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| frances nesbitt oppel: Nietzsche on Gender Frances Nesbitt Oppel, 2005 Although Nietzsche has been considered by some critics to be a misogynist for his treatment of woman, women, and the feminine, Frances Nesbitt Oppel offers a radical reinterpretation of the philosopher's ideas on sex, gender, and sexuality. In Nietzsche on Gender: Beyond Man and Woman, she argues that a closer reading of Nietzsche's texts and rhetorical style (especially his use of metaphor and irony), as well as his letters and notes, shows that he was strategically and deliberately dismantling dualistic thinking in general, not only the logical hierarchies of western thought (God/human, heaven/earth, mind/body, reason/emotion, ethos/pathos) but also the assumed gender opposition of man/woman. In the process, she pulls the rug out from under the accusation of his alleged misogyny. Oppel's is the first study to combine recent speculations in gender study and queer theory with an in-depth analysis of Nietzsche's texts. This approach enables her to break through the impasse in feminist studies that has stalled for so long on the question of his misogyny, to redirect attention to the importance he gives to human creativity and self-fashioning rather than convention, and to gesture toward a future human sexuality beyond rivalry and resentment in favor of a sensual materialism in relationship with others and the earth. Oppel concludes that for Nietzsche, breaking the gender barrier liberates human beings as individuals and as a species to love themselves, each other, and their earthly home as they choose. By emphasizing the physical and material stuff of human existence (bodies and the earth), she says, Nietzsche reclaims for all humanity concepts that have been traditionally associated with woman and the feminine. No longer seen as a strong masculine hero, Nietzsche's superman becomes a supreme human achievement: the complete acceptance of time, change, and mortality in which human beings will possess the best characteristics of each gender in themselves. Nietzsche on Gender should be equally engaging for readers interested in Nietzsche in particular and in sexual politics and in philosophy and literature more generally. |
| frances nesbitt oppel: Yeats Richard J. Finneran, 1989-05-05 Contains the best of recent Yeats criticism |
| frances nesbitt oppel: Irony, Misogyny and Interpretation Tom Grimwood, 2012-12-04 What is it to claim that “misogyny” might be “ironic”? Why is it that, in the works of Nietzsche, Kierkegaard and Schopenhauer, the possibility of irony constantly interferes with a conclusive ethical judgement over the meaning of their “misogyny”? How do we hold our interpretations of such ambiguous texts ethically accountable? This book brings together the driving concerns of hermeneutics, feminist philosophy and the history of philosophy in dealing with the “problem of irony”. It develops a thematic account of the concept of irony as a philosophical form of interpretation, and explores this through close readings of three key sites of controversy regarding the relationship between irony and misogyny: Schopenhauer’s “On Women”, Kierkegaard’s “In Vino Veritas” and Nietzsche’s “Woman and Child”. Far from a distraction from or “excuse” for misogyny, the book argues that ironic ambiguity is a formative aspect of all three texts; and explores the different ways in which the authority of Schopenhauer, Kierkegaard and Nietzsche are constructed in terms of the problem of irony. |
| frances nesbitt oppel: Yeats and the Logic of Formalism Vereen M. Bell, 2006 Attempts to balance traditional and modern criticism of Yeats by linking formalism and philosophy in the context of Yeats' work and evaluates its credibility in Yeats's practice in relation to other theoretical discourses and in the context of the turbulent cultural and historical circumstances under which Yeats worked--Provided by publisher. |
| frances nesbitt oppel: The Politics of Irony in American Modernism Matthew Stratton, 2013-11-01 Shortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others. |
| frances nesbitt oppel: Transition, Reception and Modernism R. Greaves, 2001-12-17 In this study of Yeats' poetry between 1902 and 1916, Greaves strongly reacts to the tendency in literary criticism to categorize Yeats' work as 'modernist', Instead, Greaves offer a different way of looking at the transition in Yeats' work in this period, by examining the poems in the context of Yeats' life. As a result, the figure of Yeats the poet is resurrected from the exhaustive category of 'modernism' and the complex connections between the figure of Yeats within the poems and its relationship with the Yeats who exists outside them is revealed. |
| frances nesbitt oppel: Democratic Anxieties Mario Feit, 2011-03-15 Democratic Anxieties: Same-Sex Marriage, Death, and Citizenship proceeds from the surprising parallels between straight and gay opponents of same-sex marriage. With their apocalyptic rhetoric they inadvertently point to a frequently neglected, existential dimension of democratic citizenship. Democratic Anxieties argues that we must pay attention to the existential significance of democratic citizenship, because otherwise we end up with anxious democracy-a democracy that cannot fully embrace pluralism, especially when the connections between sex, death, and citizenship are at stake. This book pursues a less anxious conception of democratic citizenship in chapters on Jean-Jacques Rousseau, Hannah Arendt, and Friedrich Nietzsche. Feit reveals how Rousseau diminishes democratic citizenship by linking it to existential consolation via sexual reproduction. He interprets Arendt as a queer theorist, because she rejects the heteronormative pursuit of reproductive immortality. Yet, the hope for immortality persists within Arendt's conception of political action, which delimits its democratic potential. Feit argues that Nietzsche resists both Rousseau's political idealization of heterosexuality and Arendt's anxious alternative. Calling for an affirmation of death, Nietzsche, creatively reimagines sexual as well as cultural reproduction, that is, pluralizes democratic citizenship. The resulting, more existentially aware democratic politics not only contributes to lesbian and gay equality, but is also critical in a post-September 11 world. |
| frances nesbitt oppel: Behind the Scenes Adrian Frazier, 2024-03-29 Behind the Scenes presents the story of Dublin's famous Abbey Theatre and its major creative personalities: W. B. Yeats, Annie Horniman, J. M. Synge, and Lady Gregory. Part history, part sociology, part biography, Frazier's work recreates the forces that shaped the Abbey stage, forces that involved the spirited participation of actors, audiences, press, and financiers as well as of the famous poet-playwright who was its co-director. His book unfolds an entertaining and suspenseful tale, centered on the undeniably autocratic personality of W.B. Yeats and with the political struggles of Ireland as a backdrop. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. |
| frances nesbitt oppel: Subjectivity and Nationhood in Yeats, Joyce, and Beckett Matthew Fogarty, 2023-04-01 Subjectivity and Nationhood in Yeats, Joyce, and Beckett: Nietzschean Constellationsreconceptualises Friedrich Nietzsche’s position in the intellectual history of modernism and substantively refigures our received ideas regarding his relationship to these Irish modernists. Building on recent developments in new modernist studies, the book demonstrates that Nietzsche is a modernist writer and a modernist philosopher by drawing new parallels between his engagement with established philosophical theories and the aesthetic practices that Ezra Pound and T. S. Eliot identified as quintessentially modernist. With specific reference to key Nietzschean philosophemes – eternal recurrence, the Übermensch, transnationalism, cultural paralysis, and ethical perspectivism – itchallenges the longstanding assumption that Yeats, who repeatedly acknowledged his admiration for Nietzsche, is the most 'Nietzschean' of these Irish modernists. While showing how both Joyce and Beckett are in many important ways more 'Nietzschean' than Yeats, this interdisciplinary study makes a number of significant and timely contributions to the fields of Irish studies and modernist studies. |
| frances nesbitt oppel: Nietzsche's Thus Spoke Zarathustra Douglas Burnham, 2010-06-16 A step-by-step guide to Nietzsche's Thus Spoke Zarathustra. Thus Spoke Zarathustra is one of Nietzsche's greatest books, a cross-over text that combines philosophical innovation with literary experimentation. With Zarathustra Nietzsche has attempted a redefinition of the form-content correlation in philosophical writing and as such the text is considered an experiment in philosophical style. It therefore represents a large hurdle for undergraduate students. This projected commentary works on the assumption that access to the philosophical core of the text can only be gained through taking its literary ambitions seriously and that, moreover, these literary ambitions can only be understood as an attempt to realise philosophical ideas. This is a book that is designed to be read alongside Nietzsche and will therefore make the reading and appreciation of the primary material achievable. This approach will be welcomed by students and lecturers alike. |
| frances nesbitt oppel: Nietzsche's 'The Birth of Tragedy' Douglas Burnham, Martin Jesinghausen, 2010-05-20 |
| frances nesbitt oppel: Yeats and European Drama Michael McAteer, 2010-08-05 Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama. |
| frances nesbitt oppel: Nietzsche and Friendship Willow Verkerk, 2019-02-21 In Nietzsche and Friendship, Willow Verkerk provides a new and provocative account of Nietzsche's philosophy which identifies him as an agonistic thinker concerned with the topics of love and friendship. She argues that Nietzsche's challenges to the received principles of friendship from Aristotle to Kant offer resources for reinvigorating our thinking about friendship today. Through an examination of his free spirit texts, Human, All Too Human, Daybreak and The Gay Science together with Thus Spoke Zarathustra and Beyond Good and Evil, Verkerk unlocks key aspects of Nietzsche's thinking on friendship, love, 'woman', the self, self-overcoming, virtue, and character. She questions Nietzsche's misogyny, but also considers the emancipatory potential of his writing by brining him into dialogue with postmodern, feminist, and transgender thinkers. This book revives interest in the ethical, therapeutic, and political dimensions of Nietzsche's philosophy. |
| frances nesbitt oppel: Grounds for Respect Kristi Giselsson, 2012-07-25 In recent years traditional foundations of respect for others have been challenged on the basis that universal grounds — the assumption that we share a common humanity — have resulted in the exclusion of particular others from full moral consideration or respect. This current questioning of the concept of a common humanity is of enormous significance, in that universalism has been one of the central assumptions of modern western philosophy and a foundational key to its moral and political theory. This book attempts to address the question of just what grounds are needed in order to justify respect for others, and in addressing this question raises issues of fundamental importance; such as, what exactly does it mean to be human? On what basis can we claim that all humans are equal? Are there differences between animals and humans, and are these differences of moral significance — that is, should animals be accorded the same respect as humans? The author not only critically assesses past and current arguments for and against a common humanity, but also provides a distinctively new conceptualization of what it might mean to be human — and why being human is indeed morally significant. |
| frances nesbitt oppel: Stage Fright Martin Puchner, 2003-04-01 Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old anti-theatrical prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic Circe chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism. |
| frances nesbitt oppel: Rewriting the Word "God" Romana Huk, 2025 Innovative poetry, philosophy, theology and new sciences converge in the project of rewriting the word God In Rewriting the Word God, Romana Huk examines the substantive connections between innovative poetry of the last century and contemporary theology and philosophy. Along the way, we encounter ten poets who have, without abandoning their inherited or chosen faith traditions, radically rethought conceptualizations of divinity, human ontology, and the real. From the startlingly proto-phenomenological encounters with nature by Gerard Manley Hopkins to the post-deconstructive pursuit of oracular speech in Fanny Howe, these poets have found inspiration in a wide range of sources, from ancient religious texts to modern philosophical movements. But what unites them is their willingness to continually change, experiment and challenge the status quo, both in their religious beliefs and their poetic practice. Huk shows how these poets have used their work to explore ultimate questions of life and death, meaning and purpose, and the relationship between humans and materiality, humans and other humans, which for these poets sheds light on humanity's relationship with the divine. She also highlights the ways in which they have engaged with social and political issues in their poetry to speak out against injustice and oppression. Rewriting the Word God is a thought-provoking and inspiring work that will challenge current perceptions of both religion and poetry from new positions at the intersection of faith, art, philosophy, science, literary theory, and culture. |
| frances nesbitt oppel: Death by Laughter Maggie Hennefeld, 2024-03-19 Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world. |
| frances nesbitt oppel: Such Deliberate Disguises: The Art of Philip Larkin Richard Palmer, 2008-05-01 Such Deliberate Disguises: The Art of Philip Larkin argues that a true understanding of Philip Larkin as man and poet lies beyond his enduring public appeal and the variety of criticism that has recently been applied to his work. Richard Palmer suggests that the ostensible simplicity of Larkin's writing, which continues to attract so many readers to him, is deceptive, masking as it does one of the richest and most resonant of oeuvres in twentieth-century poetry. Penetrating the many masks of Larkin, the book sheds new and considerable light on the hitherto largely ignored spiritual significance of his work. Based upon close and scrupulous reading of the poems themselves, it draws upon insights gained from the history of art and the study of religion and myth as much as literary criticism and personal biography. It also brings long-overdue attention to what is seen to be perhaps the chief love, and operative aesthetic force, of Larkin's life: jazz. Such Deliberate Disguises is thus a major contribution, not just to Larkin studies, but to the wider cultural history of our times. |
| frances nesbitt oppel: Yeats Annual No 7 Warwick Gould, 2016-07-27 The essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled 'The Lilies of the Lord' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981. |
| frances nesbitt oppel: Nietzsche and the Rebirth of the Tragic Mary Ann Frese Witt, 2007 Addresses the question of the legacies of Nietzsche's theories of tragedy as literary genre and of the tragic as ontological concept. This volume gives a sampling of the multifaceted and widespread impact of Nietzsche's thought in Eastern as well as in Western Europe and in the United States. |
| frances nesbitt oppel: The Culture of Pain David B. Morris, 1991 Explores the history of pain in Western literature and culture to restore the bridge between pain and meaning. |
| frances nesbitt oppel: Feminine Discourse in Roman Comedy Dorota M. Dutsch, 2008-08-07 Introduction : reading towards the other -- Plautus' Pharmacy -- Of pain and laughter -- (Wo)men of Bacchus -- Father tongue, mother tongue : the back-story and the forth-story. |
| frances nesbitt oppel: Dionysus and Apollo after Nihilism Carlos A. Segovia, Sofya Shaikut Segovia, 2023-02-17 This book recovers Dionysus and Apollo as the twin conceptual personae of life’s dual rhythm in an attempt to redesign contemporary theory through the reciprocal affirmation of event and form, earth and world, dance and philosophy. It revisits Heidegger and Lévi-Strauss, and combines them with Roy Wagner, with the purpose of moving beyond Nietzsche’s manifold legacy, including post-structuralism, new materialism, and speculative realism. It asks whether merging philosophy and anthropology around issues of comparative ontologies may give us a chance to re-become earthbound dwellers on a re-worlded earth. |
| frances nesbitt oppel: Luce Irigaray's Phenomenology of Feminine Being Virpi Lehtinen, 2014-05-15 A dynamic interpretation of feminine identity capable of resistance, change, and transformation. The reception of Luce Irigarays ideas about feminine identity has centered largely on questions of essentialism, whether criticizing this as a destructive flaw or interpreting it in strategic or pragmatic terms. Staking out an alternative approach, Virpi Lehtinen finds in the phenomenology of Husserl and Merleau-Ponty a framework for what she characterizes as dynamic essentialism, which seeks to account for the complex networks of lived experience: embodied, affective, and spiritual relations to oneself, to others, and to the world. Rather than prescribing one norm to which all women should conform, Lehtinen argues, Irigarays work exemplifies how each individual woman in her own way contributes to a norm of femininity that is both unique and singular but also connected to the existential styles of past, present, and future others. |
| frances nesbitt oppel: Homo Natura Lemm Vanessa Lemm, 2020-03-02 Nietzsche coins the enigmatic term homo natura to capture his understanding of the human being as a creature of nature and tasks philosophy with the renaturalisation of humanity. Following Foucault's critique of the human sciences, Vanessa Lemm discusses the reception of Nietzsche's naturalism in philosophical anthropology, psychoanalysis and gender studies. She offers an original reading of homo natura that brings back the ancient Greek idea of nature and sexuality as creative chaos and of the philosophical life as outspoken and embodied truth, perhaps best exemplified by the Cynics' embrace of social and cultural transformation. |
| frances nesbitt oppel: The Critical Thought of W. B. Yeats Wit Pietrzak, 2017-08-29 This book focuses on W. B. Yeats’s critical writings, an aspect of his oeuvre which has been given limited treatment so far. It traces his critical work from his earliest articles, through to his occult treatises, and all the way to his last pamphlets, in which he sought to delineate the idea of a literary culture: a community of people willing to credit poetry with the central role in imagining and organising social praxis throughout society. The chapters of this study investigate the contexts in which Yeats’s thought developed, his many disputes over the shape of Irish cultural politics, the future of poetry and the place literature occupies in the world. What transpires is an image of Yeats who is strung between the impulses of faith in the existence of a supernatural order and ironic scepticism as to the possibility of ever capturing that order in language. This study is distinguished by its grounding of Yeats's critical agenda in a broader context through textual analysis. In addition, it organises and systematises his conceptions of poetry and its social role through its approach to his criticism as a fully-fledged area of his artistic practice. The monograph has been written within the framework of the project financed by The National Science Centre, Cracow, Poland, pursuant to the decision number DEC-2013/09/D/HS2/02782. |
| frances nesbitt oppel: Classics and Celtic Literary Modernism Gregory Baker, 2022-02-03 Analyzes the complex role receptions of antiquity had in forging nationalist ideology and literary modernism in Ireland, Scotland and Wales. |
| frances nesbitt oppel: The Birth of Modernism Leon Surette, 1993 In The Birth of Modernism Leon Surette challenges our traditional understanding of modernism by situating the origins of modernist aesthetics in the occult. |
| frances nesbitt oppel: Nietzsche's ‘Thus Spoke Zarathustra' Keith Ansell-Pearson, Paul S. Loeb, 2022-06-23 Nietzsche regarded Thus Spoke Zarathustra as his most important philosophical contribution because it proposes solutions to the problems and questions he poses in his later books – for example, his cure for the human disposition to vengefulness and his creation of new values as the antidote to nihilism. It is also the only place where he elaborates his concepts of the superhuman and the eternal recurrence of the same. In this Critical Guide, an international group of distinguished scholars analyze the philosophical ideas in Thus Spoke Zarathustra, discussing a range of topics that include literary parody as philosophical critique, philosophy as a way of life, the meaning of human life, philosophical naturalism, fatalism, radical flux, human passions and virtues, great politics, transhumanism, and ecological conscience. The volume will be invaluable for philosophers, scholars and students interested in Nietzsche's thought. |
| frances nesbitt oppel: Joseph Keene Chadwick John Rieder, Joseph H. O'Mealy, Valerie Wayne, 2002-01-01 Joseph Keene Chadwick taught at the University of Hawai'i until his untimely death at the age of thirty-seven in 1992. He was a gifted teacher and scholar of Irish literature. He was also an early advocate for gay studies and Pacific literature, and an accomplished translator. In addition to many published essays on these topics, he left an unfinished book manuscript on William Butler Yeats' theory of tragedy. This volume, which includes two chapters from his book on Yeats, presents Chadwick's early interventions into the areas of Irish and gay studies and translation alongside commisioned essays and work by contemporary scholars and writers, including Frank McGuinness, Witi Ihimaera, George Haggerty, and Elizabeth Butler Cullingford. |
| frances nesbitt oppel: The Influence of Oscar Wilde on W.B. Yeats Noreen Doody, 2018-08-07 This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility. |
| frances nesbitt oppel: Introductions to Nietzsche Robert B. Pippin, 2012-02-09 A comprehensive and unusual introduction to Nietzsche, providing a separate introductory essay for each of his major works. |
| frances nesbitt oppel: Text, Body and Indeterminacy Anna Budziak, 2009-03-26 The nature of the self is an important point at which philosophy and literature intersect. Text, Body and Indeterminacy acknowledges this connection by forging a link between the philosophical concept of the self and the category of the literary character. The philosophical horizon of Text, Body and Indeterminacy is delineated by the neo-pragmatist debate on selfhood. The book entwines the ideas of Richard Rorty and Richard Shusterman by stressing similarity in their aestheticizing of ethics and by showing the difference in their understanding of the self as textual or bodily. The characters created by Pater and Wilde are freshly assessed within this dual philosophical perspective. Their doppelgängers are seen as the forerunners of postmodernist concepts: the cerebral flâneur is reflected in Rorty’s model “ironist,” and the sensuous aesthete returns through Shusterman’s notion of the somatic self. Text, Body and Indeterminacy establishes how Pater renders his protagonists through discursive patterns—tropes of Decadence, philosophical theorems, and myths—only to subvert these vocabularies and to emphasize the reality of the body, the extra-textual dimension of the self. It also shows how Wilde’s sensuous personae, both bodily and indeterminate, transcend the vocabularies available to the Wildean flâneurs. Through its interpretations, Text Body and Indeterminacy uniquely combines literary portraits by Pater and Wilde, highlights interlocking themes and, in every reading, points to the ethical gains of tilting the idea of selfhood into the somatic realm. |
| frances nesbitt oppel: Isabelle Eberhardt and North Africa Lynda Chouiten, 2014-11-12 Born in Switzerland, writer Isabelle Eberhardt spent most of her adult life in North Africa, where she gained the reputation of being an anti-colonial figure on account of her friendship with the natives. This book shows that she was less interested in defending the colonized than in fulfilling her personal quests for heroism and literary success. |
| frances nesbitt oppel: Passionate Action David Richman, 2000 Drawing on Yeats's correspondence with fellow theater artists as well as on the myriad drafts of his plays, this book traces the conflict through which Yeats the playwright mastered and transmuted the traditional elements of drama, fusing them to create a body of wholly modern plays that still exert their influence upon contemporary playwrights.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| frances nesbitt oppel: Political Writings of Friedrich Nietzsche F. Cameron, D. Dombowsky, 2008-10-24 Political Writings of Friedrich Nietzsche is an anthology that gathers together, for the first time, the political commentary and writings found throughout Nietzsche's corpus. Included is an historical introduction which demonstrates that Nietzsche was an observer of and responded to the political events which defined the Bismarckian era. |
| frances nesbitt oppel: Nietzsche and Politicized Identities Rebecca Bamford, Allison Merrick, 2024-04-01 Contemporary political struggles often find their origins in conflicts based on race, religion and region, gender and sexuality, or class. Given the need for conceptual resources to meet such challenges, this volume of essays explores the extent to which Friedrich Nietzsche's philosophy can be of use to us in these struggles. In Nietzsche and Politicized Identities, emerging and leading Nietzsche scholars offer fresh insights into various central questions: How do our politicized identities form and develop their legitimacy? What sorts of functions do such identities serve? What political ideals does Nietzsche advocate? What conceptual tools for reanimating liberatory political projects does Nietzsche promote? How might we organize politically to affirm life and acknowledge the tragic as we avoid the pull of nihilism? The essays within this volume engage these questions and offer fresh, at times surprising, answers. |
| frances nesbitt oppel: Yeats and Alchemy William T. Gorski, 1996-01-04 This book traces the development of alchemical discourse in the work of W. B. Yeats. His early essays and Golden Dawn transcripts demonstrate that for the poet, the alchemist was both artist and initiate. Gorski considers the themes of transformation, apocalypse, and futurity in relation to Yeats' alchemical representations of the 1890s. He uncovers Yeats' postmodern trajectory--to reconstitute the body, history, and material contingency which Yeats' original Symbolist aesthetic sought to transcend for a world made wholly of essences. Yeats and Alchemy bridges the resistant discourses of hermeticism and poststructuralism in alchemy's reclaiming of the culturally discarded value, in its theorizing of construction and deconstruction, and in its siting of the Other within the subject. Discussions of previously unpublished Yeats journals theorize on the Body's place and potential in spiritual transformation. Gorski also highlights the role Yeats assigned to alchemy in marriage and in his turbulent partnership with Maud Gonne. |
| frances nesbitt oppel: Peace and Violence in the Ethics of Dietrich Bonhoeffer Trey Palmisano, 2016-01-01 Not many theologians have had as great an impact on the study of peace and violence as Dietrich Bonhoeffer, who was labeled an Enemy of the State and eventually executed in April 1945. In this book, Trey Palmisano examines the theological connection between peace and violence across a range of Bonhoeffer's writings, sermons, and letters. Despite the challenges Bonhoeffer experienced in his personal life and in the life of his country, Palmisano asserts that a strong consistency emerges in Bonhoeffer's approach to ethics that resonates in the positing of Christ as the center of all ethical discourse and orients one to the ever-present challenges of a changing world. Palmisano creates distance from former studies that sought to define Bonhoeffer as a committed pacifist, a situational pacifist, or one who compromised his values to accommodate an exception for violence. By prioritizing methodology as the key to interpreting Bonhoeffer's thought, Palmisano argues that the ethical dilemma thought to be caused by Bonhoeffer's actions is avoided. The result is one that creates an authentic ethical openness by responsiveness to Christ rather than Christian virtue, and frees the individual from redundancies of action derived from deeply embedded patterns of theological engagement. |
| frances nesbitt oppel: Atheism and Agnosticism Peter A. Huff, 2021-09-01 An overview essay and approximately 50 alphabetically arranged reference entries explore the background and significance of atheism and agnosticism in modern society. This is the age of atheism and agnosticism. The number of people living without religious belief and practice is quickly and dramatically rising. Some experts call nonreligion, after Christianity and Islam, the third largest religion in the world today. Understanding the origins, history, variations, and impact of atheism and agnosticism is crucial to getting a grasp of the meaning of the present and gaining a glimpse of the future. Exploring some of the most extraordinary people, events, and ideas of all time, this book provides a fair, comprehensive, and engaging survey of all aspects of contemporary atheism and agnosticism. An overview essay discusses the background and social and political contexts of unbelief, while a timeline highlights key events. Some 50 alphabetically arranged reference entries follow, with each providing fundamental, objective information about particular topics along with cross-references and suggestions for further reading. The volume closes with an annotated bibliography of the most important resources on atheism and agnosticism. |
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Frances is a 1982 American biographical tragedy film directed by Graeme Clifford and written by Eric Bergren, Christopher De Vore, and Nicholas Kazan. The film stars Jessica Lange as …
Frances - Paid Leave Oregon
What do you need to know about Frances Online? Frances Online will be unavailable from 5 p.m. on Wednesday, February 28 until 8 a.m. on Monday, March 4. The due date to file for weekly …
Frances Online Help and Resources - Oregon.gov
Frances Online is Oregon's new contributions and benefits system for both Paid Leave Oregon and Unemployment Insurance. Visit our Common Task page to learn how to create an …
Frances (1982) - IMDb
Jessica Lange gives the performance of a lifetime as iconoclastic actress Frances Farmer, whose rejection of the star system led to her mental collapse and ostracism from her fame-hungry …
Frances - Wikipedia
Frances is an English given name or last name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'the French.' [1] The male version of the name in English is …
Frances - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Frances is a girl's name of Latin origin meaning "from France; free man". Frances, a soft and gentle classic last popular a hundred years ago, is trending again. The …
Frances vs. Francis — What’s the Difference?
Feb 29, 2024 · Frances is a female name of Latin origin meaning "from France or free one," while Francis is a male name with the same origins and meanings. Frances and Francis, while …
Frances Online Frequently Asked Questions - OED Unemployment
4 days ago · Frances Online is the fastest and easiest way to complete many tasks, including to apply for benefits, file a weekly claim, check on the status of your claim, and respond to any …
Frances Online Landing Page
Links. Equal Opportunity; Equity and Inclusion; Complaint System; Sistema de quejas; Employment Advisory Council; Employment Appeals Board; Confidentiality Disclaimer
Frances Online | OED Unemployment Insurance
4 days ago · Frances Online is the Employment Department’s new, modern, easy-to-use online system for Unemployment Insurance and Paid Leave Oregon benefits. Learn more …
Frances (film) - Wikipedia
Frances is a 1982 American biographical tragedy film directed by Graeme Clifford and written by Eric Bergren, Christopher De Vore, and Nicholas Kazan. The film stars Jessica Lange …
Frances - Paid Leave Oregon
What do you need to know about Frances Online? Frances Online will be unavailable from 5 p.m. on Wednesday, February 28 until 8 a.m. on Monday, March 4. The due date to file for …
Frances Online Help and Resources - Oregon.gov
Frances Online is Oregon's new contributions and benefits system for both Paid Leave Oregon and Unemployment Insurance. Visit our Common Task page to learn how to …
