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| frankenstein 1931 rotten tomatoes: Rotten Tomatoes: Rotten Movies We Love Editors of Rotten Tomatoes, 2019-10-08 Hook. Wet Hot American Summer. Valley of the Dolls. There are some movies that defy traditional critical assessment -- films that are panned by reviewers, but that go on to become beloved classics and cult phenoms anyway. Ever been crushed to learn your favorite movie -- or a new one you're dying to see -- has been given the big green splat from Rotten Tomatoes' infamous Tomatometer? The site's editors stand by their critics and scores, but they also feel your pain: Fresh films shouldn't get all the glory! In Rotten Movies We Love, the RT team celebrates 101 Rotten movies that can't be missed, including: Box office behemoths that bombed with critics:Space Jam, Maleficent, Bad Boys Sci-fi treasures so bad they're awesome:Cherry 2000, Zardoz, Masters of the Universe Rare Rottens from Fresh directors:The Life Aquatic with Steve Zissou, Marie Antoinette, Legend, Willow Deeply beloved cult classics: The Last Dragon, Empire Records, The Craft, MacGruber Underrated gems ahead of their time: The Strangers, Event Horizon, Practical Magic, The Cable Guy Sequels worth a second look:Home Alone 2, Rocky IV, Jurassic Park III, Return to Oz Featuring 16 essays from some of the world's most well-known film critics -- Leonard Maltin, Terri White, Amy Nicholson, David Fear, K. Austin Collins, and more -- and punctuated with black-and-white film stills and punchy graphics, it's a fun romp through the quirkier corners of film history, sure to delight any cinephile or pop-culture fanatic. |
| frankenstein 1931 rotten tomatoes: Frankenstein Lives Paul Ruditis, 2025-08-05 It's alive! ...Again! Frankenstein Lives brings to life the enduring legacy of Mary Shelley's Creature in thrilling images and captivating commentary. Beginning with the story of Mary Shelley's conception of the novel on a stormy night on the shores of Lake Geneva, Frankenstein Lives traces the Creature's transformation from a nameless literary monster to an international sensation, appearing in films, television shows, and commercial merchandise. The Creature has even appeared on a cereal box! Frankenstein's monster has been a hero and a villain, a star in both comedies and dramas. He has gone head-to-head with both Dracula and the Wolf Man, tap danced with Gene Wilder, joked around with Abbott and Costello, served as the butler for the Addams family, and continues to star in films today. With special attention placed on the 1931 film starring Boris Karloff staggering through the mad scientist's laboratory, the book explores the classic--and often misunderstood--character. This visual guide includes photos of Shelley's manuscript pages, Boris Karloff on set as the Creature in the 1931 film, and much more! Frankenstein Lives brings the history to life, including: Mary Shelley's background and inspiration Film portrayals of Frankenstein's monster, including upcoming film adaptions Commercial merchandizing of the monster, including costumes and video games Profiles of the Bride, Igor, and Dracula And much more! Relive the Creature's greatest pop culture moments in this visually stunning and comprehensive guide to the green monster that we can't stop loving. |
| frankenstein 1931 rotten tomatoes: Mad, Bad and Dangerous? Christopher Frayling, 2013-06-01 From Victor Frankenstein to Dr. Moreau to Doc Brown in Back to the Future, the scientist has been a puzzling, fascinating, and threatening presence in popular culture. From films we have learned that scientists are either evil maniacal geniuses or bumbling saviors of society. Mad, Bad and Dangerous? puts this dichotomy to the test, offering a wholly engaging yet not uncritical history of the cinematic portrayal of scientists. Christopher Frayling traces the genealogy of the scientist in film, showing how the scientist has often embodied the predominant anxieties of a particular historical moment. The fear of nuclear holocaust in the 1950s gave rise to a rash of radioactive-mutant horror movies, while the possible dangers of cloning and biotechnology in the 1990s manifested themselves in Jurassic Park. During these eras, the scientist's actions have been viewed through a lens of fascination and fear. In the past few decades, with increased public awareness of environmental issues and of the impact of technology on nature, the scientist has been transformed once again—into a villainous agent of money-hungry corporate powers. Mad, Bad and Dangerous? also examines biographical depictions of actual scientists, illuminating how they are often portrayed as social misfits willing to sacrifice everything to the interests of science. Drawing on such classic and familiar films as Frankenstein, Metropolis, and The Wizard of Oz, Frayling brings social and film history together to paint a much larger picture of the evolving value of science and technology to society. A fascinating study of American culture and film, Mad, Bad and Dangerous? resurrects the scientists of late night movies and drive-in theaters and gives them new life as cultural talismans. |
| frankenstein 1931 rotten tomatoes: Frankenstein Sidney Perkowitz, 2018-01-02 The tale of a tormented creature created in a laboratory began on a rainy night in 1816 in the imagination of a nineteen-year-old Mary Wollstonecraft Shelley. Since its publication two years later, Frankenstein: Or, the Modern Prometheus has spread around the globe through every possible medium and variation. Frankenstein has not been out of print once in 200 years. “Frankenstein” has become an indelible part of popular culture, and is shorthand for anything bizarre and human-made; for instance, genetically modified crops are “Frankenfood.”Conversely, Frankenstein’s monster has also become a benign Halloween favorite. Yet for all its long history, Frankenstein's central premise—that science, not magic or God, can create a living being, and thus these creators must answer for their actions as humans, not Gods—is most relevant today as scientists approach creating synthetic life.In its popular and cultural weight and its expression of the ethical issues raised by the advance of science, physicist Sidney Perkowitz and film expert Eddy von Muller have brought together scholars and scientists, artists and directions—including Mel Brooks—to celebrate and examine Mary Shelley’s marvelous creation and its legacy as the monster moves into his next century. |
| frankenstein 1931 rotten tomatoes: Bela Lugosi and Boris Karloff Gregory William Mank, 2017-12-27 Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color. |
| frankenstein 1931 rotten tomatoes: Evolution of Cinema Midhun Moorthi C, 2023-12-18 Cinema has undergone significant development since its inception in the nineteenth century. In the past two centuries and beyond, technological progress and innovative experimentation have been prevalent. Each successive film movement as well as filmmaking technique contributed to the development of the art form we adore today. A comprehensive understanding of films necessitates an understanding of cinema, and an appreciation for cinema requires an acknowledgment that, unlike any other art form, it has consistently been influenced by external forces, primarily due to its immense popularity. Furthermore, cinema possesses the capacity to shape history in its own right. While it is not advisable to write histories of literature and music as straightforward biographies of authors and their works, omitting any discussion of printing and recording technologies, the industries that utilize them, or the contemporary world where artists and their audiences operated, is possible but not recommended. Cinema renders this task unattainable. Placing films within their proper context is fundamental to the endeavor of this book; without it, they would be devoid of existence, much less significance. This entails acknowledging that while demands of industry and art in the film industry may not always coincide, they are not inherently contradictory. Instead, it is the case that they lack proportionality. Cinema, as an industrial art form, has evolved to incorporate industrialized methods of art production. Nevertheless, this is a fact that has proven to be exceedingly challenging for traditional aesthetics to accept. Conversely, numerous films exist that establish an artistic value that contradicts the principles of the industry upon which their production hinged. Moreover, there are numerous instances where the artistic merit of a given film is, to put it mildly, questionable. |
| frankenstein 1931 rotten tomatoes: Deformed and Destructive Beings George Ochoa, 2017-02-10 Why are audiences drawn to horror films? Previous answers to that question have included everything from a need to experience fear to a hunger for psychotherapy. This critical text proposes that the horror film's primary purpose is to present monsters, best understood as deformed and destructive beings. These monsters satisfy the audience's desire to know these beings, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspects of the horror film genre, including epistemology, ethics, evaluation, history, monster taxonomy, and filmmaking techniques. |
| frankenstein 1931 rotten tomatoes: If You Like The Terminator... Scott on Von Doviak, 2012-05 Explores the spectacular array of films, television shows and other works that helped inspire The Terminator as well as those that have drawn inspiration from it--Publisher description |
| frankenstein 1931 rotten tomatoes: Best Pick John Dorney, Jessica Regan, Tom Salinsky, 2022-02-15 A fascinating history of motion pictures through the lens of the Academy Awards, Best Pick provides a decade-by-decade look at the Oscars by examining the Best Picture winners, highest-grossing films, and biggest misses alongside a discussion of the trends, innovations, and stories that defined the decade. |
| frankenstein 1931 rotten tomatoes: Frankenstein and Dracula Mary Wollstonecraft Shelley, 1990-04-01 |
| frankenstein 1931 rotten tomatoes: 1001 Movies You Must See Before You Die Steven Jay Schneider, 2021-09-02 |
| frankenstein 1931 rotten tomatoes: Expressionism in the Cinema Brill Olaf Brill, 2016-02-19 One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries. |
| frankenstein 1931 rotten tomatoes: The A List National Society of Film Critics, 2002-01-04 In 100 memorable essays, the National Society of Film Critics lists the 100 essential films of all time (a list which may surprise some movie fans). 16 photos. |
| frankenstein 1931 rotten tomatoes: Donovan’s Brain Curt Siodmak, 2016-10-21 The SF classic novel of the terror that lurked in DONOVAN’S BRAIN. DEAD...Doomed by disease, then mangled in a plane crash, there was no doubt that Donovan was dead. YET...floating in a tank of nutrient, linked to complex apparatus, Donovan’s brain still lived... ALIVE...someone walked with Donovan’s gait, wrote his signature, knew his foulest secrets—and carried out his last, weirdest plan! “Donovan’s Brain is terrific!”—THE NEW YORK TIMES |
| frankenstein 1931 rotten tomatoes: Universal Horrors Tom Weaver, John Brunas, 2017-08-23 A definitive study of the 85 films produced during this era and presents a general overview. For each film, complete cast lists, credits, storyline, behind-the-scenes information, production history, commentary from the cast and crew, and in-depth critical analysis. Generously illustrated--Provided by publisher. |
| frankenstein 1931 rotten tomatoes: I Hated, Hated, Hated This Movie Roger Ebert, 2013-07-30 The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss. |
| frankenstein 1931 rotten tomatoes: Pre-Code Hollywood Thomas Doherty, 1999-08-27 Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward. |
| frankenstein 1931 rotten tomatoes: The New York Times Book of Movies Wallace Schroeder, 2019-10-01 A collection of reviews for the 1,000 most important, popular, and influential movies of all time. While critiques of beloved Hollywood milestones from Stanley Kubrick, Steven Spielberg, Alfred Hitchcock, and Orson Welles are all included, this book is notably a resource for the modern cinema buff and student. Nowhere else can one find this curated collection of reviews with such special features as lists of best films by category and year, as well as unique recommendations and sidebars for the modern viewer--including what to watch and how: from DVD and Blu-Ray to streaming platforms. In an era when most students and fans of film simply rely on the Internet for information, this category killer will prove its worth as a relevant and indispensable gift and reference. |
| frankenstein 1931 rotten tomatoes: Dracula Bram Stoker, 2023-08-20 We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called “paprika hendl,” and that, as it was a national dish, I should be able to get it anywhere along the Carpathians. I found my smattering of German very useful here; indeed, I don’t know how I should be able to get on without it...FROM THE BOOKS. |
| frankenstein 1931 rotten tomatoes: Horror Kultfilme Angela Fabris, Jörg Helbig, Arno Rußegger, 2017-12-15 Der Band widmet sich unterschiedlichen Aspekten des Horrorfilms. Analysen von individuellen Filmen stehen neben Ausführungen zu einzelnen Genres (z.B. Gothic Horror, Giallo, Parodien) und zu spezifischen Aspekten wie Gewalt oder Musik im Horrorfilm. Neben bekannten Regisseuren wie Francis Ford Coppola und Mel Brooks stehen vor allem veritable Kultregisseure wie Dario Argento und Pete Walker im Blickpunkt. Besprochen werden u.a. Bram Stoker's Dracula, Profondo rosso, Hotel House of the Long Shadows,Frankenstein Junior Suspiria u.v.a. Beiträge von Susanne Bach, Angela Fabris, Michael Fuchs, Sabrina Gärtner, Jörg Helbig, Frank Hentschel, Benjamin Moldenhauer, Arno Rußegger und Marcus Stiglegger. |
| frankenstein 1931 rotten tomatoes: Sin in Soft Focus Mark A. Vieira, 2003-03-01 In the spring of 1934, Hollywood faced what the Los Angeles Times called the most serious crisis of its history. The film capital was under siege by censorship advocates who launched a boycott, demanding that the film industry enforce the Production Code it had adopted in 1930. For nearly five years, defiant producers had cited artistic freedom and flouted the Code, which forbade vulgarity, profanity, nudity, excessive violence, illegal drugs, adultery, sex perversion, white slavery, racial mingling, lustful kissing, and suggestive dancing. In July 1934, the controversial films were outlawed. Today they are called pre-Code. Sin in Soft Focus showcases a scintillating era in film history and tells how filmmakers sidestepped the Code. Mark A. Vieira draws on extensive research, interviews, and correspondence in the Production Code Administration files to tell the engaging, suspenseful, and often humorous story of the struggle between Hollywood and its reformers, weaving history, politics, and film into a full-blooded narrative. Illustrated with 275 film stills, many of them rare, the book captures the stunning visual artistry of the era. |
| frankenstein 1931 rotten tomatoes: Combat in the Air , 1944 |
| frankenstein 1931 rotten tomatoes: Father of Frankenstein Christopher Bram, 1999 James Whale was the most brilliant director of horror films Hollywood has ever seen, director of such classics as Frankenstein and Bride of Frankenstein (and indeed every horror film rated with four stars in Halliwell's Film Guide). But he was by no means a typical Hollywood product, both because he was English and because he was openly gay in the Hollywood of the 30s. Christopher Bram's moving and powerful novel portrays Whale in his last weeks of life in 1957, overwhelmed by images of his past, his working class childhood in Britain, Hollywood premieres in the 30s, friendships with Elsa Lanchester, Charles Laughton and Elizabeth Taylor. Consumed by the contrast between his past and his present obscurity, he conspires with his young gardener to provide his life with the dramatic ending it deserves. |
| frankenstein 1931 rotten tomatoes: 101 Sci-Fi Movies You Must See Before You Die Steven Jay Schneider, 2009 Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the known world onto its head, play with the laws of physics and all the while hold the viewer spellbound with a gripping vision of future worlds. With insight from critics, film historians, and academics, 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE, applies knowledge and passion to a century of close encounters, distant planets, time travel, black holes, strange outfits, futuristic technology, inexplicable forces, fantastic spaceships, fluorescent drinks and subterranean societies. Strap yourself in: you′re set for a rocket ride to sci-fi heaven. |
| frankenstein 1931 rotten tomatoes: Who Goes There? John W Campbell, Jr, 2025-01-08 Who Goes There? by John W. Campbell is a gripping science fiction novella set in the icy isolation of Antarctica. A group of scientists discovers a mysterious alien creature buried in the ice, only to find that it can imitate any living being perfectly. Paranoia and fear grip the team as they realize the alien could be any one of them. With trust crumbling and the stakes rising, the survivors must find a way to stop the shape-shifting entity before it escapes and threatens humanity itself. This classic tale of suspense and psychological horror inspired the famous film The Thing and remains a cornerstone of the sci-fi horror genre. |
| frankenstein 1931 rotten tomatoes: Kiss Me Like A Stranger Gene Wilder, 2010-04-01 In this personal book from the star of many beloved and classic film comedies -- from The Producers to Young Frankenstein, Blazing saddles to Willy Wonka and the Chocolate Factory -- Gene Wilder writes about a side of his life the public hasn't seen on the screen. Kiss Me Like a Stranger is not an autobiography in the usual sense of the word, and it's certainly not another celebrity tell-all. Instead, Wilder has chosen to write about resonant moments in his life, events that led him to an understanding of the art of acting, and -- more important -- to an understanding of how to give love to and receive love from a woman. Wilder writes compellingly about the creative process on stage and screen, and divulges moments from life on the sets of some of the most iconic movies of our time. In this book, he talks about everything from his experiences in psychoanalysis to why he got into acting and later comedy (his first goal was to be a Shakespearean actor), and how a Midwestern childhood with a sick mother changed him. Wilder explains why he became an actor and writer, and about the funny, wonderful movies he made with Mel Brooks, Woody Allen, Richard Pryor, and Harrison Ford, among many others. He candidly reveals his failures in love, and writes about the overwhelming experience of marrying comedienne Gilda Radner, as well as what finally had to happen for him to make a true and lasting commitment to another woman. A thoughtful, revealing, and winsome book about life, love, and the creative process, the New York Times bestseller Kiss Me Like A Stranger is one actor's life in his own words. |
| frankenstein 1931 rotten tomatoes: Return of the B Science Fiction and Horror Heroes Tom Weaver, 2000 The people who directed, produced, and starred in the scary and fantastic movies of the genre heyday over thirty years ago created memorable experiences as well as memorable movies. This McFarland Classic brings together over fifty interviews with the directors, producers, actors, and make-up artists of science fiction and horror films of the 1940s, 1950s, and 1960s. From B movies to classics, Samuel Z. Arkoff to Acquanetta, these veteran vampire baits, swamp monsters, and flying saucers attackees share their memories. This classic volume represents the union of two previous volumes: Interviews with B Science Fiction and Horror Movie Makers (more fun than the lovably cheap movies that inspired it--Booklist/RBB); and Science Fiction Stars and Horror Heroes (candid...a must --ARBA). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter. |
| frankenstein 1931 rotten tomatoes: Latin American Women Filmmakers Deborah Martin, Deborah Shaw, 2017-03-23 Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism. |
| frankenstein 1931 rotten tomatoes: Frozen Hell John W. Campbell Jr., John W. Campbell, Jr., 2019-05-15 FROZEN HELL is an alternate version of John W. Campbell's classic novella, Who Goes There? (filmed as The Thing). Recently discovered among Campbell's papers, this version adds another 45 pages to the story. Includes a Preface by Alec Nevala-Lee and an Introduction by Robert Silverberg. Also included is a preview of the forthcoming sequel, The Things from Another World, by John Gregory Betancourt. |
| frankenstein 1931 rotten tomatoes: Living in the Woods in a Tree Sybil Rosen, 2008 Offers a glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989). This book is suitable for Blaze Foley and Texas music fans, as well as romantics of different ages. |
| frankenstein 1931 rotten tomatoes: Cimarron Edna Ferber, 2023-05-16 Published in 1929, Cimarron takes readers on a compelling journey through the Oklahoma land rush and the subsequent development of the state. It delves into the tumultuous era of American history, presenting a vivid portrayal of the pioneers who sought fortune, survival, and a sense of belonging in the untamed frontier. Through her meticulous research and evocative prose, Ferber skillfully captures the essence of the characters and their struggles, painting a rich tapestry of their dreams, aspirations, and disappointments. |
| frankenstein 1931 rotten tomatoes: English Gothic Jonathan Rigby, 2006 The British horror film is almost as old as cinema itself. 'English Gothic' traces the rise and fall of the genre from its 19th century beginnings, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930s, the lurid Hammer classics, and the explicit shockers of the 1970s. |
| frankenstein 1931 rotten tomatoes: Robert Wise J. R. Jordan, 2020-02-08 |
| frankenstein 1931 rotten tomatoes: Steampunk: Mary Shelley's Frankenstein , 2012-05-08 Everyone is familiar with Mary Shelley's classic novel, but no one has read it like this! Frankenstein is the long celebrated gothic tale of a science experiment gone awry. But in this brand-new edition, Shelley's haunting horror story is transformed with the addition of steampunk-inspired art. With elaborate full-color illustrations throughout, this is a truly unique interpretation of Frankenstein. It's a fresh look at a classic story, spiked with gadgets, fashion, and steam-powered machinery inspired by the hottest trend in science-fiction. Releasing just in time for summer reading, teens will enjoy this classic novel with an awesome steampunk twist! |
| frankenstein 1931 rotten tomatoes: Gris Grimly's Frankenstein Mary Shelley, 2013-08-27 Grimly enlivens the prose while retaining its power to both frighten and engage sympathy for the monster-creator Victor Frankenstein. This is a richly morose nightmare of a book, a primer for young readers on the pleasures and dangers of decadent languidness.—New York Times Book Review Gris Grimly's Frankenstein is a twisted, fresh, and utterly original full-length, full-color graphic-novel adaptation of Mary Shelley's original text, brought to life by acclaimed illustrator Gris Grimly. The first fully illustrated version to use the original 1818 text, this handsome volume is destined to capture the imagination of those new to the story as well as those who know it well. New York Times bestselling illustrator Gris Grimly has long considered Frankenstein to be one of his chief inspirations. From the bones and flesh of the original, he has cut and stitched Mary Shelley's text to his own artwork, creating something entirely new: a stunningly original remix, both classic and contemporary, sinister and seductive, heart-stopping and heartbreaking. |
| frankenstein 1931 rotten tomatoes: Beastgirl and Other Origin Myths Elizabeth Acevedo, 2016-10-15 |
| frankenstein 1931 rotten tomatoes: The Turn of the Screw Illustrated Henry James, 2021-04-21 The Turn of the Screw is an 1898Horrornovella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. Classified as both gothic fiction and a ghost story, the novella focuses on a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted. |
| frankenstein 1931 rotten tomatoes: Pregnancy in Literature and Film Parley Ann Boswell, 2014-03-26 This exploration of the ways in which pregnancy affects narrative begins with two canonical American texts, Nathaniel Hawthorne's The Scarlet Letter (1848) and Harriet Jacobs's Incidents in the Life of a Slave Girl (1861). Relying on such diverse works as Frankenstein, Peyton Place, Beloved, and I Love Lucy, the book chronicles how pregnancy evolves from a conventional plot device into a mature narrative form. Especially in the 20th and 21st centuries, the pregnancy narrative in fiction and film acts as a lightning rod with the power to electrify all genres of fiction and film, from early melodrama (Way Down East) to noir (Leave Her to Heaven); from horror (Rosemary's Baby) to science fiction and dystopia (Alien, The Handmaid's Tale); and from iconic (Lolita) to independent (Juno, Precious). Ultimately, the pregnancy narrative in popular film and fiction provides a remarkably clear lens by which we can gauge how popular American film and fiction express our most profound--and most private--fears, values and hopes. |
| frankenstein 1931 rotten tomatoes: Monsterly Brandon Jimison, 2021-09-13 1987-ish. One night. One song. A whole lot of monsters. As the long shadow of Autumn reaches for the tall door of Halloween, as each doorbell buzzes with anticipation at the touch of somewhat familiar spirits and fabulous creatures, the remembrance of tricks or treats, something uncanny, horrific, possibly heinous, is about to unfold in the small quiet town of Strangville. The fate of the town totally rests in the hands of an unlikely group of heroes; a cursed boy (and his band Candlehood), an old rockabilly singer, an action movie actor, and a former scream queen turned DJ. Things are going to get hairy. |
| frankenstein 1931 rotten tomatoes: Never as Good as the First Time Jonathan Hicks, 2018-10-30 When love and murder come face to face for the first time. |
Frankenstein - Wikipedia
Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific …
Frankenstein | Summary, Characters, Analysis, & Legacy ...
Apr 25, 2025 · Frankenstein; or, The Modern Prometheus, Gothic horror novel by Mary Wollstonecraft Shelley that was first …
Frankenstein by Mary Shelley Plot Summary - LitCharts
Get all the key plot points of Mary Shelley's Frankenstein on one page. From the creators of SparkNotes.
Frankenstein: Study Guide - SparkNotes
From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes Frankenstein Study Guide …
Frankenstein; Or, The Modern Prometheus by Mary ...
Oct 1, 1993 · "Frankenstein; Or, The Modern Prometheus" by Mary Wollstonecraft Shelley is a novel written in the early 19th century. …
Frankenstein - Wikipedia
Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment that involved putting it …
Frankenstein | Summary, Characters, Analysis, & Legacy ...
Apr 25, 2025 · Frankenstein; or, The Modern Prometheus, Gothic horror novel by Mary Wollstonecraft Shelley that was first published in 1818. The epistolary story …
Frankenstein by Mary Shelley Plot Summary - LitCharts
Get all the key plot points of Mary Shelley's Frankenstein on one page. From the creators of SparkNotes.
Frankenstein: Study Guide - SparkNotes
From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes Frankenstein Study Guide has everything you need to ace quizzes, tests, …
Frankenstein; Or, The Modern Prometheus by Mary ...
Oct 1, 1993 · "Frankenstein; Or, The Modern Prometheus" by Mary Wollstonecraft Shelley is a novel written in the early 19th century. The story explores themes of ambition, the …
