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| faust 1: Faust, Volume One , 2008 With gorgeous, electrifying manga-style artwork and cool, entertaining prose fiction, this anthology--a blockbuster hit in Japan--mixes wickedly cool, genre-bending short stories by young authors with illustrations by established manga artists. Young adult. |
| faust 1: Goethe's Faust Johann Wolfgang von Goethe, 1926 |
| faust 1: Goethe's Faust I Outlined Evanghelia Stead, 2023-07-24 In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant. |
| faust 1: Goethe's Faust I David W. Lovell, Heinz-Uwe Haus, 2017-01-06 In March 2014, the University of Delaware’s Resident Ensemble Players staged the first Part of Goethe’s Faust, adapted and directed by Heinz-Uwe Haus, which forms the centrepiece and raison d’être of this book. This book tracks the creative process of Haus’s adaptation of the play and his attempts to elicit responses from his international networks to his question: how is Goethe’s Faust relevant today? It brings together comments from stage and costume designers as they brought their own creativity and understanding of the audience to bear on the play, and presents a brief record of the production itself, through stage directions and the photography of Bill Browning. The book then explores the reactions the production has elicited amongst some of its audience. |
| faust 1: Faust: Faust [1. part only Johann Wolfgang von Goethe, 1825 |
| faust 1: Faust I & II Johann Wolfgang von Goethe, 1994 Goethe's most complex and profound work, Faust was the effort of the great poet's entire lifetime. Written over 60 years, it can be read as a document of Goethe's moral and artistic development. Faust is made available to the English reader in a completely new translation that communicates both its poetic variety and its many levels of tone. The language is present-day English, and Goethe's formal and rhythmic variety is reproduced in all its richness. |
| faust 1: Goethe Ronald Gray, 1967-06 A concise survey and criticism of Goethe's work, for the general reader and the student. |
| faust 1: Annual report of the State Department of Health of New York. 1894 pt.2 , 1894 |
| faust 1: Goethe's Faust John R. Williams, 2020-01-30 Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe’s Faust. It gives the student of German and European literature valuable insights into the most important work of Germany’s foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe’s work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe’s own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play. |
| faust 1: Faust Adaptations from Marlowe to Aboudoma and Markland Lorna Fitzsimmons, 2016-10-15 Faust Adaptations, edited and introduced by Lorna Fitzsimmons, takes a comparative cultural studies approach to the ubiquitous legend of Faust and his infernal dealings. Including readings of English, German, Dutch, and Egyptian adaptations ranging from the early modern period to the contemporary moment, this collection emphasizes the interdisciplinary and transcultural tenets of comparative cultural studies. Authors variously analyze the Faustian theme in contexts such as subjectivity, genre, politics, and identity. Chapters focus on the work of Christopher Marlowe, Johann Wolfgang von Goethe, Adelbert von Chamisso, Lord Byron, Heinrich Heine, Thomas Mann, D. J. Enright, Konrad Boehmer, Mahmoud Aboudoma, Bridge Markland, Andreas Gössling, and Uschi Flacke. Contributors include Frederick Burwick, Christa Knellwolf King, Ehrhard Bahr, Konrad Boehmer, and David G. John. Faust Adaptations demonstrates the enduring meaningfulness of the Faust concept across borders, genres, languages, nations, cultures, and eras. This collection presents innovative approaches to understanding the mediated, translated, and adapted figure of Faust through both culturally specific inquiry and timeless questions. |
| faust 1: Kierkegaard's Journals and Notebooks, Volume 11, Part 1 Søren Kierkegaard, 2019-11-26 For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his “journals and notebooks.” Kierkegaard has long been recognized as one of history’s great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term “diaries.” By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. Volume 11, Part 1, and Volume 11, Part 2, present an exciting, enlightening, and enormously varied treasure trove of papers that were found, carefully sorted and stored by Kierkegaard himself, in his apartment after his death. These papers—many of which have never before been published in English—provide a window into many different aspects of Kierkegaard’s life and creativity. Volume 11, Part 1, includes items from his earliest, formative years, through his extensive studies at the university, and up to the publication of Either/Or. These materials include Kierkegaard’s studies in biblical exegesis; his reading of theologians such as Schleiermacher and Baader; his concern with aesthetic matters, including a lengthy consideration of the Faust legend; his first, trial sermon, delivered at the Pastoral Seminary; his views on the burgeoning field of political journalism in the 1830s; and a group of papers he titled “The First Rudiments of Either/Or. The Green Book. Some Particulars that were not Used.” |
| faust 1: Catalog of Standard 65 Note Music Rolls Lyon & Healy, 1910 |
| faust 1: Bad Mother #1 Christa Faust, 2020-08-05 A nerve-racking thriller from crime writer Christa Faust and blockbuster artist Mike Deodato Jr. (The Resistance, Infinity Wars). April Walters is a hit-and-run victim of life – a middle-aged soccer mom whose inner fire has been snuffed out by her dreary suburban existence. When her teenaged daughter goes missing under mysterious circumstances, April embarks on a harrowing mission to find her; a journey that takes her through the underbelly of her suburban community and sets her on a collision course with a massive crime syndicate and its lethal matriarch. Tested to her limits and beyond, April discovers that hell hath no fury like a mother scorned. |
| faust 1: Frau Faust 1 Kore Yamazaki, 2017-09-26 From the creator of The Ancient Magus' Bride comes a supernatural action manga in the vein of Fullmetal Alchemist! With electrifying art and a gripping story, Frau Faust reimagines the protagonist of the classic tale who makes a deal with the devil as a tenacious female scholar. More than a century after an eccentric scholar made an infamous deal with a devil, the story of Faust has passed into legend. However, the true Faust is not the stuffy, professorial man known in fairy tales, but a charismatic, bespectacled woman named Johanna Faust, who happens to still be alive. Searching for pieces of her long-lost demon, Johanna passes through a provincial town, where she saves a young boy named Marion from a criminal’s fate. In exchange, she asks a simple favor of Marion, but Marion soon finds himself intrigued by the peculiar Doctor Faust and joins her on her journey. Thus begins the strange and wonderful adventures of Frau Faust! |
| faust 1: The Works of Nathaniel Lardner, D.D. with a Life by Dr. Kippis ... Nathaniel Lardner, 1838 |
| faust 1: Volume 16, Tome II: Kierkegaard's Literary Figures and Motifs Katalin Nun, Jon Stewart, 2016-12-05 While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina. |
| faust 1: The Works of Nathaniel Lardner KIPPIS, 1827 |
| faust 1: A History of Western Choral Music, Volume 2 Chester L. Alwes, 2016-08-03 A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history. |
| faust 1: A History of Western Choral Music Chester Lee Alwes, 2015 Comprehensive history of western choral music from the Medieval era, to the begginings of the Romantic period. Unique in its detailed analysis and breadth of Western choral music and key composers. Ample musical examples to supplement discussion. In-depth discussions of historical connections. |
| faust 1: Mystery Fanfare Michael L. Cook, 1983 This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre. |
| faust 1: Goethes Faust: The first part Johann Wolfgang von Goethe, 1895 |
| faust 1: The Works of Nathaniel Lardner, D.D., Nathaniel Lardner, 1838 |
| faust 1: Faust I & II, Volume 2 Johann Wolfgang von Goethe, 2014-04-06 One of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress. Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations. Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece. |
| faust 1: International Faust Studies Lorna Fitzsimmons, 2008-10-23 This major interdisciplinary collection captures the vitality and increasingly global significance of the Faust figure in literature, theatre and music. Bringing together scholars from around the world, International Faust Studies examines questions of adaptation, reception and translation centering on Faust discourse in a diversity of cultural contexts, including the Chinese, Japanese, Indian, African, Brazilian and Canadian, as well as the European, British and American. It broadens the field by including studies of lesser known or neglected Faust discourse, including the translation of Goethe's Faust recently attributed to Coleridge, in addition to the canonical. |
| faust 1: Documents of the Assembly of the State of New York New York (State). Legislature. Assembly, 1894 |
| faust 1: Nietzsche on Art and Life Daniel Came, 2014-04 Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy. |
| faust 1: The Works of Nathaniel Lardner Nathaniel Lardner, 1815 |
| faust 1: Goethe's Faust Kuno Fischer, 1895 |
| faust 1: The Works of N. Lardner, Etc Nathaniel LARDNER, 1815 |
| faust 1: The first part of Goethe's Faust together with the prose tr., notes and appendices of A. Hayward, revised by C.A. Buchheim Johann Wolfgang von Goethe, 1892 |
| faust 1: Theology of Wagner's Ring Cycle I Richard H. Bell, 2021-01-01 Wagner’s Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner’s creation was such that even he felt he stood before his work ‘as though before some puzzle’. A clue to the Ring’s greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors, and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer’s Christian interests may be detected in the ‘forging’ of his Ring, in his appropriation of sources (whether they be myths and sagas, writers, poets, or philosophers), and in works composed around the same time, especially his Jesus of Nazareth. |
| faust 1: Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1 Paul Bishop, 2007-08-07 In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in particular, has frequently been acknowledged, until now it has never been examined in any detailed or systematic way. Through an analysis of Jung’s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the intellectual continuity within analytical psychology and the filiation of ideas from German classical aesthetics to Jungian thought. In this way it suggests that a rereading of analytical psychology in the light of German classical aesthetics offers an intellectually coherent understanding of analytical psychology. By uncovering the philosophical sources of analytical psychology, this first volume returns Jung’s thought to its core intellectual tradition, in the light of which analytical psychology gains new critical impact and fresh relevance for modern thought. Written in a scholarly yet accessible style, this book will interest students and scholars alike in the areas of analytical psychology, comparative literature, and the history of ideas. |
| faust 1: The Global Politics of Poverty in Canada Will Langford, 2021-01-16 In the 1960s and 1970s, in the midst of the Cold War and an international decolonization movement, development advocates believed that poverty could be ended, at home and abroad. The Global Politics of Poverty in Canada explores the relationship between poverty, democracy, and development during this remarkable period. Will Langford analyzes three Canadian development programs that unfolded on local, regional, and international scales. He reveals the interconnections of anti-poverty activism carried out by the Company of Young Canadians among Métis in northern Alberta and francophones in Montreal, by the Cape Breton Development Corporation, and by Canadian University Service Overseas in Tanzania. In dialogue with the New Left, liberal reformers committed to development programs they believed would empower the poor to confront their own poverty and thereby foster a more meaningful democracy. However, democracy and development proved to be fundamentally contested, and development programs stopped short of amending capitalist social relations and the inequalities they engendered. The Global Politics of Poverty in Canada explores how Canadians engaged in informal and formal politics in the course of their everyday lives, locally and transnationally. Langford provides an enduring record of otherwise fleeting anti-poverty programs and their effects: the lived activism and opinions of development workers and ordinary people. |
| faust 1: Biblical Argument in Manichaean Missionary Practice Jacob Albert van den Berg, 2009-12-07 The use and appreciation of Scripture by the Manichaeans is a field of research with many unanswered questions. This study offers an investigation into the role of the Bible in the writings of the important Manichaean missionary Addas Adimantus (flor. ca. 250 CE), one of Mani's first disciples. A major part of the book is dedicated to the reconstruction of the contents of his Disputationes, in which writing Adimantus attempted to demonstrate that the Old and New Testaments are absolutely irreconcilable. The most important source in this connection is Augustine, who refuted a Latin translation of Adimantus’ work. A thorough analysis of the contents of the Disputationes brings to the fore that Adimantus was a Marcionite prior to his going over to Mani’s church. |
| faust 1: The First Part of the Tragedy of Faust in English Johann Wolfgang von Goethe, 1898 |
| faust 1: The Second Part of Goethe's Faust Johann Wolfgang von Goethe, 1886 |
| faust 1: Credit and Creed Andreas Rahmatian, 2019-10-28 Money is a legal institution with principal economic and sociological consequences. Money is a debt, because that is how it is conceptualised and comes into existence: as circulating credit – if viewed from the creditor’s perspective – or, from the debtor’s viewpoint, as debt. This book presents a legal theory of money, based on the concept of dematerialised property. It describes the money creation or money supply process for cash and for bank money, and looks at modern forms of money, such as cryptocurrencies. It also shows why mainstream economics presupposes, but avoids an analysis of, money by effectively eliminating money from the microeconomic market model and declaring it as merely a neutral medium of exchange and unit of account. The book explains that money rather brings about and influences substantially the exchange or transaction it is supposed to facilitate only as a neutral medium. As the most liquid of all assets, money enables financialisation, monetisation and commodification in the economy. The central role of the banks in the money creation process and in the economy, and their strengthened position after the bank rescue measures in the wake of the financial crisis 2008-9 are also discussed. Providing a rigorous analysis of the most salient legal issues regarding money, this book will appeal to legal theorists, economists and anyone working in commercial or banking law. |
| faust 1: The Ancient Magus' Bride Vol. 15 Kore Yamazaki, 2021-09-28 As the College continues its desperate search for The Testament of Carnamagos, the danger has grown so dire that the Vice-Chancellor has decided to put the College in lockdown until Christmas.Through their shared plight, Chise and her classmates come to know more about each other. Thanks to their experiences in the Abandoned Hall, they all begin to change, whether they like it or not. Some grow closer, while others begin drifting apart. |
| faust 1: Historical Dictionary of Romantic Music John Michael Cooper, 2024-02-12 Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. |
| faust 1: Critical and Miscellaneous Essays Thomas Carlyle, 1855 |
Faust - Wikipedia
Dr. Fausto by Jean-Paul Laurens 1876 'Faust' by Goethe, decorated by Rudolf Seitz, large German edition 51 cm × 38 cm (20 in × 15 in) Faust (/ f aʊ s t / FOWST, German: ⓘ) is the …
Faust | Legend, Summary, Plays, Books, & Facts | Britannica
Apr 26, 2025 · Faust, hero of one of the most durable legends in Western folklore and literature, the story of a German necromancer or astrologer who sells his soul to the devil in exchange …
Faust - Project Gutenberg
In Faust, the iambic measure predominates; the style is compact; the many licenses which the author allows himself are all directed towards a shorter mode of construction.
Faust by Johann Wolfgang von Goethe Plot Summary - LitCharts
Get all the key plot points of Johann Wolfgang von Goethe's Faust on one page. From the creators of SparkNotes.
Goethe's Faust - Simple English Wikipedia, the free encyclopedia
Goethe’s Faust is a re-telling of the Faust legend which was very famous in Germany. The legend tells of a man called Faust who is tired of studying and wants to have the greatest possible …
Johann Wolfgang von Goethe’s Faust: Summary & Analysis
Faust becomes an unstoppable, Napoleonic figure, when his irresponsibility is mixed with Mephisto’s lethal power. Gretchen is Faust’s first victim, before her death she was responsible …
Goethe's Faust - Wikipedia
Faust (/ f aʊ s t / FOWST, German: ⓘ) is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part …
Faust | Goethe, Summary, Characters, & Facts | Britannica
Faust, two-part dramatic work by Johann Wolfgang von Goethe. Part I was published in 1808 and Part II in 1832, after the author’s death. The supreme work of Goethe’s later years, Faust is …
Faust: A Tragedy by Johann Wolfgang von Goethe | Project ...
Sep 14, 2020 · "Faust: A Tragedy" by Johann Wolfgang von Goethe is a dramatic poem written in the early 19th century. It explores the profound themes of ambition, knowledge, and the …
Faust (opera) - Wikipedia
Faust is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang …
