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| facets multimedia movies: Thrillers Martin Rubin, 1999-03-28 An in-depth exploration of the 'thriller' movie genre. |
| facets multimedia movies: Slow Movies Ira Jaffe, 2014-03-25 In all film there is the desire to capture the motion of life, to refuse immobility, Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death. |
| facets multimedia movies: Movies That Mattered Dave Kehr, 2017-11-03 This new collection of essays and reviews from “one of the most gifted film critics in America” offers rare insight into the cinema of the 1970s and 80s (Roger Ebert). Following the first collection of Dave Kehr’s criticism, When Movies Mattered, this volume features fifty more reviews and essays drawn from the archives of both the Chicago Reader and Chicago magazine from 1974 to 1986. This collection offers in-depth analyses of films that are among Kehr’s favorites, from the sobering Holocaust documentary Shoah to the raucous comedy Used Cars. But fans of Kehr’s work will be just as taken by his dissections of critically acclaimed films he found disappointing, including The Shining, Apocalypse Now, and Raiders of the Lost Ark. Whether you’re a long-time reader or just discovering Dave Kehr, the insights in Movies That Mattered will enhance your appreciation of the movies you already love—and may even make you think twice about one or two you hated. |
| facets multimedia movies: Kill the Documentary Jill Godmilow, 2022-03-22 Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption. In place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films. |
| facets multimedia movies: MOVING CAMERAS AND LIVING MOVIES STEVE ESOMBA, Dr., 2013-03-12 I can say with absolute certainty that, everybody enjoys watching movies, cinema, films and television. But few, if any, know how a film is made: a film has inbuilt special effects or 'tricks'to make it appealing to audiences. MOVING CAMERAS AND LIVING MOVIES reveals to you ALL about films & Filmmaking; it is a hard and tasking enterprise involving tens of thousands of workers and millions of investment dollars. After reading MOVING CAMERAS...your love for movies will triple. Movie technicians and camera gurus have a license to mould, alter, and manipulate the screen to produce or induce rain, sunlight, snow, fire, or fly any object in space in defiance of gravity or even cause 'accidents'or 'raise' the dead to life. Learn the fascinating, exciting world of film, actresses, actors, fashion, and fictional entities. |
| facets multimedia movies: A Reference Guide to Television's Bonanza Bruce R. Leiby, Linda F. Leiby, 2015-09-15 Bonanza aired on NBC from September 12, 1959, to January 16, 1973, playing to 480,000,000 viewers in over 97 countries. It was the second longest running western series, surpassed only by Gunsmoke, and continues to provide wholesome entertainment to old and new fans via syndication. This book provides an in-depth chronicle of the series and its stars. A history of the show from its inception to the current made-for-television movies is provided, and an episode guide includes a synopsis of each show and lists such details as the main characters of each episode and the actors who portrayed them, the dates they stayed with the show, date and time of original broadcast, writer, director, producer, executive producer, and supporting cast. Also provided are character sketches for each of the major recurring characters, career biographies of Lorne Green, Pernell Roberts, Dan Blocker, and Michael Landon, brief biographical sketches of the supporting cast, a discography of recordings of the Bonanza theme and recordings of the four major stars, and information on Bonanza television movies. |
| facets multimedia movies: Multimedia Database Systems Kingsley C. Nwosu, B. Thuraisingham, P. Bruce Berra, 2012-12-06 Multimedia Database Systems: Design and Implementation Strategies is a compendium of the state-of-the-art research and development work pertaining to the problems and issues in the design and development of multimedia database systems. The chapters in the book are developed from presentations given at previous meetings of the International Workshop on Multi-Media Data Base Management Systems (IW-MMDBMS), and address the following issues: development of adequate multimedia database models, design of multimedia database query and retrieval languages, design of indexing and organization techniques, development of efficient and reliable storage models, development of efficient and dependable retrieval and delivery strategies, and development of flexible, adaptive, and reliable presentation techniques. |
| facets multimedia movies: Videoland Daniel Herbert, 2014-01-24 Videoland offers a comprehensive view of the tangible phase of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture’s historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history. |
| facets multimedia movies: Annual Report National Endowment for the Arts, Reports for 1980- include also the Annual report of the National Council on the Arts. |
| facets multimedia movies: Visual Media for Teens Jane Halsall, R. William Edminster, C. Allen Nichols, 2009-09-23 Dazzle teens with a film collection custom-designed to fit their interests and tastes! If you would like to build or develop a film collection with guaranteed teen appeal, this guide is for you. It discusses what's current, popular with teens, and available; and provides annotated core filmographies in categories of heroes, exploring issues of identity, strong emotions: horror and humor, and educational entertainment. In addition, the authors address popular culture influences on teens, technology and format issues, how to get teen input, where to find reliable review sources, programming with films, and promoting and merchandising your collection. Packed with ideas as well as nitty gritty information; this guide fills a gap in the literature and a real need for the profession. Dazzle teens with a film collection custom-designed to fit their interests and tastes! This guide is designed for those who would like to build or develop a film collection with guaranteed teen appeal. It discusses what's current, popular with teens, and available; and provides annotated core filmographies in categories of heroes, exploring issues of identity, strong emotions: horror and humor, and educational entertainment. In addition, the authors address popular culture influences on teens, technology and format issues, how to get teen input, where to find reliable review sources, programming with films, and promoting and merchandising your collection. Packed with ideas as well as nitty gritty information; this guide fills a gap in the literature and a real need for the profession. |
| facets multimedia movies: Abbas Kiarostami and Iranian National Cinema Hossein Khosrowjah, 2025-02-20 The films of Abbas Kiarostami (1940-2016) are at once ambiguous and singular, challenging easy categorisation in national, generic, and formal terms. In this insightful study, Hossein Khosrowjah provides an in-depth exploration of Kiarostami's body of work, considering how his filmmaking confronts questions of cinematic representation, identity, and the myth of national unity. Challenging prevailing auteurist readings of Kiarostami's work, Hossein Khosrowjah firmly anchors his filmmaking within the historical context of Iranian national cinema. Through a close reading of key films, including Close-Up (1990), Taste of Cherry (1997), The Wind Will Carry Us (1999), and 10 (2002), he explores Kiarostami's radically anti-allegorical representational strategies. He goes on to examine the national and global circulation of his films, considering the role of censorship within Iran and the intersection of art, politics and the complexities of creative freedom. He traces the continuing emphasis on partiality and the singularity of representations-of subjects, time, and location-across Kiarostami's films, arguing that it is through this intentional ambiguity that his cinema reshapes notions of nation and national identity, challenges conventions and broadens the scope for cinematic expression. |
| facets multimedia movies: The Educational Technology Handbook Steven Hackbarth, 1996 Grade level: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, k, p, e, i, s, t. |
| facets multimedia movies: A Critical Cinema 5 Scott MacDonald, 2006-01-30 A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media. |
| facets multimedia movies: Bisexual Characters in Film Wayne M Bryant, 2013-10-23 How far have we progressed from the days when showing a film such as Jack Smith’s Flaming Creatures landed the cinema’s programmer, projectionist, and ticket taker in jail? What are some of the hidden clues modern audiences are overlooking in older films that suggest a character’s bisexuality? Which famous actors, actresses, directors, and screenwriters were attracted to people of both sexes? In Bisexual Characters in Film, the first book to focus on the role of bisexual characters in film, you’ll find answers to these questions and many more as you explore, analyze, and celebrate 80 years of bisexual movie characters (and the people who have created them) from around the world. A lively, entertaining, and informative commentary, this book examines the treatment of bisexual film characters and shows you how that treatment has been affected by societal forces such as censorship, politics, religious prejudices, homophobia, and sexual stereotypes. Bisexual Characters in Film looks at the contribution of bisexual people (and others who have had lovers of varying sexes) to the body of work available on film today. These include the directors, writers, actors, composers, and designers whose sexual orientation has informed their work. An analysis of the Motion Picture Production Code and its devastating effect on bisexual and homosexual screen images forms an important part of the book. You learn how, specifically, it eradicated gay, lesbian, and bisexual characters from Hollywood films as well as the role of bisexual, lesbian, and gay filmmakers in finally defeating it. Other questions you’ll find answers to include: Who, or what, is a bisexual? How were bisexual characters represented in silent film, before the forces of censorship banned them from the screen? What bisexual myths and stereotypes are portrayed on film? What is the role of “camp” in bisexual film?Bisexual Characters in Film is a unique resource for researchers; librarians; film festival planners; the queer media; professors and students of lesbian, gay, and bisexual studies; bisexual activists; and general bisexual, gay, lesbian, and transgendered readers. It provides a much-needed view of bisexual representations in a major segment of our popular culture. |
| facets multimedia movies: Facets Movie Lovers Video Guide Facets Multimedia Inc, 1998 The most select best of list available anywhere. |
| facets multimedia movies: Women Writers Dramatized H. Philip Bolton, 2000-01-01 This volume, arranged alphabetically by original author, provides basic information about stage and screen productions based upon the novels of 40 women writers before 1900. Each entry includes the novel and its publication date, the published texts or dramatizations based upon the book, and the performances of the piece in live theater and film versions, including the location, dates, and playwright or screenwriter (if there was one). For some of the performances the author includes a brief annotation listing the actors and describing the production. |
| facets multimedia movies: Post-Theory David Bordwell, Noel Carroll, 2012-11 Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film. |
| facets multimedia movies: Roger Ebert's Movie Yearbook 2007 Roger Ebert, 2013-02-05 The most-trusted film critic in America. --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect. --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year. |
| facets multimedia movies: A Hundred Years of Japanese Film ドナルドリッチー, 2005-05-27 Donald Richie is one of the foremost authorities on Japanese cinema, and has produced several classic works, including books on the world- renowned directors Kurosawa and Ozu. Richie here offers a highly readable insider's look at the achievements of Japanese filmmakers. Donald Richie is one of the foremost authorities on Japanese cinema, and has produced several classic works, including books on the world-renowned directors Kurosawa and Ozu. Richie here offers a highly readable insider's look at the achievements of Japanese filmmakers. He begins in the late 1800s, |
| facets multimedia movies: A Companion to Film Theory Toby Miller, Robert Stam, 2008-06-09 This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. Provides a major collection of specially commissioned work by experts in the field of film studies. Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship. Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology. Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future. Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature. |
| facets multimedia movies: Reauthorization of Foundation on the Arts and the Humanities Act of 1985 United States. Congress. House. Committee on Education and Labor. Subcommittee on Select Education, 1986 |
| facets multimedia movies: World War II, Film, and History John Whiteclay Chambers II, David Culbert, 1996-10-10 The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the reality of that much disputed conflict. But to what degree does history written with lightning, as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into reality. |
| facets multimedia movies: Film – An International Bibliography Malte Hagener, Michael Töteberg, 2016-12-16 Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia. |
| facets multimedia movies: A Critical Cinema 4 Scott MacDonald, 2005 A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. |
| facets multimedia movies: Mediamaker Handbook , |
| facets multimedia movies: The Cult Film Reader Mathijs, Ernest, Mendik, Xavier, 2007-12-01 An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies. Science Fiction Film and Television A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating. Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK It's about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in The Cult Film Reader will satisfy even the most ravenous zombie's desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves. Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair The Cult Film Reader is a great film text book and a fun read. John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jackson's Thriller Excellent overview of the subject, and a comprehensive collection of significant scholarship in the field of cult film. Very impressive and long overdue. Steven Rawle, York St John University, UK Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ‘weird world cinema’, cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world’s unruliest images. This book is the world’s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences. With editors’ introductions to the volume and to each section, the book is divided into four clear thematic areas of study – The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption – to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings. Written in a lively and accessible style, The Cult Film Reader dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include Casablanca, The Rocky Horror Picture Show, Eraserhead, The Texas Chainsaw Massacre, Showgirls and Ginger Snaps. Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall; Umberto Eco; Nezih Erdogan; Welch Everman; John Fiske; Barry Keith Grant ; Joan Hawkins; Gary Hentzi; Matt Hills; Ramaswami Harindranath; J.Hoberman; Leon Hunt; I.Q. Hunter; Mark Jancovich; Henry Jenkins; Anne Jerslev; Siegfried Kracauer; Gina Marchetti; Tom Mes; Gary Needham; Sheila J. Nayar; Annalee Newitz; Lawrence O’Toole; Harry Allan Potamkin; Jonathan Rosenbaum; Andrew Ross; David Sanjek; Eric Schaefer; Steven Jay Schneider; Jeffrey Sconce; Janet Staiger; J.P. Telotte; Parker Tyler; Jean Vigo; Harmony Wu |
| facets multimedia movies: Movies as Politics Jonathan Rosenbaum, 2023-09-01 In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing. In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many |
| facets multimedia movies: Directory of World Cinema: Iran 2 Parviz Jahed, 2017-03-01 Working at the intersection of religion and ever-shifting political, economic and social environments, Iranian cinema has produced some of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award-winning cinema of Iran, with particular attention to the major genres and movements, historical turning points and prominent figures that have helped shape it. Considering a wide range of genres, including Film Farsi, New Wave, war film, art house film and women’s cinema, the book was greeted with enthusiasm by film studies scholars, students working on alternative or national cinema and fans and aficionados of Iranian film. Building on the momentum and influence of its predecessor, Directory of World Cinema: Iran 2 will be welcomed by all seeking an up-to-date and comprehensive guide to Iranian cinema. |
| facets multimedia movies: Hollywood on Lake Michigan Michael Corcoran, Arnie Bernstein, 2013 Previous edition: Chicago, Ill.: Lake Claremont Press, 1998, by Arnie Bernstein. |
| facets multimedia movies: Cinema of the Other Europe Dina Iordanova, 2003 Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation. |
| facets multimedia movies: Fun with the Family Illinois Lori Meek Schuldt, 2010-08-03 Geared towards parents with children between the ages of two and twelve, Fun with the Family Illinois features interesting facts and sidebars as well as practical tips about traveling with your little ones. |
| facets multimedia movies: Bowker's Complete Video Directory , 2000 |
| facets multimedia movies: Managing Performing Arts Collections in Academic and Public Libraries Carolyn A. Sheehy, 1994-07-21 This professional reference provides solid advice to academic and public librarians for managing performing arts collections. The volume is divided into sections on the history of performing arts librarianship, dance collections, film studies collections, music collections, and theater collections. Each chapter is written by one or more expert contributors and presents current and reliable information on collection management. They discuss personnel management, collection development, technical services, public services, the impact of new technologies, facilities management, financial planning, and political considerations. Each chapter closes with references cited in the chapter, and the volume concludes with a valuable selected, annotated bibliography of important background sources and management tools. |
| facets multimedia movies: VideoHound's Golden Movie Retriever 1996 VideoHound Editors, Videohound, 1995-09 USA Today gave it a 4-star rating, the Houston Chronicle called it by far the best and the New York Times says the Hound takes the lead in a blaze of supplemental lists. The new 1996 edition of America's favorite guide to movies on video offers over 22,000 video reviews, including 1,000 new reviews. |
| facets multimedia movies: An Accented Cinema Hamid Naficy, 2001 An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre. |
| facets multimedia movies: How to Read a Film James Monaco, 1981 Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more. |
| facets multimedia movies: No distinctive title United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1990 |
| facets multimedia movies: Department of the Interior and Related Agencies Appropriations for 1991 United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1990 |
| facets multimedia movies: Department of the Interior and Related Agencies Appropriations for 1991: Institute of Museum Services United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1990 |
| facets multimedia movies: Film, Art, New Media: Museum Without Walls? Angela Dalle Vacche, 2012-06-12 In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization. |
FACET Definition & Meaning - Merriam-Webster
The meaning of FACET is any of the definable aspects that make up a subject (as of contemplation) or an object (as of consideration). How to use facet in a sentence.
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Jun 29, 2021 · FACETS is a core administration solution for health plans, developed by TriZetto®. It automates common healthcare administrative tasks, including claims processing, billing, …
FACET | English meaning - Cambridge Dictionary
FACET definition: 1. one part of a subject, situation, etc. that has many parts: 2. one of the small flat surfaces…. Learn more.
FACETS – Building stronger futures for Fairfax
FACETS is one of the largest social safety nets for families, children, and individuals in Fairfax County, Virginia. At FACETS, we meet people where they are, usually at the most vulnerable …
facet noun - Definition, pictures, pronunciation and usage notes ...
Definition of facet noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Facets - definition of Facets by The Free Dictionary
Define Facets. Facets synonyms, Facets pronunciation, Facets translation, English dictionary definition of Facets. a small polished surface of a cut gem; aspect; phase; side: Consider …
Facet - Definition, Meaning & Synonyms | Vocabulary.com
A facet is one side or aspect of something. If you’re thinking about quitting your day job to become a circus performer, you should first consider every facet of what your new life would be like. …
Facet - Wikipedia
Facets (/ ˈfæsɪt /) are flat faces on geometric shapes. The organization of naturally occurring facets was key to early developments in crystallography, since they reflect the underlying …
FACET definition and meaning | Collins English Dictionary
any small smooth area on a hard surface, as on a bone verb Word forms: -ets, -eting, -eted or -ets, -etting, -etted 6. (transitive) to cut facets in (a gemstone)
FACET | meaning - Cambridge Learner's Dictionary
FACET definition: one part of a subject, situation, etc that has many parts: . Learn more.
FACET Definition & Meaning - Merriam-Webster
The meaning of FACET is any of the definable aspects that make up a subject (as of contemplation) or an …
What is FACETS in Healthcare? - AmazingHealthc…
Jun 29, 2021 · FACETS is a core administration solution for health plans, developed by TriZetto®. It …
FACET | English meaning - Cambridge Dictionary
FACET definition: 1. one part of a subject, situation, etc. that has many parts: 2. one of the small flat …
FACETS – Building stronger futures for Fairfax
FACETS is one of the largest social safety nets for families, children, and individuals in Fairfax County, …
facet noun - Definition, pictures, pronunciation and u…
Definition of facet noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, …
