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| edmundo sosa father: Culture of Class Matthew Benjamin Karush, 2012-05-15 Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power. |
| edmundo sosa father: Summer of '98 Mike Lupica, 1999 The tale of the season of competition between McGwire and Sosa to break the hitting record. |
| edmundo sosa father: The Mosquito Bite Author Baris Biçakçi, 2020-10-01 Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs. |
| edmundo sosa father: Sammy Sosa Sammy Sosa, Marcos Bret?n, 2000-05-04 Here is the true story of Sammy Sosa, the baseball player whose extraordinary talent has made him the sport's greatest international ambassador with millions of fans worldwide. Growing up in the poverty-stricken town of San Pedro de Macoris in the Dominican Republic, Sammy Sosa shined shoes and washed cars to help buy food for his family. For fun, he learned how to play baseball with an empty milk carton as his glove and a wooden stick as his bat. By the time he was 16, he was scouted and signed by the Texas Rangers. And in 1998, Sammy Sosa of the Chicago Cubs joined Mark McGwire of the St. Louis Cardinals in breaking the legendary Roger Maris' 37-year-old record of 61 home runs in a single season, changing the history of baseball. Sammy Sosa's amazing story is an inspiring tale of a phenomenal talent, the likes of which hasn't been seen since baseball greats Babe Ruth, Lou Gehrig, and Joe DiMaggio. -- Baseball has seen a resurgence in popularity as millions of fans watched Sammy Sosa make sports history and become a beloved household name everywhere. In 1998 he hit 66 home runs, and then hit another 63 in 1999. Sosa was named the National League's Most Valuable Player in 1998. -- Over the past two years, Sosa has become a daily fixture on the nightly sports highlight reels and has made appearances on late night talk shows. Sosa is a national commercial spokesman for McDonald's and Montgomery Ward. -- Marcos Breton is the winner of the Guillermo Mar |
| edmundo sosa father: Hollywood-- Se Habla Español Rafael J. Rivera Viruet, Max Resto, 2008 Preface / Ricardo Montalbán -- Silence is golden: The beginning of the motion picture industry and an international visual language is created -- The Latin lover: the creation of an image -- It talks!: a little known chapter on the success of Hollywood Spanish-language films -- Alla en el rancho grande: the era of the shoot-em-ups westerns: the film is only as good as its villain is bad -- The Hispanic Hollywood hall of fame: brilliant stars who shot across the silver screen burning an everlasting image in our hearts -- Hollywood today and tomorrow: The gold rush continues |
| edmundo sosa father: The Struggle of Rural Mexico Gustavo Esteva, David Barkin, 1980 |
| edmundo sosa father: Land and Life in Timor-Leste Andrew McWilliam, Elizabeth G. Traube, 2011-12-01 Following the historic 1999 popular referendum, East Timor emerged as the first independent sovereign nation of the 21st Century. The years since these momentous events have seen an efflorescence of social research across the country drawn by shared interests in the aftermath of the resistance struggle, the processes of social recovery and the historic opportunity to pursue field-based ethnography following the hiatus of research during 24 years of Indonesian rule (1975-99). This volume brings together a collection of papers from a diverse field of international scholars exploring the multiple ways that East Timorese communities are making and remaking their connections to land and places of ancestral significance. The work is explicitly comparative and highlights the different ways Timorese language communities negotiate access and transactions in land, disputes and inheritance especially in areas subject to historical displacement and resettlement. Consideration is extended to the role of ritual performance and social alliance for inscribing connection and entitlement. Emerging through analysis is an appreciation of how relations to land, articulated in origin discourses, are implicated in the construction of national culture and differential contributions to the struggle for independence. The volume is informed by a range of Austronesian cultural themes and highlights the continuing vitality of customary governance and landed attachment in Timor-Leste. |
| edmundo sosa father: To Save Her Life Dan Saxon, 2007-05-21 Members of the Guatemalan army abducted Maritza Urrutia after she took her son to school one morning in 1992. [book title] describes her ordeal. After days of interrogation and torture, Maritza was ultimately spared because her family was able to contact influential intermediaries, including [author], who was in Guatemala working for the Catholic Church's Human Rights Office. Here [author] brings to life the players who achieved Maritza's release: the church, the U.S. State Department, the U.S. Congress, numerous NGOs, guerrilla groups, politicians, students, and the media. The book is a study of the complex and often cruel politics of human rights, and its themes reverberate from Guatemala to Guantánamo to Iraq.--Back cover. |
| edmundo sosa father: Testimony of Juan Isidro Tapia Adames United States. Congress. Senate. Committee on the Judiciary. Subcommittee to Investigate the Administration of the Internal Security Act and Other Internal Security Laws, 1965 |
| edmundo sosa father: Home Reading Service Fabio Morábito, 2021-11-16 In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society. |
| edmundo sosa father: Memories of Underdevelopment Darlene J. Sadlier, 2023-04-20 Tomás Gutiérrez Alea's Memories of Underdevelopment (1968) is a classic of Cuban revolutionary culture, and is hailed as a prime example of a radical style of 1960s political filmmaking that became known worldwide as Latin American “new cinema.” Darlene J. Sadlier's detailed study approaches this much-written-about film from a new perspective. Her analysis situates the film in its historical context, considering how Cuban political history affected and informed the production of the film, particularly its use of archival footage. She discusses the film as an adaptation of Edmundo Desnoes's novel Memorias del subdesarrollo (1965), exploring how the novel itself is “re-written” in significant ways by the film. Sadlier goes on to analyse the curious opening of the film on an outdoor scene of Afro-Cubans dancing to the “new” music of Pello del Afrokán, arguing that this opening scene prefaces the film's exploration of both class and race. She focuses on the unique style of the film, particularly the use of voiceover, music and documentary footage to show how the themes of ennui, isolation, writing, and remembering are depicted. In doing so, she highlights the film's lasting impact and its role in defining Latin American “new cinema”. |
| edmundo sosa father: Latinamericanist , 1981 |
| edmundo sosa father: The Elusive Embrace Daniel Mendelsohn, 2012-01-04 Hailed for its searing emotional insights, and for the astonishing originality with which it weaves together personal history, cultural essay, and readings of classical texts by Sophocles, Ovid, Euripides, and Sappho, The Elusive Embrace is a profound exploration of the mysteries of identity. It is also a meditation in which the author uses his own divided life to investigate the rich conflictedness of things, the double lives all of us lead. Daniel Mendelsohn recalls the deceptively quiet suburb where he grew up, torn between his mathematician father's pursuit of scientific truth and the exquisite lies spun by his Orthodox Jewish grandfather; the streets of manhattan's newest gay ghetto, where desire for love competes with love of desire; and the quiet moonlit house where a close friend's small son teaches him the meaning of fatherhood. And, finally, in a neglected Jewish cemetery, the author uncovers a family secret that reveals the universal need for storytelling, for inventing myths of the self. The book that Hilton Als calls equal to Whitman's 'Song of Myself,' The Elusive Embrace marks a dazzling literary debut. |
| edmundo sosa father: Hearings United States. Congress Senate, 1965 |
| edmundo sosa father: Cyborgs in Latin America J. Brown, 2010-08-18 A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org . Cyborgs in Latin America explores the ways cultural expression in Latin America has grappled with the changing relationships between technology and human identity. |
| edmundo sosa father: Three Rings Daniel Mendelsohn, 2020-09-08 In this genre-defying book, best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself. Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul... François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey,The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for one hundred years—resulted in his banishment... and the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggles to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life. |
| edmundo sosa father: Script and Glyph Dana Leibsohn, 2009 The Historia Tolteca-Chichimeca was created at a pivotal moment, bridging an era when pictorial manuscripts dominated and one that witnessed the rising hegemony of alphabetic texts. Beautifully illustrated with color images from the manuscript, Script and Glyph crosses the boundaries of Pre-Columbian and Landscape areas of study. |
| edmundo sosa father: TANGO LESSONS;MOVEMENT, SOUND, IMAGE, AND TEXT IN CONTEMPORARY PRACTICE MARILYN G. MILLER., 2014 |
| edmundo sosa father: The African Slave Trade from the Fifteenth to the Nineteenth Century Unesco, 1985 |
| edmundo sosa father: Self Portrait in Green Marie NDiaye, 2021 Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning Marie NDiaye's brilliant subversion of the memoir. |
| edmundo sosa father: Origins of New Mexico Families Angelico Chavez, 1992 This book is considered to be the starting place for anyone having family history ties to New Mexico, and for those interested in the history of New Mexico. Well before Jamestown and the Pilgrims, New Mexico was settled continuously beginning in 1598 by Spaniards whose descendants still make up a major portion of the population of New Mexico. |
| edmundo sosa father: Mexico at the World's Fairs Mauricio Tenorio-Trillo, 2024-06-12 This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. |
| edmundo sosa father: Killing the Water Mahmud Rahman, 2010 |
| edmundo sosa father: The Bride of Amman Fadi Zaghmout, 2015-07-21 The Bride of Amman, a huge and controversial bestseller when first published in Arabic, takes a sharp-eyed look at the intersecting lives of four women and one gay man in Jordan's historic capital, Amman-a city deeply imbued with its nation's traditions and taboos. When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat's secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society's homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila? What must she do to avoid reaching her 'expiry date' at the age thirty like her sister Salma, Jordan's secret blogger and a self-confessed spinster with a plot up her sleeve to defy her city's prejudices? These five young lives come together and come apart in ways that are distinctly modern yet as unique and timeless as Amman itself. |
| edmundo sosa father: Anarchism in Latin America Ángel J. Cappelletti, 2018-02-13 The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University. |
| edmundo sosa father: Understanding Central America John A. Booth, 2011-05-14 The fifth edition of Understanding Central America explains how domestic and global political and economic forces have shaped rebellion and regime change in Costa Rica, Nicaragua, El Salvador, Guatemala, and Honduras. John A. Booth, Christine J. Wade, and Thomas W. Walker explore the origins and development of the region's political conflicts and its efforts to resolve them. Covering the region's political and economic development from the early 1800s onward, the authors provide a background for understanding Central America's rebellion and regime change of the past forty years. This revised edition brings the Central American story up to date, with special emphasis on globalization, evolving public opinion, progress toward democratic consolidation, and the relationship between Central America and the United States under the Obama administration, and includes analysis of the 2009 Honduran coup d'etat. A useful introduction to the region and a model for how to convey its complexities in language readers will comprehend, Understanding Central America stands out as a must-have resource. |
| edmundo sosa father: Hearings, Reports and Prints of the Senate Committee on the Judiciary United States. Congress. Senate. Committee on the Judiciary, 1966 |
| edmundo sosa father: The Getty Murua Thomas B. F. Cummins, Barbara Anderson, 2008-09-23 Here is a set of essays on Historia general del Piru that discuss not only the manuscript's physical components--quires and watermarks, scripts and pigments--but also its relation to other Andean manuscripts, Inca textiles, European portraits, and Spanish sources and publication procedures. The sum is an unusually detailed and interdisciplinary analysis of the creation and fate of a historical and artistic treasure. |
| edmundo sosa father: Ten Reasons Proposed To His Adversaries For Disputation In The Name Of The Faith And Presented To The Illustrious Members Of Our Universities Edmund Campion, 2021-02-03 This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature. |
| edmundo sosa father: Latin Music Ilan Stavans, 2014-07-29 This definitive two-volume encyclopedia of Latin music spans 5 centuries and 25 countries, showcasing musicians from Celia Cruz to Plácido Domingo and describing dozens of rhythms and essential themes. Eight years in the making, Latin Music: Musicians, Genres, and Themes is the definitive work on the topic, providing an unparalleled resource for students and scholars of music, Latino culture, Hispanic civilization, popular culture, and Latin American countries. Comprising work from nearly 50 contributors from Spain, Latin America, the Caribbean, and the United States, this two-volume work showcases how Latin music—regardless of its specific form or cultural origins—is the passionate expression of a people in constant dialogue with the world. The entries in this expansive encyclopedia range over topics as diverse as musical instruments, record cover art, festivals and celebrations, the institution of slavery, feminism, and patriotism. The music, traditions, and history of more than two dozen countries—such as Argentina, Brazil, Costa Rica, Cuba, El Salvador, Guatemala, Honduras, Mexico, Panama, Spain, and Venezuela—are detailed, allowing readers to see past common stereotypes and appreciate the many different forms of this broadly defined art form. |
| edmundo sosa father: Springs of Texas Gunnar M. Brune, 2002 This text explores the natural history of Texas and more than 2900 springs in 183 Texas counties. It also includes an in-depth discussion of the general characteristics of springs - their physical and prehistoric settings, their historical significance, and their associated flora and fauna. |
| edmundo sosa father: The Sovereign Street Carwil Bjork-James, 2020-03-31 In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Streetoffers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries. |
| edmundo sosa father: Dictionary of Mexican Literature Eladio Cortés, 1992-11-24 This volume features approximately 600 entries that represent the major writers, literary schools, and cultural movements in the history of Mexican literature. A collaborative effort by American, Mexican, and Hispanic scholars, the text contains bibliographical, biographical, and critical material--placing each work cited within its cultural and historical framework. Intended to enrich the English-speaking public's appreciation of the rich diversity of Mexican literature, works are selected on the basis of their contribution toward an understanding of this unique artistry. The dictionary contains entries keyed by author and works, the length of each entry determined by the relative significance of the writer or movement being discussed. Each biographical entry identifies the author's literary contribution by including facts about his or her life and works, a chronological list of works, a supplementary bibliography, and, when appropriate, critical notes. Authors are listed alphabetically and cross-referenced both within the text and the index to facilitate easy access to information. Selected bibliographical entries are also listed alphabetically by author and include both the original title and English translation, publisher, date and place of publication, and number of pages. |
| edmundo sosa father: Western Movies Michael R. Pitts, 2013-01-04 This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs. |
| edmundo sosa father: The She-Devil in the Mirror Horacio Castellanos Moya, 2009-09-30 Salvadorean society is shocked by the gruesome murder of a young upper-class woman, and no one more so than her best friend Laura. In her first-person solo narration, Laura rattles on and on about her disbelief and horror at the evils all around her—but who’s that in the mirror? Laura Rivera can’t believe what has happened. Her best friend has been killed in cold blood in the living room of her home, in front of her two young daughters! Nobody knows who pulled the trigger, but Laura will not rest easy until she finds out. Her dizzying, delirious, hilarious, and blood-curdling one-sided dialogue carries the reader on a rough and tumble ride through the social, political, economic, and sexual chaos of post-civil war San Salvador. A detective story of pulse-quickening suspense, The She-Devil in the Mirror is also a sober reminder that justice and truth are more often than not illusive. Castellanos Moya’s relentless, obsessive narrator—female, rich, paranoid, wonderfully perceptive, and, in the end, fabulously unreliable—paints with frivolous profundity a society in a state of collapse. Castellanos Moya’s Senselessness was acclaimed “an innovative and invigoratingly twisted piece of art” (Village Voice) and “a brilliantly crafted moral fable, as if Kafka had gone to Latin America for his source materials” (Russell Banks). |
| edmundo sosa father: Waiting for the Barbarians Daniel Mendelsohn, 2012-10-16 FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN ART OF THE ESSAY AWARD Over the past decade and a half, Daniel Mendelsohn’s reviews for The New York Review of Books, The New Yorker, and The New York Times Book Review have earned him a reputation as “one of the greatest critics of our time” (Poets & Writers). In Waiting for the Barbarians, he brings together twenty-four of his recent essays—each one glinting with “verve and sparkle,” “acumen and passion”—on a wide range of subjects, from Avatar to the poems of Arthur Rimbaud, from our inexhaustible fascination with the Titanic to Susan Sontag’s Journals. Trained as a classicist, author of two internationally best-selling memoirs, Mendelsohn moves easily from penetrating considerations of the ways in which the classics continue to make themselves felt in contemporary life and letters (Greek myth in the Spider-Man musical, Anne Carson’s translations of Sappho) to trenchant takes on pop spectacles—none more explosively controversial than his dissection of Mad Men. Also gathered here are essays devoted to the art of fiction, from Jonathan Littell’s Holocaust blockbuster The Kindly Ones to forgotten gems like the novels of Theodor Fontane. In a final section, “Private Lives,” prefaced by Mendelsohn’sNew Yorker essay on fake memoirs, he considers the lives and work of writers as disparate as Leo Lerman, Noël Coward, and Jonathan Franzen. Waiting for the Barbarians once again demonstrates that Mendelsohn’s “sweep as a cultural critic is as impressive as his depth.” |
| edmundo sosa father: Human Rights in Guatemala During President de León Carpio's First Year Human Rights Watch/Americas, 1994 |
| edmundo sosa father: Who's Who Among Hispanic Americans Amy L. Unterburger, 1994 All areas of the United States have been surveyed to insure balanced national coverage in this work on Hispanic Americans. The work covers individuals from a broad range of professions and occupations, including those involved in medicine, social issues, labour, sports, entertainment, religion, business, law, journalism, science and technology, education, politics and literature. Listees have been selected on the basis of achievement in their fields and/or for considerable civic responsibility. |
| edmundo sosa father: Ancient Nahuatl Poetry Daniel Garrison Brinton, 1887 |
| edmundo sosa father: The Disappeared John Simpson, Jana Bennett, 1985 |
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