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| feminist dance theory: MEANING IN MOTION: C;ULTURAL STUDIES OF DANCE. Jane Desmond, 1997 |
| feminist dance theory: Dancing Transnational Feminisms Ananya Chatterjea, Hui Niu Wilcox, Alessandra Lebea Williams, 2021 Dancing Transnational Feminisms brings together reflections and critical responses about the embodied creative practices that have been part of the work of Ananya Dance Theatre (ADT), a Twin Cities-based dance company of women of color who work at the intersections of artistic excellence and social justice. Focusing on ADT's creative processes and organizational strategies, the book highlights how women and femme artists of color, working with a marginalized movement aesthetic, claim and transform the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production. Blending essays with epistolary texts, interviews and poems, the collection's contributors offer up a multigenre exploration of how dance and other artistic undertakings can be intersectionally reimagined. Building on more than fifteen years of collaborative dance-making and sustained dialogues, Dancing Transnational Feminisms delves into timely questions surrounding race and performance, art and politics, global and local inequities and the responsibilities of artists towards the communities they come from-- |
| feminist dance theory: Feminist Theory and Pop Culture Adrienne Trier-Bieniek, 2015-06-17 Feminist Theory and Pop Culture synthesizes feminist theory with modern portrayals of gender in media culture. This comprehensive and interdisciplinary text includes an introductory chapter written by the editor as well as nine contributor chapters of original content. Included in the text: • Historical illustration of feminist theory • Application of feminist research methods for the study of gender • Feminist theoretical perspectives such as the male gaze, feminist standpoint theory, Black feminist thought, queer theory, masculinity theory, theories of feminist activism and postfeminism • Contributor chapters cover a range of topics from Western perspectives on Belly Dance classes to television shows such as GIRLS, Scandal and Orange is the New Black, as well as chapters which discuss gendered media forms like “chick lit”, comic books and Western perspectives of non-Western culture in film • Feminist theory as represented in the different waves of feminism, including a discussion of a fourth wave • Pedagogical features • Suggestions for further reading on topics covered • Discussion questions for classroom use Feminist Theory and Pop Culture was designed for classroom use and has been written with an eye toward engaging students in discussion. The book’s polished perspective on feminist theory juxtaposes popular culture with theoretical perspectives which have served as a foundation for the study of gender. This interdisciplinary text can serve as a primary or supplemental reading in undergraduate or graduate courses which focus on gender, pop culture, feminist theory or media studies. “This excellent anthology grounds feminism as articulated through four waves and features feminists responding to pop culture, while recognizing that popular culture has responded in complicated ways to feminisms. Contributors proffer lucid and engaging critiques of topics ranging from belly dancing through Fifty Shades of Grey, Scandal and Orange is the New Black. This book is a good read as well as an excellent text to enliven and inform in the classroom.” Dr. Jane Caputi Professor of Women, Gender and Sexuality Studies and Communication & Multimedia at Florida Atlantic University “Feminist Theory and Pop Culture is destined to be as popular as the culture it critiques. The text plays up the paradoxes of contemporary feminism and requires its readers to ask difficult questions about how and why the popular bring us pleasure. It is a contemporary collection that captures this moment in feminist time with diverse analyses of women’s representations across an impressive swath of popular culture. Feminist Theory and Pop Culture is the kind of text that makes me want to redesign my pop culture course. Again.” Dr. Ebony A. Utley, Assistant Professor of Communication at California State University-Long Beach, author of Rap and Religion Adrienne Trier-Bieniek, Ph.D. is a professor of sociology at Valencia College in Orlando, Florida. She is the author of Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (Scarecrow 2013) and the co-editor of Gender & Pop Culture: A Text-Reader (Sense 2014). www.adriennetrier-bieniek.com |
| feminist dance theory: Dancing Female Sharon E. Friedler, Susan B. Glazer, 2014-04-08 How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally? |
| feminist dance theory: Choreographing Difference Ann Cooper Albright, 2010-06-01 The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity — a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time. Ebook Edition Note: All images have been redacted. |
| feminist dance theory: Queer Dance Clare Croft, 2017 Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change. |
| feminist dance theory: Dance, Power, and Difference Sherry B. Shapiro, 1998 In Dance, Power, and Difference, eight leading dance educators from around the world examine the fundamental values and goals of dance and dance education. Using a variety of approaches-including general critique, case studies, and personal histories-Dance, Power, and Difference provides a foundation for reconstructing dance education in light of critical, social, and cultural concerns. This is not an answer book, however. It is a thought-provoking book that encourages readers to question traditional practices and develop a personal philosophy that is both critical and feminist. Dance, Power, and Difference seeks to transform the way readers think about dance-not only regarding how it is taught, researched, and critiqued, but also in terms of its purpose and aims. The contributors link dance to themes of human emancipation, multicultural awareness, and gender awareness, prompting readers to contemplate questions like these: - How do we think of and value the body in dance? - What cultural values, if any, should we impart to our students? - What changes might a feminist-oriented pedagogy for dance stimulate? - How should we prepare ourselves to work with students from cultures that are different from our own? - Should we perpetuate old teaching methods? Part I introduces the reader to foundational questions concerning curriculum, pedagogy, and research. Part II presents personal stories that place these questions in the context of specific situations. Part III discusses the role of dance within the broader political and social arena. Each chapter includes an abstract, critical reflections, questions to spur class discussion and individual thought, and references. |
| feminist dance theory: Feminist Therapy Theory and Practice Mary Ballou, PhD, ABPP, Marcia Hill, EdD, Carolyn West, PhD, 2007-12-26 In this latest volume to emerge from the work of the Feminist Therapy Institute, Ballou, Hill, West, and their contributors have done a powerful job of explicating current themes in feminist therapy practice, with a lovely balance of theory and application. The careful attention to the economic and social demands of the current political climate and their impact on feminist practice is particularly valuable for advancing feminist analysis of the role of psychotherapy in social transformation. --Laura S. Brown, Ph.D. ABPP, Director, Fremont Community Therapy Project Seattle, WA In the twenty-plus years since the original Handbook of Feminist Therapy was published, members of the Feminist Therapy Institute and other forward-thinking professionals have continued to push and prod-both themselves and mainstream therapists-to examine the underpinnings of the psychotherapy endeavor. In this volume, the editors and contributors present an organized overview of the most up-to-date thinking about feminist therapy and draw attention to the alliance between feminist therapy and multicultural counseling, critical theory, and liberation psychology. Whereas most mainstream therapy models have progressed beyond a view of the therapist as an objective agent, they generally do not provide a model for understanding the therapist's and, for that matter, the client's beliefs, experiences, and world view. The contextual ecological feminist model explicated here articulates a means of examining the contextual and ecological elements of person's worlds. The authors of this volume have nicely illustrated feminist therapy's key tenets-to illuminate the multiple spheres of influence in clients' lives, to empower clients as well as ameliorate their distress, to appreciate the linkages among sociostructural, cultural and relational influences, and to work for social justice-in well-drawn theoretical explanations and carefully detailed case examples that bring us to the cutting edge of contemporary feminist therapy. --Maryka Biaggio, PhD Psychologist, Consultant, and Writer, Portland, Oregon |
| feminist dance theory: Yes? No! Maybe... Emilyn Claid, 2006-09-27 Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read. |
| feminist dance theory: Dancing for Dollars and Paying for Love D. Egan, 2015-12-11 This book takes an in-depth look at the relationships exotic dancers have with their regular customers, and explores the limits of using feminist theory to discuss sex work. This is an accessible, revealing, and new look at a perennially intriguing and divisive subject - ideal teaching material for undergraduate courses in a variety of fields. |
| feminist dance theory: Dance and Gender Wendy Oliver, Doug Risner, 2018-05-29 The essays in this book consider how gender dynamics manifest in the dance community. |
| feminist dance theory: Feminine Sentences Janet Wolff, 1990 Until recently, women have been noticeably absent from historical and sociological accounts of modernity. As a step toward remedying this situation, the essays gathered here challenge the continuing separation of sociological from textual analysis in cultural (and feminist) theory and inquiry. They address critically the question of women's writing, exploring the idea that women may begin to define their own lives and construct their own identities in a patriarchal culture through the very process of writing. They also present a cogent defense of a feminist cultural politics, including a politics of the body. Integrating material drawn from a variety of sources--feminist theory, cultural and literary analysis, sociology, and art history--Feminine Sentences is an original discussion of women's relationship to modern and postmodern culture. Janet Wolff's book represents a major statement of her distinctive position, and will be of interest to everyone working in the areas of cultural and literary theory, women's studies, and sociology. FROM THE BOOK:Women . . . are sentenced to containment and silence. . . . This collection is intended as a contribution to the overthrow of that 'sentence,' and to the process whereby women find ways to intervene in an excluding culture, and to articulate their own experience. Feminine sentences are those formulations and expressions, in a variety of cultural forms and media, of women's own voice. The literature of modernity describes the experience of men. It is essentially a literature about transformations in the public world and its associated consciousness. . . . In so far as the experience of 'the modern' occurred mainly in the public sphere, it was primarily men's experience. I want to argue that a feminist cultural politics of the body is a possibility. . . . There is every reason . . . to propose the body as a privileged site of political intervention, precisely because it is the site of repression and possession. |
| feminist dance theory: The Body, Dance and Cultural Theory Helen Thomas, 2017-03-14 This book takes its point of departure from the overwhelming interest in theories of the body and performativity in sociology and cultural studies in recent years. It explores a variety of ways of looking at dance as a social and artistic (bodily) practice as a means of generating insights into the politics of identity and difference as they are situated and traced through representations of the body and bodily practices. These issues are addressed through a series of case studies. |
| feminist dance theory: Why We Dance Kimerer L. LaMothe, 2015-04-07 Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing. |
| feminist dance theory: Researching Dance Sondra Horton Fraleigh, Penelope Hanstein, 1998-03-15 In Researching Dance, an introduction to research methods in dance addressed primarily to graduate students, the editors explore dance as evolutional, defining it in view of its intrinsic participatory values, its developmental aspects, and its purposes from art to ritual, and they examine the role of theory in research. The editors have also included essays by nine dancer-scholars who examine qualitative and quantitative inquiry and delineate the most common approaches for investigating dance, raising concerns about philosophy and aesthetics, historical scholarship, movement analysis, sexual and gender identification, cultural diversity, and the resources available to students. The writers have included study questions, research exercises, and suggested readings to facilitate the book's use as a classroom text. |
| feminist dance theory: Indian Modern Dance, Feminism and Transnationalism Prarthana Purkayastha, 2014-10-29 This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar. |
| feminist dance theory: Feminist Visual Culture Fiona Carson, Claire Pajaczkowska, 2016-05-06 Visual culture is all around us: television, dance, film, fashion, painting, sculpture, installation and fine art are only a few of its many faces. Feminist Visual Culture looks at feminist theory, the role of women, and the contribution of women artists to the world of visual culture. This substantial introduction provides an overview of visual culture and of the origins of feminist practice. In the volume's three sections--Fine Art, Design, and Mass Media--the authors discuss the visual media specific to that area, incorporating wider issues such as class, culture, and ethnicity. Each chapter is written by a woman working in a different field of visual culture. A topical and comprehensive introduction, Feminist Visual Culture will be a valuable tool for readers and students in women's studies, visual studies, and media studies. |
| feminist dance theory: Aesthetics in Feminist Perspective Hilde Hein, Carolyn C. Korsmeyer, 1993-09-22 A first-rate introduction to the field, accessible to scholars working from a variety of disciplinary and theoretical perspectives. Highly recommended... -- Choice ... offers both broad theoretical considerations and applications to specific art forms, diverse methodological perspectives, and healthy debate among the contributors.... [an] outstanding volume. -- Philosophy and Literature ... this volume represents an eloquent and enlightened attempt to reconceptualize the field of aesthetic theory by encouraging its tendencies toward openness, self-reflexivity and plurality. -- Discourse & Society All of the authors challenge the traditional notion of a pure and disinterested observer that does not allow for questions of race/ethnicity, class, sexual preference, or gender. -- Signs These essays examine the intellectual traditions of the philosophy of art and aesthetics. Containing essays by scholars and by the writer Marilyn French, the collection ranges from the history of aesthetic theory to a philosophical reflection on fashion. The contributions are unified by a sustained scrutiny of the nature of feminist, feminine, or female art, creativity, and interpretation. |
| feminist dance theory: Theory in Its Feminist Travels Katie King, 1994 Katie King examines the development of U.S. feminist theory, tracing its inception, rocky development, and internecine struggles. She argues that the subject matter of women's studies is cultural studies. This book should definitively alter the map of contemporary feminist theory in the U.S. and abroad... --Donna Landry |
| feminist dance theory: Feminism Dennis S. Erasga, Michael Eduard L. Labayandoy, 2023-12-13 By focusing on “new materiality,” this edited volume offers new optics on the affordance of women’s physical and objective body. The interdisciplinary essays assembled in the book interrogate the concepts of corporeality and embodiment by interpreting them as material enactivism of a woman’s physical body geared toward performance and demonstration, respectively. The book situates body/bodily movements as agentic initiatives to make sense of women’s bodies (in) motion. Although flesh in its constitution, a woman’s body is the very material entity that does not only perform what it is expected to do (for its many audiences as in spectacle) but also its corporeality imputes a demonstrative kinetics hitherto associated with the objective body in recent social theorizing. |
| feminist dance theory: States of Race Sherene Razack, Sunera Thobani, Malinda Smith, 2010-07-01 What is a Canadian critical race feminism? As the contributors to this book note, the interventions of Canadian critical race feminists work to explicitly engage the Canadian state as a white settler society. The collection examines Indigenous peoples within the Canadian settler state and Indigenous women within feminism; the challenges posed by the settler state for women of colour and Indigenous women; and the possibilities and limits of an anti-colonial praxis. Critical race feminism, like critical race theory more broadly, interrogates questions about race and gender through an emancipatory lens, posing fundamental questions about the persistence if not magnification of race and the “colour line” in the twenty-first century. The writers of these articles whether exploring campus politics around issues of equity, the media’s circulation of ideas about a tolerant multicultural and feminist Canada, security practices that confine people of colour to spaces of exception, Indigenous women’s navigation of both nationalism and feminism, Western feminist responses to the War on Terror, or the new forms of whiteness that persist in ideas about a post-racial world or in transnational movements for social justice insist that we must study racialized power in all its gender and class dimensions. The contributors are all members of Researchers and Academics of Colour for Equity. |
| feminist dance theory: Critical Gestures Ann Daly, 2002-10-30 Part II, Making history, includes reviews and essays on Isadora Duncan. |
| feminist dance theory: Speaking in Tongues and Dancing Diaspora Mae Henderson, 2014 Tropes ranging from Houston Baker's bluesman, to Henry Louis Gates' signifyin' to Geneva Smitherman's talkin' and testifyin' to bell hooks' talking back to Cheryl Wall's worrying the line all affirm the power of sonance and sound in the African American literary tradition. The collection of essays in Speaking in Tongues and Dancing Diaspora contributes to this tradition by theorizing the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women. Looking to work by such prominent black female authors as Alice Walker, Sherley Anne Williams, Toni Morrison, Zora Neal Hurston, among many others, Mae G. Henderson provides a deeply felt reflection on race and gender and their effects within the discourse of speaker and listener. |
| feminist dance theory: Intercultural Communication and Creative Practice Laura Lengel, 2004-09-30 Lengel takes the reader on a journey from India and Romania, where women preserve cultural rituals through mourning songs, to South Africa, where the body is a site of struggle for meaning and power in contemporary dance. This volume examines the interrelationship of cultural and national identity, ethnicity, gender, performance, and lived experience. It offers an understanding of how music and dance function within the lives of its performers and audiences, and how they embody meaning, carry social value, and act as a vehicle for intercultural communication. This book analyzes the communicative impact of women's cultural products and creative practice and creates links across disciplines such as communication, cultural studies, and performance studies. Contributors have lived, researched, and performed in the United States, Australia, Belize, Barbados, Canada, China, England, India, the Pacific, Romania, and Yemen. Their chapters address women's creative performance as a means of political and ideological expression. |
| feminist dance theory: Musicology and Dance Davinia Caddy, Maribeth Clark, 2020-08-27 Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance. |
| feminist dance theory: The Oxford Handbook of Feminist Theory Lisa Disch, Mary Hawkesworth, 2018-02-01 The Oxford Handbook of Feminist Theory provides a rich overview of the analytical frameworks and theoretical concepts that feminist theorists have developed to analyze the known world. Featuring leading feminist theorists from diverse regions of the globe, this collection delves into forty-nine subject areas, demonstrating the complexity of feminist challenges to established knowledge, while also engaging areas of contestation within feminist theory. Demonstrating the interdisciplinary nature of feminist theory, the chapters offer innovative analyses of topics central to social and political science, cultural studies and humanities, discourses associated with medicine and science, and issues in contemporary critical theory that have been transformed through feminist theorization. The handbook identifies limitations of key epistemic assumptions that inform traditional scholarship and shows how theorizing from women's and men's lives has profound effects on the conceptualization of central categories, whether the field of analysis is aesthetics, biology, cultural studies, development, economics, film studies, health, history, literature, politics, religion, science studies, sexualities, violence, or war. |
| feminist dance theory: Analysing Performance Patrick Campbell, 1996-04-15 A wide-ranging collection of specially commissioned essays by contributors of international standing about key aspects of the performing arts |
| feminist dance theory: The Effects of Feminist Approaches on Research Methodologies Winnie Tomm, 2006-01-01 The Effects of Feminist Approaches on Research Methodologies is about feminist approaches to research in twelve disciplines. The authors look at whether there is something called feminist methodology, whether there are several feminist methodologies, or whether feminists use existing methodologies from a feminist perspective. The answers vary according to individuals and disciplines. The anthology shows that feminist perspectives used in any discipline include an interdisciplinary approach. Feminist use methods which take into account the effect of social and cultural values on academic research. The influence of the social relations of the sexes on research in the sciences, social sciences, dance, and humanities is discussed. The aim of feminist research is to overcome the widespread sexism in the selection, interpretation, and communication of research data by focusing on issues concerning women, reinterpreting historical theories, reconstitution the meaning of knowledge, and communicating new understandings. These feminist authors look at the purpose of knowledge, and communicating new understandings. These feminist authors look at the purpose of knowledge and the issue of whose knowledge is communicated in academic research., The methods they use are designed to shed light on otherwise dark areas and to critique those areas of academic knowledge that have been in the spotlight for centuries. |
| feminist dance theory: What You Become in Flight Ellen O'Connell Whittet, 2020-04-14 Poignant and exquisite--The Los Angeles Review of Books An inspiring and powerful book--Booklist A genuinely absorbing read--Kirkus Revelatory, honest, and wondrous.--Chanel Miller, author of Know My Name A lyrical and meditative memoir on the damage we inflict in the pursuit of perfection, the pain of losing our dreams, and the power of letting go of both. With a promising career in classical ballet ahead of her, Ellen O'Connell Whittet was devastated when a misstep in rehearsal caused a career-ending injury. Ballet was the love of her life. She lived for her moments under the glare of the stage-lights--gliding through the air, pretending however fleetingly to effortlessly defy gravity. Yet with a debilitating injury forcing her to reconsider her future, she also began to reconsider what she had taken for granted in her past. Beneath every perfect arabesque was a foot, disfigured by pointe shoes, stuffed--taped and bleeding--into a pink, silk slipper. Behind her ballerina's body was a young girl starving herself into a fragile collection of limbs. Within her love of ballet was a hatred of herself for struggling to achieve the perfection it demanded of her. In this raw and redemptive debut memoir, Ellen O'Connell Whittet explores the silent suffering of the ballerina--and finds it emblematic of the violence that women quietly shoulder every day. For O'Connell Whittet, letting go of one meant confronting the other--only then was it possible to truly take flight. |
| feminist dance theory: Dancing in the Blood Edward Ross Dickinson, 2017-07-27 The book explores the revolutionary impact of modern dance on European culture in the early twentieth century. Edward Ross Dickinson uncovers modern dance's place in the emerging 'mass' culture of the modern metropolis and reveals the connections between dance, politics, culture, religion, the arts, psychology, entertainment, and selfhood. |
| feminist dance theory: Meaning in Motion Jane Desmond, 1997 On dance and culture |
| feminist dance theory: The Male Dancer Ramsay Burt, 2003-09-02 In this challenging and lively book, Ramsay Burt examines the representation of masculinity in twentieth century dance. Taking issue with formalist and modernist accounts of dance, which dismiss gender and sexuality as irrelevant, he argues that prejudices against male dancers are rooted in our ideas about the male body and male behaviour. Building upon ideas about the gendered gaze developed by film and feminist theorists, Ramsay Burt provides a provocative theory of spectorship in dance. He uses this to examine the work of choreographers like Nijinsky, Graham, Bausch, while relating their dances to the social, political and artistic contexts in which they were produced. Within these re-readings, he identifies a distinction between institutionalised modernist dance which evokes an essentialist, heroic, `hypermasculinity'; one which is valorised with reference to nature, heterosexuality and religion, and radical, avant garde choreography which challenges and disrupts dominant ways of representing masculinity. The Male Dancer will be essential reading for anyone interested in dance and the cultural construction of gender. |
| feminist dance theory: Dancing Tango Kathy Davis, 2015-01-02 Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism. In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor. Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in which Argentinean tango is—and has always been—embroiled. Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon. |
| feminist dance theory: Library of Congress Subject Headings Library of Congress. Cataloging Policy and Support Office, 2001 |
| feminist dance theory: Library of Congress Subject Headings Library of Congress, Library of Congress. Office for Subject Cataloging Policy, 2006 |
| feminist dance theory: Choreography and Corporeality Thomas F. DeFrantz, Philipa Rothfield, 2016-09-14 This book renews thinking about the moving body by drawing on dance practice and performance from across the world. Eighteen internationally recognised scholars show how dance can challenge our thoughts and feelings about our own and other cultures, our emotions and prejudices, and our sense of public and private space. In so doing, they offer a multi-layered response to ideas of affect and emotion, culture and politics, and ultimately, the place of dance and art itself within society. The chapters in this collection arise from a number of different political and historical contexts. By teasing out their detail and situating dance within them, art is given a political charge. That charge is informed by the work of Michel Foucault, Stuart Hall, Gilles Deleuze, Jacques Derrida, Rancière and Luce Irigaray as well as their forebears such as Spinoza, Plato and Freud. Taken together, Choreography and Corporeality: RELAY in Motion puts thought into motion, without forgetting its origins in the social world. |
| feminist dance theory: Teaching Dance Studies Judith Chazin-Bennahum, 2016-04-22 Teaching Dance Studies is a practical guide, written by college professors and dancers/choreographers active in the field, introducing key issues in dance pedagogy. Many young people graduating from universities with degrees – either PhDs or MFAs – desire to teach dance, either in college settings or at local dance schools. This collection covers all areas of dance education, including improvisation/choreography; movement analysis; anthropology; theory; music for dance; dance on film; kinesiology/injury prevention; notation; history; archiving; and criticism. Among the contributors included in the volume are: Bill Evans, writing on movement analysis; Susan Foster on dance theory; Ilene Fox on notation; Linda Tomko addresses new approaches to teaching the history of all types of dance; and Elizabeth Aldrich writing on archiving. |
| feminist dance theory: Dancing Modernism / Performing Politics Mark Franko, Juan Ignacio Vallejos, 2023-05-02 In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century. A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history. Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics. |
| feminist dance theory: Dancing with Iris Ann Ferguson, Mechthild Nagel, 2009-10-08 Dancing with Iris engages with Iris Marion Young's prolific writings in political theory and in phenomenology. Contributors discuss her work from a variety of disciplines, including philosophy, political science, human rights law, cultural geography and dance studies. |
| feminist dance theory: The Oxford Handbook of Dance and Wellbeing Vassiliki Karkou, Sue Oliver, Sophia Lycouris, 2017 In recent years, a growth in dance and wellbeing scholarship has resulted in new ways of thinking that place the body, movement, and dance in a central place with renewed significance for wellbeing. The Oxford Handbook of Dance and Wellbeing examines dance and related movement practices from the perspectives of neuroscience and health, community and education, and psychology and sociology to contribute towards an understanding of wellbeing, offer new insights into existing practices, and create a space where sufficient exchange is enabled. The handbook's research components include quantitative, qualitative, and arts-based research, covering diverse discourses, methodologies, and perspectives that add to the development of a complete picture of the topic. Throughout the handbook's wide-ranging chapters, the objective observations, felt experiences, and artistic explorations of practitioners interact with and are printed alongside academic chapters to establish an egalitarian and impactful exchange of ideas. |
Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. [a][2][3][4][5] Feminism …
Feminism | Definition, History, Types, Waves, Examples, & Facts ...
Apr 21, 2025 · At its core, feminism is the belief in full social, economic, and political equality for women. Feminism largely arose in response to Western traditions that restricted the rights of …
FEMINIST Definition & Meaning - Merriam-Webster
The meaning of FEMINIST is a person who supports or engages in feminism. How to use feminist in a sentence.
Feminism: Ideas, Beliefs, and Movements - ThoughtCo
Feminism aims for equal rights and opportunities for women in politics, society, and economy. Feminism is not only for women but also considers race, gender, sexuality, and other …
What Is Feminism and Why Is It Important? - Global Citizen
At its core, feminism is about all genders having equal rights, opportunities, and treatment. The movement has its roots right in the earliest eras of human civilization, working to prioritize the …
FEMINIST | English meaning - Cambridge Dictionary
FEMINIST definition: 1. a person who believes in feminism, and tries to achieve change that helps women to get equal…. Learn more.
FEMINISM Definition & Meaning - Merriam-Webster
The meaning of FEMINISM is belief in and advocacy of the political, economic, and social equality of the sexes expressed especially through organized activity on behalf of women's rights and …
What is Feminism? - Human Rights Careers
At its core, feminism is the belief that women deserve equal social, economic, and political rights and freedoms. Over the years, feminism has focused on issues like the right to vote, …
Feminism 101: Definition, Facts, and Ways to Take Action
Feminism refers to a range of ideas and socio-political movements centered on the belief that women face unequal treatment because of their gender, and that society must establish …
What Is Feminism? - WorldAtlas
Apr 25, 2017 · Feminism is an ideological and political movement that seeks equality and equity for women in all aspects, including social, political, personal, and economic realms. This …
Feminism - Wikipedia
Feminism is a range of socio- political movements and ideologies that aim to define and establish the political, …
feminism - Encyclopedia Britannica
Apr 21, 2025 · At its core, feminism is the belief in full social, economic, and political equality for women. …
FEMINIST Definition & Meaning - Merriam-Webster
The meaning of FEMINIST is a person who supports or engages in feminism. How to use feminist in a sentence.
What Is Feminism and Why Is It Important? - Global Citizen
At its core, feminism is about all genders having equal rights, opportunities, and treatment. The …
The Core Ideas and Beliefs of Feminism - ThoughtCo
Feminism aims for equal rights and opportunities for women in politics, society, and economy. Feminism is …
