Es Kia Mphahlele

  es kia mphahlele: Es'kia Mphahlele , 1989
  es kia mphahlele: Es'kia Mphahlele Ruth Obee, 1999 He was nominated for the Nobel Prize in literature and received the Ordre des Palmes from the French government in 1984 for his contribution to French language and culture.
  es kia mphahlele: Down Second Avenue Ezekiel Mphahlele, 1959
  es kia mphahlele: The African Image. -- Ezekiel Mphahlele, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  es kia mphahlele: Exiles and Homecomings N. C. Manganyi, 1983
  es kia mphahlele: Like Family Ena Jansen, 2019-04-01 An analytic and historical perspective of literary texts to understand the position of domestic workers in South Africa More than a million black South African women are domestic workers. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery, establishing social hierarchies and patterns of behavior that persist today. To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es'kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Like Family is an updated version of the award-winning Soos familie (2015) and the highly-acclaimed 2016 Dutch translation, Bijna familie.
  es kia mphahlele: Renewal Time Es'kia Mphahlele, 1988 Eight stories and two autobiographical essays written upon the author's return to South Africa after 20 years of exile. Some strong language and some descriptions of sex.
  es kia mphahlele: Es'kia Es'kia Mphahlele, 2002 The essays and public addresses of scholar, teacher, philosopher, and activist Es'kia Mphahlele are presented in this collection spanning 40 years of recent African history. The intellectual and distinctly South African perspective exhibited in these writings is enriched by humor and autobiographical anecdotes. Subjects addressed include African literature and literary criticism, education in a democratic South Africa, relations between Africans and African Americans, negritude, African identity, and African humanism. A critical introduction, full biography, bibliography, and brief synopsis of each essay are included.
  es kia mphahlele: In Corner B Es'kia Mphahlele, 2011-01-25 The quintessential story collection from the most important black South African writer of the present age (George Moore). Originally published in 1967, In Corner B contains the core stories of the original editions, together with more recent pieces, and is the first new edition of Mphahlele's work since his death in 2008. Written after his return from exile, these stories inimitably capture life in both rural and urban South Africa during the days of apartheid. A new introduction by Peter Thuynsma, a South African scholar and former Mphahlele student, presents the dean of African letters to a new generation of readers.
  es kia mphahlele: Cultural Entanglements Shane Graham, 2020-05-12 In addition to being a poet, fiction writer, playwright, and essayist, Langston Hughes was also a globe-trotting cosmopolitan, travel writer, translator, avid international networker, and—perhaps above all—pan-Africanist. In Cultural Entanglements, Shane Graham examines Hughes’s associations with a number of black writers from the Caribbean and Africa, exploring the implications of recognizing these multiple facets of the African American literary icon and of taking a truly transnational approach to his life, work, and influence. Graham isolates and maps Hughes’s cluster of black Atlantic relations and interprets their significance. Moving chronologically through Hughes’s career from the 1920s to the 1960s, he spotlights Jamaican poet and novelist Claude McKay, Haitian novelist and poet Jacques Roumain, French Negritude author Aimé Césaire of Martinique, South African writers Es’kia Mphahlele and Peter Abrahams, and Caribbean American novelist Paule Marshall. Taken collectively, these writers’ intellectual relationships with Hughes and with one another reveal a complex conversation—and sometimes a heated debate—happening globally throughout the twentieth century over what Africa signified and what it meant to be black in the modern world. Graham makes a truly original contribution not only to the study of Langston Hughes and African and Caribbean literatures but also to contemporary debates about cosmopolitanism, the black Atlantic, and transnational cultures.
  es kia mphahlele: Chirundu Ezekiel Mphahlele, Es'kia Mphahlele, 1980
  es kia mphahlele: Seasons Come to Pass Helen Moffett, Es'kia Mphahlele, 1994
  es kia mphahlele: The Writing of Ezekiel (Es'kia) Mphahlele, South African Writer Tyohdzuah Akosu, 1995 This study covers Mphahlele's writing in the genres of the novel, autobiography and short story. His writing is closely analyzed against a background of existing critical and theoretical understandings of these genres and the relationship of these concepts to literature, culture, politics. It draws on Mphahlele's own criticism and other polemical works as invaluable sources. Mphahlele's writing explores Black life in South Africa and protests against apartheid, exploring culture and politics.
  es kia mphahlele: Bury Me at the Marketplace Es'kia Mphahlele, N. C. Manganyi, 1984
  es kia mphahlele: Artefacts of Writing Peter D. McDonald, 2017 Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.
  es kia mphahlele: A Lasting Tribute: Es'kia Mphahlele Es'kia Mphahlele, 2013 A Lasting Tribute, reflects Es’kia Mphahlele’s intimate connection with Tribute Magazine from its inception in 1987 until 1998. During those eleven years, Mphahlele wrote a monthly column for the magazine in which he shared the wisdom accumulated over a lifetime of experience in South Africa, in African countries and in the United States. And this collection of his articles has been put together as a lasting tribute to the man himself. Mphahlele was an educator, journalist, poet, novelist, satirist, short story writer, philosopher and patriot, and in these essays, his passion, compassion and sincerity transport us through time to experience with him diverse environments, encounters with a variety of human beings and the pain and sadness of witnessing man’s inhumanity to man. An independent thinker, unshackled by party politics and adherence to limiting ideologies, his is a clearly humanistic perspective based on the norms and values inherent in traditional Afrikan culture. Like Steve Biko, Mphahlele saw how much Afrikan people had lost in spirit as a result of dispossession and he too was bent on restoring the Afrikan to the Afrikan. That meant, primarily, belief in one’s Afrikan self, in the same way as people of other cultures understand who they are, and secure in their identities, carry themselves with the confidence derived from their traditional backgrounds Mphahlele propounds his philosophy of Afrikan Humanism in order to restore traditional Afrikan pride and joie de vivre. Though his articles in Tribute Magazine cover the wide scope of his interests, they are driven by his vocation as an educator and reflect his desire to disseminate the freedom that comes with ever-expanding knowledge and understanding--Publisher's note.
  es kia mphahlele: Modern South African Stories Stephen Gray, 2002
  es kia mphahlele: Altogether Elsewhere Marc Robinson, 1996-03-01
  es kia mphahlele: Southern African Literatures Michael J. F. Chapman, 2003 Southern African Literatures is a major study of the work of writers from South Africa, Zimbabwe, Zambia, Malawi, Angola, Mozambique and Namibia, written at a time of crucial change in the subcontinent. It covers a wide range of work from the storytelling of stone-age Bushmen to modern writing by renowned figures such as Es'kia Mphahlele, Nadine Gordimer and AndrÃ?Â?Ã?Â(c) Brink, encompassing traditional, popular and elite writing; literature in translation; and case studies based on topical issues. Michael Chapman argues that literary history in the southern African region is best based on a comparative method which, while respecting differences of language, race and social circumstance, seeks cultural interchange including translations of experience across linguistic and ethnic borders. Instead of perpetuating division, the study examines points of common reference, as it asks what makes a literary culture. Who are to be regarded as major and minor authors? What are the strengths and limitations of local and international perspectives? Should literature in today's southern Africa be confined to the art forms of poems, plays and fiction? The author seeks to answer these questions - vital to all literary discussion - in the volatile context of recent southern African history, in a style accessible to the general reader. The study is republished with a revised Preface, in which the author considers the sometimes heated debates that accompanied the book's initial appearance. Southern African Literatures, in 2000, was awarded the premier Bill Venter Prize for academic literature in South Africa.
  es kia mphahlele: Mandela Alf Kumalo, Es'kia Mphahlele, 1990 The extraordinary life and career of Nelson Mandela has never before been captured in a pictorial biography. Now, renowned South African photojournalist Alf Kumalo has compiled photographs dating back to the early '50s, spanning almost 40 years of political turmoil, ending in 16 pages of triumphant pictures of Mandela's release and return to his people.
  es kia mphahlele: Welcome to Our Hillbrow Phaswane Mpe, 2011-03-08 Welcome to Our Hillbrow is an exhilarating and disturbing ride through the chaotic and hyper-real zone of Hillbrow—microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche. Everything is there: the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that often cuts short the promise of young people’s lives, and the Africanist understanding of the life continuum that does not end with death but flows on into an ancestral realm. Infused with the rhythms of the inner-city pulsebeat, this courageous novel is compelling in its honesty and its broad vision, which links Hillbrow, rural Tiragalong, and Oxford. It spills out the guts of Hillbrow—living with the same energy and intimate knowledge with which the Drum writers wrote Sophiatown into being.
  es kia mphahlele: The Black Cloth Bernard Binlin Dadié, 1987 Presents a collection of sixteen African folktales by poet, novelist, critic, and statesman, Bernard Binlin Dadie that represents the oral tradition of his native Ivory Coast.
  es kia mphahlele: A Study Guide for Es'kia Mphahlele's "Mrs. Plum" Gale, Cengage Learning, 2016-07-12 A Study Guide for Es'kia Mphahlele's Mrs. Plum, excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
  es kia mphahlele: The Wanderers Es'kia Mphahlele, 1900
  es kia mphahlele: Home and Exile Lewis Nkosi, 1965
  es kia mphahlele: Down Second Avenue Es'kia Mphahlele, 2013-07-30 Es’kia Mphahlele’s seminal memoir of life in apartheid South Africa—available for the first time in Penguin Classics Nominated for the Nobel Prize in 1969, Es’kia Mphahlele is considered the Dean of African Letters and the father of black South African writing. Down Second Avenue is a landmark book that describes Mphahlele’s experience growing up in segregated South Africa. Vivid, graceful, and unapologetic, it details a daily life of severe poverty and brutal police surveillance under the subjugation of an apartheid regime. Banned in South Africa after its original 1959 publication for its protest against apartheid, Down Second Avenue is a foundational work of literature that continues to inspire activists today. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
  es kia mphahlele: Born Freeloaders Phumlani Pikoli, 2019-10-01 Born on the cusp of democracy, the crew of young friends in Born Freeloaders navigates a life of drinking, wild parties and other recklessness. The siblings at the centre of the novel, Nthabiseng and Xolani, have been raised in an upper middle-class family with connections to the political elite. Nthabiseng is lauded by her peers as she whimsically goes through life, unable to form her own identity in a world that expects her to pick a side in the fractured classifications of race. Xolani, not having known his late father, longs for acceptance from an uncle who sees him and his generation as the bitter fruit borne of a freedom he and countless others fought for. As the story moves across multiple spaces in the nation’s capital over a weekend, Born Freeloaders captures a political and cultural moment in the city’s and South Africa’s history. Interwoven is an analogous tale of the country’s colonisation and the consequences that follow. And alongside the friends’ uneasy awareness of their privilege is a heightened sense of discomfort at their inability to change the world they were born into.
  es kia mphahlele: Blame Me on History Willam 'Bloke' Modisane, 2023-09-05 'Modisane's book, read today by all South Africans, will expose our raw pasts, private and public in their nature, which are still present in many forms as unacknowledged antecedents ... Engrossed and fascinated, I turned the pages of Blame Me on History as fast as I could.' – Njabulo S Ndebele Feeling an exile in the country of his birth, the talented journalist and leading black intellectual Bloke Modisane left South Africa in 1959. It was shortly after the apartheid government had bulldozed Sophiatown, the township of his childhood. His biting indictment of apartheid, Blame Me on History, was published in 1963 – and banned shortly afterwards. Modisane offers a harrowing account of the degradation and oppression faced daily by black South Africans. His penetrating observations and insightful commentary paint a vivid picture of what it meant to be black in apartheid South Africa. At the same time, his evocative writing transports the reader back to a time when Sophiatown still teemed with life. This 60th-anniversary edition of Modisane's autobiography serves as an example of passionate resistance to the scourge of racial discrimination in our country, and is a reminder not to forget our recent past.
  es kia mphahlele: Bury Me at the Marketplace N. Chabani Manganyi, David Attwell, 2009-11-01 When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to Exiles and Homecomings: A Biography of Es’kia Mphahlele, the idea of Mphahlele’s death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa’s public sphere. That death has now come and we mourn it. Manganyi’s words at the time have acquired a new significance: in the symbolic marketplace, he noted, ‘the drama of life continues relentlessly and the silence of death is unmasked for all time’. The silence of death is certainly unmasked in this volume, in its record of Mphahlele’s rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa’s literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele’s own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele’s correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele’s personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele’s mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell’s insightful explanatory notes.
  es kia mphahlele: Black South African Autobiography After Deleuze Kgomotso Masemola, 2017 In Black South African Autobiography After Deleuze: Belonging and Becoming in Self-Testimony, Kgomotso Michael Masemola uses Gilles Deleuze's theories of immanence and deterritorialization to explore South African autobiography as both the site and the limit of intertextual cultural memory. Detailing the intertextual turn that is commensurate with belonging to the African world and its diasporic reaches through the Black Atlantic, among others, this book covers autobiographies from Peter Abrahams to Es'kia Mphahlele, from Ellen Kuzwayo to Nelson Mandela. It proceeds further to reveal wider dimensions of angst and belonging that attend becoming through transcultural memory. Kgomotso Michael Masemola successfully marshalls Deleuzean theories in a sophisticated re-reading that makes clear the autobiographers' epistemic access to wor(l)ds beyond South Africa.
  es kia mphahlele: Under African Skies Charles Larson, 1998-08-05 Spanning a wide geographical range, this collection features many of the now prominent first generation of African writers and draws attention to a new generation of writers. Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices.
  es kia mphahlele: The Rise of the African Novel Mukoma Wa Ngugi, 2018-03-27 Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition
  es kia mphahlele: The Heart of Redness Zakes Mda, 2007-05-15 A South African man returns to a divided village in pursuit of lust, redemption, and identity in this “humorous, mythic, and complicated novel” (San Francisco Chronicle). Having left for America during apartheid, Camugu has now returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows his “famous lust” to Qolorha on the remote Eastern Cape. There in the nineteenth century a teenage prophetess named Nonqawuse commanded the Xhosa people to kill their cattle and burn their crops, promising that once they did so the spirits of their ancestors would rise and drive the occupying English into the ocean. The failed prophecy split the people in two, with devastating consequences. One hundred fifty years later, the two groups’ decedents are at odds over plans to build a vast casino and tourist resort in the village, and Camugu is soon drawn into their heritage and their future—and into a bizarre love triangle as well. “Brilliant . . . A new kind of novel: one that combines Gabriel García Márquez’s magic realism and political astuteness with satire, social realism and a critical reexamination of the South African past.” —The New York Times Book Review Shortlisted for the Commonwealth Writers Prize A New York Times Notable Book
  es kia mphahlele: Es'kia Mphahlele Collection Es'kia Mphahlele, Materials from Mphahlele's tenure as a visiting professor at the University of South Carolina. One copy of the January 1989 issue of the Carolinian with a front page interview with Mphahlele. One photocopy of a typed lecture on African literature
  es kia mphahlele: Writing Home Lewis Nkosi, 2016 The selection of ... [Nkosi's] work in this volume focuses on his critical writing on South African literature: in Part One, on the literature of his home country, generally; in Part Two, on specific writers; and, finally, on Lewis Nkosi himself. The selections are from his major out-of-print critical collections, Home and Exile (1965, enlarged edition 1983), The Transplanted Heart (1975) and Tasks and Masks (1981), as well as from magazine and journal articles.--Pages 1-2.
  es kia mphahlele: Richard Rive Shaun Viljoen, 2013 Richard Moore Rive (1930-1989) was a writer, scholar, literary critic and college teacher in Cape Town, South Africa. He is best known for his short stories written in the late 1950s and for his second novel, 'Buckingham Palace', District Six, in which he depicted the well-known cosmopolitan area of District Six, where he grew up. In this biography Shaun Viljoen, a former colleague of Rive's, creates the composite qualities of a man who was committed to the struggle against racial oppression and to the ideals of non-racialism but was also variously described as irascible, pompous and arrogant, with a 'cultivated urbanity'. Beneath these public personae lurked a constant and troubled awareness of his dark skin colour and guardedness about his homosexuality. Using his own and others' memories, and drawing on Rive's fiction, Viljoen brings the author to life with sensitivity and empathy. The biography follows Rive from his early years in the 1950s, writing for Drum magazine and spending time in the company of great anti-establishment writers such as Jack Cope, Ingrid Jonker, Jan Rabie, Marjorie Wallace, Es'kia Mphahlele and Nadine Gordimer, to his acceptance at Magdalene College, Oxford, where he completed his doctorate on Olive Schreiner, before returning to South Africa to resume his position as senior lecturer at Hewat College of Education. This biography will resurface Richard Rive the man and the writer, and invite us to think anew about how we read writers who lived and worked during the years of apartheid.
  es kia mphahlele: Chirundu Es'kia Mphahlele, 1994 A burning house. Nsato the python. The symbols of destruction and of sexual power gone mad are two of the many and varied themes in Es'kia Mphahlele's second novel, originally published in 1979. Chimba Chirundu, ex-schoolmaster and now Minister of Transport and Public Works in a newly-independent African country, is brought to trial on a charge of bigamy laid by his wife Tirenje. Arrogant and power-hungry, wilful and morally ambiguous, Chirundu has to grapple with two sets of values: those of the traditional way of life in Africa, and those imposed by his country's erstwhile colonial rulers. A chorus of other voices illuminate this powerful story of corruption and conflict: Tirenje, Chirundu's country wife, whose moral strength derives from her rural roots; the worldly Monde, his town wife; Moyo, his idealistic nephew and the leader of a strike by transport workers; and the cynical Pitso and Letanka, jailed South African refugees. In often pungent language, and in an unmistakeably African idiom, Es'kia Mphahlele reveals the complexities and ambiguities of the post-colonial situation.
  es kia mphahlele: Campaigning Culture and the Global Cold War Giles Scott-Smith, Charlotte A. Lerg, 2017-07-24 This book explores the lasting legacy of the controversial project by the Congress for Cultural Freedom, funded by the CIA, to promote Western culture and liberal values in the battle of ideas with global Communism during the Cold War. One of the most important elements of this campaign was a series of journals published around the world: Encounter, Preuves, Quest, Mundo Nuevo, and many others, involving many of the most famous intellectuals to promote a global intellectual community. Some of them, such as Minerva and China Quarterly, are still going to this day. This study examines when and why these journals were founded, who ran them, and how we should understand their cultural message in relation to the secret patron that paid the bills.
Es | Spanish to English Translation - SpanishDictionary.com
Translate Es. See 12 authoritative translations of Es in English with example sentences, conjugations and audio pronunciations.

es - Wiktionary, the free dictionary
Jun 8, 2025 · The most common is es or a syllabic s, although there is some evidence which also supports, as names for the letter, sē, sss, əs, sə, and even (in the fourth- or fifth-century first …

‘Es’ vs ‘esta’ - Spanish Unraveled
Quick answer – the Spanish words ‘es’ and ‘está’ both translate to ‘is’ in English, but they’re actually the third person singular conjugations (i.e., he, she, or it) of two different verbs in …

English translation of 'es' - Collins Online Dictionary
English Translation of “ES” | The official Collins Spanish-English Dictionary online. Over 100,000 English translations of Spanish words and phrases.

What Does "Es" Mean In Spanish? Exploring Its Meaning, Uses ...
Mar 18, 2024 · The word “es” is the third person singular form of the verb “ser,” which means “to be” in English. It is an essential verb in Spanish and is used to express existence, identity, …

es - English translation – Linguee
Many translated example sentences containing "es" – English-Spanish dictionary and search engine for English translations.

What does es mean in Spanish? - WordHippo
Need to translate "es" from Spanish? Here are 3 possible meanings.

ES - Translation from Spanish into English | PONS
Look up the Spanish to English translation of ES in the PONS online dictionary. Includes free vocabulary trainer, verb tables and pronunciation function.

ES - Translation in English - bab.la
What is the translation of "Es" in English? 1. "Einsteinio", chemistry. Prodir ES 2 es el nuevo bolígrafo que apunta directamente hacia el futuro. expand_more The Prodir ES 2 is the new …

Google Translate
Google's service, offered free of charge, instantly translates words, phrases, and web pages between English and over 100 other languages.

Es | Spanish to English Translation - SpanishDictionary.com
Translate Es. See 12 authoritative translations of Es in English with example sentences, conjugations and audio pronunciations.

es - Wiktionary, the free dictionary
Jun 8, 2025 · The most common is es or a syllabic s, although there is some evidence which also supports, as names for the letter, sē, sss, əs, sə, and even (in the fourth- or fifth-century first …

‘Es’ vs ‘esta’ - Spanish Unraveled
Quick answer – the Spanish words ‘es’ and ‘está’ both translate to ‘is’ in English, but they’re actually the third person singular conjugations (i.e., he, she, or it) of two different verbs in …

English translation of 'es' - Collins Online Dictionary
English Translation of “ES” | The official Collins Spanish-English Dictionary online. Over 100,000 English translations of Spanish words and phrases.

What Does "Es" Mean In Spanish? Exploring Its Meaning, Uses ...
Mar 18, 2024 · The word “es” is the third person singular form of the verb “ser,” which means “to be” in English. It is an essential verb in Spanish and is used to express existence, identity, …

es - English translation – Linguee
Many translated example sentences containing "es" – English-Spanish dictionary and search engine for English translations.

What does es mean in Spanish? - WordHippo
Need to translate "es" from Spanish? Here are 3 possible meanings.

ES - Translation from Spanish into English | PONS
Look up the Spanish to English translation of ES in the PONS online dictionary. Includes free vocabulary trainer, verb tables and pronunciation function.

ES - Translation in English - bab.la
What is the translation of "Es" in English? 1. "Einsteinio", chemistry. Prodir ES 2 es el nuevo bolígrafo que apunta directamente hacia el futuro. expand_more The Prodir ES 2 is the new …

Google Translate
Google's service, offered free of charge, instantly translates words, phrases, and web pages between English and over 100 other languages.