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| fear and trembling text: Fear and Trembling Soren Kierkegaard, 2013-01-18 In our time nobody is content to stop with faith but wants to go further. It would perhaps be rash to ask where these people are going, but it is surely a sign of breeding and culture for me to assume that everybody has faith, for otherwise it would be queer for them to be . . . going further. In those old days it was different, then faith was a task for a whole lifetime, because it was assumed that dexterity in faith is not acquired in a few days or weeks. When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that fear and trembling which chastened the youth, which the man indeed held in check, but which no man quite outgrows. . . except as he might succeed at the earliest opportunity in going further. Where these revered figures arrived, that is the point where everybody in our day begins to go further. |
| fear and trembling text: Kierkegaard's 'Fear and Trembling' Clare Carlisle, 2010-09-02 A concise and accessible introduction, this Reader's Guide takes students through Kierkegaard's most important work and a key nineteenth century philosophical text. |
| fear and trembling text: Fear and Trembling: A New Translation Søren Kierkegaard, 2021-11-30 This newly translated Fear and Trembling, a foundational document of modern philosophy and existentialism, could not be more apt for our perilous times. First published in 1843 under the pseudonym Johannes de silentio (“John of Silence”), Søren Kierkegaard’s richly resonant Fear and Trembling has for generations stood as a pivotal text in the history of moral philosophy, inspiring such artistic and philosophical luminaries as Edvard Munch, W. H. Auden, Walter Benjamin, and existentialist Jean-Paul Sartre. Now, in our era of immense uncertainty, renowned Kierkegaard scholar Bruce H. Kirmmse eloquently brings this classic work to a new generation of readers. Retelling the biblical story of the binding of Isaac, Fear and Trembling expounds on the ordeal of Abraham, who was commanded by God to sacrifice his own son in an exceptional test of faith. Disgusted at the self-certainty of his own age, Kierkegaard investigates the paradox underlying Abraham’s decision to allow his duty to God to take precedence over his duties to his family. As Kierkegaard’s narrator explains, the story presents a difficulty that is not often considered—namely, that after the ordeal is over and Isaac has been spared at the last moment, Abraham is capable of receiving him again and living normally, even joyfully, for the rest of his days. Almost inexplicably, “Abraham had faith and did not doubt.” Deftly tracing the autobiographical threads that run throughout the work, Kirmmse initially, in his lucid and engaging introduction, demystifies Kierkegaard’s fictive narrator, Johannes de silentio, drawing parallels between Abraham’s willingness to sacrifice his son and the author’s personal “sacrifices.” Ultimately, however, Kirmmse reveals Fear and Trembling as a fiercely polemical volume, designed to provoke the reader into considering what is actually meant by the word “faith,” and whether those who consider themselves “true believers” actually are. With a vibrancy almost never before seen in English, and “a matchless grasp of the intricacies of Kierkegaard’s writing process” (Gordon Marino), Kirmmse here definitively demonstrates Kierkegaard’s enduring power to illuminate the terrible wonder of faith. |
| fear and trembling text: Kierkegaard on Faith and Love Sharon Krishek, 2009-07-23 Kierkegaard's writings are interspersed with remarkable stories of love, commonly understood as a literary device that illustrates the problematic nature of aesthetic and ethical forms of life, and the contrasting desirability of the life of faith. Sharon Krishek argues that for Kierkegaard the connection between love and faith is far from being merely illustrative. Rather, love and faith have a common structure, and are involved with one another in a way that makes it impossible to love well without faith. Remarkably, this applies to romantic love no less than to neighbourly love. Krishek's original and compelling interpretation of the Works of Love in the light of Kierkegaard's famous analysis of the paradoxicality of faith in Fear and Trembling shows that preferential love, and in particular romantic love, plays a much more important and positive role in his thinking than has usually been assumed. |
| fear and trembling text: Fear and Trembling and the Sickness Unto Death Søren Kierkegaard, Gordon Marino, 2013-04-28 Walter Lowrie's classic, bestselling translation of Søren Kierkegaard's most important and popular books remains unmatched for its readability and literary quality. Fear and Trembling and The Sickness Unto Death established Kierkegaard as the father of existentialism and have come to define his contribution to philosophy. Lowrie's translation, first published in 1941 and later revised, was the first in English, and it has introduced hundreds of thousands of readers to Kierkegaard's thought. Kierkegaard counted Fear and Trembling and The Sickness Unto Death among the most perfect books I have written, and in them he introduces two terms--the absurd and despair--that have become key terms in modern thought. Fear and Trembling takes up the story of Abraham and Isaac to explore a faith that transcends the ethical, persists in the face of the absurd, and meets its reward in the return of all that the faithful one is willing to sacrifice, while The Sickness Unto Death examines the spiritual anxiety of despair. Walter Lowrie's magnificent translation of these seminal works continues to provide an ideal introduction to Kierkegaard. And, as Gordon Marino argues in a new introduction, these books are as relevant as ever in today's age of anxiety. |
| fear and trembling text: Fear and Trembling Søren Kierkegaard, 1994 Now recognized as one of the nineteenth century's leading psychologists and philosophers. Kierkegaard was among other things the harbinger of exisentialisim. In FEAR AND TREMBLING he explores the psychology of religion, addressing the question 'What is Faith?' in terms of the emotional and psychological relationship between the individual and God. But this difficult question is addressed in the most vivid terms, as Kierkegaard explores different ways of interpreting the ancient story of Abraham and Isaac to make his point. |
| fear and trembling text: Selections From the Writings of Kierkegaard Søren Kierkegaard, Lee M (Lee Milton) Hollander, 2025-03-29 Delve into the profound and influential world of Søren Kierkegaard with Selections from the Writings of Kierkegaard, a collection of essential works from the father of existentialism. This volume offers a compelling introduction to Kierkegaard's thought, exploring themes of faith, existence, and the individual's relationship with the divine. As a pivotal figure in philosophy and religious thought, Kierkegaard challenged conventional thinking and emphasized the importance of personal experience and subjective truth. His writings resonate deeply with those grappling with questions of meaning, purpose, and the human condition. Explore key concepts in existentialism and religious philosophy through thoughtfully chosen selections that showcase the breadth and depth of Kierkegaard's intellectual contributions. A cornerstone of philosophical literature, this collection provides lasting insights into the nature of belief and the search for authentic selfhood. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| fear and trembling text: Fear and Trembling Søren Kierkegaard, 2014-02 Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality. |
| fear and trembling text: Kierkegaard on Ethics and Religion W. Glenn Kirkconnell, 2008-06-27 Søren Kierkegaard is simultaneously one of the most obscure philosophers of the Western world and one of the most influential. His writings have influenced atheists and faithful alike. Yet there is still widespread disagreement on many of the most important aspects of his thought. Kierkegaard was deliberately obscure in his writings, forcing the reader to interpret and reflect as Socrates did with incessant questioning. But at the same time that Kierkegaard was producing his esoteric, pseudonymous philosophical writings, he was also producing simpler, direct religious writings. Kierkegaard always claimed that he was, despite appearances, a religious writer. This important book accepts that claim and tests it. By using Kierkegaard's direct writings as he suggests, as the key to understanding the more obscure, indirect works, W. Glenn Kirkconnell aims to develop a coherent understanding of Kierkegaard's authorship and his theories. |
| fear and trembling text: Reading Kierkegaard I Paul Martens, 2017-01-20 In his posthumously published Journals and Papers, Kierkegaard boldly claimed, Oh, once I am dead, Fear and Trembling alone will be enough for an imperishable name as an author. Then it will be read, translated into foreign languages as well. The reader will almost shrink from the frightful pathos in the book. Certainly, Fear and Trembling has been translated into foreign languages, and its fame has ensured Kierkegaard's place in the pantheon of Western philosophy. Today, however, most shrink from the book not because of its frightful pathos but because of its fearsome impenetrability. In this first volume of a Reading Kierkegaard miniseries, Martens carefully unfolds the form and content of Kierkegaard's celebrated pseudonymous text, guiding and inviting the reader to embrace the challenge of wrestling with it to the end. Throughout, Martens demonstrates that Fear and Trembling is not merely a book that contains frightful pathos; it is also an entree into Kierkegaard's vibrant and polyphonic corpus that is nearly as restless as the faith it commends. |
| fear and trembling text: Repetition Søren Kierkegaard, 1941 |
| fear and trembling text: How To Read Kierkegaard John D. Caputo, 2014-04-03 Soren Kierkegaard is one of the prophets of the contemporary age, a man whose acute observations on life in nineteenth-century Copenhagen might have been written yesterday, whose work anticipated fundamental developments in psychoanalysis, philosophy, theology and the critique of mass culture by over a century. John Caputo offers a compelling account of Kierkegaard as a thinker of particular relevance in our postmodern times, who set off a revolution that numbers Martin Heidegger and Karl Barth among its heirs. His conceptions of truth as a self-transforming 'deed' and his haunting account of the 'single individual' seemed to have been written with us especially in mind. Extracts include Kierkegaard's classic reading of the story of Abraham and Isaac, the jolting theory that truth is subjectivity and his ground-breaking analysis of the concept of anxiety. |
| fear and trembling text: The Gift of Death Jacques Derrida, 1995-05-15 In The Gift of Death, Jacques Derrida's most sustained consideration of religion to date, he continues to explore questions introduced in Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Patocka's Heretical Essays on the History of Philosophy and develops and compares his ideas to the works of Heidegger, Levinas, and Kierkegaard. A major work, The Gift of Death resonates with much of Derrida's earlier writing and will be of interest to scholars in anthropology, philosophy, and literary criticism, along with scholars of ethics and religion. The Gift of Death is Derrida's long-awaited deconstruction of the foundations of the project of a philosophical ethics, and it will long be regarded as one of the most significant of his many writings.—Choice An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of relgion . . . [and those] made curious by the controversy that so often attends Derrida.—Booklist Derrida stares death in the face in this dense but rewarding inquiry. . . . Provocative.—Publishers Weekly |
| fear and trembling text: Knights of Faith and Resignation Edward F. Mooney, 1991-01-01 Knights of Faith and Resignation brings out the richness of Kierkegaard's creative invention, the contemporary relevance of his contrasts between resignation and faith, and his probing conceptual analysis of aesthetic, moral, and religious psychology and life-perspectives. And in tracing Kierkegaard's analysis of objectivity, subjectivity, virtue ethics, passion, dilemmas, commitment, and self-reflection, Mooney brings out a striking convergence between Kierkegaard and analytic philosophy -- the tradition of Socrates, Kant, and Wittgenstein, and its more contemporary practitioners, writers like Charles Taylor, Thomas Nagel, Stanley Cavell, Bernard Williams, and Harry Frankfurt. |
| fear and trembling text: Practice in Christianity Søren Kierkegaard, 2013-04-21 Of the many works he wrote during 1848, his richest and most fruitful year, Kierkegaard specified Practice in Christianity as the most perfect and truest thing. In his reflections on such topics as Christ's invitation to the burdened, the imitatio Christi, the possibility of offense, and the exalted Christ, he takes as his theme the requirement of Christian ideality in the context of divine grace. Addressing clergy and laity alike, Kierkegaard asserts the need for institutional and personal admission of the accommodation of Christianity to the culture and to the individual misuse of grace. As a corrective defense, the book is an attempt to find, ideally, a basis for the established order, which would involve the order's ability to acknowledge the Christian requirement, confess its own distance from it, and resort to grace for support in its continued existence. At the same time the book can be read as the beginning of Kierkegaard's attack on Christendom. Because of the high ideality of the contents and in order to prevent the misunderstanding that he himself represented that ideality, Kierkegaard writes under a new pseudonym, Anti-Climacus. |
| fear and trembling text: Philosophical Fragments, or a Fragment of Philosophy/Johannes Climacus, or De omnibus dubitandum est. (Two books in one volume) Søren Kierkegaard, 2013-04-21 This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings. The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy. A note by Kierkegaard suggests how he might have finished the work: Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!. |
| fear and trembling text: George Anderson: Notes for a Love Song in Imperial Time Peter Dimock, 2012 For over twenty-five years, ghost-writer Theo Fales has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague’s memorial service, Theo has a vision, sensing in the music a completely different way to live. How can he reconcile this revelation with his professional allegiance to power? Is he mad, or has history itself lost its way? Theo Fales is a one-time historian turned book editor who specializes in ghostwriting the memoirs of leading American policy-makers. For over twenty-five years, Theo has been helping retired generals and CIA directors justify their decisions in the first-person. One day, however, hearing a song at a colleague’s memorial service, Theo has a vision: he senses, in the music, a completely different way to live. He becomes obsessed by a need to align musical time with the metre of his own life and prose. Theo’s method opens onto two seemingly contradictory interior landscapes: one, a rage of identification with a college classmate who has written and signed the legal document justifying the use of torture by the US; the other, a love for the singer best known for her interpretations of the composer who wrote that vital song. Theo commits himself to the idea that only through his method will he be able to save himself. Is he mad, or has history itself lost its way? |
| fear and trembling text: Sickness Unto Death Soren Kierkegaard, 1989-08 Famed for the depth and acuity of its modern psychological insights, this classic work of theistic existentialist thought explores the concept of despair. |
| fear and trembling text: Buffy the Vampire Slayer and Philosophy James B. South, 2011-04-15 Twenty-three essays by young professional philosophers examine crucial ethical and metaphysical aspects of the Buffyverse (the world of Buffy). Though the show already attracted much scholarly attention, this is the first book to fully disinter the intellectual issues. Designed by Whedon as a multilevel story with most of its meanings deeply buried in heaps of heavy irony, Buffy the Vampire Slayer has replaced The X-Files as the show that explains to Americans the nature of the powerful forces of evil continually threatening to surge into our world of everyday decency and overwhelm it. In the tradition of the classic horror films Buffy the Vampire Slayer addresses ethical issues that have long fascinated audiences. This book draws out the ethical and metaphysical lessons from a pop-culture phenomenon. |
| fear and trembling text: The Ethics of Authenticity Charles Taylor, 1992-09-22 “Charles Taylor is a philosopher of broad reach and many talents, but his most striking talent is a gift for interpreting different traditions, cultures and philosophies to one another...[This book is] full of good things.” —New York Times Book Review Everywhere we hear talk of decline, of a world that was better once, maybe fifty years ago, maybe centuries ago, but certainly before modernity drew us along its dubious path. While some lament the slide of Western culture into relativism and nihilism and others celebrate the trend as a liberating sort of progress, Charles Taylor calls on us to face the moral and political crises of our time, and to make the most of modernity’s challenges. “The great merit of Taylor’s brief, non-technical, powerful book...is the vigor with which he restates the point which Hegel (and later Dewey) urged against Rousseau and Kant: that we are only individuals in so far as we are social...Being authentic, being faithful to ourselves, is being faithful to something which was produced in collaboration with a lot of other people...The core of Taylor’s argument is a vigorous and entirely successful criticism of two intertwined bad ideas: that you are wonderful just because you are you, and that ‘respect for difference’ requires you to respect every human being, and every human culture—no matter how vicious or stupid.” —Richard Rorty, London Review of Books |
| fear and trembling text: The Crowd Is Untruth Søren Kierkegaard, 2014 This essay in unabridged, to include all footnotes and quotes from 'Upbuilding Discourses in Various Spirits: Purity of Heart is to Will One Thing' (1847) for which it was intended to accompany - |
| fear and trembling text: Prefaces: Writing Sampler Søren Kierkegaard, 2009-10-11 Prefaces was the last of four books by Søren Kierkegaard to appear within two weeks in June 1844. Three Upbuilding Discourses and Philosophical Fragments were published first, followed by The Concept of Anxiety and its companion--published on the same day--the comically ironic Prefaces. Presented as a set of prefaces without a book to follow, this work is a satire on literary life in nineteenth-century Copenhagen, a lampoon of Danish Hegelianism, and a prefiguring of Kierkegaard's final collision with Danish Christendom. Shortly after publishing Prefaces, Kierkegaard began to prepare Writing Sampler as a sequel. Writing Sampler considers the same themes taken up in Prefaces but in yet a more ironical and satirical vein. Although Writing Sampler remained unpublished during his lifetime, it is presented here as Kierkegaard originally envisioned it, in the company of Prefaces. |
| fear and trembling text: A Game of Thrones George R. R. Martin, 2003-01-01 NOW THE ACCLAIMED HBO SERIES GAME OF THRONES—THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON Here is the first book in the landmark series that has redefined imaginative fiction and become a modern masterpiece. A GAME OF THRONES In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the North of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones. A GAME OF THRONES • A CLASH OF KINGS • A STORM OF SWORDS • A FEAST FOR CROWS • A DANCE WITH DRAGONS |
| fear and trembling text: The Concept of Anxiety: A Simple Psychologically Oriented Deliberation in View of the Dogmatic Problem of Hereditary Sin Søren Kierkegaard, 2014-03-03 The first new translation of Kierkegaard's masterwork in a generation brings to vivid life this essential work of modern philosophy. Brilliantly synthesizing human insights with Christian dogma, Soren Kierkegaard presented, in 1844, The Concept of Anxiety as a landmark psychological deliberation, suggesting that our only hope in overcoming anxiety was not through powder and pills but by embracing it with open arms. While Kierkegaard's Danish prose is surprisingly rich, previous translations—the most recent in 1980—have marginalized the work with alternately florid or slavishly wooden language. With a vibrancy never seen before in English, Alastair Hannay, the world's foremost Kierkegaard scholar, has finally re-created its natural rhythm, eager that this overlooked classic will be revivified as the seminal work of existentialism and moral psychology that it is. From The Concept of Anxiety: And no Grand Inquisitor has such frightful torments in readiness as has anxiety, and no secret agent knows as cunningly how to attack the suspect in his weakest moment, or to make so seductive the trap in which he will be snared; and no discerning judge understands how to examine, yes, exanimate the accused as does anxiety, which never lets him go, not in diversion, not in noise, not at work, not by day, not by night. |
| fear and trembling text: The Cambridge Companion to Kierkegaard Alastair Hannay, Gordon Daniel Marino, 1997-10-28 Each volume of this series of Companions to major philosophers contains specially-commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and non-specialists. The contributors to this Companion probe the full depth of Kierkegaard's thought revealing its distinctive subtlety. The topics covered include Kierkegaard's views on art and religion, ethics and psychology, theology and politics, and knowledge and virtue. Much attention is devoted to the pervasive influence of Kierkegaard in twentieth-century philosophy. New readers will find this the a convenient and accessible guide to Kierkegaard. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Kierkegaard. |
| fear and trembling text: Kierkegaard C. Stephen Evans, 2009-04-09 This clear, readable introduction to Kierkegaard presents him as a thinker with powerful answers to the questions which philosophers ask. |
| fear and trembling text: The Essential Kierkegaard Søren Kierkegaard, 2023-08-08 An anthology containing substantial excerpts from the Danish philosopher's major works. |
| fear and trembling text: Fear and Trembling Amelie Nothomb, 2002-04-18 This stunningly funny novel about the gap between East and West, and the story of a young Western woman who falls straight into it through her job for a Japanese corporation, was a sensation in France, where it sold half a million copies and won the Grand Prix de l'Academie Francaise and the Prix Internet du Livre. |
| fear and trembling text: The Shepherd of Hermas Hermas, 1870 |
| fear and trembling text: The Myth of Sisyphus And Other Essays Albert Camus, 2012-10-31 One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity. |
| fear and trembling text: Philosophical Fragments, or, a Fragment of Philosophy Søren Kierkegaard, 2007 |
| fear and trembling text: Repetition and Philosophical Crumbs Soren Kierkegaard, Edward F. Mooney, 2009-05-14 'The love of repetition is in truth the only happy love' So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, playful work Constantius explores the nature of love and happiness, the passing of time and the importance of moving forward (and backward). The ironically entitled Philosophical Crumbs pursues the investigation of faith and love and their tense relationship with reason. Written only a year apart, these two works complement each other and give the reader a unique insight into the breadth and substance of Kierkegaard's thought. The first reads like a novel and the second like a Platonic dialogue, but both engage, in different ways, the same challenging issues. These are the first translations to convey the literary quality and philosophical precision of the originals. They were not intended, however, for philosophers, but for anyone who feels drawn to the question of the ultimate truth of human existence and the source of human happiness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| fear and trembling text: Monkey Business Nan Bodsworth, 1987 Dorothy's trip to the zoo with her prim and proper aunt doesn't stop her from having an imaginative rapport with the animals. |
| fear and trembling text: Volume 18, Tome III: Kierkegaard Secondary Literature Jon Stewart, 2017-03-16 In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish. |
| fear and trembling text: Sophie's World Jostein Gaarder, 1994 The protagonists are Sophie Amundsen, a 14-year-old girl, and Alberto Knox, her philosophy teacher. The novel chronicles their metaphysical relationship as they study Western philosophy from its beginnings to the present. A bestseller in Norway. |
| fear and trembling text: Kierkegaard: Fear and Trembling S©ıren Kierkegaard, 2006-07-20 This book, first published in 2006, presents an English translation of one of the most important and influential of Kierkegaard's works. |
| fear and trembling text: The Old Man And The Sea Ernest Hemingway, 2012-02-14 Santiago, an old Cuban fisherman, has gone 84 days without catching a fish. Confident that his bad luck is at an end, he sets off alone, far into the Gulf Stream, to fish. Santiago’s faith is rewarded, and he quickly hooks a marlin...a marlin so big he is unable to pull it in and finds himself being pulled by the giant fish for two days and two nights. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
| fear and trembling text: Selves in Discord and Resolve Edward Mooney, 2014-04-23 In Selves in Discord and Resolve, Edward Mooney examines the Wittgensteinian and deconstructive accounts of subjectivity to illuminate the rich legacy left by Kierkegaard's representation of the self in modes of self-understanding and self-articulation. Mooney situates Kierkegaard in the context of a post-Nietzschean crisis of individualism, and evokes the Socratric influences on Kierkegaard's thinking and shows how Kierkegaard's philsophy relies upon the Socratic care for the soul. He examines Kierkegaard's work on Judge Wilhelm, from Either/Or, Socrates, in the Postscript and Abraham and Job in Repetition and Fear and Trembling. |
| fear and trembling text: Kierkegaard, Communication, and Virtue Mark A. Tietjen, 2013-06-12 “Tietjen offers the kind of approach that encourages us to put the emphasis where it rightly belongs: on Kierkegaard’s philosophical ideas.” —Notre Dame Philosophical Reviews In contrast to recent postmodern and deconstructionist readings, Mark A. Tietjen believes that the purpose behind Kierkegaard’s writings is the moral and religious improvement of the reader. Tietjen defends Kierkegaard against claims that certain features of his works, such as pseudonymity, indirect communication, irony, and satire are self-deceived or deceitful. Kierkegaard, Communication, and Virtue reveals how they are directly related to the virtues or moral issues being discussed. In fact, Tietjen argues, the manner of presentation is a critical element of the philosophical message being conveyed. Reading broadly in Kierkegaard’s writings, he develops a hermeneutics of trust that fully illustrates Kierkegaard’s aim to evoke faith in his reader. “Tietjen’s critique of deconstructionist readings of Kierkegaard along with an emphasis on employing a hermeneutic of trust clearly distinguishes his work from other treatments of Kierkegaard as a virtue ethicist and edifying writer.” —Sylvia Walsh, Stetson University |
| fear and trembling text: Kierkegaard and the Treachery of Love Amy Laura Hall, 2002-08 This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. In all of these works, the characters are, as in real life, complex and incomplete, and the conclusions are perplexing. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. In a style that is both scholarly and lyrical, she intimates answers to some of the puzzles, making a poetic contribution to ethics and the philosophy of religion. |
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FEAR Definition & Meaning - Merriam-Webster
The meaning of FEAR is an unpleasant often strong emotion caused by anticipation or awareness of danger. How to use fear in a sentence. Synonym Discussion of Fear.
Fear - Wikipedia
Fear is an unpleasant emotion that arises in response to perceived dangers or threats. Fear causes physiological and psychological changes. It may produce behavioral reactions such as …
Fear: Definition, Traits, Causes, Treatment - Verywell Mind
Apr 20, 2024 · Fear is a primal emotion that provokes a physiological and emotional response. Learn the signs of fear, what causes it, and how to manage it.
7 Things You Need to Know About Fear - Psychology Today
Nov 19, 2015 · Fear is an inherently unpleasant experience that can range from mild to paralyzing—from anticipating the results of a medical checkup to hearing news of a deadly …
The Psychology of Fear
Jul 20, 2023 · Fear is an essential survival mechanism, helping individuals react to potentially life-threatening situations. It can respond to immediate, tangible threats and more abstract or …
FEAR | English meaning - Cambridge Dictionary
FEAR definition: 1. an unpleasant emotion or thought that you have when you are frightened or worried by something…. Learn more.
FEAR Definition & Meaning | Dictionary.com
Fear definition: a distressing emotion aroused by impending danger, evil, pain, etc., whether the threat is real or imagined; the feeling or condition of being afraid.. See examples of FEAR …
