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el maestro de esgrima: El maestro de esgrima Arturo Pérez-Reverte, 1988 |
el maestro de esgrima: The Fencing Master Arturo Pérez-Reverte, 2004-06-07 “A taut, elegant mystery” set against the historical backdrop of nineteenth-century Madrid (St. Louis Post-Dispatch). It is 1868; Spain teeters on the brink of revolution. Jaime Astarloa is a master fencer of the old school, priding himself on the precision, dignity, and honor of his ancient art. His friends spend their days in cafes discussing plots at court, but Jaime’s obsession is to perfect the irresistible sword thrust. Then Adela de Otero, violet-eyed and enigmatic, appears at his door. When Jaime takes her on as a pupil he finds himself embroiled in dark political intrigue against which his old-fashioned values are no protection. “A delightful period whodunit” (USA Today), The Fencing Master “succeeds admirably as both a vivid picture of an unfamiliar culture and as high, sophisticated entertainment” (Kirkus Reviews). |
el maestro de esgrima: El maestro de esgrima Arturo Pérez-Reverté, 1995 |
el maestro de esgrima: El maestro de esgrima / The Fencing Master Arturo Pérez-Reverte, 2015-10-20 Novela de aventuras pero también policiaca, de traiciones y maniobras políticas en el Madrid galdosiano de 1868.Con motivo del 50 aniversario de Alfaguara, este título ha sido elegido como uno de los 50 imprescindibles de la historia de la editorial. Ambientada en el Madrid galdosiano de 1868, está protagonizada por Jaime Astarloa, un maestro de esgrima que trabaja dando clases de florete a algunos nobles de la ciudad. Todo el escenario cambia cuando entra en juego una dama, que desea tomar clases de esgrima con Astarloa, y comienzan a suceder extraños hechos que lo involucran. El maestro de esgrima es la historia de un mundo de tahúres y mercachifles mantenido a distancia por un florete honorable. Pero es, sobre todo, una inquietante parábola sobre el poder del dinero, la ambición política y la extinción de los valores de honradez y fidelidad en este siglo XX que agoniza. Novela llevada al cine por Pedro Olea. La crítica ha dicho: «En lugar del típico puzzle de engaños propio de las novelas de intriga, El maestro de esgrima nos ofrece una sutil meditación sobre los enigmas profundos de la elección y el Destino. Una espléndida novela de la primera a la última página.»- The New York Times Book Review «Pérez-Reverte conoce todos los secretos sobre cómo conservar un equilibro entre acción y suspense de tal modo que mantiene al lector absorto... Lo que hace irresistible a Pérez-Reverte es su sensibilidad radicalmente moderna, inteligente y compleja.» - The Boston Globe Book Review «Erudición bien calibrada e intriga soberbia. El autor se divierte y nos divierte.» - Libération «Consigue mantener sin aliento al lector.» - Corriere della Sera «Un increíble fenómeno literario, insólito para un escritor de lengua no inglesa.» - Il messaggero «Arturo Pérez-Reverte ha sabido encontrar la estocada perfecta.» Oggi «Quedarán fascinados por el personaje de Jaime Astarloa.» - Chicago Tribune ENGLISH DESCRIPTION “A taut, elegant mystery” set against the historical backdrop of nineteenth-century Madrid (St. Louis Post-Dispatch). It is 1868; Spain teeters on the brink of revolution. Jaime Astarloa is a master fencer of the old school, priding himself on the precision, dignity, and honor of his ancient art. His friends spend their days in cafes discussing plots at court, but Jaime’s obsession is to perfect the irresistible sword thrust. Then Adela de Otero, violet-eyed and enigmatic, appears at his door. When Jaime takes her on as a pupil he finds himself embroiled in dark political intrigue against which his old-fashioned values are no protection. “A delightful period whodunit” (USA Today), The Fencing Master “succeeds admirably as both a vivid picture of an unfamiliar culture and as high, sophisticated entertainment” (Kirkus Reviews).A tale of adventures, a detective story, and a saga of betrayals and political ploys in the Madrid of 1868, El maestro de esgrima is the account of a world overflowing with gamblers and hawkers held at bay by an honorable foil. More importantly, it is a disquieting allegory of the power of money, political ambition, and the extinction of values such as honor and fidelity in a crumbling twentieth century. |
el maestro de esgrima: El Maestro de armas Alexandre Dumas, 1850 |
el maestro de esgrima: Captain Alatriste Arturo Pérez-Reverte, 2005-12-27 The first action-packed historical adventure in the internationally acclaimed Captain Alatriste series, featuring a Spanish soldier who lives as a swordsman-for-hire in 17th century Madrid. Needing gold to pay off his debts, Captain Alatriste and another hired blade are paid to ambush two travelers, stage a robbery, and give the travelers a fright. “No blood,” they are told. Then a mysterious stranger enters to clarify the job: he increases the pay, and tells Alatriste that, instead, he must murder the two travelers. When the attack unfolds, Alatriste realizes that these aren’t ordinary travelers, and what happens next is only the first in a riveting series of twists and turns, with implications that will reverberate throughout the courts of Europe... |
el maestro de esgrima: The Painter Of Battles Arturo Perez-Reverte, 2020-03-19 A compelling tale of art, love and war... A man lives alone in a watchtower by the sea. On the circular walls of the tower he is painting a grand mural - the timeless landscape of a battle. He is a former war photographer, and the painting is his attempt to capture the photo he was never able to take; to encapsulate, in an instant, the meaning of war. But one day a stranger knocks on his door and announces that he has come to kill him. The man is a shadow from his past, one of the myriad faces of war, and now the consequences of his actions are brought home to him. As the novel progresses, the story of both the soldier and the artist emerge, entwined with a doomed love affair, and the progress of a painting that is infused with the history of art. Intense and turbulent this is a book about art, war, love and the human capacity for both violence and empathy. It asks very profound questions about human nature and the role of the artist, but it is also has the intensity of a psychological thriller as the painter trades stories with the man who has come to kill him - like the Knight playing chess with Death in the Seventh Seal.... |
el maestro de esgrima: Arturo Pérez-Reverte Anne L. Walsh, 2007 The complex narrative technique of one of Spain's most renowned contemporary authors. The writings of Arturo Pérez-Reverte, one of Spain's most renowned contemporary authors, have been described as a minefield. This monograph examines the complexities behind the narrative technique employed in creating such a minefield, including an analysis of the role played by both male and female characters, the relevance of the past as a motif, and aspects of the role of storytelling in creating mystery where none should exist. Both Revertian novelsand journalistic writing are seen to be part of an over-all game which is played between their author and his readers. Film, too, forms part of the material reviewed as, though Pérez-Reverte is not a script writer, many films have been based on his novels. The text-centred analysis concludes that the themes of interest in all Revertian output revolve around two main areas: the significance of the past, whether historical, cultural, or literary, andthe role of the written word in communicating, in rescuing and in challenging versions of that past in order to combat what Pérez-Reverte terms 'dismemory'. ANNE L. WALSH lectures in Hispanic Studies at University College, Cork. |
el maestro de esgrima: Pirates of the Levant Arturo Pérez-Reverte, 2010-09-02 The sixth novel in the international bestselling adventures of Captain Alatriste, set in a time when the only thing needed to summon hell on earth—or sea—was a Spaniard and his sword. Accompanied by his faithful foster son, Íñigo, Captain Alatriste accepts a job as a mercenary aboard a Spanish galleon. The ship sets sail from Naples on a journey that will take them to some of the most remote—and wretched—outposts of the empire: Morocco, Algeria, and finally to Malta for a stunning and bloody battle on the high seas that will challenge even the battle-hardened Alatriste's resolve. Now seventeen, Íñigo is almost ready to leave Alatriste, his foster father and fellow soldier. But will age and experience bring wisdom, or is he likely to repeat many of his mentor's mistakes? |
el maestro de esgrima: El Confaloniero Carlo Emanuele Ruspoli, 2012-04 Es la epopeya vivida por un glorioso linaje italiano de origen medieval, los Marescotti que descendieron del clan escocés Douglas. Su fundador, Mario Escoto (Galloway, hacia 745; Bagnocavallo, hacia 820), hermano de Guillermo, conde Douglas y primo del Rey de Escocia, fue valido de Carlomagno y salvador del Papa León III, fue investido de varios honores, entre los cuales cabe destacar el de Defensor de la Fe, conde del feudo de Bagnocavallo, Senador de Roma, Caballero Aurato poseedor del anillo del Pescador. El relato de las hazañas de los Marescotti abarca temas de religión, historia, política, meditación, magia, esoterismo, superstición, locura, reliquias, intrigas, batallas, duelos, torturas, traiciones, venganzas, misterios, etc. Los condes Marescotti fueron los primeros a establecer una relación especial entre cristianos y judíos en Italia. |
el maestro de esgrima: The King's Gold Arturo Pérez-Reverte, 2008-08-14 From international bestselling author Arturo Pérez-Reverte comes the fourth adventure of Captain Alatriste in the “series [that] recalls the great adventure novels of Dumas and Scott”(The New York Times). Seville, 1626. After serving with honor at the bloody siege of Breda, Captain Alatriste and his protégé, Iñigo Balboa, accept a risky job involving a dozen swordsmen and mercenaries at their command, a dazzling amount of contraband gold, and a heavily guarded Spanish galleon returning from the West Indies. The job offer comes from the king himself, for at stake is nothing less than the Spanish Crown, and its dominion over the wealth of the Americas. But for Alatriste, a very personal surprise awaits him on that galleon. |
el maestro de esgrima: El lugar de la escritura Pascual García, 2004 Para quienes creamos literatura, estos títulos que hoy presento y de los cuales he escrito en diversas ocasiones forman un ideario y una génesis, pues en ellos, y en muchos otros, hallé el fundamento del gusto por la palabra y el misterio, y en ellos todavía hoy encuentro la sustancia misma de la que estamos hechos todos nosotros |
el maestro de esgrima: El quinto Hendrik Conscience, 1897 |
el maestro de esgrima: The Encyclopedia of Contemporary Spanish Films Salvador Jimenez Murguía, Alex Pinar, 2018-05-18 Under the Franco regime (1939-1976), films produced in Spain were of poor quality, promoted the regime’s agenda, or were heavily censored. After the dictator’s death, the Spanish film industry transitioned into a new era, one in which artists were able to more freely express themselves and tackle subjects that had been previously stifled. Today, films produced in Spain are among the most highly regarded in world cinema. The Encyclopedia of Contemporary Spanish Films features nearly 300 entries on the written by a host of international scholars and film critics. Beginning with movies released after Franco’s death, this volume documents four decades of films, directors, actresses and actors of Spanish cinema. Offering a comprehensive survey of films, the entries address such topics as art, culture, society and politics. Each includes comprehensive production details and provides brief suggestions for further reading. Through its examination of the films of the post-Franco period, this volume offers readers valuable insights into Spanish history, politics, and culture. An indispensable guide to one of the great world cinemas, The Encyclopedia of Contemporary Spanish Films will be of interest to students, academics, and the general public alike. |
el maestro de esgrima: De un solo dominio Kozer, José, 2019-04-19 “Los diálogos con lo cubano sostenidos por Kozer son siempre diálogos de exiliado. Esto, porque [...]las formas de su exilio son múltiples, y, él mismo lo ha dicho, no siempre han sido infortunadas. Mucho se ha hablado del peso de su judaísmo, de la complicada pertenencia a la tradición de la insularidad caribeña, de su lugar de excepción en el llamado canon literario.” Tomado del prólogo de Michel Mendoza |
el maestro de esgrima: The Flanders Panel Arturo P'Rez-Reverte, 2003 The clue to a murder in the art world of contemporary Madrid lies hidden in a medieval painting of a game of chess. In a 15th-century Flemish painting two noblemen are pictured playing chess. Yet two years before he could sit for the portrait, one of them was murdered. In 20th-century Madrid, Julia, a picture restorer preparing the painting for auction, uncovers a hidden inscription in Latin that points to the crime: Quis necavit equitem? Who killed the knight? But as she teams up with a brilliant chess theoretician to retrace the moves, she discovers the deadly game is not yet over. |
el maestro de esgrima: Dramaticos posteriores a Lope de Vega Ramón de Mesonero Romanos, 1859 |
el maestro de esgrima: Dramáticos posteriores a Lope de Vega Ramón de Mesonero Romanos, 1859 |
el maestro de esgrima: Diccionario general de bibliografía española Dionisio Hidalgo, 1862 |
el maestro de esgrima: Diccionario general de bibliografia española , 1867 |
el maestro de esgrima: Diccionario general de bibliografía española: Compendio-El sistema. 1867 Dionisio Hidalgo, 1867 |
el maestro de esgrima: Territorio Reverte José Manuel López de Abiada, Augusta López Bernasocchi, 2020-06-15 Arturo Pérez-Reverte es el escritor español de mayor éxito de ventas y público de las últimas décadas. Su producción novelesca es una de las más sugestivas del actual panorama narrativo español. Su maestría constructiva no se debe únicamente a una documentación sumamente seria o a una estructura bien armada, sino también a un proceso de interiorización, a su asombrosa capacidad de fundir elementos y a su habilidad para hilvanar intrigas y urdir tramas que mantienen en vilo la curiosidad del lector y potencian su deseo por conocer el desenlace de la historia. Por eso en las obras de Pérez-Reverte se vislumbra siempre una minuciosa organización de la historia, cuyos complejos mecanismos hacen de sus novelas construcciones perfectamente calibradas en torno a esquemas narrativos bien conocidos: el relato de aventuras, la narración de intriga, la novela de investigación policíaca, la ficción culturalista. etc. Varias de sus obras han conseguido galardones y distinciones internacionales y han sido traducidas a casi veinte idiomas. Cinco de ellas han sido llevadas al cine. |
el maestro de esgrima: Historia de las instituciones políticas contemporáneas Enrique San Miguel Pérez, 2018-09-17 Una interpretación ordenada y sistemática de la construcción del Estado de Derecho en España a través de diez grandes bloques temáticos que se subdividen en una reflexión teórica y una oferta de actividades prácticas que incluyen tres textos para comentario, una propuesta de recensión y un comentario de una película |
el maestro de esgrima: Diccionario de legislacion de instruccion pública Eduardo Orbaneja y Majada, 1889 |
el maestro de esgrima: Para sanar, fortalecer y embellecer los cuerpos María José Garrido Asperó, 2019-01-20 Este libro propone una nueva categoría de análisis para el estudio de la educación física y los deportes en México, la cultura física entendida como el conjunto de ideas, prácticas y creencias que respecto al ejercicio corporal se expresan en determinada sociedad. Se propone que las primeras manifestaciones para estimular la actividad física en el siglo XIX estuvieron a cargo de individuos particulares quienes, por sus propios conocimientos, gustos e intereses económicos, establecieron los primeros centros dedicados a la práctica y enseñanza metódica y sistematizada de la gimnasia. Fue en torno a esos gimnasios -que funcionaron como empresas privadas a partir de la década de los cuarenta- que se introdujo y desarrolló la novedad en materia de ejercicio corporal del siglo XIX en México: la gimnasia o gimnástica, como entonces se la llamaba. Se analizan los mecanismos a través de los cuales la enseñanza de la gimnasia se incorporó al mediar el siglo en las escuelas públicas y privadas de la ciudad de México y cómo a consecuencia de la derrota militar sufrida ante Estados Unidos se creó la Escuela Gimnástica del Ejército. Por último, se analiza cómo a través de la labor desempeñada por gimnastas y médicos se desarrolló la rama medicinal de la gimnasia estableciéndose al menos un gimnasio especializado en la rehabilitación física. |
el maestro de esgrima: Teoría y didáctica de los géneros aventuras y policíaco Jaime Ricardo Reyes Calderón, 2003 |
el maestro de esgrima: Fencing Walter Herries Pollock, F. C. Grove, Camille Prevost, 1890 |
el maestro de esgrima: Badminton Library of Sports and Pastimes , 1890 |
el maestro de esgrima: Wrestling Walter Armstrong, 1889 |
el maestro de esgrima: Diario de sesiones Buenos Aires (Argentina : Province). Legislatura. Cámara de Diputados, 1886 Most years include extraordinary sessions. |
el maestro de esgrima: Coleccion de causas celebres contemporaneas Manuel Atanasio Fuentes, 1862 |
el maestro de esgrima: Colección de causas celebres del foro peruano y extrangero Manuel Atanasio Fuentes, 1862 |
el maestro de esgrima: Iberia negra Diana Berruezo-Sánchez, Manuel Olmedo Gobante, Cornesha Tweede, 2024-07-26 Iberia negra provides textual and methodological resources to investigate and study the African Diaspora and early modern Iberian Studies with a transatlantic and global perspective. This unique and timely volume renovates the study of Black African lives in the Iberian Peninsula during the 16th and 17th centuries, contextualizing and illuminating Afro-Iberian experiences and representations through unpublished or little-known documents. Across twelve chapters, Iberia negra explores the Afro-Iberian presence and the construction of Black identity in the Iberian Peninsula through the era’s social practices and cultural representations. In dialogue with a vast critical production from different disciplines such as philology, history, anthropology, musicology, cultural studies, and Black and race studies, this volume offers a more complex vision of Black Iberia, moving away from stereotypes and giving an account of the life experiences of Black men and women. Iberia negra covers an existing gap in current academic production: within one comprehensive volume, it unites disciplines that until now have dealt with aspects of the diaspora but without dialogue between each other and it also allows access to a broad spectrum of texts on the diaspora in the Iberian Peninsula. With this double objective, Iberia negra is a fruitful resource for graduate and undergraduate students of Spanish, History, and Race, and for professors and researchers in these areas. Iberia negra propociona recursos textuales y metodológicos para estudiar y enseñar la diáspora africana y los estudios ibéricos modernos con una perspectiva transatlántica y global. Este volumen tan pertinente como único renueva nuestro conocimiento sobre las vidas de las personas negras de la Península Ibérica durante los siglos XVI y XVII, contextualizando e ilustrando las experiencias y representaciones afroibéricas con documentos inéditos o poco conocidos. A lo largo de doce capítulos, Iberia negra explora la presencia afroibérica y la construcción de la identidad negra en la Península Ibérica a través de las prácticas sociales y las representaciones culturales de la época. En diálogo con una vasta producción crítica procedente de diferentes disciplinas como la filología, la historia, la antropología, la musicología, los estudios culturales y los estudios negros y de raza, este volumen ofrece una visión profunda y compleja de la Iberia negra, alejándose de los estereotipos y dando cuenta de las experiencias vitales de las personas negras. Iberia negra cubre una laguna en la producción académica actual. Integra en un volumen disciplinas que han tratado aspectos de la diáspora sin apenas dialogar entre ellas hasta ahora. Además, permite acceder a un amplio espectro de textos sobre la diáspora en la Península Ibérica. Con este doble objetivo, Iberia negra constituye un fructífero recurso para estudiantes de grado y posgrado de español, historia y temas relacionado con la raza, así como para profesores e investigadores de estas áreas. |
el maestro de esgrima: Reglamento provisional para el orden y gobierno del Establecimiento Central de intruccion de caballeria España. Ejército de Tierra. Cuerpo de Caballería, 1843 |
el maestro de esgrima: No Temas (Fear Not) Carlos G. Vallés, |
el maestro de esgrima: La Biblioteca popular de Buenos Aires , 1878 |
el maestro de esgrima: El acreedor protector Frédéric Soulié, 1845 |
el maestro de esgrima: Bandera en el exilio David Weber, 2012-03-30 Sentenciada al retiro y a la vergüenza por enemigos políticos, destrozada por el asesinato del hombre al que amaba, y privada de confianza en sí misma, la capitana Honor Harrington se refugia en el planeta Grayson para ocupar su papel de gobernadora y así cicatrizar sus heridas. Pero la República Popular de Haven resurge de su derrota y amenaza a Grayson de nuevo. La armada graysoniana necesita de su destreza cuanto antes. Una llamada de auxilio que Honor no puede ignorar, incluso si para ello debe enfrentarse a los fantasmas del pasado. Pero estos tienen un plan? y para que funcione, Honor Harrington debe morir. Dos fuerzas arrolladoras se precipitan sobre Grayson, y solo una mujer puede evitar la destrucción de su planeta. |
el maestro de esgrima: The Nautical Chart Arturo Pérez-Reverte, 2004-06-07 A fearless Spanish crew embarks on a search for a lost ship, swallowed by the Indian Ocean centuries ago, in a novel by “a master of the literary thriller” (Booklist, starred review). Manuel Coy is a suspended sailor with time on his hands, a mariner without a ship. While attending a maritime auction in Barcelona, he meets Tánger Soto, a captivating beauty who works for the Naval Museum in Madrid. A woman obsessed with the Dei Gloria, a famed Jesuit ship sunk by pirates in the seventeenth century, she now hopes to find it and unearth its mysteries, rumored to be buried the bottom of the sea off the southern coast of Spain. Quickly drawn into the search, Coy accompanies Tánger Soto, and a wise old man of the sea whose sailboat will carry the crew into the middle of nowhere in search of a fortune. But more than treasure is rising to the surface—secrets are, too. And from these depths will also come danger, and an adventure no one is prepared for. From the acclaimed author of The Queen of the South, The Nautical Chart is “a swashbuckling tale of mystery” (The Washington Post Book World). |
el maestro de esgrima: Stet José Kozer, 2006 But if the experience of both art and world is non-linear and polyphonic-many voices clamoring simultaneously for attention-the problem for the artist is how, as the work proceeds, to suggest the presence of those other voices. Bach injects discords suggesting the presence of unheard, parallel harmonic structures; Kozer changes tone, linguistic class, reference, and language itself, each echoing beyond its enunciation.The logic of the movement moment to moment within Kozer's poems is often profoundly non-logical-the accident of two words sharing a phoneme may lead from one universe of allusion to another, one image suggesting the next. By the poem's end a tangle of pheonomena has been projected and a path found through it. This can be a dizzying experience for reader or listener. We're being asked to tease out the complexities as we proceed, and we can only proceed by immersion. |
El (deity) - Wikipedia
Originally a Canaanite deity known as ' El, ' Al or ' Il the supreme god of the ancient Canaanite religion [10] and the supreme god of East Semitic speakers in Early Dynastic Period of …
Temple Emanu-El of Sarasota
Temple Emanu-El thrives with activity. Every day there are classes, lectures, films, performances, and nationally award-winning programs. Our active Sisterhood and Brotherhood plan the social …
Él | Spanish to English Translation - SpanishDictionary.com
Search millions of Spanish-English example sentences from our dictionary, TV shows, and the internet. Browse Spanish translations from Spain, Mexico, or any other Spanish-speaking …
El vs Él: Key Differences in Spanish - Tell Me In Spanish
Jan 28, 2025 · El vs él are two different words. El without an accent is a definite article (the) and more often it’s placed before concrete singular masculine nouns. Él with an accent is a pronoun …
EL AL announces repatriation flights amid airspace shutdown
13 hours ago · EL AL stated that prioritization will be based on the original departure dates of canceled flights. In special circumstances, humanitarian and security-related cases may be given …
Él con tilde y el sin tilde: ejemplos y uso correcto - LanguageTool
¿“El mismo” o “él mismo”? ¿“El niño” o “él niño”? Estas dos palabras se diferencian solo por la tilde. Pero ¿cuándo lleva tilde “él” y cuándo no necesita tilde? Te lo explicamos y analizamos ejemplos …
EL? LA? How to choose the correct gender in Spanish
Nov 9, 2024 · In Spanish, every noun has a gender, either masculine or feminine. And you need to know the gender because the adjectives and articles that accompany a noun have to match with …
Reform Jewish Temple | Temple Beth El | Florida
Temple Beth El supports Jewish life, values, culture, and experience in the Reform tradition for the people of Manatee County. Temple Beth El welcomes diversity among its congregation, students, …
Difference between él and el in Spanish (he or the) - Kwiziq Spanish
Let's look at "él" vs "el". Él is a subject personal pronoun. It has a written accent on the letter é. The direct English translation is he. For example: Él tiene muchos amigos. He has lots of friends. El is …
El - New World Encyclopedia
In the Bible, El was the deity worshiped by the Hebrew patriarchs, for example as El Shaddai (God Almighty) or El Elyon (God Most High) before the revelation of his name Yahweh to Moses. But El …
El (deity) - Wikipedia
Originally a Canaanite deity known as ' El, ' Al or ' Il the supreme god of the ancient Canaanite religion [10] and the supreme god of East Semitic speakers in Early Dynastic Period of …
Temple Emanu-El of Sarasota
Temple Emanu-El thrives with activity. Every day there are classes, lectures, films, performances, and nationally award-winning programs. Our active Sisterhood and Brotherhood plan …
Él | Spanish to English Translation - SpanishDiction…
Search millions of Spanish-English example sentences from our dictionary, TV shows, and the internet. Browse …
El vs Él: Key Differences in Spanish - Tell Me In Spanish
Jan 28, 2025 · El vs él are two different words. El without an accent is a definite article (the) and more often it’s placed before concrete singular masculine nouns. Él with an accent is a …
EL AL announces repatriation flights amid airspace shutdown
1 day ago · EL AL stated that prioritization will be based on the original departure dates of canceled flights. In special circumstances, humanitarian and security-related …