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encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance Aberjhani, Sandra L. West, 2003 Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York. |
encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance: K-Y Cary D. Wintz, Paul Finkelman, 2004 An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places. |
encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance Cary D. Wintz, Paul Finkelman, 2012-12-06 From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website. |
encyclopedia of the harlem renaissance: The Encyclopedia of the Harlem Literary Renaissance Assistant Professor of English Lois Brown, Lois Brown, 2014-05-14 Presents an alphabetical reference guide detailing the lives and works of authors associated with the Harlem literary renaissance of the early-twentieth century. |
encyclopedia of the harlem renaissance: African American Literature Hans Ostrom, J. David Macey Jr., 2019-11-15 This essential volume provides an overview of and introduction to African American writers and literary periods from their beginnings through the 21st century. This compact encyclopedia, aimed at students, selects the most important authors, literary movements, and key topics for them to know. Entries cover the most influential and highly regarded African American writers, including novelists, playwrights, poets, and nonfiction writers. The book covers key periods of African American literature—such as the Harlem Renaissance, the Black Arts Movement, and the Civil Rights Era—and touches on the influence of the vernacular, including blues and hip hop. The volume provides historical context for critical viewpoints including feminism, social class, and racial politics. Entries are organized A to Z and provide biographies that focus on the contributions of key literary figures as well as overviews, background information, and definitions for key subjects. |
encyclopedia of the harlem renaissance: HARLEM RENAISSANCE , 2021 |
encyclopedia of the harlem renaissance: Home To Harlem Claude McKay, 2024-06-18 Home to Harlem is a groundbreaking novel written by Claude McKay, a prominent figure of the Harlem Renaissance. Published in 1928, it is considered as one of the earliest works of the Harlem Renaissance movement, which sought to celebrate African American culture and identity through literature, art, and music. McKay's novel is a powerful and thought-provoking depiction of the lives of African Americans living in the urban city of Harlem during the 1920s. The novel follows the story of Jake Brown, a young black man who returns to Harlem after serving in World War I. Through Jake's eyes, McKay portrays the vibrant and complex world of Harlem, with its jazz clubs, speakeasies, and bustling streets. The city is a melting pot of different cultures, with people from all walks of life coexisting and struggling to survive in a society that is hostile towards them. One of the main themes of the novel is the search for identity and belonging. Jake, like many other African Americans, is torn between his rural Southern roots and the urban lifestyle of Harlem. He is constantly trying to find his place in a city that is both alluring and rejecting, facing the dilemma of whether to conform to societal expectations or embrace his true self. This struggle is further highlighted through the character of Ray, Jake's friend, who is trying to pass as white to gain acceptance and privilege in society. McKay's writing is raw and unapologetic, as he fearlessly addresses issues of race, class, and gender. He exposes the harsh realities of racism and discrimination faced by African Americans, both in the North and the South. The novel also delves into the complexities of relationships, particularly between men and women, and the impact of societal expectations on them. Moreover, Home to Harlem is a celebration of African American culture and traditions. McKay effortlessly weaves in elements of jazz, blues, and folklore into the narrative, giving readers a glimpse into the rich and vibrant culture of Harlem. He also highlights the resilience and strength of the African American community, who despite facing numerous challenges, continue to thrive and create their own spaces of freedom and joy. In addition to its literary significance, Home to Harlem is also a social commentary on the limitations and restrictions placed on African Americans during the 1920s. McKay's novel is a call for social and political change, urging readers to challenge the status quo and fight for equality and justice. Home to Harlem is a powerful and thought-provoking novel that provides a unique and authentic perspective on the African American experience during the Harlem Renaissance. It is a timeless classic that continues to inspire and educate readers about the struggles and triumphs of a community that fought for their place in American society. |
encyclopedia of the harlem renaissance: Encyclopedia of African American History, 1896 to the Present: O-T Paul Finkelman, 2009 Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century. |
encyclopedia of the harlem renaissance: Encyclopedia of African American Popular Culture: D-J Jessie Carney Smith, 2011 |
encyclopedia of the harlem renaissance: The New Negro Alain Locke, 2021-01-13 Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries. |
encyclopedia of the harlem renaissance: The Harlem Renaissance in the American West Cary D Wintz, Bruce Glasrud, 2012-05-22 The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time. |
encyclopedia of the harlem renaissance: Children's Literature of the Harlem Renaissance Katharine Capshaw, Katharine Capshaw Smith, 2006-08-16 This book explores the period's vigorous exchange about the nature and identity of black childhood and uncovers the networks of African American philosophers, community activists, schoolteachers, and literary artists who worked together to transmit black history and culture to the next generation.--Jacket. |
encyclopedia of the harlem renaissance: God Sends Sunday Arna Bontemps, 1972 |
encyclopedia of the harlem renaissance: Encyclopedia of African American Women Writers Yolanda Williams Page, |
encyclopedia of the harlem renaissance: Drums at Dusk Arna Bontemps, 1990 |
encyclopedia of the harlem renaissance: African Fundamentalism Tony Martin, 2021-04-05 The real roots of the Harlem Renaissance lie in the Garvey Movement. Zora Neale Hurston, Alain Locke and Claude McKay all published in Garvey's Negro World before the mainstream Renaissance got going. Afro-America's first book reviews and literary competitions came out of the Garvey Movement. This volume presents a rich treasury of literary criticism, book reviews, poetry, short stories, music and art appreciation, polemics on the Black aesthetic and other never before published literary and cultural writings of Garvey's Harlem Renaissance. Authors range from the unknown to major literary and political figures whose Garvey connections few will suspect. |
encyclopedia of the harlem renaissance: A History of the Harlem Renaissance Rachel Farebrother, Miriam Thaggert, 2021-02-04 This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture. |
encyclopedia of the harlem renaissance: Afro-modernist Aesthetics & the Poetry of Sterling A. Brown Mark A. Sanders, 1999 Sterling A. Brown’s poetry and aesthetics are central to a proper understanding of African American art and politics of the early twentieth century. This study redefines the relationship between modernism and the New Negro era in light of Brown’s uniquely hybrid poetry and vision of a heterodox, pluralist modernism. Brown, also a folklorist and critic, saw the Harlem Renaissance and modernism as interactive rather than mutually exclusive and perceived the New Negro era as the dawning of African American modernity. Reading Brown’s three collections of poetry in light of their respective historical contexts, Sanders examines the ways in which Brown reconfigured black being and created alternative conceptual space for African Americans amid the prevailing racial discourses of American culture. Brown’s poetics call for revised conceptions of the Harlem Renaissance, black identity, artistic expression, and modernity that recognize the range, depth, and complexity of African American life. |
encyclopedia of the harlem renaissance: Women of the Harlem Renaissance Cheryl A. Wall, 1995-09-22 Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate. -- Jason Zappe, Copley News Service By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended... Â -- Library Journal Wall offers a wealth of information and insight on their work, lives and interaction with other writers... strong critiques... -- Publishers Weekly The lives and works of women artists in the Harlem Renaissance -- Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully. |
encyclopedia of the harlem renaissance: Negro life in New York's Harlem Wallace Thurman, 2025-03-02 In Negro Life in New York's Harlem, Wallace Thurman offers a vivid portrayal of Harlem during the early 20th century, encapsulating its vibrant culture, socioeconomic challenges, and the burgeoning artistic movements of the Harlem Renaissance. The book is characterized by its rich, evocative prose, blending sociological analysis with lyrical observations that reflect the complexities of life in an urban African American enclave. Thurman's unique narrative style allows readers to immerse themselves in the period's dynamism while navigating the intricate realities faced by its inhabitants, thus positioning the work as both a historical document and a piece of literary art. Wallace Thurman was a central figure in the Harlem Renaissance, a literary and cultural movement that sought to explore and elevate African American experiences and identities. His experiences as a young man navigating race relations in America, alongside his involvement with notable contemporaries like Langston Hughes, profoundly influenced his perspective. Thurman's commitment to unveiling the contradictions within Negro life—and his own struggles as a biracial individual—shaped his longing for a more authentic representation of Black existence. This book is essential for readers interested in African American history, literature, and culture. It not only captures the spirit of Harlem but also provides a critical lens through which to examine the socio-political landscape of the early 20th century. Thurman's insightful exploration invites readers to engage deeply with the voices and stories that shaped a pivotal moment in American history. |
encyclopedia of the harlem renaissance: Writing with Scissors Ellen Gruber Garvey, 2012-11-02 Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create unwritten histories in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically scissorized and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it. |
encyclopedia of the harlem renaissance: The Harlem Renaissance Cheryl A. Wall, 2016 This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike. |
encyclopedia of the harlem renaissance: Black Women of the Harlem Renaissance Era Lean'tin L. Bracks, Jessie Carney Smith, 2014 The Harlem Renaissance is considered a major periods for the creative and intellectual blossoming of African American expression. This reference text cites the participation of women during that time in the fields of art, literature, education, activism, entertainment, entrepreneurship, and professional roles. |
encyclopedia of the harlem renaissance: Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry Aberjhani, 2014-05-28 More than a book of popular quotes, this volume is a powerful reference tool for some of the most frequently-cited poems, news articles, fiction, memoir, history, and creative nonfiction on the web. It also provides the largest single selection of quotes by the author, many available only in these pages, including the entire special section titled TAO OF THE RAINBOW. In addition, the book as a whole demonstrates the ability of social media such as Twitter, Facebook, Tumblr, and Google+ to help make positive and inspiring differences in 21st-century life. Journey through the Power of the Rainbow represents a condensed compendium of literary efforts from a life dedicated to transforming the themes of injustice, grief, and despair that we all encounter during some unavoidable point of our existence into a sustainable life-affirming poetics of passionate creativity, empowered spiritual vision, and inspired commitment. --Aberjhani, from Journey through the Power of the Rainbow |
encyclopedia of the harlem renaissance: Encyclopedia of American Poetry: The Twentieth Century Eric L. Haralson, 2014-01-21 The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States. |
encyclopedia of the harlem renaissance: Not Without Laughter Langston Hughes, 2008-04-04 Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African-American family in rural Kansas, explores the dilemmas of life in a racially divided society. |
encyclopedia of the harlem renaissance: Jean Toomer and the Harlem Renaissance Geneviève Fabre, Michel Feith, 2001 Jean Toomer's novel Cane has been hailed as the harbinger of the Harlem Renaissance and as a model for modernist writing, yet it eludes categorization and its author remains an enigmatic and controversial figure in American literature. The present collection of essays by European and American scholars gives a fresh perspective by using sources made available only in recent years, highlighting Toomer's bold experimentations, as well as his often ambiguous responses to the questions of his time. Some of the essays achieve this through close readings of the text, leading to new and challenging interpretations of Toomer's transcendence of genres and styles. Others show how the publication of Cane and his later writings placed Toomer at the heart of contemporary ideological and artistic debates: race and identity, the negro writer and the white literary world, primitivism and modernism. |
encyclopedia of the harlem renaissance: Literary Garveyism Tony Martin, 2022-04-05 Successful in showing that the popularly rooted Garveyites displayed as much zeal for literature as did the now better-known NAACP and Urban League, Martin's book serves as a corrective work |
encyclopedia of the harlem renaissance: Passing Nella Larsen, 2025-12-01 Passing is a profound exploration of racial identity, societal expectations, and the intricate dynamics of friendship and betrayal. Nella Larsen delves into the complexities of race and colorism in 1920s America, portraying a society where appearances are carefully curated, and personal identity is often sacrificed for social acceptance. Through the intertwined lives of Clare Kendry and Irene Redfield, the novel examines how race can be both a barrier and a means of survival, as well as how it influences personal choices and relationships. Since its publication, Passing has been acclaimed for its nuanced portrayal of identity and the tensions surrounding race and class. The novel's exploration of these themes has inspired academic discussions and adaptations in various forms, including films and theatrical productions. Its characters, particularly Clare and Irene, have become central to debates on identity, autonomy, and the pressures of societal norms. The novel remains relevant today due to its incisive critique of social constructs and its portrayal of the personal and collective struggles tied to race. By addressing issues of belonging, self-perception, and the cost of conformity, Passing continues to resonate as a powerful commentary on the human experience in the face of societal expectations. |
encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance Aberjhani, 2019 In the decades of the 1920s and 1930s in the section of New York City known as Harlem, there developed a unique awakening of mind and spirit, of race consciousness and artistic advancement. |
encyclopedia of the harlem renaissance: The Cambridge Companion to the Harlem Renaissance George Hutchinson, 2007-06-14 The Harlem Renaissance (1918–1937) was the most influential single movement in African American literary history. Its key figures include W. E. B. Du Bois, Nella Larsen, Zora Neale Hurston, Claude McKay, and Langston Hughes. The movement laid the groundwork for all later African American literature, and had an enormous impact on later black literature world-wide. With chapters by a wide range of well-known scholars, this 2007 Companion is an authoritative and engaging guide to the movement. It first discusses the historical contexts of the Harlem Renaissance, both national and international; then presents original discussions of a wide array of authors and texts; and finally treats the reputation of the movement in later years. Giving full play to the disagreements and differences that energized the renaissance, this Companion presents a set of new readings encouraging further exploration of this dynamic field. |
encyclopedia of the harlem renaissance: First Book Of Jazz Langston Hughes, 1995-10-21 An introduction to jazz music by one of our finest writers. Langston Hughes, celebrated poet and longtime jazz enthusiast, wrote The First Book of Jazz as a homage to the music that inspired him. The roll of African drums, the dancing quadrilles of old New Orleans, the work songs of the river ports, the field shanties of the cotton plantations, the spirituals, the blues, the off-beats of ragtime -- in a history as exciting as jazz rhythms, Hughes describes how each of these played a part in the extraordinary history of jazz. |
encyclopedia of the harlem renaissance: Blacker the Berry... Wallace Thurman, 1996-02-02 This widely read, controversial work from the Harlem Renaissance was the first novel to openly explore prejudice within the black community. A young woman, whose dark complexion is a source of sorrow and humiliation not only to herself but to her lighter-skinned family and friends, travels from Boise, Idaho, to New York's Harlem, hoping to find a safe haven in the Black Mecca of the 1920s. |
encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance: A-J Cary D. Wintz, Paul Finkelman, 2004 An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places. |
encyclopedia of the harlem renaissance: An Anthology of Verse by American Negroes Newman Ivey White, Walter Clinton Jackson, 2013-10 This is a new release of the original 1924 edition. |
encyclopedia of the harlem renaissance: Encyclopedia of the Black Arts Movement Verner D. Mitchell, Cynthia Davis, 2019 The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy--along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers--these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America's most original and controversial artists and intellectuals. In Encyclopedia of the Blacks Arts Movement, Verner D. Mitchell and Cynthia Davis have collected essays on the key figures of the movement, including Maya Angelou, James Baldwin, Amiri Baraka, Nikki Giovanni, Larry Neal, Sun Ra, Sonia Sanchez, Ntozake Shange, and Archie Shepp. Additional entries focus on Black Theatre magazine, the Negro Ensemble Company, lesser known individuals--including Kathleen Collins, Tom Dent, Bill Gunn, June Jordan, and Barbara Ann Teer--and groups, such as AfriCOBRA and the New York Umbra Poetry Workshop. The Black Arts Movement represented the most prolific expression of African American literature since the Harlem Renaissance of the 1920s. Featuring essays by contemporary scholars and rare photographs of BAM artists, Encyclopedia of the Blacks Arts Movement is an essential reference for students and scholars of twentieth-century American literature and African American cultural studies. |
encyclopedia of the harlem renaissance: Encyclopedia of the Harlem Renaissance: K-Y Cary D. Wintz, Paul Finkelman, 2004 An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places. |
encyclopedia of the harlem renaissance: The Wisdom of W.E.B. DuBois William Edward Burghardt Du Bois, 2003 William Edward Burghardt DuBois was the most influential black American leader of the first half of the twentieth century. His work paved the way for the civil rights, Pan-African and Black Power movements and inspired generations of leaders such as Dr. Martin Luther King, Jr. A brilliant writer and speaker, he was the outstanding black American intellectual of his time and co-founder of the NAACP. Drawing upon his many written works and speeches, this volume collects together some of his most thought-provoking and important ideas. |
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