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| ernest hemingway in our time: In Our Time Ernest Hemingway, 2024-02-22 ... before Hemingway nobody wrote in this lean, tough manner. Hemingway, who worked as a journalist and war correspondent, completely changed the landscape of American fiction, and In Our Time is a good introduction to his works—a way of finding out whether his style is for you. In Our Time contains the thoroughly enjoyable Nick Adams stories—'Indian Camp,' 'The Doctor and the Doctor's Wife,' 'The Three Day Blow', and 'The Battler'—amongst other classic Hemingway tales such as the wonderful 'Cat in the Rain'—a carefully constructed narrative in which not a single word is wasted. However, for me the real gems of this collection are the vignettes interspersed between the stories—short, violent paragraphs of war and death. This is Hemingway's writing at its finest. ... Benji at goodreads.com This is the 1958 edition including On the Quai at Smyrna. |
| ernest hemingway in our time: Hemingway's In Our Time Wendolyn E. Tetlow, 1992 Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so (Selected Letters, 154). According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: . . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally. Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of direct treatment of the 'thing' apply to Hemingway's stories and interchapters (Literary Essays, 3). Opening with a discussion of the six prose pieces in the original version--the shorter In Our Time (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| ernest hemingway in our time: The Book That Made Me Judith Ridge, 2017-03-14 Just as authors create books, books create authors — and these essays by thirty-one writers for young people offer a fascinating glimpse at the books that inspired them the most. What if you could look inside your favorite authors’ heads and see the book that led them to become who they are today? What was the book that made them fall in love, or made them understand something for the first time? What was the book that made them feel challenged in ways they never knew they could be, emotionally, intellectually, or politically? What book made them readers, or made them writers, or made them laugh, think, or cry? Join thirty-one top children’s and young adult authors as they explore the books, stories, and experiences that changed them as readers — for good. Some of the contributors include: Ambelin Kwaymullina Mal Peet Shaun Tan Markus Zusak Randa Abdel-Fattah Alison Croggon Ursula Dubosarsky Simon French Jaclyn Moriarty |
| ernest hemingway in our time: In Our Time Ernest Hemingway, 2021-05-30 |
| ernest hemingway in our time: Modernism and Tradition in Ernest Hemingway's In Our Time Matthew Stewart, 2001 The volume of collected short stories and vignettes In Our Time was Ernest Hemingway's first commercial publication. Its appearance in 1925 launched the full-fledged literary career of this century's most famous American fiction writer. And while other later works of Hemingway have eclipsed In Our Time's fame, none of Hemingway's subsequent works would again carry the degree of experimentation found in this distinctly modernist masterwork. Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for Students and Readers is a well-paced, lucidly written handbook intended to guide university students and teaching faculty towards a better understanding of this complex work. It provides a reading of each story and vignette, while simultaneously stressing the status of In Our Time as a discrete volume. Included are discussions of the book's biographical and historical background, and considerations of Hemingway's prose style, theories of writing, formal achievements, his literary mentors and influences, and the relation between In Our Time and his later works. Matthew C. Stewart is Associate Professor of Humanities and Rhetoric at Boston University. |
| ernest hemingway in our time: Fifty-two Stories, 1883-1898 Anton Pavlovich Chekhov, 2020 From the celebrated, award-winning translators of Anna Karenina and War and Peace a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time. Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories--a full deck These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of Chekhov story. They are populated by a remarkable range of characters who come from all parts of Russia, all walks of life, and who, taken together, have democratized the short story. Included here are a number of never-before-translated stories, including Reading and An Educated Blockhead. Here is a collection that promises profound delight. |
| ernest hemingway in our time: A Moveable Feast Ernest Hemingway, 1996-10-01 Ernest Hemingway’s classic memoir of Paris in the 1920s, now available in a restored edition, includes the original manuscript along with insightful recollections and unfinished sketches. Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway’s most enduring works. Since Hemingway’s personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest’s sole surviving son, and an introduction by grandson of the author, Seán Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway’s own early experiments with his craft. Widely celebrated and debated by critics and readers everywhere, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized. |
| ernest hemingway in our time: The Hemingway Stories Ernest Hemingway, 2021-03-02 A new collection showcasing the best of Ernest Hemingway’s short stories including his well-known classics, as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick—introduced by award-winning author Tobias Wolff. Ernest Hemingway, a literary icon and considered one of the greatest American writers of all time, is the subject of a major documentary by award-winning filmmakers Ken Burns and Lynn Novick. This intimate portrait of Hemingway—who brilliantly captured the complexities of the human condition in spare and profound prose, and whose work remains deeply influential in literature and culture—interweaves a close study of biographical events with excerpts from his work. The Hemingway Stories features Hemingway’s most significant short stories in chronological order, so viewers of the film as well as fans old and new can follow the trajectory of his impressive life and career. Hemingway’s beloved classics, such as “The Short and Happy Life of Francis Macomber,” “Up in Michigan,” “Indian Camp,” and “The Snows of Kilimanjaro,” are accompanied by fresh insights from renowned writers around the world—Mario Vargas Llosa, Edna O’Brien, Abraham Verghese, Tim O’Brien, and Mary Karr. Tobias Wolff's introduction adds a new perspective to Hemingway’s work, and Wolff has selected additional stories that demonstrate Hemingway’s talent and range. The power of the Ernest Hemingway’s revolutionary style is perhaps most striking in his short stories, and here readers can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. This collection is a perfect introduction for a new generation of Hemingway readers and a vital volume for any fan. |
| ernest hemingway in our time: Hemingway's Neglected Short Fiction Susan F. Beegel, 1989 In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway's story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway's Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway's. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind. |
| ernest hemingway in our time: Across the River and Into the Trees Ernest Hemingway, 2014-05-22 In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.” |
| ernest hemingway in our time: Write Like Hemingway R. Andrew Wilson, 2009-06-18 The bad news is: You have to learn to write. The good news is: Learning to write just became easier. In this book, writers learn to write like they were born that way from one of America’s greatest literary geniuses—Ernest Hemingway. Noted writing teacher Dr. R. Andrew Wilson calls writers to an adventure in writing Hemingway himself would love. Along the way they discover what really makes him a Great Writer, and how they can apply those lessons in voice, character, setting, and more to enhance their own writing. Whether agonizing over style, perfecting prose, or puzzling out plot, student writers find the answers they need to write their own masterworks. They’ll also benefit from Papa’s advice to beginning writers, comments on the work of other great authors, and daily writing habits. In this enlightening and informative book, writers find the mentor they need to master the art of writing. |
| ernest hemingway in our time: The Torrents of Spring Ernest Hemingway, 2023-04-18 In The Torrents of Spring, Ernest Hemingway crafted his disillusions into a comedic satire aimed at Sherwood Anderson's Dark Laughter as well as other great writers of the day-- |
| ernest hemingway in our time: The Short Stories of Ernest Hemingway Ernest Hemingway, 2017-07-18 Offers a selection of twenty-six short stories that includes famous classics as well as rare and previously unpublished works and an essay on the art of the short story. |
| ernest hemingway in our time: Hemingway on Fishing Ernest Hemingway, 2014-05-22 From childhood on, Ernest Hemingway was a passionate fisherman. He fished the lakes and creeks near the family’s summer home at Walloon Lake, Michigan, and his first stories and pieces of journalism were often about his favorite sport. Here, collected for the first time in one volume, are all of his great writings about the many kinds of fishing he did—from angling for trout in the rivers of northern Michigan to fishing for marlin in the Gulf Stream. In A Moveable Feast, Hemingway speaks of sitting in a café in Paris and writing about what he knew best—and when it came time to stop, he “did not want to leave the river.” The story was the unforgettable classic “Big Two-Hearted River,” and from its first words we do not want to leave the river either. He also wrote articles for The Toronto Star on fishing in Canada and Europe and, later, articles for Esquire about his growing passion for big-game fishing. Two of his last books, The Old Man and the Sea and Islands in the Stream, celebrate his vast knowledge of the ocean and his affection for its great denizens. Hemingway on Fishing is an encompassing, diverse, and fascinating assemblage. From the early Nick Adams stories and the memorable chapters on fishing the Irati River in The Sun Also Rises to such late novels as Islands in the Stream, this collection traces the evolution of a great writer’s passion, the range of his interests, and the sure use he made of fishing, transforming it into the stuff of great literature. Anglers and lovers of great writing alike will welcome this important collection. |
| ernest hemingway in our time: Short-story Masterpieces Robert Penn Warren, Albert Erskine, 1968 |
| ernest hemingway in our time: The Collected Works Of Ernest Hemingway Ernest Hemingway, 2014-03-18 The Collected Works of Ernest Hemingway brings together novels of the acclaimed American author. From early promise to literary maturity, the novels of Ernest Hemingway are the work of a skilled storyteller that continue to resonate with modern readers. This special ebook edition includes: The Torrents of Spring, The Sun Also Rises, A Farewell to Arms, To Have and Have Not, For Whom the Bell Tolls, Across the River and Into the Trees, The Old Man and the Sea, Islands in the Stream and The Garden of Eden. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
| ernest hemingway in our time: The Essential Hemingway Ernest Hemingway, 1993 This collection comprises: Fiesta, Hemingway's first major novel; long extracts from A Farewell to Arms, To Have and Have Not and For Whom the Bell Tolls; 25 complete short stories; and the Epilogue to Death in the Afternoon. |
| ernest hemingway in our time: To Have and Have Not Ernest Hemingway, 2002-07-25 From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love. To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the haves and the have nots and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not is literary high adventure at its finest. |
| ernest hemingway in our time: Everybody Behaves Badly Lesley M. M. Blume, 2016 A dazzling depiction of the genesis of The Sun Also Rises and how Ernest Hemingway created his own legend |
| ernest hemingway in our time: New Critical Approaches to the Short Stories of Ernest Hemingway Jackson J. Benson, 2013-07-12 With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith |
| ernest hemingway in our time: Ernest Hemingway: The Sun Also Rises & Other Writings 1918-1926 (LOA #334) Ernest Hemingway, 2020-09-22 Library of America launches its long-awaited Hemingway edition with a landmark collection of writings from his breakthrough years, in newly edited, authoritative texts. With a letter of introduction from Sherwood Anderson, Ernest Hemingway travelled to Paris in 1921. There, he ame into contact with Gertrude Stein, F. Scott Fitzgerald, Pablo Picasso, James Joyce, and other expatriate writers and artists integral to his rapid development as a writer. This volume brings together work from the extraordinary period of 1918 to 1926, in which Hemingway's famous prose style became fully formed. It includes his work for the Toronto Star and Hearst's International News Service, the indelible stories of In Our Time (1925), The Torrents of Spring (1925), and his masterpiece, The Sun Also Rises (1926). Edited by Hemingway scholar Robert W. Trogdon, this volume features newly edited, corrected texts of In Our Time, The Torrents of Spring and The Sun Also Rises, fixing errors and restoring Hemingway’s original punctuation. It presents the 1924 edition of in our time issued by Three Mountains Press as a modernist masterpiece in its own right, apart from the subsequent versions published by Boni & Liveright and Scribners. It includes the story “Up in Michigan,” one of only a few stories dating from the period before 1923 that was not lost in Hemingway’s suitcase in the Gare de Lyon and that was originally intended as the opening story of In Our Time, and the hard-to-find, previously uncollected story “A Divine Gesture.” Also here are a selection of Hemingway’s letters from the period, which cast light on his breakthrough years and at the extraordinary international modernist moment of which he was a crucial part. |
| ernest hemingway in our time: The Nick Adams Stories Ernest Hemingway, 1980 |
| ernest hemingway in our time: American Short Story Cycle Jennifer J. Smith, 2017-09-26 Explores the contradictory position of Arabic being both the official language and marginalized in Israel |
| ernest hemingway in our time: The Old Man And The Sea Ernest Hemingway, 2012-02-14 Santiago, an old Cuban fisherman, has gone 84 days without catching a fish. Confident that his bad luck is at an end, he sets off alone, far into the Gulf Stream, to fish. Santiago’s faith is rewarded, and he quickly hooks a marlin...a marlin so big he is unable to pull it in and finds himself being pulled by the giant fish for two days and two nights. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
| ernest hemingway in our time: IN OUR TIME: Ernest Hemingway Ernest Hemingway, 2022-03-11 Ernest Hemingway, (1899 – 1961) was an American novelist and short-story writer, awarded the Nobel Prize for Literature in 1954. He was noted both for the intense masculinity of his writings and for his adventurous and widely publicized life. A consummately contradictory man, Hemingway achieved a fame surpassed by few, if any, American authors of the 20th century. The virile nature of his writing, which attempted to re-create the exact physical sensations he experienced in wartime, big-game hunting, and bullfighting, in fact masked an aesthetic sensibility of great delicacy. In Our Time consists of sixteen early Hemingway short stories, including the famous Nick Adams stories Indian Camp and The Three-Day Blow, and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose, enlivened by an ear for the colloquial and an eye for the realistic. |
| ernest hemingway in our time: The Complete Short Stories of Ernest Hemingway Ernest Hemingway, 2024-10-25 Ernest Miller Hemingway (1899-1961) was an American novelist, short-story writer, joumalist, and sportsman. His economical and understated style which he termed the iceberg theory had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he was awarded the 1954 Nobel Prize in Literature. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literatura. |
| ernest hemingway in our time: The Self-Begetting Novel Steven G Kellman, 2013-12-31 |
| ernest hemingway in our time: Companion to Literature Abby H. P. Werlock, 2009 Praise for the previous edition:Booklist/RBB Twenty Best Bets for Student ResearchersRUSA/ALA Outstanding Reference Source ... useful ... Recommended for public libraries and undergraduates. |
| ernest hemingway in our time: The Cambridge Companion to Hemingway Scott Donaldson, 1996-01-26 A comprehensive introduction to Hemingway and his works. |
| ernest hemingway in our time: Plainsong Kent Haruf, 2015 Set in Kent Haruf's fictional landscape of Holt County, Colorado, this tale brings together the stories of a high school teacher raising his two boys alone, a pregnant teenager with nowhere to live and two elderly bachelors farming on the outskirts of town. |
| ernest hemingway in our time: The Letters of Ernest Hemingway: Volume 1, 1907-1922 Ernest Hemingway, 2011-09-20 With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899-1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included. CLICK HERE to follow 'The Hemingway Letters' on Facebook CLICK HERE to watch Patrick Hemingway, Ernest's second son, discusses the letters and the writer's private persona with editor Sandra Spanier. |
| ernest hemingway in our time: A Clean Well-lighted Place Ernest Hemingway, 1990 As a Spanish cafe closes for the night, two waiters and a lonely customer confront the concept of nothingness. |
| ernest hemingway in our time: Hemingway's Theaters of Masculinity Thomas F. Strychacz, 2003 Thomas Strychacz challenges the traditional wisdom that Hemingway fashions a quintessentially masculine style that promotes an ideal of stoic, independent manhood, arguing instead that Hemingway's fiction poses masculinity as a theatrical performance. |
| ernest hemingway in our time: A Literary Chronicle [1920-1965] Edmund Wilson, |
| ernest hemingway in our time: Cat in the Rain Ernest Hemingway, 1993 |
| ernest hemingway in our time: In Our Time Ernest Hemingway, 2021-11-17 Hemingway made his North American literary debut in 1925 with In Our Time, his first collection of short stories and vignettes. The stories’ themes of alienation, loss, and grief continue the work Hemingway began earlier in his career. |
| ernest hemingway in our time: In Our Time Ernest Hemingway, 1958 |
| ernest hemingway in our time: Nick Adams Harold Bloom, 2009 Presents a collection of writings exploring the Nick Adams character who appears in many short stories written by Ernest Hemingway. |
| ernest hemingway in our time: Student Companion to Ernest Hemingway Lisa Tyler, 2001-09-30 The fully-lived, yet tragically ended life of Ernest Hemingway has attracted nearly as much attention as his extensive canon of writings. This critical study introduces students to both the man and his fiction, exploring how Hemingway confronted in his own life the same moral issues that would later create thematic conflicts for the characters in his novels. In addition to the biographical chapter which focuses on the pivotal events in Hemingway's personal life, a literary heritage chapter overviews his professional developments, relating his distinctive style to his early years as a journalist. With clear concise analysis, students are guided through all of Hemingway's major works including The Sun Also Rises (1926), A Farewell to Arms (1929), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). Full chapters are also devoted to examining his collections of short fiction, the African Stories, and the posthumous works. Each chapter carefully examines the major literary components of Hemingway's fiction with plot synopsis, analysis of character development, themes, settings, historical context, and stylistic features. Alternate critical readings are also given for each of the full length works. An extensive bibliography citing all of Hemingway's writings as well as biographical sources, general criticism, and contemporary reviews will help students understand the scope of Hemingway's contributions to American Literature. |
| ernest hemingway in our time: Hemingway's Laboratory Milton A. Cohen, 2012-05-05 Illuminates the development of Hemingway’s themes and techniques and his future course as a stylist and writer. In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind. Many of the chapters are pointillistic glimpses of violence--bullfights, a botched execution, the fleeting thoughts of the wounded on the battlefield. Others reach back into childhood. Still others adopt the wry, mannered voice of English aristocracy. Though critics have often read these chapters as secondary asides to the longer stories that constitute the commercial collection, Cohen argues that not only do the vignettes merit consideration as a unit unto themselves, but that they exhibit a plethora of styles and narrative gambits that show Hemingway at his most versatile. The final section examines in detail the individual chapters of in our time, their historical origins, their drafts, themes, and styles. The result is an account of what is arguably Hemingway’s most crucial formative period. |
- Ernest
Ernest est un environnement numérique et social de travail conçu pour répondre aux besoins spécifiques des membres de la communauté de l'Université de Strasbourg. C'est un espace …
- Ernest
Ernest est un environnement numérique et social de travail conçu pour répondre aux besoins spécifiques des membres de la communauté de …
