellow Wall-Paper, generating spirited debates in literary and political circles on both sides of the Atlantic. Today this story of a young wife and mother succumbing to madness is hailed both as a feminist classic and a key text in the American literary canon. This sourcebook combines extracts from contemporary documents and critical reviews with incisive commentary, providing: *an introduction to the political, biographical and medical contexts in which Gilman was writing *a publishing and critical history of the work with extracts from the earliest reviews through to recent criticism *a chronology of key biographical and contextual events *an annotated guide to further reading *original illustrations and photographs of the author and figures related to the story. Filled with extensive commentary, as well as contextual and critical materials, this reprint of the complete original text--as published in the New England Magazine in 1892--constitutes an important critical edition. |
| feminism in the yellow wallpaper: The Yellow Wallpaper and Other Stories Charlotte Perkins Gilman, 2012-03-01 Seven charming tales explore relations between the sexes and offer witty insights from a feminist perspective. Includes the 1892 title classic, plus Cottagette, Turned, Mr. Peebles' Heart, and more. |
| feminism in the yellow wallpaper: Pragmatism and Feminism Charlene Haddock Seigfried, 1996-06-15 Though many pioneering feminists were deeply influenced by American pragmatism, their contemporary followers have generally ignored that tradition because of its marginalization by a philosophical mainstream intent on neutral analyses devoid of subjectivity. In this revealing work, Charlene Haddock Seigfried effectively reunites two major social and philosophical movements, arguing that pragmatism, because of its focus on the emancipatory potential of everyday experiences, offers feminism its most viable and powerful philosophical foundation. With careful attention to their interwoven histories and contemporary concerns, Pragmatism and Feminism effectively invigorates both traditions, opening them to new interpretations and appropriations and asserting their timely philosophical relevance. This foundational work in feminist theory simultaneously invites and guides future scholarship in an area of rapidly emerging significance. |
| feminism in the yellow wallpaper: Wild Unrest Helen Lefkowitz Horowitz, 2010-11-05 In Wild Unrest, Helen Lefkowitz Horowitz offers a vivid portrait of Charlotte Perkins Gilman in the 1880s, drawing new connections between the author's life and work and illuminating the predicament of women then and now. Horowitz draws on a treasure trove of primary sources to explore the nature of 19th-century nervous illness and to illuminate the making of Gilman's famous short story, The Yellow Wall-Paper: Gilman's journals and letters, which closely track her daily life and the reading that most influenced her; the voluminous diaries of her husband, Walter Stetson; and the writings, published and unpublished of S. Weir Mitchell, whose rest cure dominated the treatment of female hysteria in late 19th-century America. Horowitz argues that these sources ultimately reveal that Gilman's great story emerged more from emotions rooted in the confinement and tensions of her unhappy marriage than from distress following Mitchell's rest cure. Hailed by The Boston Globe as an engaging portrait of the woman and her times, Wild Unrest adds immeasurably to our understanding of Charlotte Perkins Gilman as well as the literary and personal sources behind The Yellow Wall-Paper. |
| feminism in the yellow wallpaper: The Captive Imagination Catherine Golden, 1992-01 A century of critical discussion about Charlotte Perkins Gilman's classic, The Yellow Wallpaper, is combined with excerpts from Gilman's autobiography and interpretations of the story's imagery, plot, and psychological significance |
| feminism in the yellow wallpaper: Feminist Theory and Literary Practice Deborah L. Madsen, 2000-08-20 An accessible account of the varieties of feminist thought within the context of the key American texts including Kate Chopin, Alice Walker and Ann Beattie. |
| feminism in the yellow wallpaper: Women and Economics Illustrated Charlotte Perkins Gilman, 2020-02-07 Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, [1] and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.[2]The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves.[3] It was near the end of this tumultuous decade that Gilman's very popular book emerged |
| feminism in the yellow wallpaper: The Age of Magic Ben Okri, 2014-10-09 From Booker Prize-Winner Ben Okri. A group of world-weary travellers discover the meaning of life in a mysterious mountain village. Eight film-makers arrive at a small Swiss hotel on the shores of a luminous lake. Above them, strewn with lights that twinkle in the darkness, looms the towering Rigi mountain. Over the course of three days and two nights, the travellers will find themselves drawn in to the mystery of the mountain reflected in the lake. One by one, they will be disturbed, enlightened, and transformed, each in a different way. The Age of Magic has begun. Unveil your eyes. ALSO BY BEN OKRI: Astonishing the Gods, In Arcadia, A Way of Being Free, Dangerous Love. |
| feminism in the yellow wallpaper: The Feminism of Charlotte Perkins Gilman Judith A. Allen, 2009-09 ... The first comprehensive assessment of Charlotte Perkins Gilman's richly complex feminism.--Back cover. |
| feminism in the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2020-10-26 The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, published 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. Wikipedia |
| feminism in the yellow wallpaper: The Living of Charlotte Perkins Gilman Charlotte Perkins Gilman, 2014-04-15 This early work by Charlotte Perkins Gilman was originally published in 1935. It is the autobiography of the American sociologist, novelist and poet who is best remembered for her semi-autobiographical short story 'The Yellow Wallpaper'. |
| feminism in the yellow wallpaper: Charlotte Perkins Gilman’s “The Yellow Wall-Paper” from a Feminist Perspective. A Woman’s Place in a Patriarchal World Marie Schröder, 2016-11-10 Seminar paper from the year 2015 in the subject American Studies - Literature, grade: 1,7, University of Duisburg-Essen (Institut für Anglophone Studien), language: English, abstract: “The Yellow Wallpaper” gives ample scope for interpretation, and therefore a great amount of (sometimes conflicting) readings emerged since its publication. As this term paper attempts to reveal the way Gilman criticizes the suppression of women in her days, the discussion will mainly include the analytical work of feminist critics. For the inquiry, the following questions will be central: 1) How does Gilman use language to criticize the patriarchal structures presented in the story? 2) In which way can the heroine’s behavior and progress be interpreted as a reflection of the rising feminist activism? 3) To what extend does the image of the woman in the wallpaper convey meaning? |
| feminism in the yellow wallpaper: The Madwoman in the Attic Sandra M. Gilbert, Susan Gubar, 2020-03-17 Called a feminist classic by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again.--Carolyn G. Heilbrun, Washington Post Book World |
| feminism in the yellow wallpaper: The New Me Halle Butler, 2019-03-05 [A] definitive work of millennial literature . . . wretchedly riveting. —Jia Tolentino, The New Yorker “Girls + Office Space + My Year of Rest and Relaxation + anxious sweating = The New Me.” —Entertainment Weekly I'm still trying to make the dream possible: still might finish my cleaning project, still might sign up for that yoga class, still might, still might. I step into the shower and almost faint, an image of taking the day by the throat and bashing its head against the wall floating in my mind. Thirty-year-old Millie just can't pull it together. She spends her days working a thankless temp job and her nights alone in her apartment, fixating on all the ways she might change her situation--her job, her attitude, her appearance, her life. Then she watches TV until she falls asleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of how hollow that vision has become. Wretchedly riveting (The New Yorker) and masterfully cringe-inducing (Chicago Tribune), The New Me is the must-read new novel by National Book Foundation 5 Under 35 honoree and Granta Best Young American novelist Halle Butler. Named a Best Book of the Decade by Vox, and a Best Book of 2019 by Vanity Fair, Vulture, Chicago Tribune, Mashable, Bustle, and NPR |
| feminism in the yellow wallpaper: Herland, the Yellow Wallpaper, and Selected Writings Charlotte Perkins Gilman, 2016-08-20 Herland is a utopian women's fiction novel written by feminist Charlotte Perkins Gilman in 1915. The genre fiction classic Herland describes an isolated society composed entirely of women, who reproduce via parthenogenesis also known as asexual reproduction. The result is an ideal social order: free of war, conflict, and domination. Herland is a classic in literature & fiction and genre fiction, it is also an important feminist work. In addition to writing women's fiction, Charlotte Perkins Gilman was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer of social reform. In addition to Herland, this anthology volume also includes The Yellow Wallpaper, which is a semi-autobiographical short story also written by Charlotte Perkins Gilman and is considered by many to be her best work. |
| feminism in the yellow wallpaper: Reading Women Stephanie Staal, 2011-02-22 When Stephanie Staal first read The Feminine Mystique in college, she found it a mildly interesting relic from another era. But more than a decade later, as a married stay-at-home mom in the suburbs, Staal rediscovered Betty Friedan's classic work -- and was surprised how much she identified with the laments and misgivings of 1950s housewives. She set out on a quest: to reenroll at Barnard and re-read the great books she had first encountered as an undergrad. From the banishment of Eve to Judith Butler's Gender Trouble, Staal explores the significance of each of these classic tales by and of women, highlighting the relevance these ideas still have today. This process leads Staal to find the self she thought she had lost -- curious and ambitious, zany and critical -- and inspires new understandings of her relationships with her husband, her mother, and her daughter. |
| feminism in the yellow wallpaper: When I Was a Witch & Other Stories Charlotte Perkins Gilman, 2023-08-29 A powerful collection of early feminist stories from the activist and writer Charlotte Perkins Gilman. Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'. |
| feminism in the yellow wallpaper: What Diantha Did Charlotte Perkins Gilman, 2005-06-08 This edition of What Diantha Did makes newly available Charlotte Perkins Gilman’s first novel, complete with an in-depth introduction. First published serially in Gilman’s magazine The Forerunner in 1909–10, the novel tells the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, restaurant, and hotel. By assigning a cash value to women’s “invisible” work, providing a means for the well-being and moral uplift of working girls, and releasing middle-class and leisure-class women from the burden of conventional domestic chores, Diantha proves to her family and community the benefits of professionalized housekeeping. In her introduction to the novel, Charlotte J. Rich highlights Gilman’s engagement with such hotly debated Progressive Era issues as the “servant question,” the rise of domestic science, and middle-class efforts to protect and aid the working girl. She illuminates the novel’s connections to Gilman’s other feminist works, including “The Yellow Wall-Paper” and Herland; to her personal life; and to her commitment to women’s social and economic freedom. Rich contends that the novel’s engagement with class and race makes it particularly significant to the newly complex understanding of Gilman that has emerged in recent scholarship. What Diantha Did provides essential insight into Charlotte Perkins Gilman’s important legacy of social thought. |
| feminism in the yellow wallpaper: Moving the Mountain Charlotte Perkins Gilman, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| feminism in the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2020-07-13 The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period |
| feminism in the yellow wallpaper: The Yellow Wallpaper , 2012-06-21 Seminar paper from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1.0, University of Heidelberg (Anglistisches Seminar), language: English, abstract: The short story The Yellow Wallpaper by Charlotte Perkins Gilman was published in 1892 and is considered to be a very important work of feminist literature. In this paper the short story will be analyzed in regard to the critical theory of feminism. The main part will give special attention to stereotypes of women represented in the story, namely the perfect housewife and the hysterical woman, as well as the traditional gender power structure in the late nineteenth century. However, at the beginning there will be a brief explanation of the aspects of feminism as a critical literary theory. The following part will pay close attention to symbols like the bedroom to demonstrate how they reflect the social and emotional state of the narrator and what they reveal about her defeat or liberation. Additionally, it will illustrate the main characters of the short story, specifically the unknown narrator herself, and which stereotypes of people from the Victorian era they represent. The narrator tells the reader about her life as a wife and mother. She has great problems in fulfilling her duty as a mother because of depression since the birth of her child. The narrator and her husband stay in an old mansion house so that she can recover, but her husband does not really think that she is sick. He leaves her alone almost every day, supposedly because of his work, but this emotional loneliness and the absent of her family and friends, lead her to break down at the end of the story. But is the short story The Yellow Wallpaper really about depression or does it actually reveal something about the woman`s role in society in the late nineteenth century? |
| feminism in the yellow wallpaper: Literature after Feminism Rita Felski, 2020-05-16 Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature. Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic. |
| feminism in the yellow wallpaper: First Wave of Feminism in Politics and Literature Antje Kahle, 2006-01-30 Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, University of Osnabrück, language: English, abstract: The following work should give a short overview about the so called “First Wave Feminism”. It was the first recognized movement of women for equal treatment and for a society that must become aware of the special needs and desire of women which are not limited to the important question of suffrage. Firstly, I will introduce some main ideas of the political ideology of the early women’s movement and their fight for the right to vote. I will try to point out which new and important thoughts the feminists of the late 18th and early 19th century shared and which goals they tried to achieve. Secondly, I will focus on feminism in literature. How were the political ideas represented in literature of that time? With which problems had women writers to deal? What was the reaction of male authors towards the ́New Woman`, the ́scribbling women ́? Therefore Chapter 2 concentrates on the problems of early women writer’s and the new theme ́gender ́ on the literary agenda. Thirdly, my work concentrates on Kate Chopin’s short story “The Story of an Hour”. Kate Chopin’s Work The Awakening is her probably best-known novel, dealing with a woman who demands her own direction and chooses her own freedom. But also her short stories contain a lot of feministic themes and questions. With a closer look at the main themes and the ne w feministic attitude at one of her shortest but most radical short stories, I will show what kind of feminism is ́hidden ́ in “The Story of an Hour”. Fourthly, the interpretation of Charlotte Perkins Gilman’s “The Yellow Wallpaper” will follow the same pattern as the interpretation of Kate Chopin’s “The Story of an Hour”. What are her main themes and how does Charlotte Perkins Gilman deal with the themes of feminism in a gothic atmosphere? Is she more radical or has she a different view on the changes in society and the future role of women? At last I will sum up the results and see what impact the so called “First Wave Feminism” has had on politics, literature and especially on women writers in the late 18th and the early 19th century and, perhaps, on the women of today. |
| feminism in the yellow wallpaper: Good Morning, Midnight Jean Rhys, 2020 The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves-- and losses-- of her past in this mesmerizing and formally daring psychological portrait. |
| feminism in the yellow wallpaper: Pillars of Salt Fadia Faqir, 1998-03-30 Pillars of Salt is the story of two women confined in a mental hospital in Jordan during and after the British Mandate. After initial tensions they become friends and share their life stories. |
| feminism in the yellow wallpaper: Building Domestic Liberty Polly Wynn Allen, 1988 |
| feminism in the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2013-10-25 This edition brings together three of American author Charlotte Perkins Gilman's most important feminist work: The Yellow Wallpaper, What Diantha Did, and Herland. Charlotte Perkins Gilman (1860 - 1935) was a prominent American feminist, novelist and short story writer and a lecturer for social reform. She was a Utopian feminist during a time when her accomplishments were exceptional for women.Her best remembered work today is her semi-autobiographical short story 'The Yellow Wallpaper' written after she'd had postpartum psychosis. |
| feminism in the yellow wallpaper: The Story of an Hour Kate Chopin, 2000 Kate Chopin. Also includes Regret. In these selections, two women examine their lives, one looking forward to the future, the other regretting the past. 34 pages. Tale Blazers. |
| feminism in the yellow wallpaper: Listening to Silences : New Essays in Feminist Criticism Elaine Hedges Professor of English and Director of Women's Studies Towson State University, Austin Shelley Fisher Fishkin Professor of American Studies and English University of Texas, 1994-09-22 |
| feminism in the yellow wallpaper: The Yellow Wall-Paper Charlotte Perkins Gilman, Andre Chaves, Marianna Blau, 2009-08-28 The Yellow Wall-Paper written by legendary author Charlotte Perkins Gilman is widely considered to be one of the top 100 greatest novellas of all time. This great classic novella will surely attract a whole new generation of readers. For many, The Yellow Wall-Paper is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Charlotte Perkins Gilman is highly recommended. Published by Classic House Books and beautifully produced, The Yellow Wall-Paper would make an ideal gift and it should be a part of everyone's personal library. |
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Feminism's Long History
Feb 28, 2019 · Feminism, a belief in the political, economic and cultural equality of women, has roots in the earliest eras of human civilization.
What is Feminism? - Human Rights Careers
At its core, feminism is the belief that women deserve equal social, economic, and political rights and freedoms. Over the years, feminism has focused on issues like the right to vote, …
