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| emilia galotti text: The Dramatic Works of G. E. Lessing: Comedies Gotthold Ephraim Lessing, 1878 |
| emilia galotti text: Emilia Galotti Gotthold Ephraim Lessing, 1895 |
| emilia galotti text: The Dramatic Works Lessing, 1878 |
| emilia galotti text: Goethe as Woman Benjamin Bennett, 2001 Bennett reviews a number of Goethe's works, offering a new interpretation of Werther, fresh insights into Die natürliche Tochter, and an assessment of Die Wahlverwandtschaften that reveals Goethe's feminine voice. He establishes parallels between Goethe's position and that of modern radical feminism regarding the problem of literary revolution. -- book jacket. |
| emilia galotti text: The Radical Enlightenment in Germany , 2018-07-03 This volume investigates the impact of the Radical Enlightenment on German culture during the eighteenth century, taking recent work by Jonathan Israel as its point of departure. The collection documents the cultural dimension of the debate on the Radical Enlightenment. In a series of readings of known and lesser-known fictional and essayistic texts, individual contributors show that these can be read not only as articulating a conflict between Enlightenment and Counter-Enlightenment, but also as documents of a debate about the precise nature of Enlightenment. At stake is the question whether the Enlightenment should aim to be an atheist, materialist, and political movement that wants to change society, or, in spite of its belief in rationality, should respect monarchy, aristocracy, and established religion. Contributors are: Mary Helen Dupree, Sean Franzel, Peter Höyng, John A. McCarthy, Monika Nenon, Carl Niekerk, Daniel Purdy, William Rasch, Ann Schmiesing, Paul S. Spalding, Gabriela Stoicea, Birgit Tautz, Andrew Weeks, Chunjie Zhang |
| emilia galotti text: Nathan the Wise, Minna Von Barnhelm, and Other Plays and Writings Gotthold Ephraim Lessing, 1991-01-01 Lessing was a playwright, scholar, poet, archeologist, philosopher, and critic. His genius is evident in the works collected in this volume, which includes the comedy Minna von Barnhelm, the tragedy Emilia, Galotti, Nathan the Wise, The Jews (and related correspondence), Ernst and Falk: Conversations for the Freemasons, and selections from philosophical and theological writings> |
| emilia galotti text: Relevance of Lessing's "Emilia Galotti" for Goethe's "Die Leiden Des Jungen Werther" and the State of Mind of Storm and Stress Writers Julia Straub, 2019-03-27 Essay from the year 2018 in the subject Literature - Comparative Literature, grade: 1,3, Cardiff University, course: German literature, language: English, abstract: He had drunk only one glass of the wine. Emilia Galotti lay open on his desk (Goethe 2004). When Werther commits suicide at the end of Goethe's novel Die Leiden des jungen Werther, Lessing's play Emilia Galotti lies next to him on his desk. The fact that it is opened, lets the reader assume that Werther had read the book, perhaps just moments before his suicide. It makes it seem of importance to Werther and it might have been relevant for his decision to commit suicide. But that is just one assumption which can be made. For the reader, it is interesting to know what Goethe wanted to tell us by including Lessing's work in his novel. It does not seem much of a coincidence that Lessing's work appears at the most important scene of the novel. This leads to the question this essay is concerned with. What is the relevance of Lessing's play for Goethe's novel? Did Lessing's play influence Goethe or is he actually criticizing Lessing by including the play in his novel? And going even further: What is the relevance of the play for the state of mind of Storm and Stress writers/artists in general? There are several possible assumptions to those two questions so some of them will be presented and analysed in this essay although not all of them can be covered. |
| emilia galotti text: Lessing Yearbook Arno Schilson, Richard E. Schade, Herbert Rowland, 2002 The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English. Essays in this volume explore a wide variety of subjects pertaining to class and gender, identity formation, and art in Lessing's work, as well as Lessing's philosphy on music and poetry. |
| emilia galotti text: The Mask and the Quill Mary Helen Dupree, 2011-05-12 In the last three decades of the eighteenth century, a small but significant number of German actresses, including Sophie Albrecht (1757-1840), Marianne Ehrmann (1755-1795) and Elise BYrger (1769-1833), began to publish poetry, autobiography, drama and short fiction under their own names. These 'actress-writers' came of age at a time when the status of the actress was being radically redefined in accordance with Enlightenment aesthetics and the cult of sensibility. The Mask and the Quill is an exploration of this generation of actress-writers, their significance for German literary and cultural history, and their attempts to come to terms with the new image of the actress through literature and performance. |
| emilia galotti text: The Aesthetics of Kinship Heidi Schlipphacke, 2023-01-13 The Aesthetics of Kinship intervenes critically into rigidified discourses about the emergence of the nuclear family and the corresponding interior subject in the eighteenth century. By focusing on kinship constellations instead of “family plots” in seminal literary works of the period, this book presents an alternative view of the eighteenth-century literary social world and its concomitant ideologies. Whereas Enlightenment and post-Enlightenment philosophy and political theory posit the nuclear family as a microcosm for the ideal modern nation-state, literature of the period offers a far more heterogeneous image of kinship structures, one that includes members of various classes and is not defined by blood. Through a radical re-reading of the multifarious kinship structures represented in literature of the long eighteenth century, The Aesthetics of Kinship questions the inevitability of the dialectic of the Enlightenment and invokes alternative futures for conceptions of social and political life. |
| emilia galotti text: The Revivifying Word Clayton Koelb, 2008 Reading as key to the mysterious relation between lifeless material bodies and living, animate beings in Romantic fiction and thought. What is not Life that really is? asked Coleridge, struggling, like many poets, philosophers, and scientists of Europe's Romantic age, to formulate a theory of life that explained the mysterious relation between dead material bodies and living, animate beings. Romantic intellectuals found a key to this mystery surprisingly close at hand: the process by which dead matter could come to life must be something like the process of reading. The Revivifying Word examines the reanimating acts of reading that became a central focus of attention for Romantic writers. German theorists, building on the Apostle Paul's assertion that the dead letter can be revivified by the livingspirit, proposed a permeable, legible boundary between the living and the dead. This inaugurated a revolution in European aesthetics, implanting the germ of an extraordinarily productive narrative idea that enriched Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats's Glaucus, Kleist's Elizabeth Kohlhaas, Shelley'sFrankenstein (and the monster he creates), Maturin's Melmoth, Poe's Madeline Usher, and Gautier's Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theoryof life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill. |
| emilia galotti text: Lessing Yearbook XXVIII Katharina Gerstenberger, Richard E. Schade, 1997 |
| emilia galotti text: Germania , 1896 |
| emilia galotti text: Speaking Out J. Baxter, 2016-01-26 Focusing on the female voice in public contexts, language and gender specialists consider the barriers and opportunities encountered by women in gaining recognition in politics, law, the church, education, business and the media, where people are increasingly judged by their speech and where male and female speech is often evaluated differently. |
| emilia galotti text: On the Literature and Thought of the German Classical Era Hugh Barr Nisbet, 2021-05-20 This volume provides a valuable contribution to our knowledge of eighteenth- and nineteenth-century intellectual life inside and outside Germany. —Prof. Karl S. Guthke, Harvard University This elegant collection of essays ranges across eighteenth and nineteenth-century thought, covering philosophy, science, literature and religion in the ‘Age of Goethe.’ A recognised authority in the field, Nisbet grapples with the major voices of the Enlightenment and gives pride of place to the figures of Lessing, Herder, Goethe and Schiller. These eleven essays range widely in their compass of thought and intellectual discourse, dealing incisively with themes including the philosophical implications of literature and the relationship between religion, science and politics. The result is an accomplished reflection on German thought, but also on its rebirth, as Nisbet argues for the relevance of these Enlightenment thinkers for the readers of today. The first half of this collection focuses predominantly on eighteenth-century thought, where names like Lessing, Goethe and Herder, but also Locke and Voltaire, feature. The second has a wider chronological scope, discussing authors such as Winckelmann and Schiller, while branching out from discussions of religion, philosophy and literature to explore the sciences. Issues of biology, early environmentalism, and natural history also form part of this volume. The collection concludes with an examination of changing attitudes towards art in the aftermath of the ‘Age of Goethe.’ The essays in this volume have been previously published separately, but are brought together in this collection to present Nisbet’s widely-acclaimed perspectives on this fascinating period of German thought. It will be of interest to scholars and students of the intellectual life of Europe during the Enlightenment, while its engaging and lucid style will also appeal to the general reader. |
| emilia galotti text: Stations of the Divided Subject Richard T. Gray, 1995 A sociohistory of German bourgeois literature from 1770-1914 based on detailed readings of six cononical literary texts. |
| emilia galotti text: The Reader Bernhard Schlink, 1999-03-07 INTERNATIONAL BESTSELLER • Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. A formally beautiful, disturbing and finally morally devastating novel. —Los Angeles Times When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder. |
| emilia galotti text: MLN. , 1896 Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings. |
| emilia galotti text: Modern Language Notes , 1896 |
| emilia galotti text: Fragments from Reimarus Hermann Samuel Reimarus, 1879 |
| emilia galotti text: Women in German Yearbook Women in German Yearbook, 2003-03-31 Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literary, cultural and language studies, including pedagogy. Each issue contains critical studies on the work, history, life, literature and arts of women in the German-speaking world, reflecting the interdisciplinary perspectives that inform feminist German studies.Ruth-Ellen B. Joeres is a professor of German at the University of Minnesota. Patricia Herminghouse is Fuchs Professor emerita of German Studies at the University of Rochester. |
| emilia galotti text: The Cornell Magazine , 1896 |
| emilia galotti text: Suicide in East German Literature Robert Blankenship, 2017 The many fictional suicides in the literature of the German Democratic Republic have been greatly misunderstood. The common assumption is that authoritarian oppression in East Germany led to an anomalous abundance of real suicides, so that fictional suicides in GDR literature constitute a simple, realistic reflection of East German society. Robert Blankenship challenges this assumption by providing both a history of suicide in GDR literature and close readings of individual texts, revealing that suicides in GDR literature, rather than simply reflecting historical suicides, contain rich literary attributes such as intertextuality, haunting, epistolarity, and unorthodox narrative strategies. Such literariness offered subversive potential beyond suggesting that real people killed themselves in a communist country. This first book-length study of fictional suicides in East German literature provides insight into the complex and dynamic rhetoric of the GDR. Blankenship's underlying claim is that GDR literature ought to be read as literature, with literary methodology, not despite the country's politically and rhetorically charged nature, but precisely because of it. Suicide in East German Literature will be of interest to scholars of GDR literature, humanities-oriented scholars of suicide, and those who are interested in the complex relationship between literature and history. ROBERT BLANKENSHIP is Assistant Professor of German at California State University, Long Beach. |
| emilia galotti text: Romantic Rapports Larry H. Peer, Christopher R. Clason, 2017 New essays offering fresh glimpses of Romanticism as interdisciplinary and cross-linguistic, illuminating the discursive features and the pan-European nature of the movement. |
| emilia galotti text: Gotthold Ephraim Lessing Hugh Barr Nisbet, 2013-09-26 Gotthold Ephraim Lessing (1729-1781) is the most eminent literary figure of the German Enlightenment and a writer of European significance. His range of interest as dramatist, poet, critic, philosopher, theologian, philologist and much else besides was comparable to that of Voltaire, Diderot, and Rousseau, with all of whose ideas he engaged. He contributed decisively to the emergence of German as a literary language and was the founder of modern German literature, urging his compatriots to look to England rather than France for literary inspiration. His major plays (including the classic drama on religious tolerance, Nathan the Wise) are still regularly performed. He was a brilliant controversialist, and his philosophical and religious writings profoundly shook traditional assumptions. This book sets his life and work in the context of the intellectual, social, and cultural background of eighteenth-century Europe. It is the first comprehensive account of Lessing's life for over a century, and it serves as a reference work on all aspects of Lessing's life, work, and thought. The German edition, published in 2008, is now regarded as definitive; it was awarded the Hamann Research Prize of the University and city of Münster and the Einhard Prize for Biography of the Einhard Foundation in Seligenstadt. The present English edition has been revised and updated in the light of relevant publications since 2008. |
| emilia galotti text: Classified Catalogue of the Library of the Royal Geographical Society, to December, 1870 Royal Geographical Society (Great Britain). Library, Godfrey Matthew Evans, 1871 |
| emilia galotti text: Taking Stock – Twenty-Five Years of Comparative Literary Research , 2019-10-29 Read an interview with Norbert Bachleitner. In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition. |
| emilia galotti text: Goethe Yearbook 27 Patricia Anne Simpson, Birgit Tautz, Sean Franzel, 2020-06-15 A new Forum section focuses on the impact of Digital Humanities on Goethe scholarship and on eighteenth-century German Studies, alongside articles on a diverse range of authors and topics.The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 27 features the yearbook''s first Forum, a discussion of the impact of Digital Humanities (DH) and computational criticism on Goethe scholarship and eighteenth-century German Studies more broadly. For this launch, invited contributors were askedto consider the canon in comparison to the great unread (Margaret Cohen): the vast expanse of uncanonized texts. The contributions evince approaches that go beyond the established binary of scholarly methods vs. data sciences; they also explore DH as a way of navigating the gendered fault lines of canon formation. Beyond the Forum, there are articles on Goethe''s self-marketing, on several of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.al of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.issouri-Columbia.al of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.al of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.issouri-Columbia.issouri-Columbia.al of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Höppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.issouri-Columbia.e University of Missouri-Columbia.issouri-Columbia. |
| emilia galotti text: Idioms of Uncertainty Peter J. Burgard, 1992-09-15 Goethe's essays have been culled for their literary, aesthetic, and scientific content, by the textuality and their location at the nexus of genre and literary history have not received the critical attention they deserve. In Idioms of Uncertainty, Peter Burgard analyzes the rhetorical strategies, structure, and style of pivotal essays and relates them to the essay traditions as represented by Montaigne and Johnson. By formulating the critique of systematic philosophy inherent in the essays and by investigating their participation in the principal aesthetic dialogue of the age&—the Laoco&ön debate, which spanned nearly half a century&—Burgard situates them in the context of eighteenth-century critical discourse. Furthermore, by disclosing the connection between the anti-systematic, dialogic impetus of Goethe's essayism and the theme of community in his literary works, Idioms of Uncertainty both draws out the broader social implications of the essay and shows how the analysis of Goethe's work in the genre can illuminate his entire oeuvre. In the course of the study Burgard articulates a theory of the essay as a genre by drawing on twentieth-century theoretical perspectives for his exposition of Goethe's textual strategies: theories of the essay from Lukacs, Bense, and Adorno; the textual theories of Bakhtin, Kristeva, Barthes, and Derrida; and Rorty's notion of literary-philosophical conversation. Idioms of Uncertainty thus holds interest for those concerned with genre theory and literary theory in general; and through its challenging of clich&és about German literature at the time it assumed international significance, the book will be useful not only for Goethe scholars but also for scholars of the eighteenth century across disciplines and national boundaries. |
| emilia galotti text: Stirner: The Ego and Its Own Max Stirner, 1995-04-06 Max Stirner's The Ego and Its Own is striking and distinctive in both style and content. First published in 1844, Stirner's distinctive and powerful polemic sounded the death-knell of left Hegelianism, with its attack on Ludwig Feuerbach, Bruno and Edgar Bauer, Moses Hess and others. It also constitutes an enduring critique of both liberalism and socialism from the perspective of an extreme eccentric individualism. Karl Marx was only one of many contemporaries provoked into a lengthy rebuttal of Stirner's argument. Stirner has been portrayed, variously, as a precursor of Nietzsche (both stylistically and substantively), a forerunner of existentialism and as an individualist anarchist. This edition of his work comprises a revised version of Steven Byington's much praised translation, together with an introduction and notes on the historical background to Stirner's text. |
| emilia galotti text: German Tragedy in the Age of Englightenment Robert R. Heitner, |
| emilia galotti text: Modern German Literature Michael Minden, 2013-04-30 This accessible and fresh account of German writing since 1750 is a case study of literature as a cultural and spiritual resource in modern societies. Beginning with the emergence of German language literature on the international stage in the mid-eighteenth century, the book plays down conventional labels and periodisation of German literary history in favour of the explanatory force of international cultural impact. It explains, for instance, how specifically German and Austrian conditions shaped major contributions to European literary culture such as Romanticism and the ‘language scepticism’ of the early twentieth century. From the First World War until reunification in 1990, Germany’s defining experiences have been ones of catastrophe. The book provides a compelling overview of the different ways in which German literature responded to historical disaster. They are, first, Modernism (the ‘Literature of Negation’), second, the literature of totalitarian regimes (Third Reich and German Democratic Republic), and third the various creative strategies and evasions of the capitalist democratic multi-medial cultures of the Weimar and Federal Republics. The volume achieves a balance between textual analysis and cultural theory that gives it value as an introductory reference source and as an original study and as such will be essential reading for students and scholars alike. |
| emilia galotti text: Lessing yearbook , 2001 |
| emilia galotti text: Laocoon Gotthold Ephraim Lessing, 1853 |
| emilia galotti text: Faith and Finality John Whiton, 1991 Important works of major German authors are given detailed, in-depth analysis in this wide-ranging and original study. Going from Wieland and Lessing in the 18th to Thomas Mann in the 20th century, the book encompasses representatives of the Enlightenment, Storm and Stress, Romanticism, Biedermeier and Realism. Emphasis is placed on religious aspects which impinge upon ultimate questions. Hence the book's title. |
| emilia galotti text: Catalog of Copyright Entries Library of Congress. Copyright Office, 1977 |
| emilia galotti text: Das Deutsche Theater nach 1989 Hannah Speicher, 2021-05-10 In dieser Geschichte des Deutschen Theaters werden die Inszenierungen Hamlet/Maschine (R: Heiner Müller, 1990), Shoppen&Ficken (R: Thomas Ostermeier, 1999) und Emilia Galotti (R: Michael Thalheimer, 2001) zu Bildern einer Theaterorganisation im Wandel zwischen Resilienz und Vulnerabilität. Hannah Speichers innovative Studie kombiniert dazu Theaterstatistiken und Zeitzeugeninterviews mit Dramen- und Inszenierungsanalysen. Es zeigt sich: Das Festhalten der Theatermacher an der DDR-Künstleridentität in den 1990ern mündete gerade im Verlust derselben. Und der am Deutschen Theater in den frühen 2000er Jahren vorbereitete kulturpolitische Resilienz-Imperativ bestimmt bis heute den Diskurs. |
| emilia galotti text: Repopulating the Eighteenth Century Michael Wood, Johannes Birgfeld, 2018 In essays that examine particular non-canonical works and writers in their wider cultural context, this volume repopulates the German Enlightenment. |
| emilia galotti text: Absent Mothers and Orphaned Fathers Susan E. Gustafson, 1995 Gustafson provides a comprehensive overview of Lessing's comments on the structure and purpose of the domestic tragedy within the context of his Laokoon essay, demonstrating that the fundamental psychic-deep structures informing his aesthetic and dramatic production are male narcissism and the abjection of the woman/the mother. As opposed to earlier studies of gender/generic questions in Lessing's dramas, this analysis explicates the theoretical basis for the rigid codification of gender which informs Lessing's fictional symbolic order. |
| emilia galotti text: Performing the Matrix Meike Wagner, Wolf-Dieter Ernst, 2008 Performing the Matrix. Mediating Cultural Performances presents a collection of case studies and analyses dealing with performances of the matrix that take up questions of identities and social thinking, visualization and perception, the discursive power of texts and historiographic paradigms, and artistic strategies of political intervention. Since 1999 The Matrix has become a popular catchword through the homonymous Wachowski brothers’ movie. As both a traditional concept and a popular phenomenon, ‹matrix› can take on a new value when reconsidered in the light of performance studies. A behind-the-scenes look at theatre, performance, political activism and events may reveal a productive mediating structure that can metaphorically be described as a matrix. This mediating structure and its materializations are fundamentally reshaping modern culture. Accordingly ‹politics of visibility›, ‹media networking›,‹telepresence› and ‹liveness› are considered to be understood as performances of the matrix. If so, how does this understanding of cultural performances ‹as always already mediatized› influence contemporary concepts of performance and media? |
Emili TV - YouTube
"Emili TV" განკუთვნილია ბავშვებისთვის და მოზარდებისთვის, ჩვენ ...
Emilia - Re:Zero Wiki | Fandom
Emilia (エミリア) is the main heroine and deuteragonist of the Re:Zero kara Hajimeru Isekai Seikatsu series. She is a half-elf and a candidate to become the 42nd monarch of the Dragon …
Emilia (given name) - Wikipedia
Although similar Germanic names like Amalia may appear to be related to Emilia, Emily and Aemilia, they in fact have a different origin. In Greek, it is often written in the form "Αιμιλία" …
Emilia - Baby Name Meaning, Origin, and Popularity
5 days ago · Emilia is a girl's name of Spanish, Italian, Hungarian, Polish origin meaning "rival". Emilia is the 43 ranked female name by popularity.
Emilia: Name Meaning, Popularity and Info on BabyNames.com
4 days ago · The name Emilia is primarily a female name of Latin origin that means To Strive Or Excel Or Rival. Emilia originally comes from the name Aemilia. Common variations of the …
Emilia | Official Website
Official Website for Emilia | Conoce mi nuevo album
Emilia - Meaning of Emilia, What does Emilia mean? - BabyNamesPedia
Emilia is popular as a baby girl name, and it is also regarded as trendy. The name has been rising in popularity since the 1980s. At the recent peak of its usage in 2018, 0.218% of baby girls …
Emilia Clarke - Wikipedia
Emilia Isobel Euphemia Rose Clarke MBE (born 23 October 1986) is an English actress, best known for her role as Daenerys Targaryen in the HBO fantasy series Game of Thrones …
Emilia Fox - Wikipedia
Emilia Rose Elizabeth Fox (born 31 July 1974) is an English actress and presenter whose career is primarily in British television. Her feature film debut was in Roman Polanski's film The …
Emilia (Bulgarian singer) - Wikipedia
Emilia Bashur (Bulgarian: Емилия Башур, née Valeva), known mononymously as Emilia, is a Bulgarian pop folk singer. She has released eight studio albums to date.
Emili TV - YouTube
"Emili TV" განკუთვნილია ბავშვებისთვის და მოზარდებისთვის, ჩვენ ...
Emilia - Re:Zero Wiki | Fandom
Emilia (エミリア) is the main heroine and deuteragonist of the Re:Zero kara Hajimeru Isekai Seikatsu series. She is a half-elf and a candidate to become the 42nd monarch of the Dragon …
Emilia (given name) - Wikipedia
Although similar Germanic names like Amalia may appear to be related to Emilia, Emily and Aemilia, they in fact have a different origin. In Greek, it is often written in the form "Αιμιλία" …
Emilia - Baby Name Meaning, Origin, and Popularity
5 days ago · Emilia is a girl's name of Spanish, Italian, Hungarian, Polish origin meaning "rival". Emilia is the 43 ranked female name by popularity.
Emilia: Name Meaning, Popularity and Info on BabyNames.com
4 days ago · The name Emilia is primarily a female name of Latin origin that means To Strive Or Excel Or Rival. Emilia originally comes from the name Aemilia. Common variations of the name …
Emilia | Official Website
Official Website for Emilia | Conoce mi nuevo album
Emilia - Meaning of Emilia, What does Emilia mean? - BabyNamesPedia
Emilia is popular as a baby girl name, and it is also regarded as trendy. The name has been rising in popularity since the 1980s. At the recent peak of its usage in 2018, 0.218% of baby girls …
Emilia Clarke - Wikipedia
Emilia Isobel Euphemia Rose Clarke MBE (born 23 October 1986) is an English actress, best known for her role as Daenerys Targaryen in the HBO fantasy series Game of Thrones …
Emilia Fox - Wikipedia
Emilia Rose Elizabeth Fox (born 31 July 1974) is an English actress and presenter whose career is primarily in British television. Her feature film debut was in Roman Polanski's film The Pianist …
Emilia (Bulgarian singer) - Wikipedia
Emilia Bashur (Bulgarian: Емилия Башур, née Valeva), known mononymously as Emilia, is a Bulgarian pop folk singer. She has released eight studio albums to date.
