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| florian illies: 1913 Florian Illies, Shaun Whiteside, Jamie Lee Searle, 2014-06 A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever.The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence.Yet everywhere there is the premonition of ruin - the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes. |
| florian illies: Love in a Time of Hate Florian Illies, 2023-06-01 'Strikingly original, utterly absorbing' Julia Boyd, author of Travellers in the Third Reich A Financial Times 'Book to Read in 2023' 1930s Europe - as the Roaring Twenties wind down and the world rumbles towards war, the great minds of the time have other concerns. Jean-Paul Sartre waits anxiously in a Parisian café for his first date with no-show Simone de Beauvoir. Marlene Dietrich slips from her loveless marriage into the dive bars of Berlin. Father and son Thomas and Klaus Mann clash over each other's homosexuality. And Vladimir Nabokov lovingly places a fresh-caught butterfly at the end of Verá's bed. Little do they all know, the book burning will soon begin. Love in a Time of Hate skilfully interweaves some of the greatest love stories of the 1930s with the darkening backdrop of fascism in Europe, in an irresistible journey into the past that brings history and its actors to vivid life. |
| florian illies: 1913 Florian Illies, 2013-10-29 International Bestseller: This “absolute gem of a book” offers a month-by-month account of the year before World War I—one of the most exciting times in the 20th century (The Observer). “A sexy, comic and occasionally heartbreaking soap opera” for history buffs interested in 20th-century art, music, and literature (Washington Post). It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka’s love letters), Florian Illies ignores the conventions of the stodgy tome so common in “one year” histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology—even as ominous storm clouds began to gather. |
| florian illies: The Spirit of the Berlin Republic Dieter Dettke, 2003 The Berlin Republic has become the key concept of post-Cold War Germany and as such has been widely discussed inside as well as outside Germany. Symbolized by the move of the government from Bonn to Berlin it signals all the tangible and intangible changes in Germany's position in the world that have taken place during the 1990s. Well known German authors, decision-makers, and cultural leaders as well as internationally renowned experts on German affairs contribute to this volume, examining various aspects of the New Germany and its old/new capital, such as history, foreign policy, art, architecture, and culture. In this way, the reader gains a varied but comprehensive picture of Germany after unification as perceived by its neighbors, friends, and allies. |
| florian illies: The Life of Plants Emanuele Coccia, 2018-12-05 We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life. |
| florian illies: 1913 Charles Emmerson, 2013 Traveling from Europe's capitals to Bombay, Tokyo, St. Petersburg, Winnipeg, Los Angeles, Peking, and beyond, Emmerson restores 1913 to contemporary freshness and illuminates a world more integrated and internationalized than is remembered. |
| florian illies: Berlin Karl Scheffler, 2021-08-16 “Berlin is damned forever to become, and never to be.” Scheffler could not have anticipated that his dictum would prove prophetic. No other author has captured the city’s fascinating and unique character as perfectly. From the golden twenties to the anarchic nineties and its status of world capital of hipsterdom at the beginning of the new millennium – the formerly divided city has become the symbol of a new urbanity, blessed with the privilege of never having to be, but forever to become. Unlike London or Paris, the metropolis on the Spree lacked an organic principle of development. Berlin was nothing more than a colonial city, its sole purpose to conquer the East, its inhabitants a hodgepodge of materialistic individualists. No art or culture with which it might compete with the great cities of the world. Nothing but provincialism and culinary aberrations far and wide. Berlin: “City of preserves, tinned vegetables and all-purpose dipping sauce.” |
| florian illies: Love in a Time of Hate Florian Illies, 2023-09-19 “An enthralling and insightful cultural history—one that shows how, over the course of one pivotal decade, love, freedom and the freedom to love gave way to fear, madness and despair.” —Malcolm Forbes, Washington Post Book Review An ingeniously orchestrated popular history brings to life the most pivotal decade of the twentieth century As the Roaring Twenties wind down, Jean-Paul Sartre waits in a Paris café for a first date with Simone de Beauvoir, who never shows. Marlene Dietrich slips away from a loveless marriage to cruise the dive bars of Berlin. The fledgling writer Vladimir Nabokov places a freshly netted butterfly at the end of his wife’s bed. Hannah Arendt, Walter Benjamin, Zelda and Scott, Dalí and Gala, Picasso and his many muses, Henry and June and Anaïs Nin, the entire extended family of Thomas Mann, and a host of other fascinating and famous figures make art and love, write and row, bed and wed and betray. They do not yet know that they, along with millions of others, will soon be forced to contemplate flight—or fight—as the world careens from one global conflict to the next. |
| florian illies: Manufacturing Happy Citizens Edgar Cabanas, Eva Illouz, 2019-09-03 The imperative of happiness dictates the conduct and direction of our lives. There is no escape from the tyranny of positivity. But is happiness the supreme good that all of us should pursue? So says a new breed of so-called happiness experts, with positive psychologists, happiness economists and self-development gurus at the forefront. With the support of influential institutions and multinational corporations, these self-proclaimed experts now tell us what governmental policies to apply, what educational interventions to make and what changes we must undertake in order to lead more successful, more meaningful and healthier lives. With a healthy scepticism, this book documents the powerful social impact of the science and industry of happiness, arguing that the neoliberal alliance between psychologists, economists and self-development gurus has given rise to a new and oppressive form of government and control in which happiness has been woven into the very fabric of power. |
| florian illies: After the Wall Jana Hensel, 2008-03-04 Jana Hensel was thirteen on November 9, 1989, the night the Berlin Wall fell. In all the euphoria over German reunification, no one stopped to think what it would mean for Jana and her generation of East Germans. These were the kids of the seventies, who had grown up in the shadow of Communism with all its hokey comforts: the Young Pioneer youth groups, the cheerful Communist propaganda, and the comforting knowledge that they lived in a Germany unblemished by an ugly Nazi past and a callous capitalist future. Suddenly everything was gone. East Germany disappeared, swallowed up by the West, and in its place was everything Jana and her friends had coveted for so long: designer clothes, pop CDs, Hollywood movies, supermarkets, magazines. They snapped up every possible Western product and mannerism. They changed the way they talked, the way they walked, what they read, where they went. They cut off from their parents. They took English lessons, and opened bank accounts. Fifteen years later, they all have the right haircuts and drive the right cars, but who are they? Where are they going? In After the Wall, Jana Hensel tells the story of her confused generation of East Germans, who were forced to abandon their past and feel their way through a foreign landscape to an uncertain future. Now as they look back, they wonder whether the oppressive, yet comforting life of their childhood wasn't so bad after all. |
| florian illies: How Everything Can Collapse Pablo Servigne, Rapha¿l Stevens, 2020-06-02 What if our civilization were to collapse? Not many centuries into the future, but in our own lifetimes? Most people recognize that we face huge challenges today, from climate change and its potentially catastrophic consequences to a plethora of socio-political problems, but we find it hard to face up to the very real possibility that these crises could produce a collapse of our entire civilization. Yet we now have a great deal of evidence to suggest that we are up against growing systemic instabilities that pose a serious threat to the capacity of human populations to maintain themselves in a sustainable environment. In this important book, Pablo Servigne and Raphaël Stevens confront these issues head-on. They examine the scientific evidence and show how its findings, often presented in a detached and abstract way, are connected to people’s ordinary experiences – joining the dots, as it were, between the Anthropocene and our everyday lives. In so doing they provide a valuable guide that will help everyone make sense of the new and potentially catastrophic situation in which we now find ourselves. Today, utopia has changed sides: it is the utopians who believe that everything can continue as before, while realists put their energy into making a transition and building local resilience. Collapse is the horizon of our generation. But collapse is not the end – it’s the beginning of our future. We will reinvent new ways of living in the world and being attentive to ourselves, to other human beings and to all our fellow creatures. |
| florian illies: Failure Arjun Appadurai, Neta Alexander, 2019-11-04 Wall Street and Silicon Valley – the two worlds this book examines – promote the illusion that scarcity can and should be eliminated in the age of seamless “flow.” Instead, Appadurai and Alexander propose a theory of habitual and strategic failure by exploring debt, crisis, digital divides, and (dis)connectivity. Moving between the planned obsolescence and deliberate precariousness of digital technologies and the “too big to fail” logic of the Great Recession, they argue that the sense of failure is real in that it produces disappointment and pain. Yet, failure is not a self-evident quality of projects, institutions, technologies, or lives. It requires a new and urgent understanding of the conditions under which repeated breakdowns and collapses are quickly forgotten. By looking at such moments of forgetfulness, this highly original book offers a multilayered account of failure and a general theory of denial, memory, and nascent systems of control. |
| florian illies: Resonance Hartmut Rosa, 2021-01-26 The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities. |
| florian illies: Hammer Blows and Other Writings David Diop, 1973 |
| florian illies: Debating German Cultural Identity Since 1989 Kathleen James-Chakraborty, Linda Shortt, 2011 Interdisciplinary views of the debates over and transformation of German cultural identity since unification. The events of 1989 and German unification were seismic historical moments. Although 1989 appeared to signify a healing of the war-torn history of the twentieth century, unification posed the question of German cultural identity afresh. Politicians, historians, writers, filmmakers, architects, and the wider public engaged in memory contests over such questions as the legitimacy of alternative biographies, West German hegemony, and the normalization of German history. This dynamic, contested, and still ongoing transformation of German cultural identity is the topic of this volume of new essays by scholars from the United Kingdom, Germany, the United States, and Ireland. It exploresGerman cultural identity by way of a range of disciplines including history, film studies, architectural history, literary criticism, memory studies, and anthropology, avoiding a homogenized interpretation. Charting the complex and often contradictory processes of cultural identity formation, the volume reveals the varied responses that continue to accompany the project of unification. Contributors: Pertti Ahonen, Aleida Assmann, Elizabeth Boa, Peter Fritzsche, Anne Fuchs, Deniz Göktürk, Kathleen James-Chakraborty, Anja K. Johannsen, Jennifer A. Jordan, Jürgen Paul, Linda Shortt, Andrew J. Webber. Anne Fuchs is Professor of German Literature at the University of St.Andrews, Scotland. Kathleen James-Chakraborty is Professor of Art History at University College Dublin, Ireland. Linda Shortt is Lecturer in German at Bangor University, Wales. |
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| florian illies: Voices from the Front Peter Hart, 2015-08-27 Every man who served in the Great War is now deceased, but they have left behind them an enormous collection of oral history, which captures the authentic voices of the front line soldiers. In Voices from the Front, oral historian Peter Hart brings together accounts from across the conflict, from soldiers, sailors and airmen, from officers and privates alike. In the course of his research, he talked to men who saw their friends die in front of them, who were seriously wounded themselves, men who refused to fight on principle and those whose indomitable spirit carried them through thick and thin. Sometimes they were there at crucial turning points in the war - going over the top in the slaughter of the Somme in 1916 or punching through the German lines to victory in 1918 - and sometimes they sweated, toiled and suffered on a forgotten front, thousands of miles from home. In the vein of The Beauty and the Sorrow, this is the First World War seen through the eyes of the men who experienced it for themselves. |
| florian illies: Caspar David Friedrich Johannes Grave, 2017-11-07 Now available in a new format, this beautifully illustrated volume on the controversial nineteenth-century Romantic artist addresses his modern critics while deepening our appreciation for his singular genius. A painting must stand as a painting, made by human hand, wrote Caspar David Friedrich, not seek to disguise itself as Nature. One of his generation’s most popular painters, Friedrich imagined landscapes of powerful beauty and spirituality from within the confines of his studios. This breathtaking monograph, filled with glorious reproductions and details of his paintings, argues for Friedrich’s reputation as a sublime artist and interpreter of nature. In his thoughtful and well-researched commentary, author Johannes Grave explores Friedrich’s approach to landscape painting as well as his revolutionary thoughts about how these paintings should be received by their viewers. Looking closely at pieces such as Monk by the Sea, Abbey in the Oakwood, and the Tetschener Altar, Grave shows how Friedrich developed an innovative approach to landscape painting, one that communicated a new sense of space and time, and which draws the viewer into a unique aesthetic experience. Highly readable, insightful, and copiously illustrated, this compelling book sheds crucial light on Friedrich’s celebrated body of work. |
| florian illies: Writing the New Berlin Katharina Gerstenberger, 2008 |
| florian illies: Germans Going Global Anke S. Biendarra, 2012-10-30 Germans Going Global is the first monograph in English to address in depth the interrelatedness between contemporary German literature and globalization. In an interdisciplinary framework and through detailed readings of a wide variety of texts, the study shows how the challenges globalization has posed for Germany over the last two decades have been manifested and reimagined in aesthetic production. Analyses of the literary marketplace and public debates illuminate the more material sides of this development. The study also analyzes the ways in which German-language writers born between 1955 and 1975, such as Chr. Kracht, Th. Meinecke, J. Hermann, S. Berg, F. Illies, K. Röggla, J. v. Düffel, and G. Hens, respond to the pressures of globalizing factors, and how these have influenced notions of authorship and literary aesthetics. It shows how narratives dealing with the neoliberal work world, global travel, and the aftermath of 09/11 implicitly comment on contemporary debates on globalization, its socio-economic nature, and the impact for local culture. By presenting a literary history of the present, Germans Going Global deepens the reader’s understanding of contemporary Germany and its cultural production. |
| florian illies: Three Plays Heiner Müller, 2019-09-15 Despite being widely acknowledged as one of the most important German dramatists since Bertolt Brecht, Heiner Müller (1929-95) still remains relatively unknown in the English-speaking world. This collection of plays aims to change that, presenting new translations and opening up his work to a larger audience. Collected here are three of his plays--Philoctetes, The Horatian, and Mauser--whose poetic texts evidence the influence of Shakespeare, classical Greek tragedy, and avant-garde political theater on his works. Together they constitute what Müller called an experimental series, which both develops and critiques Brecht's theory of the Lehrstück, or learning play. Based on a tragedy by Sophocles, Philoctetes dramatizes the confrontation between politics, morality, and the desire for revenge. The Horatian uses an incident from ancient Rome as an example of ways of approaching the moral ambiguity of the past. Finally, Mauser, set during the Russian civil war, examines the nature and ethics of revolutionary violence. The plays are accompanied by supporting materials written by Müller himself, as well as an introduction by Uwe Schütte that contextualizes the plays and speaks of their continued relevance today. |
| florian illies: Algorithm Engineering and Experimentation Adam L. Buchsbaum, Jack Snoeyink, 2003-06-30 This book constitutes the thoroughly refereed post-proceedings of the Third International Workshop on Algorithm Engineering and Experimentation, ALENEX 2001, held in Washington, DC, USA in January 2001.The 15 revised full papers presented together with the abstracts of three invited presentations have gone through two rounds of reviewing and revision and were selected from 31 submissions. Among the topics addressed are heuristics for approximation, network optimization, TSP, randomization, sorting, information retrieval, graph computations, tree clustering, scheduling, network algorithms, point set computations, searching, and data mining. |
| florian illies: German Narratives of Belonging Linda Shortt, 2017-07-05 Since unification, German culture has experienced a boom in discourses on generation, family and place. Linda Shortt reads this as symptomatic of a wider quest for belonging that mobilises attachment to counter the effects of post-modern deterritorialisation and globalisation. Investigating twenty-first century narratives of belonging by Reinhard Jirgl, Christoph Hein, Angelika Overath, Florian Illies, Juli Zeh, Stephan Wackwitz, Uwe Timm and Peter Schneider, Shortt examines how the desire to belong is repeatedly unsettled by disturbances of lineage and tradition. In this way, she combines an analysis of supermodernity with an enquiry into German memory contests on the National Socialist era, 1968 and 1989 that continue to shape identity in the Berlin Republic. Exploring a spectrum of narratives that range from agitated disavowals of place to romances of belonging, this study illuminates the topography of belonging in contemporary Germany. |
| florian illies: To Obama Jeanne Marie Laskas, 2018-09-18 One of the most important politics books of the year, To Obama is a record of a time when politics intersected with empathy. 'The real story of Obama's America' Sunday Times Every day, President Obama received ten thousand letters from ordinary American citizens. Every night, he read ten of them before going to bed. In To Obama, Jeanne Marie Laskas interviews President Obama, the letter-writers themselves and the White House staff in the Office of Presidential Correspondence who were witness to the millions of pleas, rants, thank-yous and apologies that landed in the mailroom during the Obama years. At once desperate, joyful, hateful and despairing, they form an intimate portrait of one man's relationship with the American people, and of a time when empathy intersected with politics in the White House. |
| florian illies: Memories of 1968 Ingo Cornils, Sarah Waters, 2010 Some years figure more keenly in the collective memory than others. This volume explores how 1968 has come to be perceived in France, Germany, Italy, U.S., Mexico & China, & how various national preoccupations with order, political violence, individual freedom, youth culture & self-expression have been reflected. |
| florian illies: Caspar David Friedrich: The Soul of Nature Alison Hokanson , Joanna Sheers Seidenstein , 2025-02-03 Caspar David Friedrich (1774-1840) reimagined European landscape painting by portraying nature as a setting for profound spiritual and emotional encounters. Working in the vanguard of the German Romantic movement, which championed a radical new understanding of the bond between nature and the inner self, Friedrich developed pictorial subjects and strategies that emphasize the individuality, intimacy, open-endedness, and complexity of our responses to the natural world. The vision of the landscape that unfolds in his art--meditative, mysterious, and full of wonder--is still vital today. Presented in honor of the 250th anniversary of Friedrich's birth in 2024, Caspar David Friedrich: The Soul of Nature is the first comprehensive exhibition dedicated to the artist held in the United States. Organized in cooperation with the Alte Nationalgalerie of the Staatliche Museen zu Berlin, Staatliche Kunstsammlungen Dresden, and Hamburger Kunsthalle, with unprecedented loans from more than 30 lenders in Europe and North America, the exhibition will present approximately 75 works by Friedrich. Oil paintings, finished drawings, and working sketches from every phase of the artist's career, along with select examples by his contemporaries, will illuminate how Friedrich developed a symbolic vocabulary of landscape motifs to convey the personal and existential meanings that he discovered in nature. The exhibition will situate Friedrich's art within the tumultuous politics and vibrant culture of 19th-century German society and, by extension, highlight the role of German Romanticism in shaping modern perceptions of the natural world. |
| florian illies: Hazardous Future Isabel Capeloa Gil, Christoph Wulf, 2015-03-30 Since culture, the media and the arts deal with the perception and the processing of catastrophe, what kind of social knowledge does this process produce and how does it contribute to the sustainable development of societies? The book seeks to understand how societies and cultures deal with disaster and the rhetorical means they resort to in order to represent it. It is situated on the cusp between the response to natural catastrophe, the renewed awareness of human vulnerability in the face of environmental hazard and irresponsible policies and the social role of traditional knowledge and humanistic ideas for the preservation of human communities. It aims to be diverse, in disciplinary allegiance and cultural situation, and relevant, by bringing together articles by well-known scholars and policy makers to jointly discuss the possibilities of reframing hazard for the future, so that one may learn from restored behavior instead of repeating the mistakes of the past. |
| florian illies: Spanish Fiction in the Digital Age C. Henseler, 2011-10-24 This book applies theoretical models that reflect the mediated, hybrid, and nomadic global scenes within which GenX artists and writers live, think, and work. Henseler touches upon critical insights in comparative media studies, cultural studies, and social theory, and uses sidebars to travel along multiple voices, facts, figures, and faces. |
| florian illies: German Literature in the Age of Globalisation Stuart Taberner, 2004-11-01 Literary fiction in Germany has long been a medium for contemplation of the 'nation' and questions of national identity. From the mid-1990s, in the wake of heated debates on the future direction of culture, politics and society in a more 'normal', united country, German literature has become increasingly diverse and seemingly disparate - at the one extreme, it represents the attempt to 'reinvent' German traditions, at the other, the unmistakable influence of Anglo-American forms and pop literature. A shared concern of almost all of recent German fiction, however, is the contemporary debate on globalisation, its nature, impact and consequences for 'local culture'. In its engagement with globalisation the literature of the Berlin Republic continues the long-established practice of reflection on what it is to be 'German'. This book investigates literary responses to the phenomenon of globalisation. The subject is approached from a wide range of thematic and theoretical perspectives in twelve chapters which, taken together, also provide an overview of German fiction from the mid-1990s to the present. The book serves both as an introduction to contemporary German literature for university students of German and as a resource for scholars interested in culture and society in the Berlin Republic. |
| florian illies: German Pop Literature Margaret McCarthy, 2015-04-24 Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes bluntly derogatory reception in the press. Since then, less censorious scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. This volume draws on recent work and its attempts to define the genre, locate historical antecedents and assess pop’s ability to challenge the status quo. Significantly, it questions the ‘official story’ of pop literature by looking beyond Ralf Dieter Brinkmann’s works as origin to those of Jürgen Ploog, Jörg Fauser and Hadayatullah Hübsch. It also remedies the lack of attention to questions of gender in previous pop lit scholarship and demonstrates how the genre has evolved in the new millennium via expanded thematic concerns and new aesthetic approaches. Essays in the volume examine the writing of well-known, established pop authors – such as Christian Kracht, Andreas Neumeister, Joachim Lottman, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Sven Regener – as well as more recent works by Jana Hensel, Charlotte Roche, Kerstin Grether, Helene Hegemann and songwriter/poet PeterLicht. |
| florian illies: Transitions , 2016-08-29 This volume introduces ten emerging voices in German-language literature by women. Their texts speak to the diverse modalities of transition that characterise society and culture in the twenty-first century, such as the adaptation to evolving political and social conditions in a newly united Germany; globalisation, the dissolution of borders, and the changing face of Europe; dramatic shifts in the meaning of national, ethnic, sexual, gender, religious, and class identities; rapid technological advancement and the revolutionary power of new media, which in turn have radically altered the connections between public and private, personal and political. In their literature, the authors presented here reflect on the notion of transition and offer some unique interventions on its meaning in the contemporary era. |
| florian illies: Interwar Symphonies and the Imagination Emily MacGregor, 2023-01-26 Reveals how in the culturally volatile 1930s the symphony, long associated with ideas of selfhood, was a flourishing transnational phenomenon. |
| florian illies: Pushing at Boundaries , 2016-08-01 Pushing at Boundaries presents approaches to women writers who have recently had a big impact in shaping the contemporary literary field in Germany. The opening chapters offer the first extensive consideration of Karen Duve’s work, including an excerpt from her latest novel, the romance parody Die entführte Prinzessin, a fascinating commentary by her translator Anthea Bell, and essays on her acclaimed novel Regenroman, her subversive take on West German youth culture in the 1980s in Dies ist kein Liebeslied, and explorations of the witty echoes of fairy tales and myths in all her novels and stories. Other writers compared with Duve or discussed independently include Anne Duden, Jenny Erpenbeck, Julia Franck, Michael Fritz, Kerstin Hensel, Julia Schoch, Malin Schwerdtfeger, and Maike Wetzel. A final essay explores Berlin, as capital city and urban jungle, in recent novels by Sibylle Berg, Tanja Dückers, Alexa Hennig von Lange, Judith Hermann, Unda Hörner, Inka Parei, Kathrin Röggla, Antje Stelling, and Antje Rávic Strubel. Readers will find many cross-connections and contrasts reflecting the heterogeneous and often conflict-ridden culture in Germany today. Topics include the subversion of gender stereotypes; the merging of 'high' and 'low' culture; the invasion of cultivated spheres by 'wild' nature; post-Wende border crossings between East and West; and the highly charged relationship between lust and disgust. |
| florian illies: Easier Fatherland Steve Crawshaw, 2004-01-06 Germany is the most important and powerful country in Europe. And yet it remains strangely little understood - by itself, as much as by the rest of the world. It is in a state of remarkable flux, confronting the demons of the past, whilst also seeking to make the West and the East into one country - a much greater challenge than it seemed. The coming enlargement of the European Union, which will bring much of formerly communist Eastern Europe into the EU, will make Germany more pivotal than ever. So what makes this country tick? For decades after the Second World War, the country remained strongly polluted by the Nazi legacy; there was little attempt to confront the past. For today's younger generation, by contrast, Nazism was a weird aberration that they themselves have difficulty in understanding. The book will explore those changes, and how German society itself is still in the midst of enormous change. The story takes us through three periods: Before the Poison (pre-1933), The Poison (1933-45) and - the heart of the book - the period of Coming to Terms, and the changes that this period has brought to the shape of the country. The coming to terms with the past overlaps, from 1990 onwards, with the East-West story, where mutual misunderstanding has been rife. |
| florian illies: Pop Culture Germany! Catherine C. Fraser, Dierk O. Hoffman, 2006-09-25 From the reality TV show Superstar to Formula One ace Michael Schumacher, Pop Culture Germany! explores the exciting world of contemporary German popular culture. Like no other volume of its kind, Pop Culture Germany! captures the breadth and vitality of popular culture in modern Germany, exploring both familiar and lesser-known aspects of German art, entertainment, television, music, and film. Written by expert contributors who are rooted in German language and culture, the book focuses on German popular culture since 1945, providing an indispensable guide for anyone planning a trip to Germany for business or pleasure or for those who wish to have a deeper understanding of the German nation. This book offers a concise, in-depth overview of the evolution and impact of German media, arts, lifestyles, and recreation, written with a historical perspective. |
| florian illies: Processes of Transposition , 2015-06-29 The essays collected in this book focus on the multi-faceted relationship between German/Austrian literature and the cinema screen. Scholars from Ireland, Great Britain, Germany, Switzerland, Luxembourg, Portugal, USA and Canada present critical readings of a wide range of transpositions of German-language texts to film, while also considering the impact of cinema on German literature, exploring intertextualities as well as intermedialities. The forum of discussion thus created encompasses cinematic narratives based on Goethe’s Faust, Kleist’s Marquise of O..., Kubrick’s film version of Schnitzler’s Dream Story and Caroline Link’s Oscar-winning adaptation of Stefanie Zweig’s novel Nowhere in Africa. The wide-ranging analyses of the complex interaction between literature and film presented here focus on literary works by Anna Seghers, Hans-Magnus Enzensberger, Nicola Rhon, Günter Grass, Heinrich Böll, Elfriede Jelinek, Rolf Dieter Brinkmann, Erich Hackl, Thomas Brussig, Sven Regener, Frank Goosen and Robert Schneider, as well as on adaptations by filmmakers such as Friedrich Wilhelm Murnau, Max Mack, Josef von Sternberg, Max W. Kimmich, Fred Zinnemann, Paul Wegener, Alexander Kluge, Volker Schlöndorff, Hansjürgen Pohland, Hendrik Handloegten, Michael Haneke, Christoph Stark, Karin Brandauer, Joseph Vilsmaier, Leander Haußmann and Doris Dörrie. |
| florian illies: Ossi Wessi Donald Backman, Aida Sakalauskaite, 2009-10-02 Ossi Wessi includes the proceedings of the fourteenth annual Interdisciplinary German Studies Conference at the University of California, Berkeley (2006), which explored issues surrounding the Berlin Wall, both pre- and post-reunification, in language, literature, and visual media. The collected articles discuss the situation of the Berlin Wall, describing its portrayal as both a dividing and uniting boundary, and often discussing the continued existence of the Wall in the minds of Germany’s citizens. The multi-disciplinary range of approaches contained in this volume reveals how diverse the portrayals of the history of the Wall have been, as well as how controversial the division of Germany remains today. Topics covered in this collection include Wende Literature and film, linguistic changes and attitudes since 1989, the complicated history of the Neo-Nazis, and the visual arts. Although Ossi Wessi is by no means a comprehensive reference work, each of its essays serve as a though provoking springboard for further research. |
| florian illies: Screening Nostalgia Alexandra Ludewig, 2014-03-15 The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre – which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public – would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat. |
| florian illies: Novels of Turkish German Settlement Tom Cheesman, 2007 Tom Cheesman focuses on Turkish German writers' perspectives on cosmopolitan ideals and aspirations, ranging from glib affirmation to cynical transgression and melancholy nihilism. |
| florian illies: TV Shows and Nonplace Alexander Gutzmer, 2023-08-30 This book scrutinizes the relationship between contemporary TV shows and space, focusing on the ways in which these shows use and narrate specific spatial structures, namely, spaces far away from traditional metropolises. Beginning with the observation that many shows are set in specific spatial settings, referred to in the book as “nonplace territories” – e.g., North Jersey, New Mexico, or rural and suburban Western Germany – the author argues that the link between such nonplace territories and shows such as The Sopranos, Breaking Bad, or Dark is so intense because the narrative structure functions similarly to these territories: flat, decentralized, without any sense of structure or stable hierarchy. The book takes three different perspectives: first, it looks at the rationale for combining TV shows and nonplace territories from the viewpoint of narrative strategy. It then thinks through what these strategies mean for practicing architects. Finally, it approaches the arguments made before from a “user” perspective: what does this narrative mirroring of social-spatial reality in places such as Albuquerque or Jersey City mean for people living in these places? This new approach to architecture and space on screen will interest scholars and students of television studies, screen architecture, media and architectural theory, and popular culture. |
Florian Illies - Wikipedia
As a writer, Illies is known for his bestsellers Generation Golf (2000) and 1913: The Year Before the Storm (2012). The latter book has been translated into two dozen languages. [1] Illies' …
Love in a Time of Hate: Art and Passion in the Shadow of War…
Sep 19, 2023 · Illies vividly captures his subjects’ disorientation, dizziness, fear, and desperation. . . . A dramatic, richly detailed cultural history.” ― Kirkus Reviews “Florian Illies has pieced …
Florian Illies – Wenn die Sonne untergeht
Ein Ort, eine Familie, drei Monate bei dreißig Grad – Florian Illies erzählt von der Trauer um den Verlust der Heimat und des Besitzes, der Angst vor den Plünderungen der Nazis, von …
Florian Illies (Author of 1913) - Goodreads
May 4, 1971 · Author Florian Illies has worked as culture editor for major German newspapers and magazines, and is a co-founder of "Monopol" a magazine for art, literature and …
Florian Illies - Profile Books
Florian Illies was born in 1971. He has worked as literary editor for major German newspapers and magazines, and co-founded art magazine Monopol. His previous four books have sold …
Florian Illies - Wikipedia
As a writer, Illies is known for his bestsellers Generation Golf (2000) and 1913: The Year Before the Storm (2012). The latter book has been translated into two dozen languages. [1] Illies' …
Love in a Time of Hate: Art and Passion in the Shadow of War: Illies ...
Sep 19, 2023 · Illies vividly captures his subjects’ disorientation, dizziness, fear, and desperation. . . . A dramatic, richly detailed cultural history.” ― Kirkus Reviews “Florian Illies has pieced …
Florian Illies – Wenn die Sonne untergeht
Ein Ort, eine Familie, drei Monate bei dreißig Grad – Florian Illies erzählt von der Trauer um den Verlust der Heimat und des Besitzes, der Angst vor den Plünderungen der Nazis, von …
Florian Illies (Author of 1913) - Goodreads
May 4, 1971 · Author Florian Illies has worked as culture editor for major German newspapers and magazines, and is a co-founder of "Monopol" a magazine for art, literature and lifestyle. …
Florian Illies - Profile Books
Florian Illies was born in 1971. He has worked as literary editor for major German newspapers and magazines, and co-founded art magazine Monopol. His previous four books have sold …
Florian Illies - TIME
Sep 22, 2023 · Florian Illies. Illies is a writer, editor, and art historian who is the author of five international bestsellers, including 1913: The Year Before the Storm.
Florian Illies | Autoren | ZEIT ONLINE
Jun 6, 2025 · With the global rise of the far-right, Germans are afraid that the past is about to repeat itself. German writer Florian Illies explains the trap about such analogies.
Florian Illies | Home
Florian Illies ist eine der prägendsten Stimmen der deutschen Kulturlandschaft – als Autor, Publizist und Kreativunternehmer. Nach seinem Erfolg mit Generation Golf prägte er als …
Florian Illies | SIAF
Mar 18, 2024 · Illies, born in 1971, studied art history in Bonn and Oxford. He was head of the features section of the "Frankfurter Allgemeine Sonntagszeitung", managed the Grisebach …
Florian Illies – Wikipedia
Florian Illies bei einem Vortrag in der Pinakothek der Moderne (2022) Florian Illies (* 4. Mai 1971 in Schlitz) ist ein deutscher Autor, Journalist, Kunsthistoriker und Kurator.
