Ferdinand Oyono

  ferdinand oyono: The Old Man and the Medal Ferdinand Oyono, 2013-08-13 Writing in French in the 1950s, Ferdinand Léopold Oyono (1929–2010) had only a brief literary career, but his anticolonialist novels are considered classics of twentieth-century African literature. Like Oyono’s Houseboy, also available from Waveland Press, this novel fiercely satirizes the false pretenses of European colonial rule in Africa. Meka, a village elder, has always been loyal to the white man. It is with pride that he first hears he is to receive a medal. While waiting for the ceremony, however, Meka’s pride gives way to skepticism. At the same time, his wife has realized that the medal is being given to her husband as compensation for the sacrifices they have made. The events following the ceremony confirm Meka’s new estimation of the white man. Both subtle and oftentimes humorous, this beautifully told story lays bare the hollowness of the mission in Africa. It fuels opportunities for discussing colonial politics around class and race as well as for exploring indigenous Cameroon life and values.
  ferdinand oyono: Houseboy Ferdinand Oyono, 1990 Written in the form of a diary, kept by the Cameroonian houseboy Toundi, this book looks at Toundi's innocence and his awe of the white world of his masters.
  ferdinand oyono: Road to Europe Ferdinand Oyono, 1989 First published in French in 1960, this novel is the story of Aki Barnabas, a young Cameroonian scholar who seeks to become someone by using the rules of the colonial system to his personal advantage.
  ferdinand oyono: Le Blanc du Noir Susanne Gehrmann, János Riesz, 2004
  ferdinand oyono: Postcolonial African Writers Siga Fatima Jagne, Pushpa Naidu Parekh, 2012-11-12 This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's work, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many different perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature.
  ferdinand oyono: European-language Writing in Sub-Saharan Africa Albert S. Gérard, 1986
  ferdinand oyono: Theories of Africans Christopher L. Miller, 1990 Situating literature and anthropology in mutual interrogation, Miller's...book actually performs what so many of us only call for. Nowhere have all the crucial issues been brought together with the sort of critical sophistication it displays.—Henry Louis Gates, Jr. . . . a superb cross-disciplinary analysis.—Y. Mudimbe
  ferdinand oyono: Thermodynamic Properties of Nitrogen Vi︠a︡cheslav Vladimirovich Sychev, 1987
  ferdinand oyono: An Introduction to the African Prose Narrative Lokangaka Losambe, 2004 This collection of essays introduces students of African literature to the heritage of the African prose narrative, starting from its oral base and covering its linguistic and cultural diversity. The book brings together essays on both the classics and the relatively new works in all subgenres of the African prose narrative, including the traditional epic, the novel, the short story and the autobiography. The chapters are arranged according to the respective thematic paradigms under which the discussed works fall.
  ferdinand oyono: Dictionary of African Biography Emmanuel Kwaku Akyeampong, Professor Henry Louis Gates, Jr., 2012-02-02 From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
  ferdinand oyono: The Undergraduate's Companion to African Writers and Their Web Sites Miriam E. Conteh-Morgan, 2005-10-30 Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced into the curriculum of institutions of higher learning in the United States in the 1960s, when the Black Consciousness movement in the United States and the Cold War and decolonization movements in Africa created a need for the systematic study of other regions of the world. Between 1986 and 1991, three Africans won Nobel literature prizes: Soyinka, Mahfouz, and Gordimer, and the visibility of African writers increased. They are now a firmly established part of world literature courses in many general education curricula throughout North America. African Writers is meant to serve as a resource for introductory material on 300 writers from 39 countries. These writers were selected on the basis on two criteria: that there is material on them in an easily available reference work; and that there is some information of research value on free Web sites. Each writer is from the late-19th or 20th century, with the notable exception of Olaudah Equiano, an 18th-century African whose slave narrative is generally considered the first work of African literature. All entries are annotated.
  ferdinand oyono: Research in African Literatures , 2003 Vol. 1- , spring 1970- , include A Bibliography of American doctoral dissertations on African literature, compiled by Nancy J. Schmidt.
  ferdinand oyono: Black France Dominic Thomas, 2006-11-20 [W]ithout a doubt one of the most important studies so far completed on literature in French grounded in the experiences of migrants of sub-Saharan African origin. -- Alec Hargreaves, Florida State University France has always hosted a rich and vibrant black presence within its borders. But recent violent events have raised questions about France's treatment of ethnic minorities. Challenging the identity politics that have set immigrants against the mainstream, Black France explores how black expressive culture has been reformulated as global culture in the multicultural and multinational spaces of France. Thomas brings forward questions such as -- Why is France a privileged site of civilization? Who is French? Who is an immigrant? Who controls the networks of production? Black France poses an urgently needed reassessment of the French colonial legacy.
  ferdinand oyono: Ferdinand Oyono Ferdinand Oyono, 1964
  ferdinand oyono: Oyono Patrick Corcoran, 2003
  ferdinand oyono: African Novels in the Classroom Margaret Jean Hay, 2000 Many teachers of African studies have found novels to be effective assignments in courses. In this guide, teachers describe their favourite African novels - drawn from all over the continent - and share their experiences of using them in the classroom.
  ferdinand oyono: Francophone Literatures M. H. Offord, 2001 Unique in its analysis both of literary and linguistic techniques, this text draws together extracts from novels written in French by writers from Francophone areas outside Europe, including North Africa, Black Africa, the Caribbean and North America.
  ferdinand oyono: Les etudiants africains et la litterature negro-africaine d'expression francaise Amady Aly Dieng, 2009 It is more than forty seven years ago that the Federation of black African students in France (FEANF) organised its first seminar in Paris on the relationship between black African literature and politics. The significance of the event came from the fact that literature served as a vehicle for unmasking traitors in Africa. This was also an opportunity for African students to define the role of literature in political struggles and to appreciate correctly and objectively the commitments of African writers in French. At no time was it a question of over emphasising the importance of this type of work in relation to the immense political challenges in the liberation struggle of African countries. Despite their ideological, religious and philosophical differences, African intellectuals were all committed to African independence and unity, and the need for a critical appraisal of the contribution of African literature in this regard. Participants at this seminar accomplished this task in serenity and with much lucidity. The young generation of pupils and students have the right to know the opinions of their elders who took part, in various degrees and for various reasons, in the struggles for independence on the African continent.
  ferdinand oyono: Analysis and Assessment, 1980-1994 Cary D. Wintz, 1996 Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
  ferdinand oyono: Gender in African Women's Writing Juliana Makuchi Nfah-Abbenyi, 1997-12-22 This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . —Multicultural Review This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography. —Choice . . . a college-level analysis which will appeal to any interested in African studies and literature. —The Bookwatch This book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.
  ferdinand oyono: French Food Lawrence R. Schehr, Allen S. Weiss, 2013-05-13 More than a book about food alone, French Food uses diet as a window into issues of nationality, literature, and culture in France and abroad. Outstanding contributors from cultural studies, literary criticism, performance studies, and the emerging field of food studies explore a wide range of food matters.
  ferdinand oyono: Conflict and the black servant in Oyono's "Houseboy" and Gordimer's "July's People" Wazha Lopang, 2015-12-01 Scientific Essay from the year 2015 in the subject Literature - Africa, University of Botswana, language: English, abstract: This study intends to compare the portrayal of conflict in Ferdinand Oyono’s „Houseboy“ and Nadine Gordimer’s „July’s People“. Specifically, it looks at how the black servant is forced to balance the loyalty he has for the white employer and for his African roots. The analysis of „Houseboy“ will focus on how conflict is represented between whites and blacks, how it can satirically have a positive influence on others and lastly, how conflict among the blacks can be very destructive. „Houseboy“ shows how conflict can be prompted by stereotypes; how it can be a shield from other pressing concerns and even how conflict itself can provide an outlet for humour. The analysis of „July’s People“ will on the other hand focus on how people can live together under pretences that they are at peace with one another when in actual fact they are not; how the black servant can be in conflict with people of other races or their traditions as well as how that servant can be in conflict with fate or destiny. In conclusion it will be shown how „Houseboy“ is more explicit in portraying conflict than „July’s People“ due to the events that happened in the two texts. An argument can be made therefore if conflict experienced by black servants during the colonial period was more in the open as opposed to that of apartheid South Africa.
  ferdinand oyono: Autobiography as a Writing Strategy in Postcolonial Literature Benaouda Lebdai, 2015-02-05 Autobiography, a fully-recognised genre within mainstream literature today, has evolved massively in the last few decades, particularly through colonial and postcolonial texts. By using autobiography as a means of expression, many postcolonial writers were able to describe their experiences in the face of the denial of personal expression for centuries. This book is centred around the recounting and analysis of such a phenomenon. Literary purists often reject autobiography as a fully-fledged literary genre, perceiving it rather as a mere life report or a descriptive diary. The colonial and postcolonial autobiographical texts analysed in this book refute such perceptions, and demonstrate a subtle combination of literary qualities and the recounting of real-life experiences. This book demonstrates that colonial and postcolonial autobiographical texts have established their ‘literarity’. The need for postcolonial authors to express themselves through the ‘I’ and the ‘me’, as subjects and not as objects, is the essence of this book, and confirms that self-affirmation through autobiographical writing is indeed an art form.
  ferdinand oyono: Area Handbook for the United Republic of Cameroon Harold D. Nelson, 1974 General study of Cameroon - covers historical and geographical aspects, demographic aspects and social structures, ethnic groups, languages, living conditions, health, education, culture, the political system, administration of justice, political partys, international relations, communication, the economic structure, public finance, banking, agriculture, industry, trade, transport, defence, etc. Bibliography pp. 299 to 318, maps and statistical tables.
  ferdinand oyono: Stolen Limelight Margaret E. Gray, 2022-05-15 Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.
  ferdinand oyono: Christianity and the African Counter-Discourse in Achebe and Beti Ali Yiğit, 2024-05-15 Christianity and the African Counter-Discourse in Achebe and Beti: Cultures in Dialogue, Contest and Conflict intervenes, in light of African literary products, the history of Christianity in Africa in late 19th and early 20th centuries, goes beyond the existing clichés about the operations of the European Christian missionaries whether Protestant or Catholic in Africa, and opens alternative ways to read the chain of missionary-native African, and missionary-European colonists relationships. Christian missionaries did not come to Africa for: their own interests, the Christianization of Africa, European colonial projects, the interests of Africans, the establishment of European civilization in Africa, but came for all. Once, there was a dialogue between the Christian missionaries and pagan Africans which was in time replaced by contest for superiority, and finally by conflict. Accordingly, the countenance of the continent has changed forever.
  ferdinand oyono: The Rest Write Back: Discourse and Decolonization , 2019-06-17 In The Rest Write Back: Discourse and Decolonization, Esmaeil Zeiny brings together a collection of essays that interrogate the colonial legacies, the contemporary power structure and the geopolitics of knowledge production. The scholars in this collection illustrate how the writing-back paradigm engages in a conversation and paves the way for a “dialogical and pluri-versal” world where the Rest is no longer excluded. Among the important features of this book is that it presents ways for “decoloniality” and “epistemic disobedience.” This book will be of interest to scholars and students of all Social Science and Humanities disciplines but it is particularly important for those in the disciplines of sociology, postcolonial studies, cultural studies, literature, and theory and philosophy of Social Sciences and Humanities. Contributors include: Dustin J. Byrd, Ciarunji Chesaina, Hiba Ghanem, Mladjo Ivanovic, Masumi Hashimoto Odari, Arjuna Parakrama, JM. Persánch, Andrew Ridgeway, Rudolf J. Siebert, and Esmaeil Zeiny.
  ferdinand oyono: Immigration et francographie Germain Eba'a, Jean-Marcel Essiene, 2019 Si la francographie se veut un espace d'affirmation de soi, elle se doit, en même temps, d'être un Lieu de la négation réductrice des altérités. Dans ces conditions, archipelité et insularité devraient rimer avec pluralité et hybridité; mais aussi tendre à résonner avec solidarité, multiculturalité et bibliodiversité. Dans notre monde archipélique, l'enracinement culturel est un impératif catégorique de survie des îles et îlots et des femmes et hommes qui les peuplent. Sans doute plus que jamais dans l'histoire de l'humanité, l'identité n'est plus un obstacle à la communication : elle en est devenue la condition même. L'angle des débats dans cet ouvrage recoupe donc les référents que sont l'immigration et la francographie sous Le double prisme de bilan et perspective. Ces référents trahissent une assise plus étendue. Ils sont représentatifs du contexte à la fois, littéraire, linguistique et identitaire. Il s'agit en réalité de la dimension socioculturelle des mutations humaines en rapport avec les espaces et les langues en francophonie.--Page 4 de la couverture.
  ferdinand oyono: Their Champagne Party Will End! Poems in Honor of Bate Besong Joyce Ashuntantang, Dibussi Tande, 2008-03-15 Bate Besong was Cameroons most vocal and controversial poet, playwright and scholar, who died in March 2007.
  ferdinand oyono: Traces de spiritualité chrétienne en littérature de jeunesse Danièle Henky, Robert Hurley, 2009 Au XXe siècle, la société occidentale s'est progressivement laïcisée et sa culture semble aujourd'hui affranchie de l'influence du christianisme. Pourtant dès qu'on examine avec acuité les productions artistiques actuelles, on y rencontre de nombreux vestiges de la spiritualité chrétienne. Ainsi en littérature, par le biais de thématiques ou de personnages emblématiques, les marques de la tradition judéo-chrétienne sont aisément décelables. L'analyse de nombreuses productions francophones destinées à la jeunesse, qu'il s'agisse d'abécédaires, d'albums, de romans, ou encore de films a permis aux auteurs critiques de cet ouvrage collectif d'observer dans l'intrigue, par l'intermédiaire du comportement des héros ou de la mise en place du cadre spatio temporel, les différentes manifestations de cette culture judéo chrétienne et les effets produits sur le lecteur. Réunissant littéraires et théologiens, ce travail s'est avéré fécond et novateur en ce sens qu'il ouvre un chemin encore peu emprunté dans le champ de la critique contemporaine.
  ferdinand oyono: Towards an African Narrative Theology Joseph Healey, 1996 Reflects what traditional proverbs used in Christian catechetical, liturgical, and ritual contexts reveal about Tanzanian appropriations of and interpretations of Christianity.
  ferdinand oyono: Francophone Post-colonial Cultures Kamal Salhi, 2003-01-01 A collection of discussions of literary texts from areas as diverse as Europe and North Africa, the Caribbean and South Asia, regions of the world that seem to have only their language in common. But despite enormous differences among all the countries where French is spoken, Francophone literatures tend to deal with a smiliar spread of issues. This volume positions the study of the Francophone world and its cultures as a comparative project, in which post-colonial Francophone cultures and the specific alterity of these cultures emerge as inextricable from and essential to an understanding of modern France. The volume is organized by region, with an international roster of contributions, and includes summaries of selected creative and critical works and a guide to selected terms and figures.
  ferdinand oyono: Multiculturalism & Hybridity in African Literatures African Literature Association. Meeting, 2000 This volume of essays covers all phases and geographical areas of African literature, including lesser known areas such as oral literature, literature written in African languages and Lusophone literature. Also included are articles on Caribbean literature, developments in South African theatre, and two articles on African film. Several writers receive special attention: Chinua Achebe, Maryse Conde, Wole Soyinka, Niyi Osundare, Ngugi wa Thiong'o and Hampate Ba. Also included are the key-note addresses by Achebe, Conde and Osundare.
  ferdinand oyono: Cultural Legacies of Slavery in Modern Spain Akiko Tsuchiya, Aurélie Vialette, 2025-01-01 This groundbreaking volume explores how culture produced in Spain, from the nineteenth century to the present, both reflects and shapes ways of understanding the history and heritage of a nation sustained by colonialism and slavery. Akiko Tsuchiya and Aurélie Vialette bring together an outstanding group of scholars, artists, cultural producers, and activists in a range of fields—from history to literary studies, anthropology to journalism, and flamenco to film. Drawing on interdisciplinary and comparative methodologies, contributors address the legacies of slavery in the archive; in cultural memory sites; and in literature, music, and visual arts. How, they ask, do different cultural forms and institutions represent and reckon with this past and push for justice in the face of persistent racial discrimination? In its focus on collective memory and the cultural afterlives of slavery and antislavery, Cultural Legacies of Slavery in Modern Spain will appeal not only to Iberian and Latin American specialists but also readers across Afro-Hispanic, postcolonial, transatlantic, and critical race studies.
  ferdinand oyono: The Crisis , 1960-11 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
  ferdinand oyono: Africa Toyin Falola, Daniel Jean-Jacques, 2015-12-14 These volumes offer a one-stop resource for researching the lives, customs, and cultures of Africa's nations and peoples. Unparalleled in its coverage of contemporary customs in all of Africa, this multivolume set is perfect for both high school and public library shelves. The three-volume encyclopedia will provide readers with an overview of contemporary customs and life in North Africa and sub-Saharan Africa through discussions of key concepts and topics that touch everyday life among the nations' peoples. While this encyclopedia places emphasis on the customs and cultural practices of each state, history, politics, and economics are also addressed. Because entries average 14,000 to 15,000 words each, contributors are able to expound more extensively on each country than in similar encyclopedic works with shorter entries. As a result, readers will gain a more complete understanding of what life is like in Africa's 54 nations and territories, and will be better able to draw cross-cultural comparisons based on their reading.
  ferdinand oyono: Black African Literature in English, 1997-1999 Bernth Lindfors, 2003 This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
  ferdinand oyono: Of Chameleons and Gods Jack Mapanje, 1991 A volume of poetry written by a Malawi prisoner of conscience during his ten-year imprisonment.
  ferdinand oyono: The Crisis , 1956-10 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
  ferdinand oyono: The African Quest for Freedom and Identity Richard Bjornson, 1991-03-22 Independence generated the promise of a better future for the ethnically diverse populations of African countries, but during the past thirty years economic and political crises have called into question the legitimacy of speaking about nationhood in Africa. Richard Bjornson argues here that a national consciousness can indeed be seen in the shared systems of references made possible by the emergence of literate cultures. By tracing the evolution of literate culture in Cameroon from the colonial period to the present and by examining a broad spectrum of writing in its social, political, economic, and cultural contexts, Bjornson shows how the concepts of freedom and identity have become the dominant concerns of the country's writers, and he relates those themes to the history of Cameroon's as a complex modern state. Bjornson also analyzes in detail works by writers such as Mongo Beti, Ferdinand Oyono, Marcien Towa, Guillaume Oyono-Mbia, René Philombe, and Francis Bebey.
Ferdinand (film) - Wikipedia
Ferdinand is a 2017 American animated comedy film. Loosely based on Munro Leaf and Robert Lawson's 1936 children's book The Story of Ferdinand, the film was written by Robert L. Baird, …

Ferdinand (2017) - IMDb
Ferdinand: Directed by Carlos Saldanha. With Jack Gore, Jet Jurgensmeyer, Nile Diaz, Colin H. Murphy. After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is …

Ferdinand (film) | Ferdinand Wiki - Fandom
FERDINAND tells the story of a giant bull with a big heart. After being mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a …

Ferdinand - Disney Movies
Dec 15, 2017 · Ferdinand (John Cena) is a giant bull with a big heart. After being mistaken for a dangerous beast and torn from his home, he rallies a misfit team of friends for the ultimate …

Ferdinand streaming: where to watch movie online? - JustWatch
Currently you are able to watch "Ferdinand" streaming on Disney Plus, fuboTV, Freeform. It is also possible to buy "Ferdinand" on Fandango At Home, Amazon Video, Apple TV, Microsoft …

Watch Ferdinand - Netflix
Taken for a fierce fighter, a giant yet gentle bull returns to his old ranch and tries to dodge the bullring with the help of his misfit friends. Watch trailers & learn more.

Ferdinand (2017) — The Movie Database (TMDB)
Dec 15, 2017 · As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the "biggest, fastest, roughest bull" for the bullfights in Madrid and …

Ferdinand I | Holy Roman Emperor, King of Bohemia & Hungary
Ferdinand I was the Holy Roman emperor (1558–64) and king of Bohemia and Hungary from 1526, who, with his Peace of Augsburg (1555), concluded the era of religious strife in …

Watch Ferdinand - Disney+
From the creators of Ice Age and Rio comes a truly love-a-bull family comedy about Ferdinand, a giant bull with a big heart. After being mistaken for a dangerous beast and torn from his home, …

Ferdinand - Wikipedia
Ferdinand is a Germanic name composed of the elements farð "journey, travel", Proto-Germanic *farthi, abstract noun from root *far-"to fare, travel" (PIE *par, "to lead, pass over"), and nanth …

Ferdinand (film) - Wikipedia
Ferdinand is a 2017 American animated comedy film. Loosely based on Munro Leaf and Robert Lawson's 1936 children's book The Story of Ferdinand, the film was written by Robert L. Baird, Tim Federle, and Brad …

Ferdinand (2017) - IMDb
Ferdinand: Directed by Carlos Saldanha. With Jack Gore, Jet Jurgensmeyer, Nile Diaz, Colin H. Murphy. After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home.

Ferdinand (film) | Ferdinand Wiki - Fandom
FERDINAND tells the story of a giant bull with a big heart. After being mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure. Set …

Ferdinand - Disney Movies
Dec 15, 2017 · Ferdinand (John Cena) is a giant bull with a big heart. After being mistaken for a dangerous beast and torn from his home, he rallies a misfit team of friends for the ultimate adventure to return to his family.

Ferdinand streaming: where to watch movie online? - JustWatch
Currently you are able to watch "Ferdinand" streaming on Disney Plus, fuboTV, Freeform. It is also possible to buy "Ferdinand" on Fandango At Home, Amazon Video, Apple TV, Microsoft Store as download or rent it on …