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| french acrostic poem: Poetry, Knowledge and Community in Late Medieval France Rebecca Dixon, Finn E. Sinclair, Adrian Armstrong, Sylvia Huot, Sarah Kay, 2008 The role of poetry in the transmission and shaping of knowledge in late medieval France. |
| french acrostic poem: French Festivals and Traditions KS3 Nicolette Hannam, Michelle Williams, 2016-10-20 This invaluable, time-saving resource provides intercultural ideas for every month of the year. For each festival and tradition you will find background information, key vocabulary, detailed lists of possible teaching activities and optional pupil sheets. Ideas range from making cards and reading/writing poems to playing game and cooking traditional recipes. |
| french acrostic poem: French Festivals and Traditions, KS2 , |
| french acrostic poem: Bow-Tie Pasta Brian P. Cleary, 2015-11-01 Acrostic? What kind of stick is that? Actually, it's a poem! Acrostic poems are created from a word or phrase written vertically down the page. Each letter becomes part of a line in the poem, revealing a thought or a clue about the poem's topic. Award-winning author Brian P. Cleary shows how even the wackiest words can make an acrostic poem. Bow-Tie Pasta is packed with acrostics to make you snicker and snort. And when you've finished reading, you can try your hand at writing your own poems! |
| french acrostic poem: Handy-Book of Literary Curiosities William S. Walsh, 1892 |
| french acrostic poem: Alien Albion Scott Oldenburg, 2014-11-05 Using both canonical and underappreciated texts, Alien Albion argues that early modern England was far less unified and xenophobic than literary critics have previously suggested. Juxtaposing literary texts from the period with legal, religious, and economic documents, Scott Oldenburg uncovers how immigrants to England forged ties with their English hosts and how those relationships were reflected in literature that imagined inclusive, multicultural communities. Through discussions of civic pageantry, the plays of dramatists including William Shakespeare, Thomas Dekker, and Thomas Middleton, the poetry of Anne Dowriche, and the prose of Thomas Deloney, Alien Albion challenges assumptions about the origins of English national identity and the importance of religious, class, and local identities in the early modern era. |
| french acrostic poem: Authorship and First-person Allegory in Late Medieval France and England Stephanie A. V. G. Kamath, 2012 An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages. The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose thenarrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston. |
| french acrostic poem: French Concrete Poetry: the Development of a Poetic Form, from Its Origins to the Present Day David W. Seaman, 1970 |
| french acrostic poem: Whetstones for wits; or, Double acrostics, by various hands, ed. by 'Crack'. Whetstones, 1872 |
| french acrostic poem: Poetry and Music in Medieval France Ardis Butterfield, 2002 In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture. |
| french acrostic poem: English Printing, Verse Translation, and the Battle of the Sexes, 1476-1557 Anne E.B. Coldiron, 2016-12-05 Bringing to light new material about early print, early modern gender discourses, and cultural contact between France and England in the revolutionary first phase of English print culture, this book focuses on a dozen or so of the many early Renaissance verse translations about women, marriage, sex, and gender relations. Anne Coldiron here analyzes such works as the Interlocucyon; the Beaute of Women; the Fyftene Joyes of Maryage; and the Complaintes of the Too Soone and Too Late Maryed as well as the printed translations of writings of Christine de Pizan. Her selections identify an insufficiently discussed strand of English poetry, in that they are non-elite, non-courtly, and non-romance writings on women's issues. She investigates the specific effects of translation on this alternative strand of poetry, showing how some French poems remain stable in the conversion, others subtly change emphasis in their new context, but some are completely transformed. Coldiron also emphasizes the formal and presentational dimensions of the early modern poetic book, assessing the striking differences the printers' paratexts and visual presentation strategies make to the meaning and value of the poems. A series of appendices presents the author's transcriptions of the texts that are otherwise inaccessible, never having been edited in modern times. |
| french acrostic poem: The Pèlerinage Allegories of Guillaume de Deguileville Marco Nievergelt, Stephanie A. V. G. Kamath, 2013 New essays on the unjustly neglected Pèlerinage works by de Guileville, showing in particular its huge contemporary influence. The fourteenth-century French pilgrimage allegories of Guillaume de Deguileville (or Digulleville) shaped late medieval and early modern European culture. Portions of the Pèlerinage de Vie Humaine, Pèlerinage de l'Ame and Pèlerinage de Jhesucrist survive in more than eighty medieval manuscripts and translations into English, German, Dutch, Castilian and Latin appeared by the early sixteenth century, along with adaptations into Frenchprose and dramatic forms and numerous early printed editions. This volume furnishes a better understanding of the allegories' circulation, creation and importance from the 1330s into the 1560s, via trans-national, multilingual and interdisciplinary perspectives. The collection's first section, on Tradition, identifies the patterns that developed as Deguileville's corpus captured the attentions of adaptors, annotators and illustrators. The second section, on Authority, addresses the cultural context of Deguileville himself, his approach to poetic craft and the status of his French and Latin poetry. The third section, on Influence, closely examines selected connections between the Pèlerinages and the literary productions of later authors, translators and reading communities, including the French verse of Philippe de Mézières, Castilian print adaptation, and the early modern Croatian novel.Overall, the collection provides a variety of approaches to examining literary reception, attending not only to texts but also to evidence of surviving manuscripts and early printed editions; it offers new insights into a rich and complex allegorical corpus and its impact on European literary history. Marco Nievergelt is a Maître-Assistant in Early English Literature in the English department of the University of Lausanne.Stephanie A. Viereck Gibbs Kamath studies English and French medieval literature, with a particular interest in allegory, translation studies, and the history of the material text. Contributors: Flor Maria Bango de la Campa, Robert L.A. Clark, Graham Robert Edwards, Dolores Grmaca, Andreas Kablitz, John Moreau, Ursula Peters, Fabienne Pomel, Pamela Sheingorn, Sara V. Torres, Géraldine Veysseyre |
| french acrostic poem: Library of the World's Best Literature: Biographical dictionary Charles Dudley Warner, Hamilton Wright Mabie, Charles Henry Warner, Lucia Isabella Gilbert Runkle, 1897 |
| french acrostic poem: A Library of the World's Best Literature - Ancient and Modern - Vol.XLII (Forty-Five Volumes); Dictionary of Authors (A-J) Charles Dudley Warner, 2008-07-01 Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how everybody complains about the weather, but nobody does anything about it-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Volume 42 is Part One of a dictionary of authors-from Alexis Aar to Juvenal-that serves as a handy, condensed reference to the authors quoted in the first 40 volumes, as well as a guide to thousands more authors whose works are notable but not featured in this set. |
| french acrostic poem: Library of the World's Best Literature, Ancient and Modern: Dictionary of authors Charles Dudley Warner, Hamilton Wright Mabie, Lucia Isabella Gilbert Runkle, George Henry Warner, 1897 |
| french acrostic poem: A Library of the World's Best Literature Charles Dudley Warner, Hamilton Wright Mabie, Charles Henry Warner, Lucia Isabella Gilbert Runkle, George H. Warner, 1897 |
| french acrostic poem: Library of the World's Best Literature, Ancient and Modern: Biographical dictionary Charles Dudley Warner, 1898 |
| french acrostic poem: Concrete Poetry in France David W. Seaman, 1981 |
| french acrostic poem: Selections from the Book of Psalms , 1999 |
| french acrostic poem: A New History of English Metre Martin J. Duffell, 2008 In the hundred years since the last major history of English metre was published, dramatic changes have occurred in both the way that poets versify in English and the way that scholars analyze verse. 'Free' verse is now firmly established alongside regular metre, and linguistics, statistics, and cognitive theory have contributed to the analysis of both. This new study covers the history of English metre up to the twenty-first century and compares a variety of modern theories to explain it. The result is a concise and up-to-date guide to metre for all students and teachers of English poetry. --Book Jacket. |
| french acrostic poem: Vows Peter Manseau, 2006-10-17 In this multi-generational tale of a family's unshakeable faith, the author tells his parents' courageous story--as a priest and a former nun who wed--and deftly weaves how their decision has affected his own spiritual journey. of photos. |
| french acrostic poem: Epistolae. Series VI, Volumen I: 1530-septembre 1538 Jean Calvin, Cornelis Augustijn, 2005 Le premier volume de la nouvelle édition de la correspondance de Calvin contient quatre-vingt-cinq lettres écrites par Calvin ou qui lui ont été adressées. Les notes abondantes et précises ont bénéficié de toute la recherche calvinienne du XXe siècle. |
| french acrostic poem: Beautiful Death Susan L. Einbinder, 2002-07-01 When Crusader armies on their way to the Holy Land attacked Jewish communities in the Rhine Valley, many Jews chose suicide over death at the hands of Christian mobs. With their defiant deaths, the medieval Jewish martyr was born. With the literary commemoration of the victims, Jewish martyrology followed. Beautiful Death examines the evolution of a long-neglected corpus of Hebrew poetry, the laments reflecting the specific conditions of Jewish life in northern France. The poems offer insight into everyday life and into the ways medieval French Jews responded to persecution. They also suggest that poetry was used to encourage resistance to intensifying pressures to convert. The educated Jewish elite in northern France was highly acculturated. Their poetry--particularly that emerging from the innovative Tosafist schools--reflects their engagement with the vernacular renaissance unfolding around them, as well as conscious and unconscious absorption of Christian popular beliefs and hagiographical conventions. At the same time, their extraordinary poems signal an increasingly harsh repudiation of Christianity's sacred symbols and beliefs. They reveal a complex relationship to Christian culture as Jews internalized elements of medieval culture even while expressing a powerful revulsion against the forms and beliefs of Christian life. This gracefully written study crosses traditional boundaries of history and literature and of Jewish and general medieval scholarship. Focusing on specific incidents of persecution and the literary commemorations they produced, it offers unique insights into the historical conditions in which these poems were written and performed. |
| french acrostic poem: Chaucer and the Poems of 'Ch' James I Wimsatt, 2009-03-01 On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship. |
| french acrostic poem: Poets, Patrons, and Printers Cynthia J. Brown, 2019-03-15 Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism. |
| french acrostic poem: Jewellery Stories of a Different Kind Rosie Nicolson, 2023-11-30 This book is an all-in-one introduction for the novice who wishes to venture into the world of buying and selling vintage costume jewellery. It's also a source of information about the popular types of jewellery you are likely to come across at auctions and markets today. Do you want to know more about the origins of acrostic jewellery and their secret messages of love? Coral, jade, Queen Elizabeth I's 'Checkers Ring' or the history behind the tiger's clavicle brooch from the days of the Raj in India? You'll find these and other interesting, amusing and informative stories about jewellery in this book. Finally, and most importantly, there's a section on the lives of some silversmiths and jewellers, the unique jewellery they designed for us to love, cherish and wear, adding to our sparkle. |
| french acrostic poem: Sharpening Her Pen Sidney L. Sondergard, 2002 Sharpening Her Pen demonstrates how six early modern authors exploit, or evade, a rhetorical discourse founded upon images, tropes, and dialectics of violence to secure authorization for their work as writers and empowerment for the personal agendas unique to each of them. Rhetorical violence functions both as a literary phenomenon, facilitating the polemics of each author, and as an analytical methodology enabling scholars to derive meaning from a particular organic facet of a writer's intellectual structure. The subjects of the study represent a balance between writers who have received considerable scholarly attention (Elizabeth I, Aemilia Lanyer, and Lady Mary Wroth) and those who have received relatively little (Anne Askew, Anne Dorwiche, and Lade Anne Southwell). Exercising rhetorical strategies that reflect their idiosyncrasies as intellectuals, they share a canny awareness of the persuasive power, of violence in their age as physical reality and as metaphor. |
| french acrostic poem: The Poetry of St. Therese of Lisieux St. Therese of Lisieux, 2013-09-18 Despite their importance, the poems of St. Thérèse of Lisieux are among the least known of her writings, previously available only in highly edited selections. Here for the first time in English is the complete collection of Thérèse's poetry, faithfully translated from the French critical edition by Donald Kinney, O.C.D. Also included are a preface by Jean Guitton, a general introduction to Thérèse's spiritual and poetic development, 6 photos, and individual introductions to each of the poems, indicating its background and significance. The volume closes with the French text of the poems and a fully linked index to their major themes and images. Together with the ICS Publications editions of Thérèse of Lisieux's Story of a Soul, Last Conversations, Letters, Plays, and Prayers, this is an indispensible work for all those who love the life and spiritual message of the greatest saint of modern times. |
| french acrostic poem: Play It Again, Sam Samuel Jay Keyser, 2025-05-27 Why we enjoy works of art, and how repetition plays a central part in the pleasure we receive. Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. Play It Again, Sam takes Bernstein seriously. In this book, Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general. The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol’s Campbell's Soup Cans, and Jackson Pollock’s drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme. The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. |
| french acrostic poem: Early Modern Cultures of Translation Karen Newman, Jane Tylus, 2015-07-23 Would there have been a Renaissance without translation? Karen Newman and Jane Tylus ask in their Introduction to this wide-ranging group of essays on the uses of translation in an era formative for the modern age. The early modern period saw cross-cultural translation on a massive scale. Humanists negotiated status by means of their literary skills as translators of culturally prestigious Greek and Latin texts, as teachers of those same languages, and as purveyors of the new technologies for the dissemination of writing. Indeed, with the emergence of new vernaculars and new literatures came a sense of the necessary interactions of languages in a moment that can truly be defined as after Babel. As they take their starting point from a wide range of primary sources—the poems of Louise Labé, the first Catalan dictionary, early printed versions of the Ptolemy world map, the King James Bible, and Roger Williams's Key to the Language of America—the contributors to this volume provide a sense of the political, religious, and cultural stakes for translators, their patrons, and their readers. They also vividly show how the very instabilities engendered by unprecedented linguistic and technological change resulted in a far more capacious understanding of translation than what we have today. A genuinely interdisciplinary volume, Early Modern Cultures of Translation looks both east and west while at the same time telling a story that continues to the present about the slow, uncertain rise of English as a major European and, eventually, world language. Contributors: Gordon Braden, Peter Burke, Anne Coldiron, Line Cottegnies, Margaret Ferguson, Edith Grossman, Ann Rosalind Jones, Lázló Kontler, Jacques Lezra, Carla Nappi, Karen Newman, Katharina N. Piechocki, Sarah Rivett, Naomi Tadmor, Jane Tylus. |
| french acrostic poem: A Literary Travel Log Candy Ruckdashel, 1993 With A Literary Travel Log, you can use high-quality literature to transport students around the world. Book jacket. |
| french acrostic poem: Nelson English - Development Book 4 John Jackman, Wendy Wren, 1994 This is part of a six-level English course (foundation-level to level five) for pupils between five and 12-years-old. The course employs a twin-track structure that enables teachers to underpin students' language development with a rigorous skills programme. There are two pupil's books at each level: a skills book, covering comprehension (with emphasis on literal), grammar, punctuation, vocabulary and spelling; and a development book, covering comprehension (with emphasis on inferential), the craft of quality writing, forms of writing, styles of writing and composition skills. Each level also has a teacher's resource book which supports both tracks, includes photocopiable activity sheets and correlations for all UK curricula, suggests strategies for developing listening and speaking skills, and helps support record-keeping and assessment. |
| french acrostic poem: The Facts on File Companion to British Poetry Before 1600 Michelle M. Sauer, 2008 Some of the most important authors in British poetry left their mark onliterature before 1600, including Geoffrey Chaucer, Edmund Spenser, and, of course, William Shakespeare. The Facts On File Companion to British Poetry before 1600is an encyclopedic guide to British poetry from the beginnings to theyear 1600, featuring approximately 600 entries ranging in length from300 to 2,500 words. |
| french acrostic poem: Printers without Borders A. E. B. Coldiron, 2015-04-09 This book explores how England's first printers transformed English Renaissance literary culture by collaborating with translators to reshape foreign texts. |
| french acrostic poem: Passe-Partout Lawrence Briggs, Daphne Philpot, Judy Somerville, 1998 Passe-Partout is a three stage French course with a step-by-step methodology. |
| french acrostic poem: Paul Verlaine Paul Verlaine, 2020-01-10 Crowned “Prince of Poets” in his later years, Paul Verlaine stands out among the iconoclastic founders of French modernist verse. This diglot anthology offers the most comprehensive selection of Verlaine’s poetry available in English translation. Verlaine’s famous works are presented here alongside poems never previously translated into English, including neglected political works and prison pieces only recently brought to light, which reveal social, homoerotic, and even pornographic inspirations. The poems are organized not by collections and date of publication but by themes and time of composition. This innovation, along with Valazza’s extensive supporting materials, will help the curious student or scholar explore the master poet’s work in the context of his troubled life: from the beginning of his literary career among the Parnassians to his affair with Rimbaud and the end of his marriage, his time in prison, and his bohemian lifestyle up to his death in 1896. Verlaine, the poet of ambiguity, has always been a challenge to translate. Rosenberg expertly crafts language that privileges the musicality of Verlaine’s verse while respecting each poem’s meaning and pace. Featuring 192 poems in French with English translations, this collection will appeal to scholars and poetry enthusiasts alike. |
| french acrostic poem: The Imperial Cyclopædia. Literary Division. The Cyclopædia of Geography, History, Biography, Etc. Part I. A.-Agent , 1853 |
| french acrostic poem: The Cambridge History of the Book in Britain Richard Gameson, Nigel J. Morgan, D. F. McKenzie, Lotte Hellinga, Rodney M. Thomson, John Barnard, Joseph Burney Trapp, Maureen Bell, David McKitterick, 1999 Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible. |
| french acrostic poem: Medium Aevum Charles Talbut Onions, Jack Arthur Walter Bennett, 1958 Includes section Reviews. |
| french acrostic poem: Hebrew between Jews and Christians Daniel Stein Kokin, 2022-12-19 Though typically associated more with Judaism than Christianity, the status and sacrality of Hebrew has nonetheless been engaged by both religious cultures in often strikingly similar ways. The language has furthermore played an important, if vexed, role in relations between the two. Hebrew between Jews and Christians closely examines this frequently overlooked aspect of Judaism and Christianity's common heritage and mutual competition. |
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