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| ezekiel mphahlele: Down Second Avenue Ezekiel Mphahlele, 1959 |
| ezekiel mphahlele: A Study Guide for Es'kia Mphahlele's "Mrs. Plum" Gale, Cengage Learning, 2016-07-12 A Study Guide for Es'kia Mphahlele's Mrs. Plum, excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs. |
| ezekiel mphahlele: Es'kia Mphahlele , 1989 |
| ezekiel mphahlele: The African Image. -- Ezekiel Mphahlele, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| ezekiel mphahlele: Renewal Time Es'kia Mphahlele, 1988 Eight stories and two autobiographical essays written upon the author's return to South Africa after 20 years of exile. Some strong language and some descriptions of sex. |
| ezekiel mphahlele: In Corner B Es'kia Mphahlele, 2011-01-25 The quintessential story collection from the most important black South African writer of the present age (George Moore). Originally published in 1967, In Corner B contains the core stories of the original editions, together with more recent pieces, and is the first new edition of Mphahlele's work since his death in 2008. Written after his return from exile, these stories inimitably capture life in both rural and urban South Africa during the days of apartheid. A new introduction by Peter Thuynsma, a South African scholar and former Mphahlele student, presents the dean of African letters to a new generation of readers. |
| ezekiel mphahlele: African Short Stories Chinua Achebe, Catherine Lynette Innes, 1987 A collection of stories by African writers which deal with life and customs in African society. |
| ezekiel mphahlele: Like Family Ena Jansen, 2019-04-01 An analytic and historical perspective of literary texts to understand the position of domestic workers in South Africa More than a million black South African women are domestic workers. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery, establishing social hierarchies and patterns of behavior that persist today. To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es'kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Like Family is an updated version of the award-winning Soos familie (2015) and the highly-acclaimed 2016 Dutch translation, Bijna familie. |
| ezekiel mphahlele: Faces and Phases of Resilience Tinyiko Maluleke, 2025-03-31 In this captivating collection of essays, Tinyiko Maluleke invites his readers on a journey that begins with his eventful boyhood in Soweto and his life-changing upbringing in Limpopo. His heartfelt reflections on the roles of his mother, maternal grandmother and aunts in his childhood will resonate deeply with readers. In the truest sense, this is a 'feminist' book – one that powerfully highlights and celebrates the vital contributions of women to national development. This memoir traces Maluleke's journey through academia, his rise through the ranks, and the invaluable lessons he learned along the way. Woven into his personal narrative is a broader reflection on the South African experience, inviting readers to reconsider the history of the country – its villages, townships and even their own identities. Maluleke delivers unflinching analysis of critical issues facing South Africa, blending rigorous scholarship with a masterful command of diverse literary genres and writing styles. More than just a memoir, this book is both a tribute and a testament to the moments, places, and people – both celebrated and unsung – that have shaped his perspective. His incisive profiles of fellow university leaders are particularly compelling. Faces and Phases of Resilience will make you think, laugh, yell, and cry. More than just a personal memoir, it is the memoir of a country, a historical epoch, and a people – an invitation into the tragedy, beauty and hope that define South Africa. Forty-nine chapters later, the book closes with a haunting essay on the scourge of xenophobia, culminating in a chillingly titled reflection, 'The Day I Die' – an ironic foretelling of Maluleke's own death – that lingers long after the final page. A literary treasure trove for seekers of exemplars and of fountains of inspiration. It is an ode to resilience. – DR REUEL J KHOZA What a feast! – DR JUDY DLAMINI, Chancellor of Wits University Maluleke has the power and ability to engage a reader's senses ... Highly readable ... – FRED KHUMALO, Journalist and Author |
| ezekiel mphahlele: Seasons Come to Pass Helen Moffett, Es'kia Mphahlele, 1994 |
| ezekiel mphahlele: Really Inside BOSS Petrus Cornelius Swanepoel, 2007 Autobiographical acount on the author's career the South African security police and the state intelligence service. Includes his deployment in Namibia in the 1960s. |
| ezekiel mphahlele: The Wanderers Es'kia Mphahlele, 1900 |
| ezekiel mphahlele: The Undergraduate's Companion to African Writers and Their Web Sites Miriam E. Conteh-Morgan, 2005-10-30 Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced into the curriculum of institutions of higher learning in the United States in the 1960s, when the Black Consciousness movement in the United States and the Cold War and decolonization movements in Africa created a need for the systematic study of other regions of the world. Between 1986 and 1991, three Africans won Nobel literature prizes: Soyinka, Mahfouz, and Gordimer, and the visibility of African writers increased. They are now a firmly established part of world literature courses in many general education curricula throughout North America. African Writers is meant to serve as a resource for introductory material on 300 writers from 39 countries. These writers were selected on the basis on two criteria: that there is material on them in an easily available reference work; and that there is some information of research value on free Web sites. Each writer is from the late-19th or 20th century, with the notable exception of Olaudah Equiano, an 18th-century African whose slave narrative is generally considered the first work of African literature. All entries are annotated. |
| ezekiel mphahlele: Foundational African Writers Bhekizizwe Peterson, Khwezi Mkhize, Makhosazana Xaba, 2022 The essays in this collection were crafted in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele, all of whom were born in 1919. All four centenarians lived rich and diverse lives across several continents. In the years following the Second World War they produced more than half a century of foundational creative writing and literary criticism, and made stellar contributions to institutions and repertoires of African and black arts and letters in South Africa and internationally. The range of the centenarians' imaginations, critical analyses and social interventions spanned disciplinary divides. This volume, in the same spirit, draws on approaches that are equally transdisciplinary. Two aims thread through the contributors' reflections on the complexities of black existence and of intellectual and cultural life in the twentieth century. The first is the exploration of some of the centenarians' key texts and cultural projects that shaped their legacies. In doing so, the volume contributors trace a number of divergent intellectual and aesthetic lineages in their works and organisational activities. The second aim is a consideration of the ways in which these foundational writers' legacies continue to resonate today, confirming their status as crucial contributors to modern African and diasporic black arts and letters. |
| ezekiel mphahlele: The Writing of Ezekiel (Es'kia) Mphahlele, South African Writer Tyohdzuah Akosu, 1995 This study covers Mphahlele's writing in the genres of the novel, autobiography and short story. His writing is closely analyzed against a background of existing critical and theoretical understandings of these genres and the relationship of these concepts to literature, culture, politics. It draws on Mphahlele's own criticism and other polemical works as invaluable sources. Mphahlele's writing explores Black life in South Africa and protests against apartheid, exploring culture and politics. |
| ezekiel mphahlele: Exiles and Homecomings N. C. Manganyi, 1983 |
| ezekiel mphahlele: Still Beating the Drum Lindy Stiebel, Elizabeth Gunner, 2005 Covers English literature and post/colonial literature in English, in 20th century South Africa. |
| ezekiel mphahlele: A History of South African Literature Christopher Heywood, 2004-11-18 This book is a critical study of South African literature, from colonial and pre-colonial times onwards. Christopher Heywood discusses selected poems, plays and prose works in five literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. The discussion includes over 100 authors and selected works, including poets from Mqhayi, Marais and Campbell to Butler, Serote and Krog, theatre writers from Boniface and Black to Fugard and Mda, and fiction writers from Schreiner and Plaatje to Bessie Head and the Nobel prizewinners Gordimer and Coetzee. The literature is explored in the setting of crises leading to the formation of modern South Africa, notably the rise and fall of the Emperor Shaka's Zulu kingdom, the Colenso crisis, industrialisation, the colonial and post-colonial wars of 1899, 1914, and 1939, and the dissolution of apartheid society. In Heywood's study, South African literature emerges as among the great literatures of the modern world. |
| ezekiel mphahlele: The Aesthetic Life of Infrastructure Kelly M. Rich, Nicole M. Rizzuto, Susan Zieger, 2022-12-15 A critical reading of the unstable structures that organize biological and social life This timely and radically interdisciplinary volume uncovers the aesthetics and politics of infrastructure. From roads and bridges to harbors and canals, infrastructure is conventionally understood as the public works that allow for the circulation of capital. Yet this naturalized concept of infrastructure, driven by capital’s restless expansion, is haunted by imperial tendencies to occupy territory, extract resources, and organize life. Infrastructure thus undergirds the living nexus of modernity in an ongoing project of racialization, affective embodiment, and environmental praxis. Rather than merely making visible infrastructure’s modes of power, however, The Aesthetic Life of Infrastructure brings literary methods to bear on the interpretive terrain, reading infrastructural space and temporalities to show that their aesthetic and sensorial experience cannot be understood apart from histories of production and political economies. Building on critical infrastructure studies in anthropology, geography, and media studies, this collection demonstrates the field’s vitality to scholars working across the humanities, including in literary, visual, and cultural studies. By querying the presumed invisibility of infrastructure’s hidden life, the volume’s contributors revitalize ongoing literary debates about reading surface and depth. How, they ask, might infrastructure and aesthetics then function as epistemic tools for rethinking each other? And what urgency do they acquire in light of current crises that bear on death, whether biological, social, or planetary? |
| ezekiel mphahlele: Complicities Mark Sanders, 2002-12-25 DIVA theoretically informed study of five major pro- and anti-apartheid intellectuals, showing the inevitability of complex and compromised positions, and the impossibility of pure ones./div |
| ezekiel mphahlele: Readings in African Popular Culture Karin Barber, 1997 This is an extraordinarily rich collection full of informative detail and excellent interpretative analysis. There is not a single piece that fails to fascinate... --Leeds African Studies Bulletin ... an impressive collection of inspiring and thought-provoking essays. --Media Development This is a book that should find its way into many syllabuses and onto the bookshelves of Africanist scholars in many disciplines. Its publication marks a key turning point in scholarlship on the cultures of contemporary Africa. --Africa Today This book surveys the popular culture of contemporary Africa, including popular literature, oral narrative and poetry, dance, drama, music, and visual art, with special emphasis on the verbal arts. The essays cover six main areas: views of the field; oral tradition revisited; social history, social criticism and interpretation; women in popular culture; little genres of everyday life; the local and the global. |
| ezekiel mphahlele: Long Drums and Canons Bernth Lindfors, 1995 This collection of essays addresses questions pertinent to the teaching of the relatively new discipline surrounding the teaching and researching of African literature. A valuable resource for both researchers, lecturers and students, it examines current practices, considers which material and writers should be studied, and considers how academic programmes can be structured. |
| ezekiel mphahlele: Black Orpheus, Transition, and Modern Cultural Awakening in Africa Peter Benson, 2023-04-28 Black Orpheus and Transition stand as towering landmarks in Africa’s cultural and intellectual history between 1957 and 1978, serving as incubators for the continent's postcolonial literary and artistic awakening. Founded in 1957 by Ulli Beier in Nigeria, Black Orpheus was a platform for artistic experimentation and dialogue, initially inspired by the Paris-based Présence Africaine but quickly evolving into its own distinctive voice. Beier’s initiatives, such as the Mbari Clubs in Ibadan and Oshogbo, complemented the magazine’s mission, offering creative spaces that nurtured some of Africa’s most notable artists and writers. By 1961, Transition, founded in Uganda by Rajat Neogy, emerged as a dynamic forum for cultural redefinition and incisive political commentary. Both publications became indispensable for grappling with the intellectual and cultural challenges of decolonization, exploring themes ranging from African aesthetics to the politics of independence. Despite their profound influence, neither magazine enjoyed smooth trajectories. Black Orpheus weathered internal upheavals, with a second editorial generation—led by Abiola Irele and J.P. Clark—taking the reins and redefining its vision. Meanwhile, Transition faced outright suppression when Neogy was imprisoned for sedition in Uganda. Relocating to Ghana under the stewardship of Wole Soyinka, the magazine continued to thrive, but both journals struggled to adapt to Africa’s rapidly evolving post-independence realities. Their pages reflected a rich tapestry of debates: pan-Africanism versus tribalism, artistic primitivism versus modernism, and indigenous languages versus Western literary conventions. Ultimately, these magazines were more than periodicals—they were crucibles of creativity and intellectual exchange that catalyzed a generation of thinkers and writers. While their eventual closures were due to economic and logistical challenges, their legacy as formative platforms for Africa’s modern cultural identity remains unparalleled. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986. |
| ezekiel mphahlele: A Companion to Modern African Art Gitti Salami, Monica Blackmun Visona, 2013-10-22 Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art |
| ezekiel mphahlele: A History of Twentieth-century African Literatures Oyekan Owomoyela, 1993-01-01 African literatures, says volume editor Oyekan Owomoyela, testify to the great and continuing impact of the colonizing project on the African universe. African writers must struggle constantly to define for themselves and other just what Africa is and who they are in a continent constructed as a geographic and cultural entity largely by Europeans. This study reflects the legacy of colonialism by devoting nine of its thirteen chapters to literature in Europhone languages—English, French, and Portuguese. Foremost among the Anglophone writers discussed are Nigerians Amos Tutuola, Chinua Achebe, and Wole Soyinka. Writers from East Africa are also represented, as are those from South Africa. Contributors for this section include Jonathan A. Peters, Arlene A. Elder, John F. Povey, Thomas Knipp, and J. Ndukaku Amankulor. In African Francophone literature, we see both writers inspired by the French assimilationist system and those influenced by Negritude, the African-culture affirmation movement. Contributors here include Servanne Woodward, Edris Makward, and Alain Ricard. African literature in Portuguese, reflecting the nature of one of the most oppressive colonizing projects in Africa, is treated by Russell G. Hamilton. Robert Cancel discusses African-language literatures, while Oyekan Owomoyela treats the question of the language of African literatures. Carole Boyce Davies and Elaine Savory Fido focus on the special problems of African women writers, while Hans M. Zell deals with the broader issues of publishing—censorship, resources, and organization. |
| ezekiel mphahlele: Critical Perspectives on Culture and Globalisation Kimani Njogu, Seifudein Adem, 2017-08-08 In 1996 President Nelson Mandela described Professor Ali A. Mazrui (1933-2014) as an outstanding educationist and freedom fighter. In 2002 the former UN Secretary General Kofi Annan referred to Professor Mazrui as Africa's gift to the world. Author of more than 35 books and hundreds of articles, Professor Mazrui was an African scholar who had treated with uncommon verve and flair a wide-range of themes that included globalization, the triple heritage, peace, and social justice. This volume engages with some of those themes that excited his mind for over six decades. The multidisciplinary essays seek to underline the highlights of Mazrui's intellectual journey and attest to the fact that he was public intellectual par excellence. Indeed, in 2005, he was named one of the top 100 public intellectuals in the world. This book is a product of a symposium held from 15 to 17 July 2016 in Nairobi, Kenya. The symposium was jointly organized by the Twaweza Communications, Nairobi, Kenya, and the Institute of Global Cultural Studies (State University of New York at Binghamton) which Ali Mazrui created and presided over as the Albert Schweitzer Professor in the Humanities from 1991 to 2014. |
| ezekiel mphahlele: African Literary NGOs Doreen Strauhs, 2015-12-11 Proposing the novel concept of the literary NGO, this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies. |
| ezekiel mphahlele: Literary Materialisms M. Nilges, E. Sauri, 2013-08-13 Literary Materialisms addresses what has become a fundamental concern in the last decade: how do we today define literary studies as an academic discipline and literature as a relevant object of study? Avoiding unproductive proclamations, this volume unites new materialist critical thinking with a commitment to fundamental principles. |
| ezekiel mphahlele: Black World/Negro Digest , 1964-12 Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement. |
| ezekiel mphahlele: Writers in Politics Ngũgĩ wa Thiongʼo, 1997 This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre. Ngugi has put together a new collection under an old title, rewriting most of the pieces that appeared in the original 1981 edition, and adding completely new essays, such as 'Freedom of Expression', written for the campaign to try to save Ken Saro-Wiwa and other Niger Delta activists and writers from execution in Nigeria. Kenya: EAEP |
| ezekiel mphahlele: Black Writers From South Africa Jane Watts, 1989-10-02 |
| ezekiel mphahlele: The Cambridge History of Africa J. D. Fage, Roland Anthony Oliver, Michael Crowder, 1975 The eighth and final volume of The Cambridge History of Africa covers the period 1940-75. It begins with a discussion of the role of the Second World War in the political decolonisation of Africa. Its terminal date of 1975 coincides with the retreat of Portugal, the last European colonial power in Africa, from its possessions and their accession to independence. The fifteen chapters which make up this volume examine on both a continental and regional scale the extent to which formal transfer of political power by the European colonial rulers also involved economic, social and cultural decolonisation. A major theme of the volume is the way the African successors to the colonial rulers dealt with their inheritance and how far they benefited particular economic groups and disadvantaged others. The contributors to this volume represent different disciplinary traditions and do not share a single theoretical perspective on the recent history of the continent, a subject that is still the occasion for passionate debate. |
| ezekiel mphahlele: The Novel in Africa and the Caribbean Since 1950 Simon Gikandi, 2016 The Novel in Africa and the Caribbean since 1950 examines the institutional and social peculiarities that make fiction produced in Africa and the Atlantic World since 1950 important to the history of the novel in English. |
| ezekiel mphahlele: The Penguin Modern Classics Book Henry Eliot, 2021-11-18 The essential guide to twentieth-century literature around the world For six decades the Penguin Modern Classics series has been an era-defining, ever-evolving series of books, encompassing works by modernist pioneers, avant-garde iconoclasts, radical visionaries and timeless storytellers. This reader's companion showcases every title published in the series so far, with more than 1,800 books and 600 authors, from Achebe and Adonis to Zamyatin and Zweig. It is the essential guide to twentieth-century literature around the world, and the companion volume to The Penguin Classics Book. Bursting with lively descriptions, surprising reading lists, key literary movements and over two thousand cover images, The Penguin Modern Classics Book is an invitation to dive in and explore the greatest literature of the last hundred years. |
| ezekiel mphahlele: The Literature Police Peter D. McDonald, 2010-10-14 'Censorship may have to do with literature', Nadine Gordimer once said, 'but literature has nothing whatever to do with censorship.' As the history of many repressive regimes shows, this vital borderline has seldom been so clearly demarcated. Just how murky it can sometimes be is compellingly exemplified in the case of apartheid South Africa. For reasons that were neither obvious nor historically inevitable, the apartheid censors were not only the agents of the white minority government's repressive anxieties about the medium of print. They were also officially-certified guardians of the literary. This book is centrally about the often unpredictable cultural consequences of this paradoxical situation. Peter D. McDonald brings to light a wealth of new evidence - from the once secret archives of the censorship bureaucracy, from the records of resistance publishers and writers' groups both in the country and abroad - and uses extensive oral testimony. He tells the strangely tangled stories of censorship and literature in apartheid South Africa and, in the process, uncovers an extraordinarily complex web of cultural connections linking Europe and Africa, East and West. The Literature Police affords a unique perspective on one of the most anachronistic, exploitative, and racist modern states of the post-war era, and on some of the many forms of cultural resistance it inspired. It also raises urgent questions about how we understand the category of the literary in today's globalized, intercultural world. |
| ezekiel mphahlele: An Introduction to the African Prose Narrative Lokangaka Losambe, 2004 This collection of essays introduces students of African literature to the heritage of the African prose narrative, starting from its oral base and covering its linguistic and cultural diversity. The book brings together essays on both the classics and the relatively new works in all subgenres of the African prose narrative, including the traditional epic, the novel, the short story and the autobiography. The chapters are arranged according to the respective thematic paradigms under which the discussed works fall. |
| ezekiel mphahlele: Can Themba Siphiwo Mahala, 2022-03-30 Mahala's biography gives insight into the life and writing of Can Themba (1924-1967), an iconic figure of the South African literary world and Drum journalist who died in exile Can Themba: The Intellectual Tsotsi, a Biography brings to life the iconic South African writer and journalist, Can Themba, (21 June 1924 - 8 September 1967) who died while exiled in Swaziland in 1967. Best known for his classic short story, 'The Suit', Themba has been somewhat of an enigma, with very little known about his personal life. This biography brings forth the voices of those who had personal interactions with him, shining the light on different aspects of his life including education, literature, journalism and political fraternities. It features interviews with prominent individuals including his former students, Abdul Bham, Pitika Ntuli, and Mbulelo Mzamane; journalistic mentees Juby Mayet and Joe Thloloe; as well as friends, colleagues and contemporaries Parks Mangena, Peter Magubane, Jurgen Schadeberg, Don Mattera, and Nadine Gordimer; in addition to artists and academics Mothobi Mutloatse, Muxe Nkondo and Njabulo S. Ndebele. Also featured in this biographical text are veteran political figures such as Mangosuthu Buthelezi, Lindiwe Mabuza and Ahmed Kathrada. Themba's intellectual acumen, scholarly aptitude and witticism are some of his most revered characteristics amongst those who had interactions with him either in person or through comprehensive reading of his works. Mahala is a master storyteller and deftly weaves together the threads of Themba's dynamic life. In this edifying biography Mahala recreates the sparkle and pathos of Sophiatown of the 1950s and the Drum era. Can Themba's successes and failures, as well as his triumphs and tribulations reverberate on the pages of this long-awaited biography. |
| ezekiel mphahlele: Engaging with Literature of Commitment. Volume 1 , 2012-01-01 This collection ranges far and wide, as befits the personality and accomplishments of the dedicatee, Geoffrey V. Davis, German studies and exile literature scholar, postcolonialist (if there are ‘specialties’, then Australia, Canada, India, South Africa, Black Britain), journal and book series editor.... Themes covered include publishing in Africa, charisma in African drama, the rediscovery of apartheid-era South African literature, Truth and Reconciliation commissions, South African cinema, children’s theatre in England and Eritrea, and the Third Chimurenga in literary anthologies. Surveyed are texts from Botswana, Nigeria, South Africa, Tanzania, and Zimbabwe. Writers discussed (or interviewed: Angela Makholwa) include Ayi Kwei Armah, Seydou Badian, J.M. Coetzee, Chielo Zona Eze, Ruth First, Abdulrazak Gurnah, Bessie Head, Ian Holding, Kavevangua Kahengua, Njabulo Ndebele, Lara Foot Newton, Ngũgĩ wa Thiong’o/Micere Githae Mugo, Sol Plaatje, Ken Saro–Wiwa, Mongane Wally Serote, Wole Soyinka, and Ed¬gar Wallace, together with essays on the artist Sokari Douglas Camp and the filmmaker Rayda Jacobs. Because Geoff’s commitment to literature has always been ‘hands-on’, the book closes with a selection of poems and an entertaining travelogue/memoir. |
| ezekiel mphahlele: Black African Literature in English, 1982-1986 Bernth Lindfors, 1989 This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources. |
| ezekiel mphahlele: Black World/Negro Digest , 1962-10 Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement. |
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