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| eta hoffmann kreisleriana: E. T. A. Hoffmann's Musical Writings E. T. A. Hoffmann, 1989-11-16 This book contains the first complete translation in English of E. T. A. Hoffmann's major musical writings, complementing the well-known Tales. It offers, therefore, a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing whose title is familiar to musicians (from Robert Schumann's piano cycle) and whose profound humour and irony can now be fully appreciated. This volume offers translations aiming at the greatest fidelity to Hoffmann, as well as musical accuracy in the reviews. David Charlton's three introductory essays provide extensive information on the background to Romantic music criticism; on the origins and internal structure of Kreisleriana; and on Hoffmann and opera. A concluding essay by the late Friedrich Schnapp lists Hoffmann's planned reviews and those mistakenly attributed to him. |
| eta hoffmann kreisleriana: E. T. A. Hoffmann's Musical Writings E. T. A. Hoffmann, 2003 This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated. |
| eta hoffmann kreisleriana: Schumann's Music and E.T.A. Hoffmann's Fiction John MacAuslan, 2016-05-19 John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts. |
| eta hoffmann kreisleriana: King's Bride E.T.A Hoffmann, 2018-01-01 Happily engaged to the poet Amandus, Fraulein Anna is horrified to discover that a beautiful ring, mysteriously deposited upon her finger whilst tending her kitchen garden, forces her into marriage with the gnome Corduanspitz. Can Anna find any way of removing the ring? Will her poet lover shake off his passive demeanour and come to her aid? And has Corduanspitz truly relinquished all ties to his gnome heritage, as he so proudly claims?Around a love story very much of its time, Hoffman arranges a narrative that brings to mind the most successful elements of contemporary magical realism and surreal comedy. Always entertaining, yet capable of a focused though subtle morality, "e;The King's Bride"e; brings disparate elements into a masterful harmony. |
| eta hoffmann kreisleriana: Nutcracker and Mouse King and The Tale of the Nutcracker E. T. A. Hoffmann, Alexandre Dumas, 2007-10-30 The original stories behind everyone's favorite Christmas ballet It wasn't until the 1950s that seeing The Nutcracker at Christmastime became an American tradition. But the story itself is much older and its original intent more complex. This eye-opening new volume presents two of the tale's earliest versions, both in new translations: E.T.A. Hoffmann's Nutcracker and Mouse King (1816), in which a young girl is whisked away to the Land of Toys to help her animated nutcracker defeat the Mouse King, and Alexandre Dumas's 1845 adaptation, The Tale of the Nutcracker, based on Hoffmann's popular work. Irresistible tales of magic, mystery, and childhood adventure, these timeless delights and fresh interpretations about the importance of imagination will captivate readers of all ages. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| eta hoffmann kreisleriana: E.T.A. Hoffmann's Musical Writings: Kreisleriana, the Poet and the Composer, Music Criticism Ernst T. A. Hoffmann, 1989 |
| eta hoffmann kreisleriana: E.T.A. Hoffmann and the Serapiontic Principle Hilda Meldrum Brown, 2006 A comprehensive investigation of Hoffmann's Serapiontic Principle and what it implies for his oeuvre.Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the Serapiontic Principle. This principle, which Hoffmann expounded in his collection of tales Die Serapionsbrüder, involves a complex intersection of the artist's faculties of imagination and perception. However, Hoffmann's mode of presenting his theory presents an unusual problem: rather than the usual form of an essay or treatise, he adopts a fictional framework, complete with a set of characters; this in turn sets up a number of perspectives on the theory itself. This combination of literary and theoretical elements presents a severe challenge to critics, and not surprisingly there has been little agreement about what the principle actually entails or its wider relevance. With the principle as prime focus, this book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford. |
| eta hoffmann kreisleriana: The Sand-Man E. T. A. Hoffmann, Jim Rockhill, 2008 |
| eta hoffmann kreisleriana: The Best Tales of Hoffmann E. T. A. Hoffmann, 2012-08-13 Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: The Golden Flower Pot, Automata, Nutcracker and the King of Mice, The Sand Man, and 6 others. |
| eta hoffmann kreisleriana: Music and Fantasy in the Age of Berlioz Francesca Brittan, 2017-09-14 An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others. |
| eta hoffmann kreisleriana: E.T.A. Hoffmann's Musical Aesthetics Abigail Chantler, 2017-07-05 Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-eighteenth and early-nineteenth centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-nineteenth-century Germany. In the second half of the book, Hoffmann's dialectical view of music history and his conception of romantic opera are discussed in relation to his activities as a composer, with reference to his instrumental music and his two mature, large-scale operas, Aurora and Undine. The author also addresses broader issues pertaining to the ideological and historical significance of Hoffmann's musical and literary oeuvre. |
| eta hoffmann kreisleriana: The Automaton (Fantasy and Horror Classics) E. T. A. Hoffmann, 2015-10-21 This early work by E. T. A. Hoffmann was originally published in 1814. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the unrivalled master of the uncanny in literature.) Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions. |
| eta hoffmann kreisleriana: The Life and Opinions of Tomcat Murr E.T.A. Hoffmann, 2024-03-08 In E.T.A. Hoffmann's extraordinary novel, Opinions of the Cat Murr , the reader embarks on a fantastic journey through the routine activities of daily life in 19th century Germany. The confident and eclectic talents of Murr, a creature inspired by Hoffmann's own beloved cat, make him a true feline of the Renaissance, while Kriesler, Hoffmann's alter ego, is a character saturated with romantic sensibility. E.T.A. Hoffmann's strange tale evokes the supernatural, the operatic, the musical, and the psychiatric in a narrative populated by characters who cross the boundaries between madness and sanity, with a style that reflects this uncertainty. The work influenced a diverse group including Gogol, Dostoevsky, Kafka, Kierkegaard, and Jung, and in many ways foreshadowed Freud's ideas about the mysterious. Opinions of the Cat Murr is a classic and is part of the famous collection: 1001 BOOKS to Read Before You Die. |
| eta hoffmann kreisleriana: The Cremona Violin (Fantasy and Horror Classics) E. T. A. Hoffmann, 2020-12-01 Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
| eta hoffmann kreisleriana: Master Flea E. T. A. Hoffmann, 2023-06-08 Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.) Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it. |
| eta hoffmann kreisleriana: The Serapion Brethren I E. T. A. Hoffmann, 2016-09-09 Notwithstanding the popularity which several of Hoffmann's tales have obtained in many different countries, we are not aware of any complete or accurate translation of his works. In England they have become known in a very partial form, chiefly by the appearance of a few isolated tales in association with those of other writers, as in the 'Specimens of German Romance,' or in Gillies' 'German Stories,' which were published about 1830. Others are familiar only through the medium of a translation from a previous French version, as is the case with the well-known 'Nutcracker,'--and in this process of double dilution the Author's name has sometimes disappeared altogether. The most important attempt to present this writer to English readers is the recent publication of two volumes entitled 'Hoffmann's Weird Stories,' which contain eleven tales seven being from the Serapions-Brüder, two from the Nachtstücke, and two from other parts of his works. These stories are all separated from the setting in which, as in the present volume, they for the most part appeared, and the translator has not aimed at any completeness or method in their selection. The first attempt to give English readers a satisfactory idea of Hoffmann's work in its completeness is inaugurated by the present volume, which will be followed by the remaining portion of the Serapion Brethren, and in due course it is hoped by other portions of his works. Musicians will be interested by the fulness with which the Author's views on musical subjects so much in advance of his age, and so just and accurate are developed in many places, such as the dialogue called The Poet and the Composer, and the conversation which precedes the tale Master Martin. It would be of much interest could any of Hoffmann's numerous musical compositions be brought to light at the present day; they appear to have been considerably in advance of their period, although Weber's critique on one of Hoffmann's operas is full of high praise. A. |
| eta hoffmann kreisleriana: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| eta hoffmann kreisleriana: Inspiration Bonaparte? Seán Allan, Jeffrey L. High, 2021 In the Beginning was Napoleon--Napoleon and no end: Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present. Two hundred years after his death, Napoleon Bonaparte (1769-1821) continues to resonate as a fascinating, ambivalent, and polarizing figure. Differences of opinion as to whether Bonaparte should be viewed as the executor of the principles of the French Revolution or as the figure who was principally responsible for their corruption are as pronounced today as they were at the beginning of the nineteenth century. Contributing to what had been an uneasy German relationship with the French Revolution, the rise of Bonaparte was accompanied by a pattern of Franco-German hostilities that inspired both enthusiastic support and outraged dissent in the German-speaking states. The fourteen essays that comprise Inspiration Bonaparte examine the mythologization of Napoleon in German literature of the nineteenth and twentieth centuries and explore the significant impact of Napoleonic occupation on a broad range of fields including philosophy, painting, politics, the sciences, education, and film. As the contributions from leading scholars emphasize, the contradictory attitudes toward Bonaparte held by so many prominent German thinkers are a reflection of his enduring status as a figure through whom the trauma of shattered late-Enlightenment expectations of sociopolitical progress and evolving concepts of identity politics is mediated. |
| eta hoffmann kreisleriana: Absolute Music and the Construction of Meaning Daniel Chua, 1999-11-25 This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'. |
| eta hoffmann kreisleriana: Mad Loves Heather Hadlock, 2016-07-26 In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject. Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the mad loves that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself. |
| eta hoffmann kreisleriana: 1001 Classical Recordings You Must Hear Before You Die Matthew Rye, Steven Isserlis, 2017-10-24 A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves. |
| eta hoffmann kreisleriana: Performing Knowledge, 1750-1850 Mary Helen Dupree, Sean B. Franzel, 2015-07-31 The period between 1750 and 1850 was a time when knowledge and its modes of transmission were reconsidered and reworked in fundamental ways. Social and political transformations, such as the French Revolution and the Industrial Revolution, went hand in hand with in new ways of viewing, sensing, and experiencing what was perceived to be a rapidly changing world. This volume brings together a range of essays that explore the performance of knowledge in the period from 1750 to 1850, in the broadest possible sense. The essays explore a wide variety of literary, theatrical, and scientific events staged during this period, including scientific demonstrations, philosophical lectures, theatrical performances, stage design, botany primers, musical publications, staged Schiller memorials, acoustic performances, and literary declamations. These events served as vital conduits for the larger process of generating, differentiating, and circulating knowledge. By unpacking the significance of performance and performativity for the creation and circulation of knowledge in Germany during this period, the volume makes an important contribution to interdisciplinary German cultural studies, performance studies, and the history of knowledge. |
| eta hoffmann kreisleriana: Empire Girls Mandy Treagus, 2014-05-12 The dominant form of the nineteenth-century novel was the Bildungsroman, a story of an individual’s development that came to speak more widely of the aspirations of nineteenth-century British society. Some of the most famous examples —David Copperfield, Great Expectations, Jane Eyre — validated the world from which they sprang, in which even orphans could successfully make their way. Empire Girls: the colonial heroine comes of age is a critical examination of three novels by writers from different regions of the British Empire: Olive Schreiner’sThe Story of An African Farm (South Africa), Sara Jeannette Duncan’s A Daughter of Today (Canada) and Henry Handel Richardson’s The Getting of Wisdom(Australia). All three novels commence as conventional Bildungsromane, yet the plots of all diverge from the usual narrative structure, as a result of both their colonial origins and the clash between their aspirational heroines and the plots available to them. In an analysis including gender, empire, nation and race, Empire Girls provides new critical perspectives on the ways in which this dominant narrative form performs very differently when taken out of its metropolitan setting. |
| eta hoffmann kreisleriana: Schumann and His World R. Larry Todd, 2014-07-14 We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure. In Part I, Leon Botstein and Michael P. Steinberg assess Schumann's efforts to place music at the center of German culture, in public and private sectors. Bernhard R. Appel offers a probing source study of one of Schumann's most personal works, the Album für die Jugend, Op. 68, while John Daverio considers the generic identity of Das Paradies und die Peri, and Jon W. Finson reexamines the first version of the Eichendorff Liederkreis. Gerd Nauhaus investigates Schumann's approach to the symphonic finale, and R. Larry Todd considers the intractable issue of quotations and allusions in Schumann's music. Part II presents letters and memoirs, including unpublished correspondence between Clara Schumann and Felix and Paul Mendelssohn-Bartholdy. In Part III, conflicting critical views of Schumann are juxtaposed. Some of these sources are translated into English for the first time. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| eta hoffmann kreisleriana: Music in the Seventeenth and Eighteenth Centuries Richard Taruskin, 2006-08-14 The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period. |
| eta hoffmann kreisleriana: Oxford History of Western Music Richard Taruskin, 2009-07-27 The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c |
| eta hoffmann kreisleriana: Romantic Automata Michael Demson, Christopher R. Clason, 2020-04-17 A deep dread of puppets and the machinery that propels them surfaced in Romantic literature in the late eighteenth and early nineteenth century; Romantic Automata is a collection of essays examining the rise of cultural suspicion of all imitations of homo sapiens and similar machinery, as witnessed in the literature and arts of the time. For most of the eighteenth century, automata were deemed a celebration of human ingenuity, feats of science and reason. Among the Romantics, however, they prompted a contradictory apprehension about mechanization and contrivance: such science and engineering threatened the spiritual nature of life, the source of compassion in human society. Recent scholarship in post-humanism, post-colonialism, disability studies, post-modern feminism, eco-criticism, and radical Orientalism has significantly affected the critical discourse on this topic. The essays in this collection open new methodological approaches to understanding human interaction with technology that strives to simulate or to supplement organic life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. |
| eta hoffmann kreisleriana: Fantasy Pieces in Callot's Manner Ernst Theodor Amadeus Hoffmann, 1996 Among the many works in the Romantic ground-swell that marked a transformation of the artistic imagination, none is more fascinating or more revealing than a remarkable collection of prose published anonymously in 1814. The sole credit of authorship rested in the subtitle, Blatter aus dem Tagebuche eines reisenden Enthusiasten - itself a manifesto-in-miniature of the new Romantic creed. The Enthusiast (literally, one inspired or possessed by a god, a term previously applied in mockery) was E.T.A. Hoffmann, a struggling composer with a history of misadventure in his bureaucratic career; the description of his book as diary pages suggested intimate, spontaneous outpourings, unfiltered by art's traditional rules. The German title, Fantasiestucke in Callots Manier, evokes association with Lehrstucke, what the apprentice offers to prove his command of his craft; in Callot's Manner extends this embedded simile by indicating that the contents demonstrate mastery in a certain style - one of the tests of an apprentice. Fantasy Pieces, then, should be regarded not merely as a selection of new and fugitive writings but as a sampler - pointedly derived, moreover, from fantasy, that revolutionary quality raised to pre-eminence by the Romantic artist. Curiously, no earlier English edition of a complete Fantasy Pieces has appeared, and two of its major tales, The Recent Adventures of the Dog Berganza and The Mesmerist, have never previously been available in English. Hoffmann's Anglophone readers have also been hampered by pared down, stilted, or careless renderings. Joseph Hayse's translation, painstakingly accurate in the face of syntactical difficulties, conveys the flavor of Hoffmann's language; the greater effect of his effort, however, lies in presenting Hoffmann's first volume complete. A multifaceted document of an emergent genius, it also illuminates the complex mind of a new age.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| eta hoffmann kreisleriana: Alcohol and the Writer Donald W. Goodwin, 1988 |
| eta hoffmann kreisleriana: Eye hEar The Visual in Music Simon Shaw-Miller, 2017-07-05 'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol. |
| eta hoffmann kreisleriana: Reader's Guide to Music Murray Steib, 2013-12-02 The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology). |
| eta hoffmann kreisleriana: Beethoven & Freedom Daniel K L Chua, 2017-07-18 Over the last two centuries, Beethoven's music has been synonymous with the idea of freedom, in particular a freedom embodied in the heroic figure of Prometheus. This image arises from a relatively small circle of heroic works from the composer's middle period, most notably the Eroica Symphony. However, the freedom associated with the Promethean hero has also come under considerably critique by philosophers, theologians and political theorists; its promise of autonomy easily inverts into various forms of authoritarianism, and the sovereign will it champions is not merely a liberating force but a discriminatory one. Beethoven's freedom, then, appears to be increasingly problematic; yet his music is still employed today to mark political events from the fall of the Berlin Wall to the attacks of 9/11. Even more problematic, perhaps, is the fact that this freedom has shaped the reception of Beethoven music to such an extent that we forget that there is another kind of music in his oeuvre that is not heroic, a music that opens the possibility of a freedom yet to be articulated or defined. By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, Beethoven and Freedom arrives at a markedly different vision of freedom. Author Daniel KL Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century. |
| eta hoffmann kreisleriana: Robert Schumann John Daverio, 1997-04-10 Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model. Now, in Robert Schumann: Herald of a New Poetic Age, John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves. |
| eta hoffmann kreisleriana: Gustav Mahler, Julius Korngold and the Neue Freie Presse Michael Haas, 2025-04-29 Julius Korngold, critic at the highly influential newspaper Neue Freie Presse, was close to and supportive of Gustav Mahler and, for the first time, essays on the man and his music are made available in English. Those on his time at Vienna’s Imperial Opera are extensive and well informed. Both Korngold and Mahler shared a common Moravian Jewish background, born in 1860 and both students of Anton Bruckner. The paper was Jewish owned, and Theodor Herzl, the founder of the Zionist movement, was its cultural editor and Korngold’s employer. Claims that Mahler was driven out of Vienna by an antisemitic press are shown to be wrong, given Mahler’s support by the most powerful critic of the day writing in the Empire’s most influential newspaper. Importantly, the essays also reveal a world of Modernism that includes Mahler’s innovations at the opera, and Modernism in music before departures from tonality. Mahler was claimed by Arnold Schoenberg as his musical hero, firmly placing him in the Modernist camp. Yet Korngold was universally seen as an archconservative and his relationship with Mahler was personal and his understanding profound. The book addresses the question of “Mahler, the first Modernist or the last Romantic?”. The book will be invaluable for Mahler enthusiasts, musicians, musicologists as well as cultural historians. |
| eta hoffmann kreisleriana: Schumann's Late Style Laura Tunbridge, 2007-10-18 A study of Schumann's little-known music from the 1850s and its relationship to his biography. |
| eta hoffmann kreisleriana: Music and Transcendence Ferdia J. Stone-Davis, 2016-03-03 Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis. |
| eta hoffmann kreisleriana: George Eliot and Europe John Rignall, 2016-12-05 This book is based on a conference held in Warwick in July 1995. It is a collection of essays which explore various aspects of George Eliot's relation to the literature and culture of Continental Europe. The essays range widely over the novelist's life and work, examining her Journals and Impressions of Theophratus Such as well as her novels, and focusing on different countries and cultures, including not only France, Germany and Italy, but also Holland and Spain. Some essays examine the complex general issues of language and culture raised in her work, while others concentrate on her response to specific European writers and texts. There are investigations of intertextualities and possibilities of influence, as well as contextual discussions and comparative readings of her novels alongside works by European writers. The overall effect is to illuminate her writing by setting it in the wider European context which, with her knowledge of languages, her travels and her extraordinary wide reading, she knew so well. |
| eta hoffmann kreisleriana: The Immeasurable World William Atkins, 2018-07-24 In the classic literary tradition of Bruce Chatwin and Geoff Dyer, and for readers of Ryszard Kapuscinski and Rory Stewart, a rich and exquisitely written account of travels in eight deserts on five continents that evokes the timeless allure of these remote and forbidding places and their inhabitants. One-third of the earth's land surface is classified as desert. Restless, unhappy in love, and intrigued by the Desert Fathers who forged Christian monasticism in the Egyptian desert, William Atkins decided to travel in six of the world's driest, hottest places: the Empty Quarter of Oman, the Gobi and Taklamakan Desert of northwest China, the Great Victoria Desert of Australia, the man-made desert of the Aral Sea in Kazkahstan, and the Black Rock and Sonoran Deserts of the American Southwest, and Egypt's Eastern Desert. Each of his travel narratives effortlessly weaves aspects of natural history, historical background, and present-day reportage into a compelling tapestry that reveals the human appeal of these often inhuman landscapes. |
| eta hoffmann kreisleriana: Ludwig van Beethoven Jan Marisse Huizing, 2021-11-30 A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven’s piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven’s pianism as well as his characteristics of notation, form and content, “types of touch,” articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation. |
| eta hoffmann kreisleriana: BBC Proms 2025 BBC Proms Publications, 2025-04-24 The BBC Proms is the world's biggest and longest-running classical music festival and one of the jewels in the crown for the BBC. Held every summer at the Royal Albert Hall in London and across the UK, it is one of the strongest brand names in the music world and attracts a glittering array of artists and orchestras from the UK and around the world. Whether you're a first-time visitor or an experienced Prommer, watching at home or listening on radio or online, the BBC Proms Guide is an excellent companion to the festival, which you can treasure and return to in years to come. Filled with concert listings and articles by leading writers, the BBC Proms Guide offers an insight into the performers and repertoire, as well as thought-provoking opinion pieces about music, musicians and music-making. |
What is the correct definition and usage of the acronym "ETA"?
Feb 22, 2013 · ETA appears to be defined as the estimated time of arrival. It's fine to use either format. ETA is used to answer the question, "When is X expected to arrive?", which can be …
meaning - Is it colloquially acceptable to use ETA in place of ...
Mar 6, 2017 · Wikipedia describes this usage:. ETA is also used metaphorically in situations where nothing actually moves physically, as in describing the time estimated for a certain task …
What's the deal with the new use of "ETA" - Reddit
Jan 18, 2021 · ETA already has a widely used meaning. Well, there are only 17,516 possible TLA's in english, unless you are willing to use ETLA's. I would guess that most of them are …
ETA not showing up on the ETA checker tool : …
Jan 21, 2024 · Hi there! I contacted IRCC and they basically just confirmed that I have an active ETA and to check again using the status tool checker (it was still not showing up). Another …
Australia ETA app doesn't accept photos : r/travel - Reddit
Oct 2, 2023 · Australia ETA app doesn't accept photos This is really frustrating. I got to the part where you take a photo, and I've taken dozens of attempts in different lighting with solid …
What does Robocopy /ETA do? : r/sysadmin - Reddit
Aug 12, 2020 · /ETA - is calculated on the fly based on previous copy speed and displayed in the log, it may or may not be useful to you. I would recommend /NP as well otherwise you will …
Could someone give me a list of generations after Gen Z? : r/GenZ …
Jan 2, 2023 · Generation Eta 2102-2116 Generation Theta 2117-213 Generation lota 2132-2146 Generation Kappa 2147-2161 Generation Lambda 2162-2176 Generation Mu 2177-2191 …
What does ETA mean on a Reddit post?! : r/NoStupidQuestions
Apr 20, 2022 · Recap: The person I replied to and myself both challenged the worth of the acronym ETA (which is short for EDIT TO ADD). They challenged whether it is worth creating …
what is eta noise seed delta? : r/StableDiffusion - Reddit
Jan 15, 2023 · eta_noise_seed_delta that is a good tip, thanks :-) Reply reply More replies More replies More replies ...
r/fulbright - Reddit
The Fulbright Program is the flagship international exchange scholarship program between the U.S. and 155 countries. This subreddit is a space for candidates and alumni to discuss topics …
What is the correct definition and usage of the acronym "ETA"?
Feb 22, 2013 · ETA appears to be defined as the estimated time of arrival. It's fine to use either format. ETA is used to answer the question, "When is X expected to arrive?", which can be …
meaning - Is it colloquially acceptable to use ETA in place of ...
Mar 6, 2017 · Wikipedia describes this usage:. ETA is also used metaphorically in situations where nothing actually moves physically, as in describing the time estimated for a certain task …
What's the deal with the new use of "ETA" - Reddit
Jan 18, 2021 · ETA already has a widely used meaning. Well, there are only 17,516 possible TLA's in english, unless you are willing to use ETLA's. I would guess that most of them are …
ETA not showing up on the ETA checker tool : …
Jan 21, 2024 · Hi there! I contacted IRCC and they basically just confirmed that I have an active ETA and to check again using the status tool checker (it was still not showing up). Another …
Australia ETA app doesn't accept photos : r/travel - Reddit
Oct 2, 2023 · Australia ETA app doesn't accept photos This is really frustrating. I got to the part where you take a photo, and I've taken dozens of attempts in different lighting with solid …
What does Robocopy /ETA do? : r/sysadmin - Reddit
Aug 12, 2020 · /ETA - is calculated on the fly based on previous copy speed and displayed in the log, it may or may not be useful to you. I would recommend /NP as well otherwise you will …
Could someone give me a list of generations after Gen Z? : r/GenZ …
Jan 2, 2023 · Generation Eta 2102-2116 Generation Theta 2117-213 Generation lota 2132-2146 Generation Kappa 2147-2161 Generation Lambda 2162-2176 Generation Mu 2177-2191 …
What does ETA mean on a Reddit post?! : r/NoStupidQuestions
Apr 20, 2022 · Recap: The person I replied to and myself both challenged the worth of the acronym ETA (which is short for EDIT TO ADD). They challenged whether it is worth creating …
what is eta noise seed delta? : r/StableDiffusion - Reddit
Jan 15, 2023 · eta_noise_seed_delta that is a good tip, thanks :-) Reply reply More replies More replies More replies ...
r/fulbright - Reddit
The Fulbright Program is the flagship international exchange scholarship program between the U.S. and 155 countries. This subreddit is a space for candidates and alumni to discuss topics …
