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| faulkner's nobel prize speech: Fiction's Inexhaustible Voice Stephen M. Ross, 1989 William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's puny inexhaustible voice, still talking. As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as one of the props, the pillars to help him endure and prevail. In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction. Ross departs from previous Faulkner criticism by proceeding not text-by-text or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practice--Southern oratory--recognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage. In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, I listen to the voices, and when I put down what the voices say, it's right. In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language. |
| faulkner's nobel prize speech: Essays, Speeches & Public Letters William Faulkner, 2004-02-10 An essential collection of William Faulkner’s mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner’s Nobel Prize acceptance speech, a review of Hemingway’s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay “On Criticism” and the beguiling “Note on A Fable.” It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner’s brilliant non-fiction work, and a rare look into the life of an American master. |
| faulkner's nobel prize speech: Essays, Speeches & Public Letters William Faulkner, 2011-04-20 An essential collection of William Faulkner’s mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner’s Nobel Prize acceptance speech, a review of Hemingway’s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay “On Criticism” and the beguiling “Note on A Fable.” It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner’s brilliant non-fiction work, and a rare look into the life of an American master. |
| faulkner's nobel prize speech: The Nobel Banquet Pawel Flato, 2000 |
| faulkner's nobel prize speech: Literature, 1901-1967 Nobelstiftelsen, 1969 |
| faulkner's nobel prize speech: William Faulkner: Nobel Prize Speech , Presents the Nobel Prize acceptance speech of American writer William Faulkner (1897-1962), made on December 10, 1950 and published online by Rich Geib. |
| faulkner's nobel prize speech: In Praise of Reading and Fiction Mario Vargas Llosa, 2023-01-17 WINNER OF THE NOBEL PRIZE IN LITERATURE On December 7, 2010, Mario Vargas Llosa was awarded the Nobel Prize in Literature. His Nobel lecture is a resounding tribute to fiction’s power to inspire readers to greater ambition, to dissent, and to political action. “We would be worse than we are without the good books we have read, more conformist, not as restless, more submissive, and the critical spirit, the engine of progress, would not even exist,” Vargas Llosa writes. “Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute—the foundation of the human condition—and should be better.” Vargas Llosa’s lecture is a powerful argument for the necessity of literature in our lives today. For, as he eloquently writes, “literature not only submerges us in the dream of beauty and happiness but alerts us to every kind of oppression.” |
| faulkner's nobel prize speech: The White Rose of Memphis William Clark Falkner, 2015-10-01 Mississippi writer William Clark Falkner was the great-grandfather of another acclaimed Southern scribe, William Faulkner. The White Rose of Memphis, an enthralling whodunit that unfolds aboard a steamboat, was Falkner's bestselling and most widely read novel. |
| faulkner's nobel prize speech: Myself and the World Robert W. Hamblin, 2016-06-02 William Faulkner (1897–1962) once said of his novels and stories, “I am telling the same story over and over, which is myself and the world.” This biography provides an overview of the life and career of the famous author, demonstrating the interrelationships of that life, centered in Oxford, Mississippi, with the characters and events of his fictional world. The book begins with a chapter on Faulkner's most famous ancestor, W. C. Falkner, “the Old Colonel,” who greatly influenced both the content and the form of Faulkner's fiction. Robert W. Hamblin then proceeds to examine the highlights of Faulkner's biography, from his childhood to his youthful days as a fledgling poet, through his time in New Orleans, the creation of Yoknapatawpha, the years of struggle and his season of prolific genius, and through his time in Hollywood and his winning of the Nobel Prize. The book concludes with a description of his last years as a revered author, cultural ambassador, and university writer-in-residence. In his Nobel Prize acceptance speech, Faulkner spoke of “the agony and sweat of the human spirit” that goes into artistic creation. For Faulkner, that struggle was especially acute. Poor and neglected for much of his life, suffering from chronic depression and alcoholism, and unhappy in his personal life, Faulkner overcame tremendous obstacles to achieve literary success. One of the major themes of his novels and stories remains endurance, and his biography exhibits that quality in abundance. Faulkner the man endured and ultimately prevailed. |
| faulkner's nobel prize speech: Faulkner at West Point William Faulkner, 2002 A new edition of a classic and a commemoration of William Faulkner's visit to West Point forty years ago |
| faulkner's nobel prize speech: The Ink of Melancholy André Bleikasten, 1990-06-22 The period from the late 1920s to the early 1940s was in Faulkner's career one of prodigious fertility, and the creative outburst on which it opens—from The Sound and the Fury (1929) through As I Lay Dying (1930) and Sanctuary (1931) to Light in August (1932)—touches indeed on the miraculous. It is the four children of this miracle that André Bleikasten re-examines and re-evaluates in his substantial new book on Faulkner. But rather than approach Faulkner's fiction from a priori theoretical assumptions and process it through some prefabricated grid, he has concentrated on the text themselves: on the motivations and circumstances of their composition, on the rich array of their themes, structures, textures, on their various narrative protocols and the endless interplay of their tropes and codes, on their points of emphasis and repetition as well as their rifts and gaps. Brilliant in its thought and argument, drawing eclectically on the resources of philosophy, psychoanalysis, anthropology, and other disciplines, and using modern critical theory without ever being arcane or trendy, Bleikasten's book is a highly personal performance and one of the most insightful and stimulating studies that Faulkner has received. |
| faulkner's nobel prize speech: The Saddest Words: William Faulkner's Civil War Michael Gorra, 2020-08-25 A “timely and essential” (New York Times Book Review) reconsideration of William Faulkner’s life and legacy that vitally asks, “How should we read Faulkner today?” With this “rich, complex, and eloquent” (Drew Gilpin Faust, Atlantic) work, Pulitzer Prize finalist Michael Gorra charts the evolution of an author through his most cherished—and contested—novels. Given the undeniable echoes of “Lost Cause” romanticism in William Faulkner’s fiction, as well as his depiction of Black characters and Black speech, Gorra argues convincingly that Faulkner demands a sobering reevaluation. Upending previous critical traditions and interweaving biography, literary criticism, and rich travelogue, the widely acclaimed The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today. |
| faulkner's nobel prize speech: The Art of Fiction Walter Besant, 1885 |
| faulkner's nobel prize speech: Selected Short Stories William Faulkner, 2011-04-20 From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, The Sound and the Fury, Light in August, and Absalom, Absalom! William Faulkner was a master of the short story. Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury. They explore many of the themes found in the novels and feature characters of small-town Mississippi life that are uniquely Faulkner’s. In “A Rose for Emily,” the first of his stories to appear in a national magazine, a straightforward, neighborly narrator relates a tale of love, betrayal, and murder. The vicious family of the Snopes trilogy turns up in “Barn Burning,” about a son’s response to the activities of his arsonist father. And Jason and Caddy Compson, two other inhabitants of Faulkner’s mythical Yoknapatawpha County, are witnesses to the terrorizing of a pregnant black laundress in “That Evening Sun.” These and the other stories gathered here attest to the fact that Faulkner is, as Ralph Ellison so aptly noted, “the greatest artist the South has produced.” Including these stories: “Barn Burning” “Two Soldiers” “A Rose for Emily” “Dry September” “That Evening Sun” “Red Leaves” “Lo!” “Turnabout” “Honor” “There Was a Queen” “Mountain Victory” “Beyond” “Race at Morning” |
| faulkner's nobel prize speech: The Faulkner Reader William Faulkner, 2011-08-10 A sweeping anthology of works by an American original, including the complete text of The Sound and the Fury, a foreword by the author, his Nobel Prize address, and a selection of brilliant novellas and short stories, including: “The Bear” (from Go Down, Moses) “Old Man” (from The Wild Palms) “Spotted Horses” (from The Hamlet) “A Rose for Emily” “Barn Burning” “Dry September” “That Evening Sun” “Turnabout” “Shingles for the Lord” “A Justice” “Wash” “An Odor of Verbena” (from The Unvanquished) “Percy Grimm” (from Light in August) “The Courthouse” (from Requiem for a Nun) |
| faulkner's nobel prize speech: A Defense of William Faulkner's Nobel Prize Acceptance Speech Sarah Hope Grafton, 2006 |
| faulkner's nobel prize speech: FAULKNER READER WILLIAM FAULKNER., 2023-06-21 This William Faulkner collection includes a Forward by the author; Faulkner’s December 10, 1950 Nobel Prize Acceptance Speech; The Sound and the Fury (complete); six excerpts from other novels; and more. |
| faulkner's nobel prize speech: Vision in Spring William Faulkner, 1984 Analytische annotatie: Liefdesgedichten |
| faulkner's nobel prize speech: Faulkner and Hemingway Joseph Fruscione, 2015-05-29 Illustrates how Faulkner and Hemingway's artistic paths and performed masculinities clashed as the authors measured themselves against each other and engendered a mutual psychological influence. |
| faulkner's nobel prize speech: A Reader's Guide to William Faulkner Edmond L. Volpe, 2004-06-01 This Reader's Guide is a companion to Edmond L. Volpe's Reader's Guide to William Faulkner: The Novels, the most complete guide to the novels of Faulkner and hailed by critics as a book to be read, studied, and returned to often:' The new Guide—the first comprehensive book of its kind—offers analyses of all Faulkner's short stories, published and unpublished, that were not incorporated into novels or turned into chapters of a novel. Each of the seventy-one stories receives separate and detailed appraisal. This exacting approach helps establish the relationship of the stories to the novels and underscores Faulkner's formidable skill as a writer of short fiction. Although Faulkner often spoke disparagingly of the short story form and claimed that he wrote stories for money—which he did—Edmond L. Volpe's study reveals that Faulkner could not resist the application of his incomparable creative imagination or his mastery of narrative structure and technique to this genre. |
| faulkner's nobel prize speech: The Unvanquished William Faulkner, 2011-05-18 Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions. |
| faulkner's nobel prize speech: William Faulkner Cleanth Brooks, 1989-12-01 In this companion volume to William Faulkner: The Yoknapatawpha Country, Cleanth Brooks takes an in-depth look at Faulkner's early poetry and prose as well as his five non-Yoknapatawpha novels -- Soldiers Pay, Mosquitoes, Pylon, The Wild Palms, and A Fable. Brooks also offers relevant clarification of some of his earlier interpretations of Faulkner that have been challenged -- most notably in the case of Faulkner that have been challenged -- most notable in the case of Absalom, Absalom!, which he considers Faulkner's greatest novel. Recognizing that the creative and imaginative center of Faulkner's art is Yoknapatawpha County, Brooks examines the merits of each of the works set beyond these boundaries and explores how these writings complement Faulkner as an artist. He sheds light on the literary sources that influenced Faulkner's early work and the technical innovations and general themes Faulkner was to develop in his later writing. The notes and appendixes with which Brooks concludes Toward Yoknapatawpha and Beyond serve only to amplify this comprehensive study. |
| faulkner's nobel prize speech: A William Faulkner Encyclopedia Robert W. Hamblin, Charles Peek, 1999-11-30 Sometimes called the American Shakespeare, William Faulkner is known for providing poignant and accurate renderings of the human condition, creating a world of colorful characters in his fictional Yoknapatawpha County, and writing in a style that is both distinct and demanding. Though he is known as a Southern writer, his appeal transcends regional and even national boundaries. Since winning the Nobel Prize for Literature in 1950, he has been the subject of more than 5,000 scholarly books and articles. Academic interest in his career has been matched by popular acclaim, with some of his works adapted for the cinema. This reference is an authoritative guide to Faulkner's life, literature, and legacy. The encyclopedia includes nearly 500 alphabetically arranged entries for topics related to Faulkner and his world. Included are entries for his works and major characters and themes, as well as the literary and cultural contexts in which his texts were conceived, written, and published. There are also entries for relatives, friends, and other persons important to Faulkner's biography; historical events, persons, and places; social and cultural developments; and literary and philosophical terms and movements. The entries are written by expert contributors who bring a broad range of perspectives and experience to their analysis of his work. Entries typically conclude with suggestions for further reading, and the volume closes with a bibliography and detailed index. |
| faulkner's nobel prize speech: On Faulkner Louis J. Budd, Edwin Harrison Cady, 1989 From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts. |
| faulkner's nobel prize speech: A Velocity of Being Maria Popova, Claudia Bedrick, 2020-05-25 A Brain Pickings Best Children's Book of the Year An embarrassment of riches. —The New York Times An expansive collection of love letters to books, libraries, and reading, from a wonderfully eclectic array of thinkers and creators. In these pages, some of today's most wonderful culture-makers—writers, artists, scientists, entrepreneurs, and philosophers—reflect on the joys of reading, how books broaden and deepen human experience, and the ways in which the written word has formed their own character. On the page facing each letter, an illustration by a celebrated illustrator or graphic artist presents that artist's visual response. Among the diverse contributions are letters from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, and Jacqueline Woodson, as well as a ninety-eight-year-old Holocaust survivor, a pioneering oceanographer, and Italy's first woman in space. Some of the illustrators, cartoonists, and graphic designers involved are Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman. This project is woven entirely of goodwill, generosity of spirit, and a shared love of books. Everyone involved has donated their time, and all profits will go to the New York Public Library systems. This stunning 272-page hardcover volume features a lay-flat binding to allow for greater ease of reading. |
| faulkner's nobel prize speech: The Wild Palms William Faulkner, 2022-08-01 DigiCat Publishing presents to you this special edition of The Wild Palms by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| faulkner's nobel prize speech: Cigarettes Harry Mathews, 2025-06-17 Cigarettes is a novel about the rich and powerful, tracing their complicated relationships from the 1930s to the 1960s, from New York City to Upper New York State. Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel—and be right and wrong on both counts. What one can emphatically say is that Cigarettes is a brilliant display of Harry Mathews's ingenuity and deadly playfulness. |
| faulkner's nobel prize speech: William Faulkner André Bleikasten, 2017-03-01 “Accessible . . . Engaging . . . May well be our fullest account to date of what Bleikasten calls Faulkner’s ‘energy for life’ and ‘will to write.’” —Theresa Towner, author of The Cambridge Introduction to William Faulkner Writing to American poet Malcolm Cowley in 1949, William Faulkner expressed his wish to be known only through his books—but his wish would not come true. He would go on to win the Nobel Prize for literature several months later, and when he died famous in 1962, his biographers immediately began to unveil and dissect the unhappy life of “the little man from Mississippi.” Despite the many works published about Faulkner, his life and career, it still remains a mystery how a poet of minor symbolist poems rooted in the history of the Deep South became one of the greatest novelists of the twentieth century. Here, renowned critic André Bleikasten revisits Faulkner’s biography through the author’s literary imagination. Weaving together correspondence and archival research with the graceful literary analysis for which he is known, Bleikasten presents a multi-strand account of Faulkner’s life in writing. By carefully keeping both the biographical and imaginative lives in hand, Bleikasten teases out threads that carry the reader through the major events in Faulkner’s life, emphasizing those circumstances that mattered most to his writing: the weight of his multi-generational family history in the South; the formation of his oppositional temperament provoked by a resistance to Southern bourgeois propriety; his creative and sexual restlessness and uncertainty; his lifelong struggle with finances and alcohol; his paradoxical escape to the bondages of Hollywood; and his final bent toward self-destruction. This is the story of the man who wrote timeless works and lived in and through his novels. |
| faulkner's nobel prize speech: MANSION WILLIAM FAULKNER., 2023-06-21 The Mansion completes Faulkner’s great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town. Beginning with the murder of Jack Houston, and ending with the murder of Flem Snopes, it traces the downfall of this indomitable post-bellum family, who managed to seize control of the town of Jefferson within a generation. |
| faulkner's nobel prize speech: Faulkner and the Ecology of the South Joseph R. Urgo, Ann J. Abadie, 2009-09-18 In 1952, Faulkner noted the exceptional nature of the South when he characterized it as “the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment.” The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the : “ecological counter-melody” of his texts. “Ecology” was not a term in common use outside the sciences in Faulkner's time. However, the word “environment” seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in “man in conflict with himself, with his fellow man, or with his time and place, his environment.” Eco-criticism has led to a renewed interest among literary scholars for what in this volume Cecelia Tichi calls, “humanness within congeries of habitats and environments.” Philip Weinstein draws on Pierre Bourdieu's notion of habitus. Eric Anderson argues that Faulkner's fiction has much to do with ecology in the sense that his work often examines the ways in which human communities interact with the natural world, and François Pitavy sees Faulkner's wilderness as unnatural in the ways it represents reflections of man's longings and frustrations. Throughout these essays, scholars illuminate in fresh ways the precarious ecosystem of Yoknapatawpha County. |
| faulkner's nobel prize speech: Fatherload Kevin Redman, 2013-03-04 This book isn't just for fathers, but it isn't for everyone. It might be for you if you've ever changed jobs, moved out of one home into another, or had to explain the dead fish to a three-year-old. It might be for you if you are still enough of a child to ride the roller coasters, go sledding in the winter, or toss food up the air so you can (try to) catch it on the way down. If you go to weddings, if you dread the day your dog may be put down, or losing loved ones, you might want to read this. If you are older than fourth grade and know the real truth about Santa Claus, read this. If you're not sure, have someone else read it and decide for you. |
| faulkner's nobel prize speech: William Faulkner's Speech of Acceptance Upon the Award of the Nobel Prize for Literature William Faulkner, 2001 |
| faulkner's nobel prize speech: Faulkner: International Perspectives Doreen Fowler, 1984 Essays on William Faulkner's work from foreign perspectives |
| faulkner's nobel prize speech: The Life of William Faulkner Carl Rollyson, 2020-09-22 By the end of volume 1 of The Life of William Faulkner (A filling, satisfying feast for Faulkner aficianados— Kirkus), the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second and concluding volume of Carl Rollyson’s ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts—a symptom of the South’s faded fortunes—and numerous mouths to feed and funerals to fund. And so he turns to the classic temptation for financially struggling writers—Hollywood. Thus begins roughly a decade of shuttling between his home and family in Mississippi—lifeblood of his art—and the backlots of the Golden Age film industry. Through Faulkner’s Hollywood years, Rollyson introduces such personalities as Humphrey Bogart and Faulkner’s long-time collaborator Howard Hawks, while telling the stories behind films such as The Big Sleep and To Have and Have Not. At the same time, he chronicles with great insight Faulkner's rapidly crumbling though somehow resilient marriage and his numerous extramarital affairs--including his deeply felt, if ultimately doomed, relationship with Meta Carpenter. (In his grief over their breakup, Faulkner—a dipsomaniac capable of ferocious alcoholic binges—received third-degree burns when he passed out on a hotel-room radiator.) Where most biographers and critics dismiss Faulkner’s film work as at best a necessary evil, at worst a tragic waste of his peak creative years, Rollyson approaches this period as a valuable window on his artistry. He reveals a fascinating, previously unappreciated cross-pollination between Faulkner’s film and literary work, elements from his fiction appearing in his screenplays and his film collaborations influencing his later novels—fundamentally changing the character of late-career works such as the Snopes trilogy. Rollyson takes the reader on a fascinating journey through the composition of Absalom, Absalom!, widely considered Faulkner’s masterpiece, as well as the film adaptation he authored—unproduced and never published— Revolt in the Earth. He reveals how Faulkner wrestled with the legacy of the South—both its history and its dizzying racial contradictions—and turned it into powerful art in works such as Go Down, Moses and Intruder in the Dust. Volume 2 of this monumental work rests on an unprecedented trove of research, giving us the most penetrating and comprehensive life of Faulkner and providing a fascinating look at the author's trajectory from under-appreciated writer's writer to world-renowned Nobel laureate and literary icon. In his famous Nobel speech, Faulkner said what inspired him was the human ability to prevail. In the end, this beautifully wrought life shows how Faulkner, the man and the artist, embodies this remarkable capacity to endure and prevail. |
| faulkner's nobel prize speech: Pylon William Faulkner, 2019-04-02 One of the few of William Faulkner’s works to be set outside his fictional Yoknapatawpha County, Pylon, first published in 1935, takes place at an air show in a thinly disguised New Orleans named New Valois. An unnamed reporter for a local newspaper tries to understand a very modern ménage a trois of flyers on the brainstorming circuit. These characters, Faulkner said, “were a fantastic and bizarre phenomenon on the face of the contemporary scene. . . . That is, there was really no place for them in the culture, in the economy, yet they were there, at that time, and everyone knew that they wouldn’t last very long, which they didn’t. . . . That they were outside the range of God, not only of respectability, of love, but of God too.” In Pylon Faulkner set out to test their rootless modernity to see if there is any place in it for the old values of the human heart that are the central concerns of his best fiction. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved. |
| faulkner's nobel prize speech: Selected Letters of William Faulkner William Faulkner, 1978 |
| faulkner's nobel prize speech: Hawk Parable Tyler Mills, 2019 Hawk Parable begins with a family mystery and engages with the limits of historical knowledge--particularly of the atomic bombs the U.S. dropped at the end of the Second World War and the repercussions of atomic tests the U.S. conducted throughout the 20th century. These poems explore a space between environmental crisis and a crisis of conscience. As a lyric collection, Hawk Parable begins as a meditation on the author's grandfather's possible involvement in the Nagasaki mission and moves through poems that engage with the legacy of nuclear testing on our global environment. At times, Hawk Parable borrows language from declassified nuclear test films, survivor accounts of the Hiroshima and Nagasaki bombings, scientific studies of bird migrations through the Nevada Test Site, and the author's grandfather's letters. This book enacts what it means to encounter fragments--of historical records, family stories, and survivor accounts--through exploring a variety of forms. Hawk Parable seeks what it means to be human in the spaces between tragedy and beauty, loss and life, in the relationships between the lyric speaker, history, and personal memory. |
| faulkner's nobel prize speech: Critical Essays on William Faulkner Robert W. Hamblin, 2022-08-24 Critical Essays on William Faulkner compiles scholarship by noted Faulkner studies scholar Robert W. Hamblin. Ranging from 1980 to 2020, the twenty-one essays present a variety of approaches to Faulkner’s work. While acknowledging Faulkner as the quintessential southern writer—particularly in his treatment of race—the essays examine his work in relation to American and even international contexts. The volume includes discussions of Faulkner’s techniques and the psychological underpinnings of both the origin and the form of his art; explores how his writing is a means of “saying 'no' to death; examines the intertextual linkages of his fiction with that of other writers like Shakespeare, Twain, Steinbeck, Warren, and Salinger; treats Faulkner’s use of myth and his fondness for the initiation motif; and argues that Faulkner’s film work in Hollywood is much better and of far greater value than most scholars have acknowledged. Taken as a whole, Hamblin’s essays suggest that Faulkner’s overarching themes relate to time and consequent change. The history of Faulkner’s Yoknapatawpha stretches from the arrival of the white settlers on the Mississippi frontier in the early 1800s to the beginnings of the civil rights movement in the 1940s. Caught in this world of continual change that produces a great degree of uncertainty and ambivalence, the Faulkner character (and reader) must weigh the traditions of the past with the demands of the present and the future. As Faulkner acknowledges, this process of discovery and growth is a difficult and sometimes painful one; yet, as Hamblin attests, to engage in that quest is to realize the very essence of what it means to be human. |
| faulkner's nobel prize speech: The Essential Faulkner William Faulkner, 2013-01-02 A collection of essential pieces by an American master • “A real contribution to the study of Faulkner’s work.”—Edmund Wilson In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. He set this legend in a small, minutely realized parallel universe that he called Yoknapatawpha County, Mississippi. No single volume better conveys the scope of Faulkner’s Yoknapatawpha legend than The Essential Faulkner. The book includes self-contained episodes from the novels The Sound and the Fury, Light in August, and Sanctuary; the stories “The Bear,” “Spotted Horses,” “A Rose for Emily,” and “Old Man,” among others; a map of Yoknapatawpha County and a chronology of the Compson family created by Faulkner especially for this edition; and the complete text of Faulkner’s 1950 address upon receiving the Nobel Prize in literature. Malcolm Cowley’s critical introduction was praised as “splendid” by Faulkner himself. Also includes: “A Justice” “The Courthouse” (from Requiem for a Nun) “Red Leaves” “Was” (from Go Down, Moses) “Raid” (from The Unvanquished) “Wash” “An Odor of Verbena” (from The Unvanquished) “That Evening Sun” “Ad Astra” “Dilsey” (from The Sound and the Fury) “Death Drag” “Uncle Bud and the Three Madams” (from Sanctuary) “Percy Grimm” (from Light in August) “Delta Autumn” (from Go Down, Moses) “The Jail” (from Requiem for a Nun) |
| faulkner's nobel prize speech: Faulkner's Place Michael Millgate, 2009-02-01 This volume brings together for the first time eight masterful essays on William Faulkner by one of his most eloquent and influential critics. Michael Millgate established himself as a leading authority on Faulkner with the publication of The Achievement of William Faulkner more than thirty years ago. Since then, in pieces such as Faulkner and History and Faulkner's Masters, he has continued to reflect upon the legendary southern writer, his unique sense of physical place, and his place in literary history. Written with humor and insight, Faulkner's Place is lively, readable, and extremely accessible both to longtime Faulkner enthusiasts and to those who are new to his work. Taken together, the essays represent an impressive contribution to the understanding and appreciation of Faulkner's richly varied career. |
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