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| famous line of plato: The Republic Plato, 2016-12-15 The Republic is a Socratic dialogue by Plato, written in approximately 380 BC. It is one of the most influential works of philosophy and political theory, and Plato's best known work. In Plato's fictional dialogues the characters of Socrates as well as various Athenians and foreigners discuss the meaning of justice and examine whether the just man is happier than the unjust man by imagining a society ruled by philosopher-kings and the guardians. The dialogue also discusses the role of the philosopher, Plato's Theory of Forms, the place of poetry, and the immortality of the soul. |
| famous line of plato: Apology Plato Plato, 2016-03-17 Plato's Guide to the Good Life “The unexamined life is not worth living” -Apology, Plato An original account of the speech Socrates makes at the trial in which he is charged with not recognizing the gods recognized by the state, inventing new deities, and corrupting the youth of Athens. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes |
| famous line of plato: Laws Plato, 2022-05-28 The Laws is Plato's last, longest, and perhaps, most famous work. It presents a conversation on political philosophy between three elderly men: an unnamed Athenian, a Spartan named Megillus, and a Cretan named Clinias. They worked to create a constitution for Magnesia, a new Cretan colony that would make all of its citizens happy and virtuous. In this work, Plato combines political philosophy with applied legislation, going into great detail concerning what laws and procedures should be in the state. For example, they consider whether drunkenness should be allowed in the city, how citizens should hunt, and how to punish suicide. The principles of this book have entered the legislation of many modern countries and provoke a great interest of philosophers even in the 21st century. |
| famous line of plato: The Story of Philosophy Will Durant, 2022-02-16 Pulitzer Prize–winning author Will Durant chronicles the lives and ideas of several key philosophical thinkers throughout history in this informative yet eminently readable text. An essential read for anyone fascinated by the development of Western philosophy. |
| famous line of plato: Phaedrus Plato, 2020-12 The Phaedrus, written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium. |
| famous line of plato: The Allegory of the Cave Plato, 2021-01-08 The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare the effect of education (παιδεία) and the lack of it on our nature. It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality. |
| famous line of plato: Plato's 'Republic' Mark L. McPherran, 2010-11-25 The essays in this volume provide a picture of the most interesting, puzzling, and provoking aspects of Plato's Republic. |
| famous line of plato: Philosophy as Drama Hallvard Fossheim, Vigdis Songe-Møller, Knut Ågotnes, 2019-08-22 Plato's philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in conversation with established genres, such as tragedy, comedy, lyric poetry, and rhetoric in a variety of ways. This intertextuality reinforces the relevance of material from other types of literary works, as well as a general knowledge of classical culture in Plato's time, and the political and moral environment that Plato addressed, when reading his dramatic dialogues. The authors of Philosophy as Drama show that any interpretation of these works must include the literary and narrative dimensions of each text, as much as serious the attention given to the progression of the argument in each piece. Each dialogue is read on its own merit, and critical comparisons of several dialogues explore the differences and likenesses between them on a dramatic as well as on a logical level. This collection of essays moves debates in Plato scholarship forward when it comes to understanding both particular aspects of Plato's dialogues and the approach itself. Containing 11 chapters of close readings of individual dialogues, with 2 chapters discussing specific themes running through them, such as music and sensuousness, pleasure, perception, and images, this book displays the range and diversity within Plato's corpus. |
| famous line of plato: The Trial and Death of Socrates: Euthyphro, Apology, Crito and Phaedo Plato, 2017-08-29 This new digital edition of The Trial and Death of Socrates: Euthyphro, Apology, Crito and Phaedo presents Benjamin Jowett's classic translations, as revised by Enhanced Media Publishing. A number of new or expanded annotations are also included. |
| famous line of plato: The Symposium Plato, 2016-12-15 In his brilliant dialogue, Symposium, Plato presents an imaginary dinner-party set in Athens in 416 BC where the guests include Aristophanes, Socrates and the most popular Athenian of his day, golden boy Alcibiades. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness. |
| famous line of plato: The Stoics Marcus Aurelius, Epicurus, Seneca, 2024-11-30 This collection brings together four classic essays on Stoic philosophy from the Ancient Greek world. Is there an answer to the question 'How does one lead a happy life?' Certainly one ancient Greek school of philosophy believed that there was: lead a life of virtue, one in harmony with nature and do not be swayed by fortune or misfortune. First propounded by Zeno of Citium, Stoicism has resonated through the ages and, today, it seems even more pertinent as we look for ways to combat the constant bombardment of our lives by outside forces, whether they be the effects of current affairs, our work, family issues, economic problems or social pressures. Collected together in this volume are four key works that explain the key tenets of Stoicism, each one offering mindful lessons about how to face both the best and the worst things and find your path through life. Contains: • On the Shortness of Life by Seneca • Of Peace of Mind by Seneca • The Enchridion of Epictetus by Epictetus • Meditations by Marcus Aurelius. |
| famous line of plato: The Blackwell Guide to Plato's Republic Gerasimos Santas, 2008-04-15 The Blackwell Guide to Plato’s Republic consists ofthirteen new essays written by both established scholars andyounger researchers with the specific aim of helping readers tounderstand Plato’s masterwork. This guide to Plato’s Republic is designed to helpreaders understand this foundational work of the Westerncanon. Sheds new light on many central features and themes of theRepublic. Covers the literary and philosophical style of theRepublic; Plato’s theories of justice and knowledge;his educational theories; and his treatment of the divine. Will be of interest to readers who are new to theRepublic, and those who already have some familiarity withthe book. |
| famous line of plato: Four Dialogues Plato, 2009-05-01 Included in this volume are Euthyphro, Apology, Crito, and the Death Scene from Phaedo. Translated by F.J. Church. Revisions and Introduction by Robert D. Cumming. |
| famous line of plato: The Daily Stoic Ryan Holiday, Stephen Hanselman, 2016-10-18 From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well. |
| famous line of plato: Status Anxiety Alain De Botton, 2008-12-10 “There's no writer alive like de Botton” (Chicago Tribune), and now this internationally heralded author turns his attention to the insatiable human quest for status—a quest that has less to do with material comfort than love. Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents explores the notion that our pursuit of status is actually a pursuit of love, ranging through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful. |
| famous line of plato: Plato: Republic X Plato, 1988 This edition offers a full and up-to-date commentary on the last book of the Republic, and explores in particular detail the two main subjects of the book: Plato's most famous and uncompromising condemnation of poetry and art, as vehicles of falsehood and purveyors of dangerous emotions, and the Myth of Er, which concludes the whole work with an allegorical vision of the soul's immortality and of an eternally just world-order. The commentary gives careful and critical attention to the arguments deployed by Plato against poets and artists, relating them both to the philosopher's larger ideas and to other Greek views of the subject. The sources and significance of the Myth of Er are fully studied. Among other topics, the Introduction places Republic 10 in the development of Plato's work, and makes a fresh attempt to trace some of the influences of the book's critique of art on later aesthetic thinking. Greek text with facing translation, commentary and notes. |
| famous line of plato: Between Existentialism and Marxism Jean-Paul Sartre, 2025-01-14 This book presents a full decade of Sartre’s work, from the publication of the Critique of Dialectical Reason in 1960, the basic philosophical turning-point in his postwar development, to the inception of his major study on Flaubert, the first volumes of which appeared in 1971. The essays and interviews collected here form a vivid panorama of the range and unity of Sartre’s interests, since his deliberate attempt to wed his original existentialism to a rethought Marxism. A long and brilliant autobiographical interview, given to New Left Review in 1969, constitutes the best single overview of Sartre’s whole intellectual evolution. Three analytic texts on the US war in Vietnam, the Soviet invasion of Czechoslovakia, and the lessons of the May Revolt in France, define his political positions as a revolutionary socialist. Questions of philosophy and aesthetics are explored in essays on Kierkegaard, Mallarme and Tintoretto. Another section of the collection explores Sartre’s critical attitude to orthodox psychoanalysis as a therapy, and is accompanied by rejoinders from colleagues on his journal Les Temps Modernes. The volume concludes with a prolonged reflection on the nature and role of intellectuals and writers in advanced capitalism, and their relationship to the struggles of the exploited and oppressed classes. Between Existentialism and Marxism is an impressive demonstration of the breadth and vitality of Sartre's thought, and its capacity to respond to political and cultural changes in the contemporary world. |
| famous line of plato: HISTORY OF ANIMALS Aristotle, 2017-04-20 OF the parts of animals some are simple: to wit, all such as divide into parts uniform with themselves, as flesh into flesh; others are composite, such as divide into parts not uniform with themselves, as, for instance, the hand does not divide into hands nor the face into faces. And of such as these, some are called not parts merely, but limbs or members. Such are those parts that, while entire in themselves, have within themselves other diverse parts: as for instance, the head, foot, hand, the arm as a whole, the chest; for these are all in themselves entire parts, and there are other diverse parts belonging to them. All those parts that do not subdivide into parts uniform with themselves are composed of parts that do so subdivide, for instance, hand is composed of flesh, sinews, and bones. Of animals, some resemble one another in all their parts, while others have parts wherein they differ. � � |
| famous line of plato: Being and Time Martin Heidegger, 1996-01-01 A new, definitive translation of Heidegger's most important work. |
| famous line of plato: Great Dialogues of Plato Plato, 1970 |
| famous line of plato: Early Socratic Dialogues Plato, Chris Emlyn-Jones, 2005-06-30 Rich in drama and humor, this volume of seven dialogues includes the controversial Ion, a debate on poetic inspiration; Laches, in which Socrates seeks to define bravery; and Euthydemus, which considers the relationship between philosophy and politics. Together, these dialogues provide a definitive portrait of the real Socrates and raise issues still keenly debated by philosophers, forming an incisive overview of Plato's philosophy. As the father of Western philosophy, who transformed Greek thought with his questioning insights into life and ethics, Socrates was a powerful inspiration—and major irritant—to the Athenians of his day. After his trial and execution on charges of heresy and the corruption of young minds, his greatest pupil, Plato, wrote these early dialogues as an act of homage. |
| famous line of plato: Lyric Quotation in Plato Marian Demos, 1999 In this book, Marian Demos demonstrates the significance of three famous lyric quotations within their respective contexts in the dialogues of Plato. Demos reminds us that familiarity with the lyric poets was part of the educational background of Plato and his audience; therefore, she argues, Socrates is portrayed in the Platonic dialogues not only as a philosopher but also as someone with poetic sensibilities. Demos first investigates the Simonides poem in the Protagoras, showing that Plato has Socrates provide a fundamentally sound interpretation of the meaning of Simonides' words. She then argues that a purposeful misquotation of Pindar placed in the mouth of Callicles by Plato is not altogether implausible in light of the quotation's context in the Gorgias. Finally, Demos discusses Socrates' quotation of Stesichorus' palinode in the Phaedrus. Demos' analysis of the important role played by lyric quotation in Platonic dialogues will be of great interest to students and scholars of Plato and ancient lyric poetry. |
| famous line of plato: Phaedrus , 1985 |
| famous line of plato: Aristotle on Education Aristotle, 1905 |
| famous line of plato: Plato's Lemonade Stand Tom Morris, 2019-12-29 We've all heard the adage: When life hands you lemons, make lemonade. But no one ever says how. Finally, with the inspiration of Plato and the help other great philosophers, Tom Morris has figured it out and here gives us a recipe we all can use. Along the way, he shows us how to move with wisdom from difficulty to delight in everything we do. |
| famous line of plato: Plato's Cratylus Michael W. Riley, 2005 This book explains how the Cratylus, Plato's apparently meandering and comical dialogue on the correctness of names, makes serious philosophical progress by its notorious etymological digressions. While still a wild ride through a Heraclitean flood of etymologies which threatens to swamp language altogether, the Cratylus emerges as an astonishingly organized evaluation of the power of words. |
| famous line of plato: Heroicus. Gymnasticus. Discourses 1 And 2 Philostratus, 2014 In the writings of Philostratus (ca. 170-ca. 250 CE), the renaissance of Greek literature in the second century CE reached its height. His Life of Apollonius of Tyana, Lives of the Sophists, and Imagines reconceive in different ways Greek religion, philosophy, and art in and for the world of the Roman Empire. In this volume, Heroicus and Gymnasticus, two works of equal creativity and sophistication, together with two brief Discourses (Dialexeis), complete the Loeb edition of his writings. Heroicus is a conversation in a vineyard amid ruins of the Protesilaus shrine (opposite Troy on the Hellespont), between a wise and devout vinedresser and an initially skeptical Phoenician sailor, about the beauty, continuing powers, and worship of the Homeric heroes. With information from his local hero, the vinedresser reveals unknown stories of the Trojan campaign especially featuring Protesilaus and Palamedes, and describes complex, miraculous, and violent rituals in the cults of Achilles. Gymnasticus is the sole surviving ancient treatise on sports. It reshapes conventional ideas about the athletic body and expertise of the athletic trainer and also explores the history of the Olympic Games and other major Greek athletic festivals, portraying them as distinctive venues for the display of knowledge. |
| famous line of plato: The Musical Structure of Plato's Dialogues J.B. Kennedy, 2014-09-19 J. B. Kennedy argues that Plato's dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. The followers of Pythagoras famously thought that the cosmos had a hidden musical structure and that wise philosophers would be able to hear this harmony of the spheres. Kennedy shows that Plato gave his dialogues a similar, hidden musical structure. He divided each dialogue into twelve parts and inserted symbols at each twelfth to mark a musical note. These passages are relatively harmonious or dissonant, and so traverse the ups and downs of a known musical scale. Many of Plato's ancient followers insisted that Plato used symbols to conceal his own views within the dialogues, but modern scholars have denied this. Kennedy, an expert in Pythagorean mathematics and music theory, now shows that Plato's dialogues do contain a system of symbols. Scholars in the humanities, without knowledge of obsolete Greek mathematics, would not have been able to detect these musical patterns. This book begins with a concise and accessible introduction to Plato's symbolic schemes and the role of allegory in ancient times. The following chapters then annotate the musical symbols in two of Plato's most popular dialogues, the Symposium and Euthyphro, and show that Plato used the musical scale as an outline for structuring his narratives. |
| famous line of plato: The Last Days of Socrates Plato, 2022-12-27 A new version of Plato's four-part discourse extolling Socrates' brilliance. Plato's account of Socrates' trial and execution in 399 BC marks a turning point in Western literature as well as in ancient Athens' way of life. In these four dialogues, Plato elaborates on the Socratic notion of personal accountability and illustrates how Socrates, who was ordered by his fellow Athenians to commit suicide, lived and died in accordance with his own philosophy. In Euthyphro, Socrates engages in a discussion about goodness outside the courtroom; in Apology, he defends himself against all accusations of impiety; in Crito, he rejects a plea to be let out of prison; and in Phaedo, he approaches death with composure and an insightful discussion of eternity. |
| famous line of plato: Plato's Republic Sean McAleer, 2020 |
| famous line of plato: A Less Familiar Plato Kevin Corrigan, 2023-11-09 Provides new views of perception; embodiment; the Good/Forms; art, imagination, and the divine; interdialogue connections and unwritten teachings |
| famous line of plato: Encyclopaedia Britannica Hugh Chisholm, 1910 This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style. |
| famous line of plato: The Encyclopedia of Philosophy Donald M. Borchert, 1996 The first English-language reference of its kind, The Encyclopedia of Philosophy was hailed as 'a remarkable and unique work' (Saturday Review) that contained 'the international who's who of philosophy and cultural history' (Library Journal). |
| famous line of plato: The Value of Philosophy Bertrand Russell, 2017-10-05 The Value of Philosophy is one of the most important chapters of Bertrand's Russell's magnum Opus, The Problems of Philosophy. As a whole, Russell focuses on problems he believes will provoke positive and constructive discussion, Russell concentrates on knowledge rather than metaphysics: If it is uncertain that external objects exist, how can we then have knowledge of them but by probability. There is no reason to doubt the existence of external objects simply because of sense data. |
| famous line of plato: The Structure of Enquiry in Plato's Early Dialogues Vasilis Politis, 2015-05-28 Offers an alternative interpretation and defends a radically new view of Plato's method of argument in the early dialogues. |
| famous line of plato: Plato's Republic Alain Badiou, 2013-05-03 Plato's Republic is one of the most well-known and widely discussed texts in the history of philosophy, but how might we get to the heart of this work today, 2500 years after it was originally composed? Alain Badiou invents a new genre in order to breathe fresh life into Plato's text and restore its universality. Rather than producing yet another critical commentary, he has retranslated the work from the original Greek and, by making various changes, adapted it for our times. In this innovative reimagining of a classic text, Badiou has removed all references specific to ancient Greek society, from the endless exchanges about the moral courage of poets to those political considerations that were only of interest to the aristocratic elite. On the other hand, Badiou has expanded the range of cultural references: here philosophy is firing on all cylinders, and Socrates and his companions are joined by Beckett, Pessoa, Freud and Hegel. They demonstrate the enduring nature of true philosophy, always ready to move with the times. Moreover, Badiou the dramatist has made the Socratic dialogue a true oratorial contest: in his version of the Republic, the interlocutors have more in mind than merely agreeing with the Master. They stand up to him, put him on the spot and thereby show thought in motion. Through this work of writing, scholarship and philosophy, we are able, for the first time, to read a version of Plato's text which is alive, stimulating and directly relevant to our world today. |
| famous line of plato: Plato's Forms William A. Welton, 2002-01-01 The theory of forms usually attributed to Plato is one of the most famous of philosophical theories, yet it has engendered such controversy in the literature on Plato that scholars even debate whether or not such a theory exists in his texts. Plato's Forms: Varieties of Interpretation is an ambitious work that brings together, in a single volume, widely divergent approaches to the topic of the forms in Plato's dialogues. With contributions rooted in both Anglo-American and Continental philosophy, the book illustrates the contentious role the forms have played in Platonic scholarship and suggests new approaches to a central problem of Plato studies. |
| famous line of plato: Philosophical Mysticism in Plato, Hegel, and the Present Robert M. Wallace, 2019-12-26 Few twenty-first century academics take seriously mysticism's claim that we have direct knowledge of a higher or more “inner” reality or God. But Philosophical Mysticism argues that such leading philosophers of earlier epochs as Plato, G. W. F. Hegel, Ludwig Wittgenstein, and Alfred North Whitehead were, in fact, all philosophical mystics. This book discusses major versions of philosophical mysticism beginning with Plato. It shows how the framework of mysticism's higher or more inner reality allows nature, freedom, science, ethics, the arts, and a rational religion-in-the-making to work together rather than conflicting with one another. This is how philosophical mysticism understands the relationships of fact to value, rationality to ethics, and the rest. And this is why Plato's notion of ascent or turning inward to a higher or more inner reality has strongly attracted such major figures in philosophy, religion, and literature as Aristotle, Plotinus, St Augustine, Dante Alighieri, Immanuel Kant, Hegel, William Wordsworth, Ralph Waldo Emerson, Emily Dickinson, Whitehead, and Wittgenstein. Wallace's Philosophical Mysticism brings this central strand of western philosophy and culture into focus in a way unique in recent scholarship. |
| famous line of plato: A Century of Miracles H. A. Drake, 2017-08-01 The fourth century of our common era began and ended with a miracle. Traditionally, in the year 312, the Roman emperor Constantine experienced a vision of the Cross that led him to convert to Christianity and to defeat his last rival to the imperial throne; and, in 394, a divine wind carried the emperor Theodosius to victory at the battle of the Frigidus River. Other stories heralded the discovery of the True Cross by Constantine's mother, Helena, and the rise of a new kind of miracle-maker in the deserts of Egypt and Syria. These miracle stories helped Christians understand the dizzying changes they experienced in the fourth century. Far more than the outdated narrative of a life-and-death struggle between Christians and pagans, they help us understand the darker turn Christianity took in subsequent ages. In A Century of Miracles, historian H. A. Drake explores the role miracle stories played in helping Christians, pagans, and Jews think about themselves and each other. These stories, he concludes, bolstered Christian belief that their god wanted the empire to be Christian. Most importantly, they help explain how, after a century of trumpeting the power of their god, Christians were able to deal with their failure to protect the city of Rome from a barbarian sack by the Gothic army of Alaric in 410. Augustine's magnificent City of God eventually established a new theoretical basis for success, but in the meantime the popularity of miracle stories reassured the faithful--even when the miracles came to an end. Thoroughly researched within a wide range of faiths and belief systems, A Century of Miracles provides an absorbing illumination of this complex, polytheistic, and decidedly mystical phenomenon. |
| famous line of plato: Plato's Dialectic at Play Kevin Corrigan, Elena Glazov-Corrigan, 2015-10-29 The Symposium is one of Plato’s most accessible dialogues, an engrossing historical document as well as an entertaining literary masterpiece. By uncovering the structural design of the dialogue, Plato’s Dialectic at Play aims at revealing a Plato for whom the dialogical form was not merely ornamentation or philosophical methodology but the essence of philosophical exploration. His dialectic is not only argument; it is also play. Careful analysis of each layer of the text leads cumulatively to a picture of the dialogue’s underlying structure, related to both argument and myth, and shows that a dynamic link exists between Diotima’s higher mysteries and the organization of the dialogue as a whole. On this basis the authors argue that the Symposium, with its positive theory of art contained in the ascent to the Beautiful, may be viewed as a companion piece to the Republic, with its negative critique of the role of art in the context of the Good. Following Nietzsche’s suggestion and applying criteria developed by Mikhail Bakhtin, they further argue for seeing the Symposium as the first novel. The book concludes with a comprehensive reevaluation of the significance of the Symposium and its place in Plato’s thought generally, touching on major issues in Platonic scholarship: the nature of art, the body-soul connection, the problem of identity, the relationship between mythos and logos, Platonic love, and the question of authorial writing and the vanishing signature of the absent Plato himself. |
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