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| everyday is for the thief by teju cole: Every Day is for the Thief Teju Cole, 2014-04-03 A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future. Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave? But before the story can even begin, he has to queue for his visa.. Every Day is for the Thiefis a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.- See more at: http://www.cassavarepublic.biz/products/every-day-is-for-the-thief#sthash.qe7r4oNv.dpuf |
| everyday is for the thief by teju cole: Inventory Dionne Brand, 2006-03-28 In Dionne Brand’s incantatory, deeply engaged, beautifully crafted long poem, the question is asked, What would an inventory of the tumultuous early years of this new century have to account for? Alert to the upheavals that mark those years, Brand bears powerful witness to the seemingly unending wars, the ascendance of fundamentalisms, the nameless casualties that bloom out from near and distant streets. An inventory in form and substance, Brand’s poem reckons with the revolutionary songs left to fragment, the postmodern cities drowned and blistering, the devastation flickering across TV screens grown rhythmic and predictable. Inventory is an urgent and burning lamentation. |
| everyday is for the thief by teju cole: Dominoes at the Crossroads Kaie Kellough, 2020 Kaie Kellough is the author of the novel Accordéon (2016). Short stories taking place in Montreal, Paris, and the South American rainforest.-- |
| everyday is for the thief by teju cole: Blind Spot Teju Cole, 2017-07-04 The shadow of a tree in upstate New York. A hotel room in Switzerland. A young stranger in the Congo. In Blind Spot, readers will follow Teju Cole's inimitable artistic vision into the visual realm, as he continues to refine the voice and intellectual obsessions that earned him such acclaim for Open City. In more than 150 pairs of images and surprising, lyrical text, Cole explores his complex relationship to the visual world through his two great passions: writing and photography. Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature. |
| everyday is for the thief by teju cole: African Migration Narratives Cajetan Iheka, 2024-04 Examines the representations of migration in African literature, film, and other visual media, with an eye to the stylistic features of these works as well as their contributions to debates on migration |
| everyday is for the thief by teju cole: Open City Teju Cole, 2011-08-04 'The past, if there is such a thing, is mostly empty space, great expanses of nothing, in which significant persons and events float. Nigeria was like that for me: mostly forgotten, except for those few things that I remembered with outsize intensity.' Along the streets of Manhattan, a young Nigerian doctor doing his residency wanders aimlessly. The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past. Though he is navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation. But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey-which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul. A haunting novel about national identity, race, liberty, loss, dislocation, and surrender, Teju Cole's Open City seethes with intelligence. Written in a clear, rhythmic voice that lingers, this book is a mature, profound work by an important new author who has much to say about our world. |
| everyday is for the thief by teju cole: The Book of Collateral Damage Sinan Antoon, 2019-05-28 Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory. |
| everyday is for the thief by teju cole: Folk Song in England Steve Roud, 2017-08-15 In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more. |
| everyday is for the thief by teju cole: The Joys of Motherhood Buchi Emecheta, 1994 ...a graceful, touching, ironically titled tale. - John Updike A new edition of her classic novel to coincide with the publication of her other works in the African Writers Series. Nnu Ego is a woman devoted to her children, giving them all her energy, all her worldly possessions, indeed, all her life to them -- with the result that she finds herself friendless and alone in middle age. This story of a young mother's struggles in 1950s Lagos is a powerful commentary on polygamy, patriarchy, and women's changing roles in urban Nigeria. |
| everyday is for the thief by teju cole: Wave Sonali Deraniyagala, 2013-03-05 A brave, intimate, beautifully crafted memoir by a survivor of the tsunami that struck the Sri Lankan coast in 2004 and took her entire family. On December 26, Boxing Day, Sonali Deraniyagala, her English husband, her parents, her two young sons, and a close friend were ending Christmas vacation at the seaside resort of Yala on the south coast of Sri Lanka when a wave suddenly overtook them. She was only to learn later that this was a tsunami that devastated coastlines through Southeast Asia. When the water began to encroach closer to their hotel, they began to run, but in an instant, water engulfed them, Sonali was separated from her family, and all was lost. Sonali Deraniyagala has written an extraordinarily honest, utterly engrossing account of the surreal tragedy of a devastating event that all at once ended her life as she knew it and her journey since in search of understanding and redemption. It is also a remarkable portrait of a young family's life and what came before, with all the small moments and larger dreams that suddenly and irrevocably ended. |
| everyday is for the thief by teju cole: Running in the Family Michael Ondaatje, 2011-03-23 In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that pendant off the ear of India, Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer. |
| everyday is for the thief by teju cole: The Afternoon of a Writer Peter Handke, 2020-01-28 In Nobel Prize-winning author Peter Handke's The Afternoon of a Writer, a writer, fearful of losing his abilities and hence his connection with the world, takes an afternoon walk and has several encounters that reaffirm his confidence... |
| everyday is for the thief by teju cole: The Eternal Audience of One Rémy Ngamije, 2022-06-14 Meet Sraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Windhoek, Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, in South Africa, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university. -- adapted from jacket |
| everyday is for the thief by teju cole: Welcome to Lagos Chibundu Onuzo, 2018-05-01 “Storylines and twists abound. But action is secondary to atmosphere: Onuzo excels at evoking a stratified city, where society weddings feature ‘ice sculptures as cold as the unmarried belles’ and thugs write tidy receipts for kickbacks extorted from homeless travelers.” —The New Yorker When army officer Chike Ameobi is ordered to kill innocent civilians, he knows it is time to desert his post. As he travels toward Lagos with Yemi, his junior officer, and into the heart of a political scandal involving Nigeria’s education minister, Chike becomes the leader of a new platoon, a band of runaways who share his desire for a different kind of life. Among them is Fineboy, a fighter with a rebel group, desperate to pursue his dream of becoming a radio DJ; Isoken, a 16–year–old girl whose father is thought to have been killed by rebels; and the beautiful Oma, escaping a wealthy, abusive husband. Full of humor and heart, Welcome to Lagos is a high–spirited novel about aspirations and escape, innocence and corruption. It offers a provocative portrait of contemporary Nigeria that marks the arrival in the United States of an extraordinary young writer. |
| everyday is for the thief by teju cole: Dust Yvonne Adhiambo Owuor, 2014-01-28 From a breathtaking new voice, a novel about a splintered family in Kenya—a story of power and deceit, unrequited love, survival and sacrifice. Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan drylands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation. Here is a spellbinding novel about a brother and sister who have lost their way; about how myths come to pass, history is written, and war stains us forever. |
| everyday is for the thief by teju cole: The Radio and Other Stories Gil Ndi-Shang, 2021-04-03 On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities. |
| everyday is for the thief by teju cole: Human Archipelago Teju Cole, 2018 With Cole's words and Sheikh's photos of displaced humans, we are confronted with fundamental and newly necessary questions of coexistence: who is my neighbor? Who is kin to me? Who is a stranger? What does it mean to be human?--Publisher's description |
| everyday is for the thief by teju cole: The Spider King's Daughter Chibundu Onuzo, 2012-03-13 Winner of a Betty Trask Award Shortlisted for the Dylan Thomas Prize and the Commonwealth Book Prize Longlisted for the Desmond Elliot Prize The Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister. When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie. |
| everyday is for the thief by teju cole: Looking for Transwonderland Noo Saro-Wiwa, 2012-01-05 Noo Saro-Wiwa was brought up in England but spent her childhood summers in Nigeria - a country she considered an unglamorous parallel universe, devoid of all creature comforts. After her father, activist Ken Saro-Wiwa, was murdered there in 1995, Noo rarely returned to the land of her birth. More than a decade later, she decided to come to terms with Nigeria. From the exuberant chaos of Lagos, to the calm beauty of the eastern mountains; the eccentricity of a Nigerian dog show to the empty Transwonderland Amusement Park, Noo combines travelogue with an exploration of corruption, identity and religion. Looking for Transwonderland is the first major non-fiction narrative of modern Nigeria; an engaging portrait of a country whose beauty and variety few of us will experience, depicted with wit and insight by a refreshing new voice in contemporary travel writing. |
| everyday is for the thief by teju cole: Dreams in a Time of War Ngugi wa Thiong'o, 2010-03-09 Born in 1938 in rural Kenya, Ngũgĩ wa Thiong’o came of age in the shadow of World War II, amidst the terrible bloodshed in the war between the Mau Mau and the British. The son of a man whose four wives bore him more than a score of children, young Ngũgĩ displayed what was then considered a bizarre thirst for learning, yet it was unimaginable that he would grow up to become a world-renowned novelist, playwright, and critic. In Dreams in a Time of War, Ngũgĩ deftly etches a bygone era, bearing witness to the social and political vicissitudes of life under colonialism and war. Speaking to the human right to dream even in the worst of times, this rich memoir of an African childhood abounds in delicate and powerful subtleties and complexities that are movingly told. |
| everyday is for the thief by teju cole: Touching Strangers , 2014 A collection of portraits featuring strangers physically interacting raises questions about the possibilities of positive human connection in a diverse world. |
| everyday is for the thief by teju cole: Our Country Friends Gary Shteyngart, 2021-11-02 NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Financial Times, The Washington Post, Time, Los Angeles Times, New York Post, Town & Country, Good Housekeeping, Kirkus Reviews Finalist for the Bollinger Everyman Wodehouse Prize for Comic Fiction • Longlisted for the Joyce Carol Oates Prize • “A perfect novel for these times and all times, the single textual artifact from the pandemic era I would place in a time capsule as a representation of all that is good and true and beautiful about literature.”—Molly Young, The New York Times (Editors’ Choice) Eight friends, one country house, and six months in isolation—a novel about love, friendship, family, and betrayal hailed as a “virtuoso performance” (USA Today) and “an homage to Chekhov with four romances and a finale that will break your heart” (The Washington Post) In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a Southern flamethrower of an essayist; and a movie star, the Actor, whose arrival upsets the equilibrium of this chosen family. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller Super Sad True Love Story. |
| everyday is for the thief by teju cole: Eyrie Tim Winton, 2014-06-10 When you’re fighting to keep your head above water, how can you save someone else from drowning? Tim Winton is Australia’s most decorated and beloved literary novelist. Shortlisted twice for the Booker Prize and the winner of a record-holding four Miles Franklin Awards for Best Australian Novel, he has a gift for language virtually unrivaled among English-language novelists. His work is both tough and tender, primordial and new—always revealing the raw, instinctual drives that lure us together and rend us apart. In Eyrie, Winton crafts the story of Tom Keely, a man struggling to accomplish good in an utterly fallen world. Once an ambitious, altruistic environmentalist, Keely now finds himself broke, embroiled in scandal and struggling to piece together some semblance of a life. From the heights of his urban high-rise apartment, he surveys the wreckage of his life and the world he’s tumbled out of love with. And just before he descends completely into pills and sorrow, a woman from his past and her preternatural child appear, perched on the edge of disaster, desperate for help. As Keely slips into a nightmarish world of con artists, drug dealers, petty violence and extortion, Winton confronts the cost of benevolence and creates a landscape of uncertainty. Eyrie is a thrilling and vertigo-inducing morality tale, at once brutal and lyrical, from one of our finest story tellers. |
| everyday is for the thief by teju cole: Ode to the Heart Smaller Than a Pencil Eraser Luisa A. Igloria, 2014-09-01 When Luisa Igloria cites Epictetus—‘as soon as a thing has been seen, it is carried away, and another comes in its place'—she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. ‘I was raised / to believe not only the beautiful can live on / Parnassus,’ she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe. —:Mark Doty,Mark Doty, judge for the 2014 Swenson Award The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown. |
| everyday is for the thief by teju cole: The Remains of the Day Kazuo Ishiguro, 2009-01-08 *Kazuo Ishiguro's new novel Klara and the Sun is now available* WINNER OF THE BOOKER PRIZE A contemporary classic, The Remains of the Day is Kazuo Ishiguro's beautiful and haunting evocation of life between the wars in a Great English House. In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the countryside and into his past. 'A triumph . . . This wholly convincing portrait of a human life unweaving before your eyes is inventive and absorbing, by turns funny, absurd and ultimately very moving.' Sunday Times 'A dream of a book: a beguiling comedy of manners that evolves almost magically into a profound and heart-rending study of personality, class and culture.' New York TImes Book Review |
| everyday is for the thief by teju cole: The Clothes of Nakedness Benjamin Kwakye, 2023-11-01 Winner of the 1999 Commonwealth Writers' Prize for Best First Book, Africa Region. The Clothes of Nakedness cleverly examines the complexities of human relationships, offering a gritty expose of the divide between rich and poor in modern Ghana. Evil lurks in the streets of Accra and it goes by the name of Mystique Mysterious. A wealthy man with maleficent intentions, Mystique delights in manipulating the vulnerable with his exploitative deals. His bargains may seem fishy but when poverty is knocking on your door and options are limited, what choice do you have? The Clothes of Nakedness is a gripping exploration into how, when pushed, ordinary people can fall into a vicious cycle of vice and corruption that only serves to benefit the ruling class. |
| everyday is for the thief by teju cole: Voices of Africa - Nigeria Dirk Beyer, 2019 |
| everyday is for the thief by teju cole: Anatomy of a Disappearance Hisham Matar, 2011-03-29 Nuri is a young boy when his mother dies. It seems that nothing will fill the emptiness her strange death leaves behind. Until Mona. When Nuri first sees Mona, the rest of the world vanishes. But it is Nuri's father with whom Mona falls in love and whom she will eventually marry. Their happiness consumes Nuri to the point at which he longs to get his father out of the way. However, Nuri will soon regret what he wished for. As the world he shares with his stepmother is shattered by events beyond their control, they both begin to realize how little they really knew about the man they loved. In a delicately wrought and beautifully tender voice, Hisham Matar's extraordinary new novel asks, When a loved one disappears how does his or her absence shape the lives of those who are left? |
| everyday is for the thief by teju cole: The Faster I Walk, The Smaller I Am Kjersti A. Skomsvold, 2011-10-25 Mathea Martinsen has never been good at dealing with other people. After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband's watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won't notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life must be lived to the fullest. |
| everyday is for the thief by teju cole: Every Day Is for the Thief Teju Cole, 2014-03-25 NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY DWIGHT GARNER, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle | NPR | The Root | The Telegraph | The Globe and Mail NATIONAL BESTSELLER • FINALIST, PHILLIS WHEATLEY BOOK AWARD • TEJU COLE WAS NAMED ONE OF THE MOST INFLUENTIAL AFRICANS OF THE YEAR BY NEW AFRICAN MAGAZINE For readers of Chimamanda Ngozi Adichie and Michael Ondaatje, Every Day Is for the Thief is a wholly original work of fiction by Teju Cole, whose critically acclaimed debut, Open City, was the winner of the PEN/Hemingway Award and a finalist for the National Book Critics Circle Award, and was named one of the best books of the year by more than twenty publications. Fifteen years is a long time to be away from home. It feels longer still because I left under a cloud. A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the “yahoo yahoo” diligently perpetrating email frauds from an Internet café, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market. Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life—creative, malevolent, ambiguous—and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself. In spare, precise prose that sees humanity everywhere, interwoven with original photos by the author, Every Day Is for the Thief—originally published in Nigeria in 2007—is a wholly original work of fiction. This revised and updated edition is the first version of this unique book to be made available outside Africa. You’ve never read a book like Every Day Is for the Thief because no one writes like Teju Cole. Praise for Every Day Is for the Thief “A luminous rumination on storytelling and place, exile and return . . . extraordinary.”—San Francisco Chronicle “Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion.”—The Boston Globe |
| everyday is for the thief by teju cole: Unexpected Joy at Dawn Alex Agyei-Agyiri, 2003 Fifteen years ago, Mama said, starting her story, I came to Lagos from Ghana. I came to Nigeria because I was considered an alien in that country. The government of Ghana passed a law asking all aliens without resident permits to regularise their stay in the country'. This story of migration, identities and lives undermined by cynical and xenophobic politics pushed to its logical and terrible conclusion pertains to the Ghanaian orders of `alien compliance' issued in 1970-1971, which determined to force all non-ethnic Ghanaians, so called illegal immigrants, to return to their - so stipulated - `home'. The novel thus touches on concerns of deeper relevance to the politics of race and migration of the twenty first century. |
| everyday is for the thief by teju cole: House of Love Dayanita Singh, 2010 Text by Aveek Sen. |
| everyday is for the thief by teju cole: Every Day Is for the Thief Teju Cole, 2015-03-03 NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY DWIGHT GARNER, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle | NPR | The Root | The Telegraph | The Globe and Mail NATIONAL BESTSELLER • FINALIST, PHILLIS WHEATLEY BOOK AWARD • TEJU COLE WAS NAMED ONE OF THE MOST INFLUENTIAL AFRICANS OF THE YEAR BY NEW AFRICAN MAGAZINE For readers of Chimamanda Ngozi Adichie and Michael Ondaatje, Every Day Is for the Thief is a wholly original work of fiction by Teju Cole, whose critically acclaimed debut, Open City, was the winner of the PEN/Hemingway Award and a finalist for the National Book Critics Circle Award, and was named one of the best books of the year by more than twenty publications. Fifteen years is a long time to be away from home. It feels longer still because I left under a cloud. A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the “yahoo yahoo” diligently perpetrating email frauds from an Internet café, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market. Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life—creative, malevolent, ambiguous—and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself. In spare, precise prose that sees humanity everywhere, interwoven with original photos by the author, Every Day Is for the Thief—originally published in Nigeria in 2007—is a wholly original work of fiction. This revised and updated edition is the first version of this unique book to be made available outside Africa. You’ve never read a book like Every Day Is for the Thief because no one writes like Teju Cole. Praise for Every Day Is for the Thief “A luminous rumination on storytelling and place, exile and return . . . extraordinary.”—San Francisco Chronicle “Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion.”—The Boston Globe |
| everyday is for the thief by teju cole: I Do Not Come to You by Chance Adaobi Tricia Nwaubani, 2009-06-23 **Now a feature film starring Paul Nnadiekwe and Blossom Chukwujekwu, which debuted at the Toronto International Film Festival (tiff) in September 2023.** This deeply moving novel set amid the perilous world of Nigerian email scams tells the story of one young man and the family who loves him. Being the opara of the family, Kingsley Ibe is entitled to certain privileges -- a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a long-leg -- someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish milieu? |
| everyday is for the thief by teju cole: Batlava Lake Adam Mars-Jones, 2021-06-23 |
| everyday is for the thief by teju cole: What We Lose Zinzi Clemmons, 2017-07-11 A short, intense and profoundly moving debut novel about race, identity, sex and death – from one of the National Book Foundation’s 5 Under 35 |
| everyday is for the thief by teju cole: Oil on Water , 2019-10 |
| everyday is for the thief by teju cole: Necrophilia Variations Supervert 32C Inc, 2006 Fiction. NECROPHILIA VARIATIONS is a literary monograph on the erotic attraction to corpses and death. It consists of a series of texts that, like musical phrases, take up the theme and advance it by means of repetition, contrast, and variation.Written in a style that ranges from the lugubrious to the ludicrous--from purple prose to black humor--NECROPHILIA VARIATIONS uses literary means to probe the psychopathology of sexual perversion. Eros, the book asks, is naturally drawn to beauty, and yet nothing would seem to be less inherently beautiful than a cadaver. How is it that a necrophile ends up confusing the two, discovering beauty in what most people would find repugnant? How does he come to desire that which would seem to be intrinsically undesirable? If you have ever contemplated the curious points of contact between eros and thanatos, then Necrophilia Variations will be sure to delight you with its depictions of death, desire, and deviance. |
| everyday is for the thief by teju cole: All Our Names Dinaw Mengestu, 2014-06-05 LONGLISTED FOR THE FOLIO PRIZE 2015 Two young friends join an uprising against Uganda's corrupt regime in the early 1970s. As the line blurs between idealism and violence, one of them flees for his life. In a quiet Midwestern town in the aftermath of the Vietnam War, an African student falls for the woman who helps him settle in. Prejudice overshadows their relationship, yet it is equally haunted by the past. Both men are called Isaac. But are they one and the same? |
| everyday is for the thief by teju cole: Contemporary Novelists and the Aesthetics of Twenty-First Century American Life Alexandra Kingston-Reese, 2020-01-01 Contemporary Novelists and the Aesthetics of Twenty-First Century American Life gives us a new way to view contemporary art novels, asking the key question: How do contemporary writers imagine aesthetic experience? Examining the works of some of the most popular names in contemporary fiction and art criticism, including Zadie Smith, Teju Cole, Siri Hustvedt, Ben Lerner, Rachel Kushner, and others, Alexandra Kingston-Reese finds that contemporary art novels are seeking to reconcile the negative feelings of contemporary life through a concerted critical realignment in understanding artistic sensibility, literary form, and the function of the aesthetic. Kingston-Reese reveals how contemporary writers refract and problematize aesthetic experience, illuminating an uneasiness with failure: firstly, about the failure of aesthetic experiences to solve and save; and secondly, the literary inability to articulate the emotional dissonance caused by aesthetic experiences now. |
'Everyday' vs. 'Every Day': Explaining Which to Use - Merriam-Webster
When used to modify another word, everyday is written as a single word (“an everyday occurrence,” “everyday clothes,” “everyday life”). When you want to indicate that something …
Everyday vs. Every day–What's the Difference? - Grammarly
Everyday is an adjective we use to describe something that’s seen or used every day. It means “ordinary” or “typical.” Every day is a phrase that simply means “each day.”
Everyday vs. Every Day – What’s the Difference? - GRAMMARIST
Many people need clarification between the adjective everyday and the two-word phrase every day. They sound the same, but there’s a subtle difference in how they’re used. Everyday …
Everyday vs Every Day - Dictionary.com
Dec 1, 2017 · In 1984, George Orwell writes: “Reality only exerts its pressure through the needs of everyday life.” In this example, everyday means daily, the ordinary life that each person lives …
Everyday or Every Day? We’ll Teach You The Difference
Is It “Everyday” or “Every Day”? If you find yourself asking, “Is it everyday or every day?,” you aren’t alone. Many people use these words incorrectly. It comes down to this: if you do …
Everyday vs. Every Day: What’s the Difference? - Writing Explained
Everyday is an adjective and modifies nouns in sentences. Every day is an adverbial phrase. It can be substituted with each day when you aren’t sure which one is correct.
Everyday vs. Every Day: Using the Terms Correctly Every Time
Oct 26, 2021 · When you say every day, the words are spaced out and pronounced individually, while everyday is pronounced like one word with no breaks. Here are some correct and …
Everyday vs. Every Day | Examples, Difference & Quiz - Scribbr
Jul 11, 2022 · Everyday (one word) is an adjective that means “commonplace” or “ordinary.” It’s pronounced with the stress on the first syllable only: [ ev -ry-day]. Every day (two words) is an …
EVERYDAY definition and meaning | Collins English Dictionary
You use everyday to describe something which happens or is used every day, or forms a regular and basic part of your life, so it is not especially interesting or unusual.
What is the difference between everyday and every day
Jun 4, 2025 · Everyday is an adjective. You use it to describe something that is normal and not exciting or unusual in any way.
'Everyday' vs. 'Every Day': Explaining Which to Use - Merriam-Webster
When used to modify another word, everyday is written as a single word (“an everyday occurrence,” “everyday clothes,” “everyday life”). When you want to indicate that something …
Everyday vs. Every day–What's the Difference? - Grammarly
Everyday is an adjective we use to describe something that’s seen or used every day. It means “ordinary” or “typical.” Every day is a phrase that simply means “each day.”
Everyday vs. Every Day – What’s the Difference? - GRAMMARIST
Many people need clarification between the adjective everyday and the two-word phrase every day. They sound the same, but there’s a subtle difference in how they’re used. Everyday …
Everyday vs Every Day - Dictionary.com
Dec 1, 2017 · In 1984, George Orwell writes: “Reality only exerts its pressure through the needs of everyday life.” In this example, everyday means daily, the ordinary life that each person …
Everyday or Every Day? We’ll Teach You The Difference
Is It “Everyday” or “Every Day”? If you find yourself asking, “Is it everyday or every day?,” you aren’t alone. Many people use these words incorrectly. It comes down to this: if you do …
Everyday vs. Every Day: What’s the Difference? - Writing Explained
Everyday is an adjective and modifies nouns in sentences. Every day is an adverbial phrase. It can be substituted with each day when you aren’t sure which one is correct.
Everyday vs. Every Day: Using the Terms Correctly Every Time
Oct 26, 2021 · When you say every day, the words are spaced out and pronounced individually, while everyday is pronounced like one word with no breaks. Here are some correct and …
Everyday vs. Every Day | Examples, Difference & Quiz - Scribbr
Jul 11, 2022 · Everyday (one word) is an adjective that means “commonplace” or “ordinary.” It’s pronounced with the stress on the first syllable only: [ ev -ry-day]. Every day (two words) is an …
EVERYDAY definition and meaning | Collins English Dictionary
You use everyday to describe something which happens or is used every day, or forms a regular and basic part of your life, so it is not especially interesting or unusual.
What is the difference between everyday and every day
Jun 4, 2025 · Everyday is an adjective. You use it to describe something that is normal and not exciting or unusual in any way.
