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| fantasy the literature of subversion: Fantasy Dr Rosemary Jackson, 2008-03-07 This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of these frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment. |
| fantasy the literature of subversion: Fantasy Rosemary Jackson, 2013-10-08 First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study. |
| fantasy the literature of subversion: Fantasy Dr Rosemary Jackson, 2008-03-07 This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of these frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment. |
| fantasy the literature of subversion: Fantasy Rosemary Jackson, 1984 |
| fantasy the literature of subversion: The Fantastic in Modern Japanese Literature Susan Napier, 2005-07-22 An exploration of the dark side to Japanese literature and Japanese society. A wide range of fantasists form the basis for a ground breaking analysis of the fantastic. |
| fantasy the literature of subversion: Poe and the Subversion of American Literature Robert T. Tally Jr., 2014-01-16 Choice Outstanding Academic Title 2014 In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poète maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice. |
| fantasy the literature of subversion: Fantasy Fiction Lucie Armitt, 2005-04-13 This is a series of introductory books about different types of writing. One strand of the series will focus on genres such as Science Fiction, Horror, Romance, and Crime. The other strand will focus on movements or styles often associated with historical and cultural locations - Postcolonial, Native American, Scottish, Irish, American Gothic. These introductions all share the same nine-part structure: 1.A broad definition of the genre and its essential elements 2.A timeline of historical developments 3.Critical concerns to bear in mind while reading 4.Detailed readings of several key texts 5.In-depth analysis of major themes and issues 6.Signposts for further study 7.A summary of the most important criticism in the field 8.A glossary of terms 9.An annotated, critical reading list Writers covered in this book include: Lewis Carroll, Edward Lear, George Orwell, J.R.R. Tolkien, Mary Shelley, J.K. Rowling, H.G. Wells, Thomas More, Jonathan Swift, Charlotte Perkins Gilman, Yann Martel, Jeanette Winterson, and William Gibson. |
| fantasy the literature of subversion: Gender and Sexuality in Contemporary Popular Fantasy Jude Roberts, Esther MacCallum-Stewart, 2016-06-03 This book explores the ways in which contemporary writers, artists, directors, producers and fans use the opportunities offered by popular fantasy to exceed or challenge norms of gender and sexuality, focusing on a range of media, including television episodes and series, films, video games and multi-player online role-play games, novels and short stories, comics, manga and graphic novels, and board games. Engaging directly with an enormously successful popular genre which is often overlooked by literary and cultural criticism, contributors pay close attention to the ways in which the producers of fantasy texts, whether visual, game, cinematic, graphic or literary texts, are able to play with gender and sexuality, to challenge and disrupt received notions and to allow and encourage their audiences to imagine ways of being outside of the constitutive constraints of socialized gender and sexual identity. With rich case studies from the US, Australia, UK, Japan and Europe, all concentrating not on the critique of fantasy texts which duplicate or reinforce existing prejudices about gender and sexuality, but on examining the exploration of or attempt to make possible non-normative gendered and sexual identities, this volume will appeal to scholars across the social sciences and humanities, with interests in popular culture, fantasy, media studies and gender and sexualities. |
| fantasy the literature of subversion: The Cambridge Companion to Fantasy Literature Edward James, Farah Mendlesohn, 2018 Since Tolkien, Pratchett, Rowling, Pullman and Meyer, fantasy literature has become one of the most popular genres in the English-speaking world. This book puts this publishing phenomenon in a historical context, suggests different ways of reading and appreciating this literature, and examines some of its varieties and subgenres. |
| fantasy the literature of subversion: Strategies of Fantasy Brian Attebery, 1992-03-22 In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big. |
| fantasy the literature of subversion: Fantasy Rosemary Jackson, 1981 |
| fantasy the literature of subversion: Literary Swordsmen and Sorcerers L. Sprague deCamp, 2014-06-30 Stories contained in this book: The Swords of Faerie Jack of all Arts: William Morris Two Men in One: Lord Dunsany Eldritch Yankee Gentleman: H. P. Lovecraft Superman in a Bowler: E. R. Eddison The Miscast Barbarian: Robert E. Howard Parallel Worlds: Fletcher Pratt Sierran Shaman: Clark Ashton Smith Merlin in Tweeds: J. R. R. Tolkien The Architect of Camelot: T. H. White Conan's Compeers |
| fantasy the literature of subversion: The Subversive Harry Potter Vandana Saxena, 2014-01-10 The seven books in J.K. Rowling's Harry Potter series bring together a variety of aspects of young adult fiction and portray youthful rebellion as well as cultural containment and an adolescent's negotiations through these conflicting forces. This detailed study of Harry Potter explores the limits of the formulaic structure of adolescent fantasy fiction and also examines the impulse of exploration, subversion, and resistance contained within the formula. Within both subversion and containment in the narrative, young adult fantasy becomes an embodiment of the experience of adolescence--its angst, rebellion and also its journey of personal maturation. |
| fantasy the literature of subversion: Fantasy, the Literature of Subversion Maurice Charney, Rosemary Jackson, 2007 |
| fantasy the literature of subversion: Power and Subversion in Game of Thrones A. Keith Kelly, 2022-09-27 This collection of essays examines the structures of power and the ways in which power is exercised and felt in the fantasy world of Game of Thrones. It considers how the expectations of viewers, particularly within the genre of epic fantasy, are subverted across the full 8 seasons of the series. The assembled team of international scholars, representing a variety of disciplines, addresses such topics as the power of speech and magic; the role of nationality and politics; disability, race and gender; and the ways in which each reinforces or subverts power in Westeros and Essos. |
| fantasy the literature of subversion: Folklore and the Fantastic in Nineteenth-Century British Fiction Jason Marc Harris, 2016-04-15 Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural. |
| fantasy the literature of subversion: The Fantastic Tzvetan Todorov, 1975 In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe. |
| fantasy the literature of subversion: Children's Fantasy Literature Michael Levy, Farah Mendlesohn, 2016-04-16 Fantasy has been an important and much-loved part of children's literature for hundreds of years, yet relatively little has been written about it. Children's Fantasy Literature traces the development of the tradition of the children's fantastic - fictions specifically written for children and fictions appropriated by them - from the sixteenth to the twenty-first century, examining the work of Lewis Carroll, L. Frank Baum, C. S. Lewis, Roald Dahl, J. K. Rowling and others from across the English-speaking world. The volume considers changing views on both the nature of the child and on the appropriateness of fantasy for the child reader, the role of children's fantasy literature in helping to develop the imagination, and its complex interactions with issues of class, politics and gender. The text analyses hundreds of works of fiction, placing each in its appropriate context within the tradition of fantasy literature. |
| fantasy the literature of subversion: Fantasy Richard Mathews, 2016-01-29 Using a broad definition of fantasy to include myth, folklore, legend and fairy tale, this survey of the genre will entice as well as inform any student interested in the mysterious, mystical or magical. Beloved authors like J. R. R. Tolkien, Ursula K. Le Guin, William Morris and Robert E. Howard are examined closely. |
| fantasy the literature of subversion: Myth and Subversion in the Contemporary Novel José Manuel Losada Goya, Marta Guirao Ochoa, 2012-03-15 This bilingual work identifies and explains the subversive rewriting of ancient, medieval and modern myths in contemporary novels. The book opens with two theoretical essays on the subject of subversive tendencies and myth reinvention in the contemporary novel. From there, it moves on to the analysis of essential texts. Firstly, classical myths in works by authors such as André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino or Christa Wolf (for instance, Theseus, Oedipus or Medea) are discussed. Then, myths of biblical origin – such as the Flood or the Golem – are revisited in the work of Giorgio Bassani, Julian Barnes and Cynthia Ozick. A further section is concerned with the place of modern myths (Faust, the ghost, Ophelia…) in the fiction of Günter Grass, Paul Auster, or Clara Janés. The contributors have also delved into the relationship between myth and art – especially in the discourse of contemporary advertising, painting and cinema – and myth’s intercultural dimensions: hybridity in the Latin American novels of Augusto Roa Bastos and Carlos Fuentes, and in the Hindu-themed novels of Bharati Mukherjee. This volume emerges from the careful selection of 37 essays out of over 200 which were put forward by outstanding scholars from 25 different countries for the Madrid International Conference on Myth and Subversion (March 2011). Este volumen bilingüe identifica y explica la práctica subversiva aplicada a los mitos antiguos, medievales y modernos en la novela contemporánea. Abren el libro dos estudios teóricos sobre la tendencia subversiva y la reinvención de mitos en la actualidad. Prosigue el análisis de diversos textos de primera importancia. En primer lugar se revisan los mitos clásicos en autores como André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino o Christa Wolf (p. ej., Teseo, Edipo, Medea). En segundo lugar, la reescritura de los mitos bíblicos según Giorgio Bassani, Julian Barnes o Cynthia Ozick (p. ej., el diluvio o el Golem). En tercer lugar, mitos modernos en la ficción de Günter Grass, Paul Auster o Clara Janés (p. ej., Fausto, el fantasma, Ofelia). El volumen presta igualmente atención a las relaciones entre mito y arte (su recurrencia en la publicidad, la pintura y el cine contemporáneos) y a la vertiente intercultural de los mitos: el mestizaje en la novela latinoamericana de Augusto Roa Bastos y Carlos Fuentes, o en la de temática hindú de Bharati Mukherjee. La compilación resulta de una exquisita selección de 37 textos entre los más de 200 propuestos para el Congreso Internacional Mito y Subversión (Madrid, marzo de 2011) por investigadores de prestigio procedentes de 25 países. |
| fantasy the literature of subversion: The Art of Writing Fiction Andrew Cowan, 2013-11-19 The Art of Writing Fiction guides the reader through the processes of creative writing from journal-keeping to editing, offering techniques for stimulating creativity and making language vivid. Readers will master key aspects of fiction such as structure, character, voice and setting. Andrew Cowan provides an insightful introduction that brings his own well-crafted prose style to bear on the processes and pleasures of writing fiction, offering practical and personal advice culled from his own experience and that of other published writers. He lays open to the reader his own notes, his writing, and the experiences from his own life that he has drawn on in his fiction allowing the reader to develop their own writing project alongside the author as they go through the book. |
| fantasy the literature of subversion: Subversion Ruhi Parikh, 2022-01-03 IT IS THE YEAR 2064, and Washington, D.C., is divided into the Rich and the Poor. The Rich bathe in their luxuries and chastise those that they believe are below them. And the Poor have been forced to endure their morbid lives ever since the end of the nationwide war, with no light seeming to peer at the end of the tunnel. As quiet and respectful as they are, they also resent every nook and cranny of D.C., of the haughty Rich, and of the self-imposed President Remington, who is willing to do whatever it takes to bring the country out of its everlasting economic despair. And as much as they want to rebel and fight for a better life, they know they will be shot and killed if they dared to do so. Blaire Cohen is a nineteen-year-old Poor woman who despises how the Poor are treated daily. She and her family labor for the government, mining from the crack of dawn to dusk. Everyday she dreams of escaping the atrocious city with her family, willing to give them the life they deserve. But that is until she gets kidnapped by a mystifying organization determined to destroy the treacherous government . . . and determined for her to join, too. Blaire begins to embark on a life oozing with the unknown. Dangerous decisions are present at every corner she encounters, and she must choose wisely, for the wrong one will lead to imminent consequences. Perfect for fans of Suzanne Collins and Veronica Roth, book one of this heart-pounding dystopian series will have you at the edge of your seat until the very last page. Disclaimer: This novel includes intense action, violence, and language that may be sensitive to some readers. Please read with caution. |
| fantasy the literature of subversion: The Fantasy Literature of England Colin N. Manlove, 2020-05-11 In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie. |
| fantasy the literature of subversion: Fantasy Literature Mark A. Fabrizi, 2016-10-11 Fantasy literature, often derided as superficial and escapist, is one of the most popular and enduring genres of fiction worldwide. It is also—perhaps surprisingly—thought-provoking, structurally complex, and relevant to contemporary society, as the essays in this volume attest. The scholars, teachers, and authors represented here offer their perspectives on this engaging genre. Within these pages, a reader will find a wealth of ideas to help teachers use these texts in the classroom, challenging students to read fantasy with a critical eye. They employ interdisciplinary, philosophical, and religious lenses, as well as Marxist and feminist critical theory, to help students unlock texts. The books discussed include epic fantasy by such authors as Tolkien and Le Guin, children’s fantasy by Beatrix Potter and Saint-Exupéry, modern fantasy by Rowling and Martin, and even fairy tales and comic books. The contributors offer provocations, questioning the texts and pushing the boundaries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply. But through each of these chapters runs a profound love of the genre and a respect for those who produce such beautiful and moving stories. Furthermore, as with all the books in this series, this volume is informed by the tenets of critical pedagogy, and is focused on re-envisioning fantasy literature through the lens of social justice and empowerment. Prepare to be challenged and inspired as you read these explorations of a much-loved genre. |
| fantasy the literature of subversion: Rosey's Ramblings Rosemary Jackson, 2009-02-17 There is no available information at this time. |
| fantasy the literature of subversion: The Catcher in the Rye J. D. Salinger, 2025-01-22 The Catcher in the Rye, written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the phoniness of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being the catcher in the rye, a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery.. |
| fantasy the literature of subversion: Mothers who Leave Rosie Jackson, Rosemary Jackson, 1994 In Britain an estimated 100,000 women live without their children, in the United States at least half a million. Yet mothers who've left are still thought of as abnormal, immoral, even deviant. Drawing on her own experience and that of many other women, Rosie Jackson asks what can drive a mother to relinquish her children and examines the emotional aftermath. Exploding the myths that surround such mothers, myths that range from vampirism to hard-hearted feminism, she explores this dark side of mothering with unusual depth and sensitivity. |
| fantasy the literature of subversion: The Whispering Swarm Michael Moorcock, 2015-07-30 With his first full novel in almost ten years (not counting his Doctor Who book), Michael Moorcock - the most influential figure in modern fantasy and science fiction - returns to the city of his birth. London has always been a central character in Moorcock's work, from the high-literary fiction of MOTHER LONDON to the roof gardens of Jerry Cornelius. Now return to London just after the war, a city desperately trying to get back on its feet. And one young boy, Michael Moorcock, who is about to discover a world of magic and wonder. Between his first tentative approaches to adulthood - a job on Fleet Street, the first stirrings of his interest in writing - and a chance encounter with a mysterious Carmelite Friar, we see a version of Moorcock's life that is simultaneously a biography and a story. Mixing elements of his real life with his adventures in a parallel London peopled with highwaywomen, musketeers and magicians, this is Moorcock at his dazzling, mercurial best. |
| fantasy the literature of subversion: The Lions of Al Rassan Guy Gavriel Kay, 2010-04-06 Home to three very different cultures, Al-Rassan is a land of seductive beauty and violent history. Peace among the Jaddites, Asharites and Kindath is a precarious, elusive thing, made so by the ever-present shadow that divides the peoples but draws extraordinary individuals together. Ammar ibn Khairan—poet, diplomat, soldier; Rodrigo Belmonte—accomplished military leader; and Jeanne bet Ishak—brilliant physician; these three find their lives interwoven by a series of remarkable events that take Al-Rassan to the brink of war. Hauntingly evocative of medieval Spain, The Lions of Al-Rassan is an exhilarating story of love, divided loyalties, and what happens to men and women when passionate beliefs conspire to remake—or destroy—a world. |
| fantasy the literature of subversion: The Fellowship of the Ring John Ronald Reuel Tolkien, 2005 Frodo the hobbit and a band of warriors from the different kingdoms set out to destroy the Ring of Power before the evil Sauron grasps control. |
| fantasy the literature of subversion: Women Writing Wonder Julie L.. J. Koehler, Shandi Lynne Wagner, Anne E. Duggan, Adrion Dula, 2021-10-05 Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers. |
| fantasy the literature of subversion: Fantasy and Mimesis (Routledge Revivals) Kathryn Hume, 2014-08-01 Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination. |
| fantasy the literature of subversion: Unwrapped Sky Rjurik Davidson, 2014-04-15 A hundred years ago, the Minotaurs saved Caeli-Amur from conquest. Now, three very different people may hold the keys to the city's survival. Once, it is said, gods used magic to create reality, with powers that defied explanation. But the magic—or science, if one believes those who try to master the dangers of thaumaturgy—now seems more like a dream. Industrial workers for House Technis, farmers for House Arbor, and fisher folk of House Marin eke out a living and hope for a better future. But the philosopher-assassin Kata plots a betrayal that will cost the lives of godlike Minotaurs; the ambitious bureaucrat Boris Autec rises through the ranks as his private life turns to ashes; and the idealistic seditionist Maximilian hatches a mad plot to unlock the vaunted secrets of the Great Library of Caeli-Enas, drowned in the fabled city at the bottom of the sea, its strangeness visible from the skies above. In a novel of startling originality and riveting suspense, these three people, reflecting all the hopes and dreams of the ancient city, risk everything for a future that they can create only by throwing off the shackles of tradition and superstition, as their destinies collide at ground zero of a conflagration that will transform the world . . . or destroy it. Unwrapped Sky is a stunningly original debut by Rjurik Davidson, a young master of the New Weird. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| fantasy the literature of subversion: "Not I, but the Wind..." Frieda von Richthofen Lawrence, 2022-08-01 DigiCat Publishing presents to you this special edition of Not I, but the Wind... by Frieda von Richthofen Lawrence. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| fantasy the literature of subversion: The Encyclopedia of Fantasy John Clute, John Grant, 1999 This is the first comprehensive encyclopedia of the fantasy field. It has proved to be the definitive guide to the genre, offering an exciting new analysis of this highly diverse and hugely popular sphere of literature, from precursors such as Shakespeare and Dante, through Lewis Carroll, George MacDonald and L. Frank Baum to J.R.R. Tolkien, C.S. Lewis and their modern successors, like Ursula Le Guin and Stephen R. Donaldson. With over 4,000 entries, and more than 1 million words, it covers every aspect of fantasy - in literature, films, television, opera, art and comics. Written and compiled by a team of editors with unparalleled collective experience in the field, it is an invaluable reference work not only for fans of the fantasy genre, but also for anyone interested in how elements of the fantastic are used in the imaginative arts. |
| fantasy the literature of subversion: Gender Identity and Sexuality in Current Fantasy and Science Fiction Francesca T Barbini, 2017 Gender identity and sexuality in Current Fantasy and Science Fiction is the Call for Papers 2016 of Academia Lunare, the non-fiction arm of Luna Press Publishing. The papers explore this theme asking the important question: do we have a problem? |
| fantasy the literature of subversion: Keeper of Dreams Orson Scott Card, 2010-04-13 This huge collection of short stories by one of science fiction's most beloved and popular writers is sure to please his millions of fans. Keeper of Dreams contains 22 stories written since 1990. From the opening science fiction tale, The Elephants of Poznan, we see the hand of a master at work making a familiar idea new, strange, and wonderful. Angles takes a sideways look at alternate universes. Geriatric Ward is published here for the first time; it was originally written for the legendary Last Dangerous Visions. Keeper of Dreams contains science fiction, fantasy, and several of Card's mainstream fiction works. Included are two tales from the Alvin Maker universe, Grinning Man and The Yazoo Queen. In addition to the stories, this book features new introductions by Orson Scott Card for each story, with commentary on his life and work. With the earlier Maps in a Mirror, this collection is a definitive retrospective of the short fiction career of the writer that the Houston Post called the best writer science fiction has to offer. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| fantasy the literature of subversion: Pictures of Reality Terry Lovell, 1980 No Marketing Blurb |
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