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| everyday life and cultural theory an introduction: Everyday Life and Cultural Theory Ben Highmore, 2002 Ben Highmore traces the development of conceptions of everyday life, from Georg Simmel's cultural sociology, through the Mass-Observation project of the thirties to theorists such as Michel Curteau. |
| everyday life and cultural theory an introduction: Everyday Life Ben Highmore, 2011 |
| everyday life and cultural theory an introduction: Everyday Life and Cultural Theory Ben Highmore, 2002-08-27 Everyday Life and Cultural Theory provides a unique critical and historical introduction to theories of everyday life. Ben Highmore traces the development of conceptions of everyday life, from the cultural sociology of Georg Simmel, through the Mass-Observation project of the 1930s to contemporary theorists such as Michel de Certeau. |
| everyday life and cultural theory an introduction: The Everyday Life Reader Ben Highmore, 2002 Using primary materials, Highmor brings together a wide range of thinkers to provide a comprehensive resource on theories of everyday life. Highmore's introduction surveys the development of thought about everyday life. |
| everyday life and cultural theory an introduction: Culture and Everyday Life David Inglis, 2005 This lively and accessible new book reconsiders the different views as to what 'culture' is, how it operates, and how it relates to other aspects of the human (and non-human) world. |
| everyday life and cultural theory an introduction: Virginia Woolf Dr Lorraine Sim, 2013-04-28 In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics. |
| everyday life and cultural theory an introduction: The Practice of Everyday Life Michel de Certeau, 1984 Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature. |
| everyday life and cultural theory an introduction: The Everyday Justin Derry, Martin Parrot, 2014-10-17 The Everyday: Experiences, Concepts and Narratives is an inter-disciplinary book problematizing the slippery notion of 'Everyday Life'. Contributing to a tradition of 20th century scholarly work focusing on 'Everyday Life', this book specifically attends to the multiple ways that the quotidian aspects of our day-to-day existence become knotted into situated narratives and concepts. In their depth and breadth, the chapters compiled here all work with an understanding of everyday life that is i... |
| everyday life and cultural theory an introduction: Michel De Certeau Ben Highmore, 2006-05-30 Michel de Certeau is becoming increasingly recognised as a cultural theorist whose methodologies could rival those of Foucault. In this engaging book, Ben Highmore provides a stimulating account of Michel de Certeau's work and its relation to the field of cultural studies. The book explores those aspects of de Certeau's work that both challenge and re-imagine cultural studies, highlighting the potential this work has for supplying a critical epistemology and a practical ethics for the study of culture within the arts and humanities more generally. Michel de Certeau: Analysing Culture provides an ideal introduction to the work of this extraordinary and important thinker. |
| everyday life and cultural theory an introduction: Virginia Woolf Lorraine Sim, 2016-02-11 In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics. |
| everyday life and cultural theory an introduction: Emotions in Culture and Everyday Life Michael Hviid Jacobsen, 2022-08-15 This volume describes and analyses a series of emotions prevalent in everyday life and culture, with each chapter exploring the main facets of a particular emotion and considering the ways in which it manifests itself in and informs our culture and lives. Considering our expression, conception, management and sanctioning of emotions, and the ways in which these have changed over time, as well as the ways in which we can theorise particular emotional states, authors ask how certain emotions are linked to culture and society and what roles they play in politics and contemporary life. With examples and case studies taken from research into media, culture and social life, Emotions in Culture and Everyday Life will appeal to scholars of sociology, anthropology, psychology, media and cultural studies and philosophy with interests in the emotions. |
| everyday life and cultural theory an introduction: Fashion and Everyday Life Cheryl Buckley, Hazel Clark, 2017-02-09 Taking cultural theorist Michel de Certeau's notion of 'the everyday' as a critical starting point, this book considers how fashion shapes and is shaped by everyday life. Looking historically for the imprint of fashion within everyday routines such as going to work or shopping, or in leisure activities like dancing, the book identifies the 'fashion system of the ordinary', in which clothing has a distinct role in the making of self and identity. Exploring the period from 1890 to 2010, the study is located in London and New York, cities that emerged as as socially, ethnically and culturally diverse, as well as increasingly fashionable. The book re-focuses fashion discourse away from well-trodden, power-laden dynamics, towards a re-evaluation of time, memory, and above all history, and their relationship to fashion and everyday life. The importance of place and space - and issues of gender, race and social class - provides the broader framework, revealing fashion as both routine and exceptional, and as an increasingly significant part of urban life. By focusing on key themes such as clothing the city, what is worn on the streets, the imagining and performing of multiple identities by dressing up and down, going out, and showing off, Fashion and Everyday Life makes a unique contribution to the literature of fashion studies, fashion history, cultural studies, and beyond. |
| everyday life and cultural theory an introduction: Cultural Theory and Popular Culture John Storey, 1998 This reader is intended as a theoretical, analytical and historical introduction to the study of popular culture within cultural studies. It is divided into seven representative sections. The first six sections each contain a selection of readings from a particular approach to popular culture: culture and civilisation tradition; culturalism; structuralism and post-structuralism; Marxism; feminism; and postmodernism, providing a comprehensive overview and examples of the main theoretical perspectives. The final section contains readings from recent debates within the study of popular culture. Together, these sections chart the theoretical development of the study of popular culture within cultural studies, and provide examples of the analysis of the texts and practices of popular culture within each specific tradition. Each section is introduced, edited and contextualised by John Storey. |
| everyday life and cultural theory an introduction: Cultural Theory Philip Smith, Alexander Riley, 2011-09-20 This second edition of Cultural Theory provides a concise introduction to cultural theory, placing major figures, traditional concepts, and contemporary themes within a sharp conceptual framework. Provides a student-friendly introduction to what can often be a complex field of study Updates the first edition in response to reader feedback and to the changing nature of the field Includes additional coverage of theorists from the classical period to include Nietzsche and DuBois Introduces entirely new chapters on race and gender theory, and the body Considers themes that have become more important in theoretical activity in recent years such as computers and virtual reality, cosmopolitanism, and performance theory Draws on theories and theorists from continental Europe as well as the English-speaking world |
| everyday life and cultural theory an introduction: Locative Media Rowan Wilken, Gerard Goggin, 2014-08-07 Not only is locative media one of the fastest growing areas in digital technology, but questions of location and location-awareness are increasingly central to our contemporary engagements with online and mobile media, and indeed media and culture generally. This volume is a comprehensive account of the various location-based technologies, services, applications, and cultures, as media, with an aim to identify, inventory, explore, and critique their cultural, economic, political, social, and policy dimensions internationally. In particular, the collection is organized around the perception that the growth of locative media gives rise to a number of crucial questions concerning the areas of culture, economy, and policy. |
| everyday life and cultural theory an introduction: Foundations of the Everyday Eran Dorfman, 2014-06-04 A highly original and interdisciplinary study of the philosophy of the everyday. |
| everyday life and cultural theory an introduction: Radical Space Debra Benita Shaw, Maggie Humm, 2016-03-24 A multidisciplinary collection which brings together cutting edge research about the cultural politics of space. |
| everyday life and cultural theory an introduction: An Introduction to Cultural Studies Pramod K. Nayar, 2008 Cultural Studies has fascinated academics and students around the globe with its deft application of complex theories to everyday life. A discipline between disciplines, it makes the academic popular and the popular, academic. Cultural Studies is concerned with the social and cultural construction of meanings, and investigates how power relations govern these meanings. This lucid introduction explains the theory and practice of Cultural Studies with the help of detailed cultural analyses. The first of its two parts discusses the contexts in which Cultural Studies evolved, and outlines the major theories it draws on-structuralism, poststructuralism, deconstruction, Marxism, postmodernism, feminism, queer theory and postcolonial theory. The second part of the book applies the methods of Cultural Studies to familiar aspects of everyday life, and contains a set of case studies in the cultures of communication, shopping and space. Examples range from shopping malls, advertisements and mobile phone cultures to property business, housekeeping and development projects of the government. |
| everyday life and cultural theory an introduction: Cartographies of Disappearance: Vestiges of Everyday Life in Literature Enric Bou, |
| everyday life and cultural theory an introduction: A Passion for Cultural Studies Ben Highmore, 2017-09-16 The culture that infiltrates our lives can provoke a range of feelings and afflictions – culture can move you, get under your skin and stir up your emotions. Ben Highmore uses these feelings, or 'passions', to explore the culture that surrounds us and uses it as a basis to introduce and explain the key ideas, debates and theories that are central to cultural studies. Impressively accessible and packed with absorbing examples from everyday life, this compact book is the ideal entry-point into cultural studies. The chapters examine problematic and complex issues that are core to cultural studies, looking at the experience of migration, the nature of the media, the lure of commodities, the world of taste and the culture of love. Cleverly written in a way that's easy to follow and enjoyable to read, the text gives a sense of the discipline as a way of thinking rather than an amalgamation of theories, and whets the appetite of all those interested in cultural studies. Whether you're a student who's new to the field, or a seasoned scholar seeking a fresh idea about what cultural studies can do, this clear and concise text encourages you to become truly passionate about cultural studies. |
| everyday life and cultural theory an introduction: Ordinary Matters Lorraine Sim, 2016-10-20 Shortlisted for the 2017 AUHE Prize for Literary Scholarship Ordinary Matters is the first major interdisciplinary study of the ordinary in modernist women's literature and photography. It examines how women photographers and writers including Helen Levitt, Lee Miller, Virginia Woolf and Dorothy Richardson envision the sphere of ordinary life in light of the social and cultural transformations of the period that shaped and often radically re-shaped it: for example, urbanism, instrumentalism, the Great Depression and war. Through a series of case studies that explore such topics as the street, domestic things, gesture and the face, Sim contends that the paradigmatic shifts that define early twentieth-century modernity not only inform modernist women's aesthetics of the everyday, but their artistic and ethical investments in that sphere. The everyday has been noted as a “keynote of the New Modernist Studies” (Todd Avery). Ordinary Matters comprises a vital contribution to recent scholarship on the topic and will be of value to scholars working in British and American modernism, multimedia modernisms, photography, twentieth-century literature, and critical and cultural histories of the everyday. |
| everyday life and cultural theory an introduction: Nine Wartime Lives James Hinton, 2010-01-14 James Hinton uses diaries kept by nine 'ordinary' people in wartime Britain to re-evaluate the social history of the Second World War, and to reflect on the twentieth-century making of the modern self. These diaries were written by some of the unusually self-reflective and public-spirited people who agreed to write intimate journals about their daily activity for the social research organisation, Mass Observation. One of the nine diarists discussed is Nella Last, whose published diaries have been a source of delight and fascination for many thousands of readers. Alongside her there are chapters on eight other Mass Observers, each in their own way as vivid, interesting, and surprising as Nella herself. A central insight underpins the book: in seeking to make the best of our own lives, each of us makes selective use of the resources of our shared culture in a unique way; and, in so doing, we contribute, however modestly, to molecular processes of historical change. Placing individuals at the centre of his analysis, James Hinton probes the impact of war on attitudes to citizenship, the changing relationships between men and women, and the search for meanings in life that could transcend the wartime context of limitless violence. Consistently sensitive, thoughtful and often moving, this beautifully written book resists nostalgic contrasts between the presumed dutiful citizenship of wartime Britain and contemporary anti-social individualism, pointing instead to longer run processes of change rooted as much in struggles for personal autonomy in the private sphere as in the politics of active citizenship in public life. |
| everyday life and cultural theory an introduction: The Historical Contexts and Contemporary Uses of Mass Observation Lucy D. Curzon, Benjamin Jones, 2024-10-17 The Historical Contexts and Contemporary Uses of Mass Observation embraces new approaches and themes that highlight Mass Observation's long history as an innovative research organization, a social movement, and an archival project. Spanning the period from Mass Observation's inception to the present day, essay authors discuss a wide range of topics including anthropology, history, popular politics, cultural studies, literature, selfhood, emotion, art and visual studies. Indeed, what emerges across this volume is confirmation that engagement with Mass Observation-whether its historical materials or those produced in the last decade-is crucial to understanding the vast array of experiences that make up British life. |
| everyday life and cultural theory an introduction: Dreams and Modernity Natalya Lusty, Helen Groth, 2013-08-29 Dreams and Modernity: A Cultural History explores the dream as a distinctively modern object of inquiry and as a fundamental aspect of identity and culture in the nineteenth and early twentieth century. While dreams have been a sustained object of fascination from the ancient world to the present, what sets this period apart is the unprecedented interest in dream writing and interpretation in the psychological sciences, and the migration of these ideas into a wide range of cultural disciplines and practices. Authors Helen Groth and Natalya Lusty examine how the intensification and cross-fertilization of ideas about dreams in this period became a catalyst for new kinds of networks of knowledge across aesthetic, psychological, philosophical and vernacular domains. In uncovering a complex and diverse archive, Dreams and Modernity reveals how the explosion of interest in dreams informed the psychic, imaginative and intimate life of the modern subject. Individual chapters in the book explore popular traditions of dream interpretation in the 19th century; the archival impetus of dream research in this period, including the Society for Psychical Research and the Mass Observation movement; and the reception and extension of Freud’s dream book in Britain in the early decades of the twentieth century. This engaging interdisciplinary book will appeal to both scholars and upper level students of cultural studies, cultural history, Victorian studies, literary studies, gender studies and modernist studies. |
| everyday life and cultural theory an introduction: Ford Madox Ford and Englishness , 2006-01-01 The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’. These works, together with his trilogy The Fifth Queen, about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford’s prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford’s brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the ‘Condition of England’. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford’s apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford’s responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford’s engagement with the city, history, and modernity. |
| everyday life and cultural theory an introduction: Cultural Theory and Popular Culture John Storey, 2006 In this 4th edition of his successful Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey of competing theories of and various approaches to popular culture. Retaining the accessible approach of previous editions, and using relevant and appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. New to this edition bull; bull;Extensively revised, rewritten and updated bull;Improved and expanded content throughout including: New chapter on psychoanalysis New section on post-Marxism and the global postmodern bull;Closer explicit links to the new edition companion reader Cultural Theory and Popular Culture: a reader bull;More illustrative diagrams and images bull;Fully revised, improved and updated companion website providing practice and extension promote further understanding of the study of cultural theory and popular culture The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects. John Storey is Professor of Cultural Studies and Director of the Centre for Research in media and Cultural Studies at the University of Sunderland. He has published widely in cultural studies, including six books. The most recent book is called Inventing Popular Culture (Blackwell, 2003). His work has been translated into Chinese, German, Japanese, Korean, Polish, Spanish, Swedish, and Ukrainian. He is a Visiting Professor at the universities of Henan and Wuhan. |
| everyday life and cultural theory an introduction: Cultural Change And Ordinary Life Longhurst, Brian, 2007-09-01 How important are the media? How is culture changing? How is ordinary life being transformed? How do we belong? This ground-breaking book offers a new approach to the understanding of everyday life, the media and cultural change. It explores the social pattern of ordinary life in the context of recent theories and accounts of social and cultural change. Brian Longhurst argues that our social and cultural lives are becoming increasingly audienced and performed and that activities in everyday life are changing due to the ever-growing importance and salience of the media. These changes involve people forging new ways of belonging, where among other things they seek to distinguish themselves from others. InCultural Change and Ordinary Life, Longhurst evaluates changes in the media and ordinary life in the context of large-scale cultural change, especially with respect to globalization and hybridisation, fragmentation, spectacle and performance, and enthusing or fan-like activities. He makes the case that analysis of the media has to be brought into a more thorough dialogue with other forms of research that have looked at social processes. Cultural Change and Ordinary Lifeis key reading for students and researchers of sociology, media studies, cultural studies and mass communication. |
| everyday life and cultural theory an introduction: The Presentation of Self in Everyday Life Erving Goffman, 2021-09-29 A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions. |
| everyday life and cultural theory an introduction: Michel de Certeau Ian Buchanan, 2000 de Certeau is often considered to be the theorist of everyday life par excellence. This book provides an unrivalled critical introduction to de Certeau's work and influence and looks at his key ideas and asks how should we try to understand him in relation to theories of modern culture and society. Ian Buchanan demonstrates how de Certeau was influenced by Lacan, Merleau-Ponty and Greimas and the meaning of de Certeau's notions of `strategy', `tactics', `place' and `space' are clearly described. The book argues that de Certeau died before developing the full import of his work for the study of culture and convincingly, it tries to complete or imagine the directions that de Certeau's work would have taken, had he lived. |
| everyday life and cultural theory an introduction: Understanding Judith Butler Anita Brady, Tony Schirato, 2010-11-11 A rather perfect textbook at the right level. It opens up issues of transgender very well and is critical in just the right tone. Much needed in media and cultural studies. - Angela McRobbie, Goldsmiths Acknowledged as one of the most influential thinkers of modern times, an understanding of Judith Butler′s work is ever more essential to an understanding of not just the landscape of cultural and critical theory, but of the world around us. Understanding Judith Butler, however, can be perceived as a complex and difficult undertaking. It needn′t be. Using contemporary and topical examples from the media, popular culture and everyday life, this lively and accessible introduction shows you how the issues, concepts and theories in Butler′s work function as socio-cultural practices. Giving due consideration to Butler′s earlier and most recent work, and showing how her ideas on subjectivity, gender, sexuality and language overlap and interrelate, this book will give you a better understanding not only of Butler′s work, but of its applications to modern-day social and cultural practices and contexts. |
| everyday life and cultural theory an introduction: Cultural Theory Philip Smith, 2001-02-08 Cultural Theory: An Introduction is a concise, accessible introduction to a complex field. Philip Smith provides a balanced, wide-ranging overview of contemporary cultural theory, covering the major thinkers and key concepts that have appeared and developed over the last century. The book has an abundance of special features for students, with summaries, biographical notes, suggestions for further reading, and cross-referencing. This book is an ideal guide for any student or researcher with an interest in the theoretical study of culture and society. |
| everyday life and cultural theory an introduction: Cultural Studies Lawrence Grossberg, Janice Radway, 1990-11-08 First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company. |
| everyday life and cultural theory an introduction: Photographs, Museums, Collections Elizabeth Edwards, Christopher Morton, 2015-05-19 The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued and their significance unrecognised. This volume presents a series of case studies on the historical collecting and usage of photographs in museums. Using critically informed empirical investigation, it explores substantive and historiographical questions such as what is the historical patterning in the way photographs have been produced, collected and retained by museums? How do categories of the aesthetic and evidential shape the history of collecting photographs? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections? The case studies cover a wide range of museums and collection types, from art galleries to maritime museums, national collections to local history museums, and international perspectives including Cuba, France, Germany, New Zealand, South Africa and the UK. Together they offer a fascinating insight into both the history of collections and collecting, and into the practices and poetics of archives across a range of disciplines, including the history of science, museum studies, archaeology and anthropology. |
| everyday life and cultural theory an introduction: Popular Music and Society Brian Longhurst, 2007-05-07 This new edition of Popular Music and Society, fully revised and updated, continues to pioneer an approach to the study of popular music that is informed by wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area. The textbook begins by examining the ways in which popular music is produced, before moving on to explore its structure as text and the ways in which audiences understand and use music. Packed with examples and data on the contemporary production and consumption of popular music, the book also includes overviews and critiques of theoretical approaches to this exciting area of study and outlines the most important empirical studies which have shaped the discipline. Topics covered include: • The contemporary organisation of the music industry; • The effects of technological change on production; • The history and politics of popular music; • Gender, sexuality and ethnicity; • Subcultures; • Fans and music celebrities. For this new edition, two whole new chapters have been added: on performance and the body, and on the very latest ways of thinking about audiences and the spaces and places of music consumption. This second edition of Popular Music and Society will continue to be required reading for students of the sociology of culture, media and communication studies, and popular culture. |
| everyday life and cultural theory an introduction: The Secret World of Doing Nothing Orvar Löfgren, Billy Ehn, 2010-05-01 In this insightful and pathbreaking reflection on doing nothing, Billy Ehn and Orvar Löfgren take us on a fascinating tour of what is happening when, to all appearances, absolutely nothing is happening. Sifting through a wide range of examples drawn from literature, published ethnographies, and firsthand research, they probe the unobserved moments in our daily lives—waiting for a bus, daydreaming by the window, performing a routine task—and illuminate these empty times as full of significance. Creative, insightful, and profound, The Secret World of Doing Nothing leads us to rethink the ordinary and find meaning in today’s hypermodern reality. |
| everyday life and cultural theory an introduction: The Handbook of Internet Studies Mia Consalvo, Charles Ess, 2012-12-17 The Handbook of Internet Studies HANDBOOKS IN COMMUNICATION AND MEDIA “Highly recommended.” CHOICE “A state-of-the-art collection that represents and celebrates the diversity of theoretical and disciplinary approaches marking this brave new field. A new must-have reference book for Internet studies.” Caroline Haythornthwaite, University of Illinois “This indispensable volume reflects the complexity of Internet studies – indeed, the Internet itself – by bringing together a diverse set of voices, geographies, disciplines, and arguments. It is not only an important resource for practitioners, but will also spark the curiosity of those on the edges of the field, including humanists, social scientists, and engineers alike.” Michael Zimmer, University of Wisconsin “A comprehensive and useful volume that will appeal to students, teachers, and researchers. I highly recommend it to those who have been following the field since its emergence in the 1990s as well as to those new to the field.” Steve Jones, University of Illinois at Chicago “This handbook is landmark, documenting that Internet studies have now come of age.” Niels Ole Finnemann, Aarhus University To fully understand the impact and significance of the Internet, it is essential to consider its historical, societal, and cultural contexts. This handbook presents a wide range of original essays by established scholars in the field of Internet studies exploring the role of the Internet in modern societies, and the continuing development of its academic study. |
| everyday life and cultural theory an introduction: New Formations , 1987 |
| everyday life and cultural theory an introduction: Cultural Studies Vol18 Issue 2 Various Authors, 2021-12-24 Issue 2-3 (2004) includes articles on rethinking everyday life, the myth of everyday life, the persistence of everyday, everyday tragedy and creation, time and space in everyday life, everyday utopianism, profane illuminations, a different life - looking at Barthes and Foucault, rountine and ambiguity, shame, prescences, a mundane voice, limitations; and consumption of digital commodities in everyday life to name a few. |
| everyday life and cultural theory an introduction: The Politics of Authenticating Richard Ekins, Robert Porter, 2023-10-03 This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of ‘authenticating’ as a basic socio-political process, with reference to Richard Ekins’ participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist. |
| everyday life and cultural theory an introduction: A History of Modernist Literature Andrzej Gasiorek, 2015-04-20 A History of Modernist Literature offers a critical overview of modernism in England between the late 1890s and the late 1930s, focusing on the writers, texts, and movements that were especially significant in the development of modernism during these years. A stimulating and coherent account of literary modernism in England which emphasizes the artistic achievements of particular figures and offers detailed readings of key works by the most significant modernist authors whose work transformed early twentieth-century English literary culture Provides in-depth discussion of intellectual debates, the material conditions of literary production and dissemination, and the physical locations in which writers lived and worked The first large-scale book to provide a systematic overview of modernism as it developed in England from the late 1890s through to the late 1930s |
'Everyday' vs. 'Every Day': Explaining Which to Use - Merriam-Webster
When used to modify another word, everyday is written as a single word (“an everyday occurrence,” “everyday clothes,” “everyday life”). When you want to indicate that something …
Everyday vs. Every day–What's the Difference? - Grammarly
Everyday is an adjective we use to describe something that’s seen or used every day. It means “ordinary” or “typical.” Every day is a phrase that simply means “each day.”
Everyday vs. Every Day – What’s the Difference? - GRAMMARIST
Many people need clarification between the adjective everyday and the two-word phrase every day. They sound the same, but there’s a subtle difference in how they’re used. Everyday …
Everyday vs Every Day - Dictionary.com
Dec 1, 2017 · In 1984, George Orwell writes: “Reality only exerts its pressure through the needs of everyday life.” In this example, everyday means daily, the ordinary life that each person …
Everyday or Every Day? We’ll Teach You The Difference
Is It “Everyday” or “Every Day”? If you find yourself asking, “Is it everyday or every day?,” you aren’t alone. Many people use these words incorrectly. It comes down to this: if you do …
Everyday vs. Every Day: What’s the Difference? - Writing Explained
Everyday is an adjective and modifies nouns in sentences. Every day is an adverbial phrase. It can be substituted with each day when you aren’t sure which one is correct.
Everyday vs. Every Day: Using the Terms Correctly Every Time
Oct 26, 2021 · When you say every day, the words are spaced out and pronounced individually, while everyday is pronounced like one word with no breaks. Here are some correct and …
Everyday vs. Every Day | Examples, Difference & Quiz - Scribbr
Jul 11, 2022 · Everyday (one word) is an adjective that means “commonplace” or “ordinary.” It’s pronounced with the stress on the first syllable only: [ ev -ry-day]. Every day (two words) is an …
EVERYDAY definition and meaning | Collins English Dictionary
You use everyday to describe something which happens or is used every day, or forms a regular and basic part of your life, so it is not especially interesting or unusual.
What is the difference between everyday and every day
Jun 4, 2025 · Everyday is an adjective. You use it to describe something that is normal and not exciting or unusual in any way.
'Everyday' vs. 'Every Day': Explaining Which to Use - Merriam-Webster
When used to modify another word, everyday is written as a single word (“an everyday occurrence,” “everyday clothes,” “everyday life”). When you want to indicate that something …
Everyday vs. Every day–What's the Difference? - Grammarly
Everyday is an adjective we use to describe something that’s seen or used every day. It means “ordinary” or “typical.” Every day is a phrase that simply means “each day.”
Everyday vs. Every Day – What’s the Difference? - GRAMMARIST
Many people need clarification between the adjective everyday and the two-word phrase every day. They sound the same, but there’s a subtle difference in how they’re used. Everyday …
Everyday vs Every Day - Dictionary.com
Dec 1, 2017 · In 1984, George Orwell writes: “Reality only exerts its pressure through the needs of everyday life.” In this example, everyday means daily, the ordinary life that each person lives …
Everyday or Every Day? We’ll Teach You The Difference
Is It “Everyday” or “Every Day”? If you find yourself asking, “Is it everyday or every day?,” you aren’t alone. Many people use these words incorrectly. It comes down to this: if you do …
Everyday vs. Every Day: What’s the Difference? - Writing Explained
Everyday is an adjective and modifies nouns in sentences. Every day is an adverbial phrase. It can be substituted with each day when you aren’t sure which one is correct.
Everyday vs. Every Day: Using the Terms Correctly Every Time
Oct 26, 2021 · When you say every day, the words are spaced out and pronounced individually, while everyday is pronounced like one word with no breaks. Here are some correct and …
Everyday vs. Every Day | Examples, Difference & Quiz - Scribbr
Jul 11, 2022 · Everyday (one word) is an adjective that means “commonplace” or “ordinary.” It’s pronounced with the stress on the first syllable only: [ ev -ry-day]. Every day (two words) is an …
EVERYDAY definition and meaning | Collins English Dictionary
You use everyday to describe something which happens or is used every day, or forms a regular and basic part of your life, so it is not especially interesting or unusual.
What is the difference between everyday and every day
Jun 4, 2025 · Everyday is an adjective. You use it to describe something that is normal and not exciting or unusual in any way.
